Well, here we go.
http://www.hollywoodreporter.com/heat-vision/quentin-tarantino-prepping-new-movie-tackling-manson-murders-1020165
Barely any details there except that it's coming together.
― Ned Raggett, Tuesday, 11 July 2017 23:15 (seven years ago)
huh
does not really sound like a good idea tbh
― Οὖτις, Tuesday, 11 July 2017 23:16 (seven years ago)
sounds like it *could* be a good idea, you read so much about the aura around L.A. during this period and the spookiness of these murders (and other crimes of the era) and the whole sinister vibe surrounding so much of celebrity culture (and the spookiness of the hills, which was so heavy it even permeated the L.A. parts of "Mad Men" even without anything being explicitly mentioned.) but it would take another director who's capable of pulling that off.
― nomar, Tuesday, 11 July 2017 23:19 (seven years ago)
otoh another opportunity for Tarantino to liberally use the n-word
― Οὖτις, Tuesday, 11 July 2017 23:19 (seven years ago)
Have to say that Karina Longworth's deep dive into it all was the first time I ever really paid attention to the full sweep of the story. Scroll to the bottom for the first one, work your way along -- very illuminating. (And honestly I wouldn't be surprised if Tarantino heard this and that's what gave him a new spark to pursue this, etc.)
http://www.youmustrememberthispodcast.com/episodes/?category=CharlesManson%27sHollywood
― Ned Raggett, Tuesday, 11 July 2017 23:25 (seven years ago)
I liked the Aquarius series on NBC (w/David Duchovny), which covered that scene and LA in general, but it looks like it's been cancelled.
― nickn, Wednesday, 12 July 2017 00:07 (seven years ago)
I seem to recall Tarantino talking about the Manson murders in a TV interview years ago. Considering his love of that era of films and stuff, I'm sure Helter Skelter the book and movie was something he probably read and saw as a kid.
― earlnash, Wednesday, 12 July 2017 00:13 (seven years ago)
How has QT avoided Charlie up until now? They were made to mate and produce offspring.
― A is for (Aimless), Wednesday, 12 July 2017 00:26 (seven years ago)
There's an image.
― Ned Raggett, Wednesday, 12 July 2017 00:31 (seven years ago)
I couldn't find it online, but I swear that thing with Tarantino and Manson coming up might have been on an old episode of Politically Incorrect. It was some type of panel show where Manson came up as a topic.
― earlnash, Wednesday, 12 July 2017 00:46 (seven years ago)
Why the hell not? At least it isn't set pre-1965.
― The Harsh Tutelage of Michael McDonald (Raymond Cummings), Wednesday, 12 July 2017 01:02 (seven years ago)
(Rob Zombie and Bret Easton Ellis were supposed to develop a mini-series in this vein years ago; I'd love for them to be involved somehow, and won't hold my breath for that.)
― The Harsh Tutelage of Michael McDonald (Raymond Cummings), Wednesday, 12 July 2017 01:03 (seven years ago)
Ha, was about to come here and say this could go very bad and end up some Rob Zombie parade of grotesqueries.
― Josh in Chicago, Wednesday, 12 July 2017 01:21 (seven years ago)
yeah, the fact that he'll be working around an actual event kind of throws me, and might impact the *enjoyment* of the film. Does black humor work better when it's not colored by real events? Might be better if he used a veiled, fictional version of the event as a keystone around which to explore other shit
― calstars, Wednesday, 12 July 2017 01:25 (seven years ago)
He could cast Sam Jackson as Manson.
― Josh in Chicago, Wednesday, 12 July 2017 01:26 (seven years ago)
(x)xpost
That's what I'm afraid of. I'm also wary in that I probably just really don't want to see a movie on this subject.
― some sad trombone Twilight Zone shit (cryptosicko), Wednesday, 12 July 2017 01:26 (seven years ago)
Don't trust an Elvis guy to make a Beatles movie.
― pplains, Wednesday, 12 July 2017 01:32 (seven years ago)
I'm just glad he's not at Reservoir Dogs sequel time yet
― calstars, Wednesday, 12 July 2017 01:40 (seven years ago)
time for the victims' families to take 'preemptive' action
― Supercreditor (Dr Morbius), Wednesday, 12 July 2017 01:42 (seven years ago)
Reservoir Doges
― calstars, Wednesday, 12 July 2017 01:44 (seven years ago)
what if this is the event that sets off a Polanski/Tarantino feud
― mh, Wednesday, 12 July 2017 01:45 (seven years ago)
xp why did you make me google it
http://i.imgur.com/Impkc8r.png
― Old Lynch's Sex Paragraph (Phil D.), Wednesday, 12 July 2017 01:47 (seven years ago)
lol
― calstars, Wednesday, 12 July 2017 01:48 (seven years ago)
QT: No, it's gonna be great - you think Tim bled from his stomach in Dogs? Ha! This time –
DANIELA: Quentin...
QT: No, hold on. BLOOD EVERYWHERE! Total 70s drive-in. And even if Harvey said he can get me a couple of White Album songs –
QT: Wait! So like instead of all that Helter Skelter crap, I'M GONNA USE MONKEES SONGS. Right? Get it?
DANIELA: QUENTIN.
QT: Oh, fuck. Why didn't you tell me sooner?
http://i.imgur.com/0COQZqS.jpg
QT: *Do you think he heard anything I said?*
― pplains, Wednesday, 12 July 2017 01:49 (seven years ago)
hahahaha
― The Harsh Tutelage of Michael McDonald (Raymond Cummings), Wednesday, 12 July 2017 01:51 (seven years ago)
RP looks like the bastard child of an elf and a hobbit there
― calstars, Wednesday, 12 July 2017 01:52 (seven years ago)
This guy is nothing more than a culture fetishist. This is gross and I hope it bottoms out.
― Hadrian VIII, Wednesday, 12 July 2017 02:33 (seven years ago)
Does black humor work better when it's not colored by real events? Might be better if he used a veiled, fictional version of the event as a keystone around which to explore other shit
lol that's a horrible idea. who wants to see a not-Manson movie. and James Cameron should have renamed Titanic to Unsinkable Ship
pretty excited for this. it will have a killer soundtrack at the very least.
― AdamVania (Adam Bruneau), Wednesday, 12 July 2017 02:37 (seven years ago)
Yeah, I'm sure Cory Labianca will appreciate hearing that "killer soundtrack" while flipping through the channels in a couple years.
Quentin Tarantino, go away forever.
― Hadrian VIII, Wednesday, 12 July 2017 02:56 (seven years ago)
Guess Charlie smoking Red Apples in this world will make sense then.
http://i.imgur.com/CGjl7OB.jpg
― pplains, Wednesday, 12 July 2017 02:59 (seven years ago)
There is a great film to be made about the Manson murders (just like there was a great film to be made about the O.J. case), but no, I doubt very much that Tarantino's the guy to make it.
― clemenza, Wednesday, 12 July 2017 04:34 (seven years ago)
I really liked the first episode of the Karina Longworth series. I don't know this story well. The film history lens she brings seems apt.
― jmm, Wednesday, 12 July 2017 04:42 (seven years ago)
Yeah it works very well, she's great for contemporary context.
― Ned Raggett, Wednesday, 12 July 2017 05:59 (seven years ago)
I love You Must Remember This but don't get why everyone thinks the Manson season is the best one, she does a good job but it's such an overexplored subject? But I'm also just not a true crime guy.
― Daniel_Rf, Wednesday, 12 July 2017 08:50 (seven years ago)
i can't put my finger on which movie villain or sci-fi character tarantino reminds me of here:
http://cdn4.thr.com/sites/default/files/imagecache/scale_crop_768_433/2017/07/quentin_tarantino_-_getty_-_h_2017.jpg
― Bein' Sean Bean (LocalGarda), Wednesday, 12 July 2017 08:56 (seven years ago)
Dude from Phantasm seems to be the most frequent reference.
― Daniel_Rf, Wednesday, 12 July 2017 08:59 (seven years ago)
Tarantino basically looks like the vampire version of himself from from dusk till dawn these days
― blog haus aka the scene raver (wins), Wednesday, 12 July 2017 09:02 (seven years ago)
http://2.bp.blogspot.com/-21q65Zr2qSs/Tq7usF5wGJI/AAAAAAAACT4/5AmDwPDb1t8/s1600/From+Dusk+Till+Dawn+1+10.jpg
― blog haus aka the scene raver (wins), Wednesday, 12 July 2017 09:03 (seven years ago)
He reminds me of Bad Cooper tbh
― Le Bateau Ivre, Wednesday, 12 July 2017 09:04 (seven years ago)
Thinking David Mitchell's Evil Genius character
https://i.ytimg.com/vi/CTmLU9VOJlM/0.jpg
There's a great movie to be made about the Manson family that focuses on the psychological path of the women. Tarantino's not the guy to make it.
― полезные дурак (Sanpaku), Wednesday, 12 July 2017 11:10 (seven years ago)
http://4.bp.blogspot.com/-KKLqK4avrRM/UQQi1YXP2tI/AAAAAAAAIJU/RGUv1uRFsRI/s1600/tumblr_mekw0vEht01qdxpbvo1_500.jpg
― mark s, Wednesday, 12 July 2017 11:21 (seven years ago)
http://iowa.barstoolsports.com/files/2014/09/Screen-Shot-2014-09-11-at-9.50.24-AM.png
― Josh in Chicago, Wednesday, 12 July 2017 12:32 (seven years ago)
There's a great movie to be made about the Manson family that focuses on the psychological path of the women.― полезные дурак (Sanpaku)
That'd be one way to do it. Another would be to take the approach of Jeff Guinn's excellent biography (or simply adapt Guinn's book) and meticulously place Manson and his followers in the general breakdown of the moment--this cipher who wanders into a place and a time that's a perfect storm waiting to happen. It would have to be serious, lengthy (I'll again mention the O.J. film), and completely immersed in the material, not about the filmmaker. Tarantino has (had?) strengths, but the first and third there are not among them. He'll have Susan Atkins and Leslie Van Houten debating whether Green Acres or The Beverly Hillbillies is better.
― clemenza, Wednesday, 12 July 2017 13:16 (seven years ago)
I want to believe that Tarantino was finally inspired to pull the trigger after reading Mike Love's autobiography.
― Dippin' Sauce on my Nice New Slacks (Old Lunch), Wednesday, 12 July 2017 13:20 (seven years ago)
Never made that claim myself! Pretty much all the seasons are remarkable.
― Ned Raggett, Wednesday, 12 July 2017 13:23 (seven years ago)
There's something about a Manson movie as filtered through Dennis Wilson's increasingly-panicked accounts to an increasingly-incredulous Mike Love that I find darkly hilarious.
― Dippin' Sauce on my Nice New Slacks (Old Lunch), Wednesday, 12 July 2017 13:24 (seven years ago)
they should adopt from "On His Own Words":
http://images.gr-assets.com/books/1347289621l/651024.jpg
there was a really good documentary with interviews with the women and they were sitting on top of desks holding machine guns during the interview. i tried finding it but there are so many Manson movies.
― AdamVania (Adam Bruneau), Wednesday, 12 July 2017 13:30 (seven years ago)
Couldn't Tarantino be the subject of Charles Manson's next project instead?— NOT RECONCILED (@NickPinkerton) July 12, 2017
― Supercreditor (Dr Morbius), Wednesday, 12 July 2017 14:18 (seven years ago)
LOLLLLLLL
― Hadrian VIII, Wednesday, 12 July 2017 14:37 (seven years ago)
Or there's this, from the LAist comment section:
Cochise • 11 hours agoPresumably Sharon Tate beats Manson's brains out with a baseball bat in the Tarantino version.
― Josefa, Wednesday, 12 July 2017 15:01 (seven years ago)
that was my first thought
― korla pundit (crüt), Wednesday, 12 July 2017 15:56 (seven years ago)
Oliver Stone should have tried this in the 90s. get some of that Doors vibe in there
― AdamVania (Adam Bruneau), Wednesday, 12 July 2017 16:12 (seven years ago)
Excellent, a pregnant woman stabbed to death, and her blood being used to write "PIG" on the front door. Bit of Dusty Springfield over it. 👍 pic.twitter.com/caGENMlYhQ— Limmy (@DaftLimmy) July 12, 2017
― -_- (jim in vancouver), Wednesday, 12 July 2017 16:15 (seven years ago)
i can't believe they are going to make a movie about a murder. what a time to be alive.
― AdamVania (Adam Bruneau), Wednesday, 12 July 2017 16:24 (seven years ago)
I'm curious here...have you always been this blase about everything or what.
― Ned Raggett, Wednesday, 12 July 2017 16:35 (seven years ago)
meticulously place Manson and his followers in the general breakdown of the moment--this cipher who wanders into a place and a time that's a perfect storm waiting to happen. It would have to be serious, lengthy (I'll again mention the O.J. film), and completely immersed in the material, not about the filmmaker.
I still don't know if that would add anything: what you're describing has kinda been the narrative since Didion at least, and late 60's a much more well-trodden period than OJ's 90's.
Presumably Sharon Tate beats Manson's brains out with a baseball bat in the Tarantino version.
This is almost a best case scenario for me. I'll take a cowering Manson getting his comeuppance over yet another unwitting glamourization of a shitty and not that interesting guy, which is what it'll probably turn out like.
― Daniel_Rf, Wednesday, 12 July 2017 16:38 (seven years ago)
yes for year and people keep bringing it up like it is a new observation.
― AdamVania (Adam Bruneau), Wednesday, 12 July 2017 18:51 (seven years ago)
for years rather
yet another unwitting glamourization of a shitty and not that interesting guy
you know he wasn't the only person involved. he wasn't even there for the famous murders. there is a whole cult full of people and personalities.
of course don't let that stop you from judging a movie that hasn't been made yet.
― AdamVania (Adam Bruneau), Wednesday, 12 July 2017 19:01 (seven years ago)
Oliver Stone made a fucking 9/11 movie five years after the fact. What's the damage here? I understand people not being excited about broken record QT making this, but why the indignation over making a movie about a very famous murder that happened nearly 50 years ago?
― flappy bird, Wednesday, 12 July 2017 19:04 (seven years ago)
World Trade Center and United 93 are so much more contemptible and offensive than anything QT has done.
― flappy bird, Wednesday, 12 July 2017 19:05 (seven years ago)
agree xpost
― Bein' Sean Bean (LocalGarda), Wednesday, 12 July 2017 19:06 (seven years ago)
I am still something of a Tarantino believer sigh - and think there is the possibility of a good film from this. I like the wayward nature of his filmography - he hasn't just ground out endless variations of Pulp Fiction, he made two period Westerns in a row etc - and this seems to me an unexpected and interesting choice. His first foray into non-fiction - it could be his Zodiac.
― Bernie Lugg (Ward Fowler), Wednesday, 12 July 2017 19:07 (seven years ago)
Martha Marcy May Marlene was the perfect pseudo-Manson movie imo. Maintained just the right tone without veering into exploitation. I guess it's pretty much a guarantee that Tarantino will maniacally whip the wheel directly towards exploitation, which is what gives me pause here (given certain details mentioned above).
― Dippin' Sauce on my Nice New Slacks (Old Lunch), Wednesday, 12 July 2017 19:08 (seven years ago)
v highly doubt this will be as good a Zodiac
xp
― Οὖτις, Wednesday, 12 July 2017 19:12 (seven years ago)
this could suck, it could be great idk his last two films don't inspire confidence though
(xposts) Ditto. Arguing how it should be made, or who should make it, that's an interesting argument. Arguing that it shouldn't be made--that no one has a right to make it because the events were too traumatic--I don't get that at all.
― clemenza, Wednesday, 12 July 2017 19:13 (seven years ago)
These murders were spectacularly exploited by the media from the first days afterward and that exploitation has never stopped. Further exploitation is simply a continuation of a well-established 50 year trend.
― A is for (Aimless), Wednesday, 12 July 2017 19:17 (seven years ago)
that's pretty much Charlie's stance, too
― mh, Wednesday, 12 July 2017 19:18 (seven years ago)
yeah i don't really gaf about that
― Οὖτις, Wednesday, 12 July 2017 19:18 (seven years ago)
xp In that one regard Charlie would be correct.
― A is for (Aimless), Wednesday, 12 July 2017 19:19 (seven years ago)
I have to admit that I would be v curious to see a Dennis Wilson character in this - the Two Lane Blacktop connection might make it irresistable for QT
― Οὖτις, Wednesday, 12 July 2017 19:21 (seven years ago)
(xpost) Mountains of exploitation to be sure, but I wouldn't call the Jeff Guinn book exploitative (or, from whatever dim memory I have of it, Ed Sanders' book)--they were thoughtful attempts to try to extract some glimmer of understanding out of what happened, which is what I'd want from the thoughtful film that I think is there. Which is why, to me, Tarantino seems particularly ill-suited for this.
― clemenza, Wednesday, 12 July 2017 19:23 (seven years ago)
Martha Marcy May Marlene was the perfect pseudo-Manson movie imo. Maintained just the right tone without veering into exploitation.
yeah but that movie is like...so good. kind of a miracle it got made at all
― she carries a torch. two torches, actually (Joan Crawford Loves Chachi), Wednesday, 12 July 2017 19:23 (seven years ago)
I love it! Probably among my top ten of the decade.
― Dippin' Sauce on my Nice New Slacks (Old Lunch), Wednesday, 12 July 2017 19:25 (seven years ago)
Last year's Tower, about Charles Whitman's murders in 1966, might be instructive. The filmmaker's were clearly sensitive to making the film primarily about the victims, not Whitman. I think they leaned too far in that direction--I wanted to know more Whitman than they provided--but it was far from exploitative, and what happened there was arguably even more dumbfoundingly and terrifyingly random than with Manson.
― clemenza, Wednesday, 12 July 2017 19:31 (seven years ago)
Martha Marcy May Marlene has been on my watchlist since forever, I should really get around to that
― Οὖτις, Wednesday, 12 July 2017 19:35 (seven years ago)
This really has nothing to do with Tarantino, but MMMM is one of the films that these three guys sort of make together, Sean Durkin, Antonio Campos and Josh Mond, and pretty much all their films are worthwhile. Simon Killer and James White are really good as well, and heard that Christine should be good too. Worth following what they do.
― Frederik B, Wednesday, 12 July 2017 19:46 (seven years ago)
tarantino might surprise me on this, i don't think he's incapable of it talent-wise. if it's going to be made, i'll withhold judgement. i suspect it'll be closer to "not good" than "great" but we'll see.
also Pinkerton's tweet is dumb.
― nomar, Wednesday, 12 July 2017 19:46 (seven years ago)
idk I wouldn't really expect historical veracity from QT so some kind of alternative/revisionism might make sense
would lol if movie ends with a race war
― Οὖτις, Wednesday, 12 July 2017 19:50 (seven years ago)
Or with the Beatles recording 'Helter Skelter'.
― Dippin' Sauce on my Nice New Slacks (Old Lunch), Wednesday, 12 July 2017 19:56 (seven years ago)
flash forward to Yoko hunting down and murdering Mark David Chapman
― nomar, Wednesday, 12 July 2017 19:58 (seven years ago)
Is the 1976 tv movie, Helter Skelter worth watching?
― Well bissogled trotters (Michael B), Wednesday, 12 July 2017 20:08 (seven years ago)
The guy who played Manson was good, that's all I remember about it.
― weird echo of the falsies (Tom D.), Wednesday, 12 July 2017 20:09 (seven years ago)
― clemenza, Wednesday, July 12, 2017 3:13 PM (forty-one minutes ago) Bookmark Flag Post Permalink
I don't think anyone here has made that argument. There have been some pretty good films about famous murders. In Cold Blood. Executioner's Song. There's just no evidence that Tarantino has the gravitas to treat it as anything more than an exercise in style w a "funny" wardrobe and choice tunes. Which yeah is kind of gross.
― Hadrian VIII, Wednesday, 12 July 2017 20:10 (seven years ago)
I saw Helter Skelter when it first aired (15 at the time), rewatched it a couple of years ago. I liked it better at 15, to put it charitably. Stephen Railsback does all right by Manson, but it's really a vanity project for Bugliosi, and they make things even worse with bad cover versions of the White Album.
If your argument is restricted to Tarantino, Hadrian, we're basically in agreement (although I'll still hope for the best).
― clemenza, Wednesday, 12 July 2017 20:13 (seven years ago)
Yeah would say I also don't wanna see Greg Araki do this.
Bugliosi is kind of insufferable.
― Hadrian VIII, Wednesday, 12 July 2017 20:18 (seven years ago)
Get Vincent Gallo and Lana Del Rey and have the resonances be weird.
― Eazy, Wednesday, 12 July 2017 20:23 (seven years ago)
https://www.youtube.com/watch?v=-4ifMbYfdTQ
this one is a really fascinating primary footage documentary. featuring all the original cult members and hangers on, seemingly given their chance to tell their side of the story. the girls are all sitting around with shotguns. there is another segment where they play some instrumental music for a while. this is actually the only Manson related film i've watched in its entirety.
― AdamVania (Adam Bruneau), Wednesday, 12 July 2017 20:35 (seven years ago)
I am just as uninterested in the details of the Manson case (and always have been) as I am in any future films by the video-store dork.
― Supercreditor (Dr Morbius), Wednesday, 12 July 2017 20:37 (seven years ago)
oh god, Eazy
― mh, Wednesday, 12 July 2017 20:38 (seven years ago)
I know, sounds terrible unless it's somehow not. Lohan too.
― Eazy, Wednesday, 12 July 2017 20:39 (seven years ago)
― nomar, Wednesday, July 12, 2017 3:58 PM (forty-four minutes ago) Bookmark Flag Post Permalink
fuck. yes.
― flappy bird, Wednesday, 12 July 2017 20:44 (seven years ago)
I just watched that documentary that Adam linked to. Its pretty mindblowing. Cheers
― Well bissogled trotters (Michael B), Wednesday, 12 July 2017 22:48 (seven years ago)
Me too! Full version (1:21) on YouTube. So surprised never to have seen any of that footage before considering how many times this story has been repackaged on TV. And seeing Squeaky Fromme hold forth like that just a couple years out from her G. Ford attempt. This provides a vastly more comprehensive picture of how many people got caught up in the family than than anything I've read or seen before, + how pervasively violent that scene was apart from the more notorious killings.
― Hadrian VIII, Wednesday, 12 July 2017 23:18 (seven years ago)
huh link wouldn't load for me, said it had been removed
― Οὖτις, Wednesday, 12 July 2017 23:19 (seven years ago)
^^ I got that (removed), too
― Le Bateau Ivre, Wednesday, 12 July 2017 23:20 (seven years ago)
FYI Randy California estate I think the dudes who did the music for this nicked Spirit's Taurus, you shld lawyer up again
― Hadrian VIII, Wednesday, 12 July 2017 23:22 (seven years ago)
this one? https://www.youtube.com/watch?v=fMo5jEnL5Ng&t=2s
― Hadrian VIII, Wednesday, 12 July 2017 23:24 (seven years ago)
Hrm not working here I watched via Roku
― Hadrian VIII, Wednesday, 12 July 2017 23:25 (seven years ago)
Type in "Manson Family documentary" and you'll get a longer version (1:20) of the same thing.
― clemenza, Thursday, 13 July 2017 00:05 (seven years ago)
The longer version loads fine.
(Spirit really pick their enemies...)
― clemenza, Thursday, 13 July 2017 00:08 (seven years ago)
i am still holding out hope that this happens in real life
― (The Other) J.D. (J.D.), Thursday, 13 July 2017 00:32 (seven years ago)
btw is there a consensus on the best book to read on the manson murders? i've somehow never read helter skelter -- assume that's a good place to start?
― (The Other) J.D. (J.D.), Thursday, 13 July 2017 00:33 (seven years ago)
yeah Bobby Beausoleil/Jimmy Page are one degree of (Kenneth Anger) separation, wiser probably to steer clear of these guys
― Hadrian VIII, Thursday, 13 July 2017 00:41 (seven years ago)
― (The Other) J.D. (J.D.), Wednesday, July 12, 2017 8:32 PM (thirteen minutes ago) Bookmark Flag Post Permalink
YES
― flappy bird, Thursday, 13 July 2017 00:46 (seven years ago)
― Eazy, Wednesday, July 12, 2017 4:23 PM (four hours ago) Bookmark Flag Post Permalink
otm
― johnny crunch, Thursday, 13 July 2017 00:57 (seven years ago)
J.D.: If you want just the murders, probably Helter Skelter or Ed Sanders' The Family. If you want a wider view of Manson's whole life, the book I mentioned a couple of times earlier, Jeff Guinn's Manson, is excellent. (I read Ed Sanders' Sharon Tate book last year and thought it was just okay.)
― clemenza, Thursday, 13 July 2017 01:10 (seven years ago)
Get Vincent Gallo and Lana Del Rey and have the resonances be weird.― Eazy, Wednesday, July 12, 2017 3:23 PM (seven hours ago) Bookmark Flag Post Permalink
― Eazy, Wednesday, July 12, 2017 3:23 PM (seven hours ago) Bookmark Flag Post Permalink
LDR revealed in the one interview she did for Honeymoon that she actually had been approached to play Sharon Tate in a movie, but iirc she turned it down for being too "On the nose" or something.
― to fly across the city and find Aerosmith's car (C. Grisso/McCain), Thursday, 13 July 2017 03:42 (seven years ago)
I get the feeling a big part of this film will swing on a debate re: the merits of Tate in Don't Make Waves vs. The Valley of The Dolls.
― to fly across the city and find Aerosmith's car (C. Grisso/McCain), Thursday, 13 July 2017 03:44 (seven years ago)
This is a really ill advised project and Quentin Tarantino sucks.
― Treeship, Thursday, 13 July 2017 03:46 (seven years ago)
This guy is nothing more than a culture fetishist. This is gross and I hope it bottoms out.― Hadrian VIII, Tuesday, July 11, 2017 10:33 PM (yesterday) Bookmark Flag Post Permalink
― Hadrian VIII, Tuesday, July 11, 2017 10:33 PM (yesterday) Bookmark Flag Post Permalink
Correct
― Treeship, Thursday, 13 July 2017 03:47 (seven years ago)
I wish he'd just do another Elmore Leonard movie :/
― a serious and fascinating fartist (Simon H.), Thursday, 13 July 2017 04:05 (seven years ago)
I think Longworth's podcast series underlined how much of an LA story the Manson Murders are: the habitual criminal with dreams of a rich easy life as a rockstar who tries to break into the music biz, ultimately rejected by the inner circle & then takes his horrific acid-fuelled revenge ... his pathetic motivations are pretty effectively buried under the flash-bang of his rhetoric & the entourage & the legitimately shocking, horrible murders
There's totally a Tarantino movie here.
or imo it could work in the way the Summer of Sam worked. It doesn't have to be ~about~ Manson directly
but i am also a qt apologist & true crime fan so obv my bias is distorting my judgement
― Yoni Loves Chocha (VegemiteGrrl), Thursday, 13 July 2017 04:18 (seven years ago)
― flappy bird, Thursday, 13 July 2017 05:00 (seven years ago)
Just watched the 1:20 Manson on youtube, I had seen some of the 3-girls-with-guns footage before, but didn't know there was this much of the family in general. And damned if I'm not now watching the ABC 20/20 doc from March of this year (also 1:20). It's actually very watchable, not sensationalized as much as I feared (no John Stossel). Long segment on Sharon Tate, and some more recent interviews with some of the involved parties.
― nickn, Thursday, 13 July 2017 05:17 (seven years ago)
he's a culture garbageman, just a foot fetishist
― Supercreditor (Dr Morbius), Thursday, 13 July 2017 11:16 (seven years ago)
taking that celebrity grade garbage to the dump where we hang out
― mh, Thursday, 13 July 2017 14:07 (seven years ago)
omg wait who is going to play Sharon
― surm, Thursday, 13 July 2017 14:09 (seven years ago)
surm... this could be your chance
― mh, Thursday, 13 July 2017 14:10 (seven years ago)
Uma Thurman + CGI
― Supercreditor (Dr Morbius), Thursday, 13 July 2017 14:10 (seven years ago)
lol <3 i can't think of anyone who could pull it off except like Amanda Seyfried
― surm, Thursday, 13 July 2017 14:13 (seven years ago)
i can't put my finger on which movie villain or sci-fi character tarantino reminds me of here:http://cdn4.thr.com/sites/default/files/imagecache/scale_crop_768_433/2017/07/quentin_tarantino_-_getty_-_h_2017.jpg
To cross reference with the threads dominating ILM atm:
http://images.brits.co.uk/images/pc618_thumb_940_528.jpg
― to fly across the city and find Aerosmith's car (C. Grisso/McCain), Thursday, 13 July 2017 14:18 (seven years ago)
http://i.onionstatic.com/avclub/5383/97/16x9/960.jpg
― nomar, Thursday, 13 July 2017 16:27 (seven years ago)
http://farm2.static.flickr.com/1303/1180460296_37d174fc7d.jpg
― jmm, Thursday, 13 July 2017 16:37 (seven years ago)
saw a screening of a Manson doc at New Beverly. At Q&A, Tarantino inferred he doesn't believe Manson family killed Sharon Tate— Adam Bozarth (@adambozarth) July 12, 2017
― Eazy, Friday, 14 July 2017 01:24 (seven years ago)
grammarians take note
― flappy bird, Friday, 14 July 2017 01:26 (seven years ago)
oh christ
― Hadrian VIII, Friday, 14 July 2017 01:27 (seven years ago)
ok so i may be walking back my enthusiasm in future updates :/
― Yoni Loves Chocha (VegemiteGrrl), Friday, 14 July 2017 01:28 (seven years ago)
That is very ominous if true. And suddenly makes me think there'll be a spot in the film for JFK Joe Pesci.
― clemenza, Friday, 14 July 2017 01:30 (seven years ago)
um, wow
― a serious and fascinating fartist (Simon H.), Friday, 14 July 2017 01:31 (seven years ago)
Michael Madsen as a corrupt LAPD cop, maybe?
― Eazy, Friday, 14 July 2017 01:35 (seven years ago)
Question is going to be is he doing an Inglourious Basterds-style 'and that's how Hitler died' thing or something else.
― Ned Raggett, Friday, 14 July 2017 01:41 (seven years ago)
I've heard of The Second Gunman, "Raoul" in Memphis, and Capricorn One, but Manson family not responsible for Sharon Tate's death a new one.
― pplains, Friday, 14 July 2017 02:07 (seven years ago)
tbh this makes it sound way more interesting to me
― (The Other) J.D. (J.D.), Friday, 14 July 2017 02:13 (seven years ago)
O_o
― Yoni Loves Chocha (VegemiteGrrl), Friday, 14 July 2017 03:19 (seven years ago)
it was Bill
― flappy bird, Friday, 14 July 2017 03:41 (seven years ago)
Samuel L. Jackson did it
― Οὖτις, Friday, 14 July 2017 03:45 (seven years ago)
He never questioned whether or not the members carried the crime. Here's audio. (Starts around 12:30.) https://t.co/aGjXzLGu9v— Lindsey Romain (@lindseyromain) July 14, 2017
hmmm...
― jmm, Friday, 14 July 2017 03:47 (seven years ago)
His question is if Manson conspired to murder everyone except the victims at Cielo Dr. He's wondering if, in that one case, the family members committed the murders then informed Manson after the fact.
That is the dullest interpretation of these well-worn events I can imagine.
― sciatica, Friday, 14 July 2017 03:58 (seven years ago)
Well, he's just asking a question of the documentary director, not offering some fully worked-out interpretation. We don't know whether that's the basis of the movie.
― jmm, Friday, 14 July 2017 04:04 (seven years ago)
ok so charlie has said stuff to that effect in the past, qt may just be finding out for himself how full of it charlie is
― Yoni Loves Chocha (VegemiteGrrl), Friday, 14 July 2017 04:19 (seven years ago)
It's a stupid question.
― sciatica, Friday, 14 July 2017 04:29 (seven years ago)
cool doc bro but you are craaaaazy
― Hadrian VIII, Friday, 14 July 2017 04:38 (seven years ago)
― nickn, Tuesday, July 11, 2017 5:07 PM (three days ago)
this series is pretty good. It looks like they could wrap it up in one more season ... it would be sad if it got cancelled now, they hadn't gotten to the LaBiancas yet.
― sarahell, Friday, 14 July 2017 07:12 (seven years ago)
At least he's not making another Western. I sort of wish he'd make a film that didn't have a period setting. When was his last one set in the present day – Death Proof, if that counts?
― Alba, Friday, 14 July 2017 11:00 (seven years ago)
Ok, I started watching Aquarius after the mentions in this thread. I remember hearing about the Rob Zombie series not getting picked up over it, but never checked it out. About 4 minutes into the show, a familiar bass line appears...The White Rabbit! Before I take this any further, can I get a confirmation from anyone as to how many times exactly White Rabbit will be played over the duration of the series?
― how's life, Friday, 14 July 2017 11:57 (seven years ago)
That's funny. Even as a huge Jefferson Airplane fan, I've been saying for a while that all hippie-related movies have to ditch "White Rabbit," "Purple Have," and "For What It's Worth" forever, and start using things like the Mothers' "Trouble Every Day" instead.
― clemenza, Friday, 14 July 2017 12:09 (seven years ago)
The Purple Haves and Have-Nots.
― clemenza, Friday, 14 July 2017 12:10 (seven years ago)
I love White Rabbit. Hearing it in a TV show or movie almost always takes the scene down a couple points for me though.
― how's life, Friday, 14 July 2017 12:14 (seven years ago)
Brilliant song that's been stripped bare. (Ditto "Somebody to Love.") There are 10 other Airplane songs just waiting there for anyone with a bit of imagination: "Mexico," "Blues from an Airplane," "Saturday Afternoon"...).
― clemenza, Friday, 14 July 2017 12:20 (seven years ago)
Wasn't Bobby Beausoleil one of the original members of Love?
― Well bissogled trotters (Michael B), Friday, 14 July 2017 12:27 (seven years ago)
yes
― Hadrian VIII, Friday, 14 July 2017 12:47 (seven years ago)
Is the documentary everyone is watching on YT the one made in 1972? Because that's the one I'm halfway through and wow.
― or at night (Jon not Jon), Friday, 14 July 2017 13:08 (seven years ago)
I thought it said 1973 on the YT I played, but it's the one with Vincent Bugliosi talking in a courthouse and lots of self-shot footage of the family at their various locations. Some footage of Fromme, Goode, and one other (Krenwinkel?) in a dark room, each holding a rifle or shotgun. Some looks like it was shot before the murders, and some after.
― nickn, Friday, 14 July 2017 16:16 (seven years ago)
Just checked, it does say 1972 on the first one I found (posted by SpainyB but I think I watched a different upload), but that's the one.
As for the Aquarius soundtrack, I feel the same way but I guess I'm better able to roll with that kind of easy reaching.
― nickn, Friday, 14 July 2017 16:27 (seven years ago)
Starting to believe that a Tarantino movie about John Phillips (set against the Manson era) might actually work - holding off until the inevitable script leakage and tantrum.
― Elvis Telecom, Friday, 28 July 2017 20:59 (seven years ago)
I watched Valley of the Dolls the other day for the first time, it was p good... Sharon Tate had a very dated line that totally caught me off guard, talking to Neely O'Hara, complaining about her hairdresser: "Oh Neely, I wouldn't worry. You know how bitchy fags can be."
― flappy bird, Friday, 28 July 2017 21:13 (seven years ago)
So anyway:
https://www.hollywoodreporter.com/news/sony-wins-worldwide-rights-next-quentin-tarantino-film-1059385
A source tells The Hollywood Reporter that the Tarantino film has to make $375 million worldwide to break even.
― Ned Raggett, Friday, 17 November 2017 17:40 (seven years ago)
jesus, did Django even make that much worldwide?
― flappy bird, Friday, 17 November 2017 17:43 (seven years ago)
This is all going to be his origin story/tie-in for the entire Tarantino Cinematic Universe, you realize.
― Ned Raggett, Friday, 17 November 2017 17:44 (seven years ago)
Sony Pictures has won the showdown for the right to finance and distribute Quentin Tarantino’s next movie, which has the working title #9.
The "working title" is encouraging, as it suggests that there is a small hope that he might not actually be doing this Manson thing, right?
― iCloudius (cryptosicko), Friday, 17 November 2017 17:46 (seven years ago)
xxpost just shy of $450m http://www.the-numbers.com/movie/Django-Unchained#tab=summary
― Dan Worsley, Friday, 17 November 2017 17:46 (seven years ago)
xp it's his ninth film & Manson connection = Revolution 9
― flappy bird, Friday, 17 November 2017 17:47 (seven years ago)
Django was his (sorry) New Jersey.
― omar little, Friday, 17 November 2017 17:48 (seven years ago)
They'll be hoping for Django size numbers rather than The Hateful Eight's $145m.
― Dan Worsley, Friday, 17 November 2017 17:48 (seven years ago)
Word is that the Manson murders will be more a background element/'something in the air,' which strikes me as the smart way around it.
― Ned Raggett, Friday, 17 November 2017 18:06 (seven years ago)
I am dreading this movie
― Οὖτις, Friday, 17 November 2017 18:09 (seven years ago)
seeing unconfirmed reports that Manson has died, thought that's what the bump was about here
― sleeve, Friday, 17 November 2017 18:12 (seven years ago)
reports about Manson dying are kind of perennial, i know he's in the hospital but this has happened like 12-14 times in my lifetime
― flappy bird, Friday, 17 November 2017 18:23 (seven years ago)
lots of wishful thinking in the past, but fingers crossed this is the real deal
― omar little, Friday, 17 November 2017 18:25 (seven years ago)
it'll be his Summer of Sam, except even worse
― ice cream social justice (Dr Morbius), Friday, 17 November 2017 18:26 (seven years ago)
"Worse than Summer of Sam" would actually be quite an accomplishment in its own way.
― Monster fatberg (Phil D.), Friday, 17 November 2017 18:33 (seven years ago)
So QT simply gets away with this sorry excuse? He knew about several cases, never said a damn thing, earned his bucks through him? Really?
― Le Bateau Ivre, Friday, 17 November 2017 19:10 (seven years ago)
why wouldn't he? isn't his core audience disproportionately men with little taste and judgment?
― ice cream social justice (Dr Morbius), Friday, 17 November 2017 19:16 (seven years ago)
and me :)
― Squeaky Fromage (VegemiteGrrl), Friday, 17 November 2017 19:17 (seven years ago)
that's a weird thing to say, I know a lot of female QT fans
― Οὖτις, Friday, 17 November 2017 19:20 (seven years ago)
well they may not be the core, they just have a warped idea of irony and don't understand Sergio Leone (like you).
― ice cream social justice (Dr Morbius), Friday, 17 November 2017 19:27 (seven years ago)
Morbs, true. Srsly though if we're talking about burning it down, and I'm behind that, at the very least this weasily, opportune, talentless scumbag enabler shouldn't escape the purge.
― Le Bateau Ivre, Friday, 17 November 2017 19:49 (seven years ago)
QT's made maybe 2 films that are better than Summer of Sam.
― Anne of the Thousand Gays (Eric H.), Friday, 17 November 2017 19:52 (seven years ago)
well given that he's made only 3 good films... no, you mean 3
― ice cream social justice (Dr Morbius), Friday, 17 November 2017 19:53 (seven years ago)
over and out Charlie, you little weirdo
― Hadrian VIII, Monday, 20 November 2017 06:39 (seven years ago)
In Loving Memory ofCharles Manson
THE NINTH FILM BY QUENTIN TARANTINO
― flappy bird, Monday, 20 November 2017 06:45 (seven years ago)
that sounds abt right
― Hadrian VIII, Monday, 20 November 2017 06:47 (seven years ago)
According to Deadline’s Mike Fleming Jr., in Quentin Tarantino’s next project, Leonardo DiCaprio will play “an actor who had his own Western show, Bounty Law, that ran on the air from 1958 to 1963. His attempt to transition to movies didn’t work out and in 1969—the film is set at the height of hippy Hollywood movement—he’s guesting on other people’s shows while contemplating going to Italy which has become a hotbed for low-budget Westerns.”
http://deadline.com/2018/01/leo-dicaprio-quentin-tarantino-film-gender-argument-wrong-mark-wahlberg-michelle-williams-all-the-money-in-the-world-1202244988/
― ice cream social justice (Dr Morbius), Friday, 19 January 2018 17:19 (seven years ago)
That's definitely a unique lens through which to examine the Manson murders.
― the smartest persin in the room (Old Lunch), Friday, 19 January 2018 17:28 (seven years ago)
And that cowboy was named . . . "Shorty" O'Shea. And now you know the rest of the story!
― Millennial Whoop, wanna fight about it? (Phil D.), Friday, 19 January 2018 17:30 (seven years ago)
I mean I doubt it but it would be very Tarantinoesque for him to tell the story via this peripheral nobody.
― Millennial Whoop, wanna fight about it? (Phil D.), Friday, 19 January 2018 17:31 (seven years ago)
Clint Eastwood . . . secretsssssss!
― nickn, Friday, 19 January 2018 17:56 (seven years ago)
the Shorty angle would be great if that’s what he’s doing
― Squeaky Fromage (VegemiteGrrl), Friday, 19 January 2018 18:02 (seven years ago)
That piece says Tom Cruise may be in the film too, so I doubt he's going to keep this to one plot (or 2.5 hours).
― ice cream social justice (Dr Morbius), Friday, 19 January 2018 18:04 (seven years ago)
Doesn't literally match up with Eastwood, he went to Europe in '64.
― ice cream social justice (Dr Morbius), Friday, 19 January 2018 18:05 (seven years ago)
GOD dammit leave the Westerns behind!!!!!
sounds good tho
― flappy bird, Friday, 19 January 2018 18:30 (seven years ago)
http://variety.com/2018/film/news/brad-pitt-leonardo-dicaprio-quentin-tarantinos-manson-movie-1202713925/
The film will be released worldwide on August 9, 2019. Opening on the 50th anniversary of the day that the Manson family committed the LaBianca murders and the day after Tate was killed
Seriously, fuck this guy and the studio who thinks this is a cool idea.
― Dan Worsley, Thursday, 1 March 2018 07:33 (seven years ago)
"DiCaprio will play Rick Dalton, former star of a western TV series, while Pitt will be his longtime stunt double, Cliff Booth."
Two of the most famous and expensive actors in the world, set to play two people--and I've read a fair amount about the murders over the years--I've never heard of (are they fictionalized?)
― clemenza, Friday, 2 March 2018 01:37 (seven years ago)
Yes.
― ...some of y'all too woke to function (C. Grisso/McCain), Friday, 2 March 2018 01:47 (seven years ago)
Good work, QT.
― Buff Jeckley (Tom D.), Friday, 2 March 2018 01:51 (seven years ago)
if he plays this "straight" (aka in the vein of Jackie Brown) and not like his exploitation movies I bet it could be good
― gbx, Friday, 2 March 2018 02:05 (seven years ago)
I fear those days are long behind him.
― Simon H., Friday, 2 March 2018 02:07 (seven years ago)
Didn't he only ever play it "straight" (aka in the vein of Jackie Brown) in, er, Jackie Brown?
― Buff Jeckley (Tom D.), Friday, 2 March 2018 02:11 (seven years ago)
― Simon H., Thursday, March 1, 2018 9:07 PM (one hour ago) Bookmark Flag Post Permalink
I'm not so sure. Every movie he's done since Jackie Brown (besides maybe Death Proof) has been a heavily stylized/high concept genre exercise or period piece. The fact that this is the first movie he's made based on real events, and that it takes place in the relatively recent past suggest that he'll take a more realistic approach to the material. I don't know how you can do this with cartoon characters. I have a feeling it'll be closer to Pulp Fiction than Jackie Brown w/r/t all that, which is fine by me.
― flappy bird, Friday, 2 March 2018 03:12 (seven years ago)
I watched Reservoir Dogs for the first time in years, some if it has aged really bad (his Madonna spiel seems particularly repugnant now) but it really did show up his later stuff as being so flabby, so labored in accomplishing relatively little.
― It's not delivery, it's Adorno! (upper mississippi sh@kedown), Friday, 2 March 2018 03:16 (seven years ago)
guys jackie brown is 20 years old. this is gonna be 3.5 hours long with 100 characters
― Simon H., Friday, 2 March 2018 03:22 (seven years ago)
http://www.msn.com/en-ca/news/world/judge-decides-grandson-will-get-charles-mansons-body/ar-BBK9uhm
"A Manson friend and memorabilia collector"--I hope his claim on the body was motivated by the former, not the latter.
― clemenza, Tuesday, 13 March 2018 18:51 (seven years ago)
by the way for thread posterity this movie is (currently) titled ONCE UPON A TIME IN HOLLYWOOD
― flappy bird, Tuesday, 13 March 2018 18:55 (seven years ago)
Jackie brown is by far the best Tarantino movie
― kolakube (Ross), Tuesday, 13 March 2018 19:07 (seven years ago)
well yeah
― Number None, Tuesday, 13 March 2018 21:43 (seven years ago)
Starring Burt Reynolds
― ... (Eazy), Tuesday, 8 May 2018 16:38 (seven years ago)
oh that should go well
― flappy bird, Tuesday, 8 May 2018 16:53 (seven years ago)
I will be very surprised if this is any good.
"I believe this just might be my masterpiece" was a sadly prophetic final line of dialogue, cuz it's been all downhill from there.
― Οὖτις, Tuesday, 8 May 2018 16:55 (seven years ago)
my brother-in-law told me when i last saw him that he's editing a new movie starring dr. who as manson. directed by mary harron.
― scott seward, Tuesday, 8 May 2018 16:56 (seven years ago)
the dr. who who was in The Crown.
― scott seward, Tuesday, 8 May 2018 16:57 (seven years ago)
dr who-who.
― chilis=lyrics...hypocrits (sic), Tuesday, 8 May 2018 17:02 (seven years ago)
https://www.youtube.com/watch?v=aR6qvkDDBCg
― scott seward, Tuesday, 8 May 2018 17:08 (seven years ago)
https://www.youtube.com/watch?v=QqlXSshv0wA
― Josh in Chicago, Tuesday, 8 May 2018 17:09 (seven years ago)
Would pay to see Tarantino's Dr. Wu movie.
― Making Plans For Sturgill (C. Grisso/McCain), Tuesday, 8 May 2018 17:14 (seven years ago)
https://d1nao0k9edgivc.cloudfront.net/wp-content/uploads/2013/11/Doctor-Who-The-Day-Of-The-Doctor-50th-616x415.jpg
― Kanye O'er Frae France? (Tom D.), Tuesday, 8 May 2018 17:20 (seven years ago)
https://nerdist.com/wp-content/uploads/2018/04/Peter-Cushing-Doctor-Who.jpg
― chilis=lyrics...hypocrits (sic), Tuesday, 8 May 2018 18:31 (seven years ago)
Burt:"Does this character have a name?"D.A: "His name...is Charles Manson--aka Charlie, aka Jesus, aka the Devil."Deputy D.A.: "His partner's name is Tex Watson."Burt: "Those are great names!"
I was in a used book store on the weekend, and they had the Manson Life magazine on the wall. First physical copy I've ever laid eyes on. I'm real cheap when it comes to used records and books--I'd pay maybe $15 for that. It was priced at $50.
― clemenza, Tuesday, 8 May 2018 19:50 (seven years ago)
Our family subscribed to Life at that time, but I'm sure it was tossed eventually, like every other issue.
― nickn, Tuesday, 8 May 2018 20:03 (seven years ago)
you can get one for 20+ on ebay. i just checked.
― scott seward, Tuesday, 8 May 2018 20:19 (seven years ago)
Thanks. For me, it'd actually end up costing more than the $50 after postage ($15) and exchange.
― clemenza, Wednesday, 9 May 2018 02:40 (seven years ago)
Google Books To Rescue: Google Books To The Rescue!
FWIW, I'm a small-time dealer of vintage advertising, specifically old magazine ads, and $50 for that mag seems a bit exorbitant. They probably pulled it out and marked it up after Charlie bit it.
― Making Plans For Sturgill (C. Grisso/McCain), Wednesday, 9 May 2018 04:13 (seven years ago)
Thanks for digging that up (so to speak)--will make a concerted effort to read the article.
The Jann Wenner bio talked about the Rolling Stone cover story, and how the counterculture's view of Manson changed between the murders and the tril. Not sure where the Life cover story falls on the timeline, but Rolling Stone was originally going to publish a piece that basically presented Manson as a victim of hippie profiling. Something changed in the interim--maybe the Life story fits in there--and by the time they went to press, they had joined everyone in seeing him for what he was.
― clemenza, Wednesday, 9 May 2018 17:37 (seven years ago)
"trial"
"trial"― clemenza, Wednesday, 9 May 2018 13:37 (ten minutes ago) Bookmark Flag Post Permalink
― clemenza, Wednesday, 9 May 2018 13:37 (ten minutes ago) Bookmark Flag Post Permalink
Agreed, Manson's trial was a sham
― Screamin' Jay Gould (The Yellow Kid), Wednesday, 9 May 2018 17:48 (seven years ago)
It was a travesty of a mockery of a sham of a mockery of a travesty of two mockeries of a sham of a tril.
https://www.youtube.com/watch?v=bphR-6Xi1_I
― clemenza, Wednesday, 9 May 2018 17:54 (seven years ago)
On closer inspection, that magazine is a trip. In addition to the cover story, there's Albert Goldman on the posthumous fame of Lord Buckley, a Richard Schickel movie roundup with a funny still of Hoffman & Farrow in John And Mary, a shit-ton of xmas booze ads, and two pages of readers letters about My Lai, which I heartily recommend reading.
In related stuff, here is the issue with their initial coverage of the Tate murders.
― Making Plans For Sturgill (C. Grisso/McCain), Wednesday, 9 May 2018 18:28 (seven years ago)
Also, becasue I keep seeing this on Buzzr every few months, here's Jay Sebring on To Tell The Truth in 1963:
https://www.youtube.com/watch?v=DDxk_9YlkUc
― Making Plans For Sturgill (C. Grisso/McCain), Wednesday, 9 May 2018 18:31 (seven years ago)
Only interested in the Tarantino movie if Polanski plays himself.— 𝕿𝖗𝖔𝖚𝖇𝖑𝖊 𝕰𝖛𝖊𝖗𝖞 𝕯𝖆𝖞 (@NickPinkerton) May 9, 2018
― the ignatius rock of ignorance (Dr Morbius), Thursday, 10 May 2018 05:48 (seven years ago)
Quentin Tarantino’s ONCE UPON A TIME IN HOLLYWOOD making its presence known out on Hollywood Blvd. pic.twitter.com/YQ17IJPcaO— Peter Avellino (@PeterAPeel) July 17, 2018
― the ignatius rock of ignorance (Dr Morbius), Wednesday, 18 July 2018 16:50 (six years ago)
fashion
https://people.com/movies/leonardo-dicaprio-and-brad-pitt-quentin-tarantino-sharon-tate-movie/
― the ignatius rock of ignorance (Dr Morbius), Wednesday, 18 July 2018 16:57 (six years ago)
into it
― Squeaky Fromage (VegemiteGrrl), Thursday, 19 July 2018 03:42 (six years ago)
So /that's/ what happened to the Little Caesars mascot... pic.twitter.com/IdUH7QCqIr— Simon Abrams (@simonsaybrams) July 26, 2018
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 27 July 2018 20:38 (six years ago)
I have a really bad feeling about this
― Οὖτις, Friday, 27 July 2018 20:39 (six years ago)
Let me know how you feel about the Tarantino Star Trek movie which apparently a go now.
― Things To Do For Dinner When You're Dad (Old Lunch), Friday, 27 July 2018 21:49 (six years ago)
I feel like that is not a good idea
― Οὖτις, Friday, 27 July 2018 21:57 (six years ago)
Yes, that's the answer I would've guessed.
― Things To Do For Dinner When You're Dad (Old Lunch), Friday, 27 July 2018 21:59 (six years ago)
there's plenty of other shitty franchises that would deserve him taking the ax to, but that one's not among them imo
― Οὖτις, Friday, 27 July 2018 22:06 (six years ago)
shit, p much *any* of the big franchises - Star Wars, Fast and Furious, Bond, Marvel, DC...
He really shoulda just directed a season of Justified.
― wayne trotsky (Simon H.), Friday, 27 July 2018 22:22 (six years ago)
Scotty, warp speed motherfucker.
Practically writes itself.
― Mario Meatwagon (Moodles), Friday, 27 July 2018 22:25 (six years ago)
he'll have to invent some slur for Vulcan for every crewmember to casually utter
― Οὖτις, Friday, 27 July 2018 22:26 (six years ago)
Uhura will kill a couple Kingons f'sure
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 28 July 2018 02:11 (six years ago)
but anyway he's a straight (maybe) white male, he has 5 years left where he's allowed to make films, at best
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 28 July 2018 02:13 (six years ago)
He's said he's only making two more (& Star Trek doesn't count), so might just squeeze under that wire
― 16, 35, DCP, Go! (sic), Saturday, 28 July 2018 02:21 (six years ago)
promises, promises
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 28 July 2018 02:23 (six years ago)
oh so all of a sudden the Star Trek doesn't count? boo
― flappy bird, Saturday, 28 July 2018 05:12 (six years ago)
Crimson Tide and It's Pat aren't counted either
― 16, 35, DCP, Go! (sic), Saturday, 28 July 2018 08:15 (six years ago)
https://deadline.com/2018/08/lena-dunham-austin-butler-maya-hawke-lorenza-izzo-quentin-tarantino-once-upon-a-time-in-hollywood-1202450671/
― Ubering With The King (C. Grisso/McCain), Wednesday, 22 August 2018 23:26 (six years ago)
This will be extra missable!
Uma's daughter is interesting casting... "You almost killed my mom" not the dealbreaker it used to be.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, 23 August 2018 12:05 (six years ago)
https://news.avclub.com/burce-dern-to-replace-burt-reynolds-in-tarantinos-once-1829369959
― Ward Fowler, Friday, 28 September 2018 11:33 (six years ago)
I LOVE Burce Dem!!
― Plinka Trinka Banga Tink (Eliza D.), Friday, 28 September 2018 13:14 (six years ago)
https://www.vanityfair.com/hollywood/2019/01/preview-quentin-tarantino-once-upon-a-time-in-hollywood
― ... (Eazy), Friday, 25 January 2019 18:02 (six years ago)
Musso & Franks, i been dere
Tarantino is turning into old Robin Williams
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 25 January 2019 18:25 (six years ago)
Brad Pitt is 55, huh and wtf
― omar little, Friday, 25 January 2019 18:28 (six years ago)
well, he was a young actor doing guest shots on thirtysomething... 30 years ago
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 25 January 2019 18:31 (six years ago)
I mean I *know* he’s 55 but I also know Sean Connery was 58 when he filmed Last Crusade. I mean Brad is aging extremely well. Or photographing well.
― omar little, Friday, 25 January 2019 18:33 (six years ago)
old guys got old faster
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 25 January 2019 18:34 (six years ago)
i mean, when Spencer Tracy was Bruce Springsteen's age, he was dead.
is the title really going to be stylized as Once Upon a Time... in Hollywood
Boo
I wanna see Lena Dunham
― flappy bird, Friday, 25 January 2019 18:36 (six years ago)
Added ellipses because even his titles have to be unnecessarily long.
― Chris L, Friday, 25 January 2019 18:43 (six years ago)
this is coming out soon as well:
https://en.wikipedia.org/wiki/The_Haunting_of_Sharon_Tate
Pregnant with director Roman Polanski's child and awaiting his return from Europe, 26-year-old Hollywood actress Sharon Tate becomes plagued by visions of her imminent death.
― omar little, Monday, 18 February 2019 19:54 (six years ago)
pic.twitter.com/NvTyvK0jML— 𝕿𝖗𝖔𝖚𝖇𝖑𝖊 𝕰𝖛𝖊𝖗𝖞 𝕯𝖆𝖞 (@NickPinkerton) March 18, 2019
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Tuesday, 19 March 2019 13:57 (six years ago)
I thought for a second that all four of them were in the movie and those were set pictures, then I remembered the latter two were in a Starsky and Hutch movie.
― Josh in Chicago, Tuesday, 19 March 2019 15:05 (six years ago)
wow it's insane, those two pairs are exact matches
― omar little, Tuesday, 19 March 2019 15:23 (six years ago)
I'm guessing it's not totally unintentional.
― Simon H., Tuesday, 19 March 2019 15:26 (six years ago)
Lookit those two actors, actin' it up. Thinking big acting thoughts.
― One Eye Open, Tuesday, 19 March 2019 16:15 (six years ago)
TRAILER! I'm in. https://www.youtube.com/watch?v=ptzyxQxr3JU&fbclid=IwAR15MAu2b6t70yojxMS2j0GKDpcQ2g04Zx5CoF2Xsu9lBkjjJoSgCWCk0Ew
― Carly Jae Vespen (Capitaine Jay Vee), Wednesday, 20 March 2019 14:06 (six years ago)
Let's try this link: https://youtu.be/ptzyxQxr3JU
― Carly Jae Vespen (Capitaine Jay Vee), Wednesday, 20 March 2019 14:07 (six years ago)
why is that kid leaning into whisper but then speaking so loudly
― heinrich boll weevil (Hadrian VIII), Wednesday, 20 March 2019 14:16 (six years ago)
Paid by Leo's agent, is what I heard made up.
― WmC, Wednesday, 20 March 2019 14:18 (six years ago)
Martin Scorsese presents a Paul Thomas Anderson Quentin Tarantino picture.
― Josh in Chicago, Wednesday, 20 March 2019 14:32 (six years ago)
You know this is gonna be another of these recent Tarantino scripts where everyone is hard of hearing and repeats things a million times.
"You're the best actor."
"Did you say I'm the best actor?"
"Yes."
"Me, I'm the best actor?"
"Yes, the best actor."
"Me?"
"Yes, you."
"You say I'm the best actor?"
― Josh in Chicago, Wednesday, 20 March 2019 14:33 (six years ago)
BRUCE LEE
― a large tuna called “Justice” (C. Grisso/McCain), Wednesday, 20 March 2019 15:31 (six years ago)
that looks fun !
― AlXTC from Paris, Wednesday, 20 March 2019 15:37 (six years ago)
Wait...in INGLOURIOUS BASTERDS, a French movie buff helps kill Hitler & ends WWII. In DJANGO UNCHAINED, a Spaghetti Western/blaxploitation hero strikes a blow against slavery. In ONCE UPON A TIME IN HOLLYWOOD is Bruce Lee going to prevent the Manson murders?— Patton Oswalt (@pattonoswalt) March 20, 2019
― ... (Eazy), Wednesday, 20 March 2019 16:28 (six years ago)
Bruce Lee DOES the Manson Murders.
― a large tuna called “Justice” (C. Grisso/McCain), Wednesday, 20 March 2019 16:31 (six years ago)
Ok I will be very upset if Brad Pitt somehow shows up Bruce Lee
― change display name (Jordan), Wednesday, 20 March 2019 16:41 (six years ago)
i wonder, is that "bruce lee" or does he make it notionally fictional, like "gary fong" or something?
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 17:07 (six years ago)
i was at a bruce lee exhibit not so long ago, they had his old high school and college papers (!) on display. he was really into self-actualization. he had a plan for everything, going way back to his teens. (he was also a pretty good writer.) which makes it all the sadder that he died so damn young.
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 17:08 (six years ago)
It's supposed to be Bruce Lee. Steve McQueen is also a character in the film.
― a large tuna called “Justice” (C. Grisso/McCain), Wednesday, 20 March 2019 17:14 (six years ago)
https://www.imdb.com/title/tt7131622/fullcredits/
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 20 March 2019 17:19 (six years ago)
cannot WAIT for Lena Dunham as a gypsy
― flappy bird, Wednesday, 20 March 2019 17:21 (six years ago)
looking forward to olyphant's 3 lines
― Simon H., Wednesday, 20 March 2019 17:31 (six years ago)
this thing is going to be 3.5 hours long isn't it
― Simon H., Wednesday, 20 March 2019 17:34 (six years ago)
this looks good, imho
― gbx, Wednesday, 20 March 2019 17:38 (six years ago)
Oh I had no idea luke perry was involved !
― AlXTC from Paris, Wednesday, 20 March 2019 17:39 (six years ago)
And B. Pitt doesn’t seem very different from the supposedly photoshopped picture... or maybe they Photoshopped him in the whole movie !
― AlXTC from Paris, Wednesday, 20 March 2019 17:41 (six years ago)
What the heck is this movie even about? It looks fun, but I'm worried it will deal with the Manson story in a weird and superficial way.
― Mario Meatwagon (Moodles), Wednesday, 20 March 2019 17:55 (six years ago)
Tarantino make a superficial movie? Surely not?
― Lammy's Show (Tom D.), Wednesday, 20 March 2019 17:56 (six years ago)
I mean, yeah, that's the point. Can he actually do this story justice or is it going to just be a bunch of wish fulfillment nonsense?
― Mario Meatwagon (Moodles), Wednesday, 20 March 2019 18:00 (six years ago)
Yeah like he would deal with nazism in a superficial way!
― AlXTC from Paris, Wednesday, 20 March 2019 18:02 (six years ago)
Or slavery
I think he managed something interesting with Inglorious Basterds, Django was kind of a horrible mess.
― Mario Meatwagon (Moodles), Wednesday, 20 March 2019 18:04 (six years ago)
this looks awful, again
― heinrich boll weevil (Hadrian VIII), Wednesday, 20 March 2019 18:05 (six years ago)
Wow, I just might see it because Pitt looks hott in the pictures (I have a thing for hott 60s-70s man-style), and IMO he hasn't looked hot for a very long time! Although I think the Manson story has been molested enough to the point I'm getting pretty annoyed. I watched the Aquarius Manson take and was disappointed with it. There are some mystery factors there - unanswered questions - and that's what compels people to keep going back to it, but at some point you watch all this Manson stuff and feel exhausted and sad and even guilty.
― Boats Against the Current (I M Losted), Wednesday, 20 March 2019 18:12 (six years ago)
Are there any indications that this is "about" the Manson murders, rather than adjacent?
― change display name (Jordan), Wednesday, 20 March 2019 18:17 (six years ago)
QT has said a million times it's not about the murders, "it's about LA in 1969"
― flappy bird, Wednesday, 20 March 2019 18:19 (six years ago)
I'm afraid it's mainly about Quentin Tarantino
― heinrich boll weevil (Hadrian VIII), Wednesday, 20 March 2019 18:19 (six years ago)
There are an awful lot of people/characters close to the murders for them to not feature heavily, at least.
https://en.wikipedia.org/wiki/Once_Upon_a_Time_in_Hollywood
― Simon H., Wednesday, 20 March 2019 18:20 (six years ago)
can QT just die on an island in the South Indian Ocean?
― recriminations from the nitpicking woke (Alfred, Lord Sotosyn), Wednesday, 20 March 2019 18:20 (six years ago)
To imagine a thousand-post thread in which we debate the finer points of how a new movie of his sucks is almost as unendurable as remembering January 2017.
― recriminations from the nitpicking woke (Alfred, Lord Sotosyn), Wednesday, 20 March 2019 18:21 (six years ago)
this one will be his best since Death Proof probably, maybe Kill Bill. Never understood the love for Inglorious Basterds.
― flappy bird, Wednesday, 20 March 2019 18:22 (six years ago)
Isn't that supposed to be the 'family' at one brief point as the camera scans past?
― piscesx, Wednesday, 20 March 2019 18:25 (six years ago)
No Pacino means what.. he isn't in it much i'm guessing?
xp: the group of girls at 0:46?
― ☮, 🐸 (peace, man), Wednesday, 20 March 2019 18:31 (six years ago)
Never mind that, Manson's in the trailer!
― Carmel Sprout (Tom D.), Wednesday, 20 March 2019 18:32 (six years ago)
https://media.giphy.com/media/3kAL4MCZGTDd05n5Kz/giphy.gif
― ☮, 🐸 (peace, man), Wednesday, 20 March 2019 18:36 (six years ago)
xp Yeah. I wonder if this is going to be like that ep of Mad Men where there's this creepy vibe and a strAnge guy but no one says who it is.
― piscesx, Wednesday, 20 March 2019 18:38 (six years ago)
No:
"As long as I'm alive, and as long as I'm rich, the New Beverly will be there, showing double features in 35mm," Tarantino said.
― steven, soda jerk (sic), Wednesday, 20 March 2019 18:39 (six years ago)
tough to tell from the trailer what this would be about but the movie *looks* good, certainly.
As far as IG I recall my wife got pretty emotional about it, surprisingly even for her; her dad escaped the Germans, barely, about four or five times. He never talked about the holocaust, she never dealt with it herself, it’s too tough for her. The movie was a sort of way to deal with it, unexpectedly? She cannot watch more realistic holocaust films, Schindler’s and The Pianist and others are no-go’s. I doubt her reaction was the same as others, my reaction was more a visceral one to the story and several outstanding scenes. So her POV on her viewing experience was interesting.
― omar little, Wednesday, 20 March 2019 18:39 (six years ago)
DiCaprio's character lives next door to Sharon Tate in the movie
I'm sure he'll encounter Charlie at least once
― Number None, Wednesday, 20 March 2019 19:00 (six years ago)
Never understood the love for Inglorious Basterds.
i like IG just fine. never understood the hate for Django. prob my favorite of his since the 90s w IG coming in at a close 2nd. (but tbf did not see Death Proof or KB2)
― A-B-C. A-Always, B-Be, C-Chooglin (will), Wednesday, 20 March 2019 19:11 (six years ago)
I'm in.
Incredible cast listing. My fave credit:
Nicholas Hammond as Sam Wanamaker
― Ward Fowler, Wednesday, 20 March 2019 19:35 (six years ago)
Why is Sam Wanamaker in it?
― Carmel Sprout (Tom D.), Wednesday, 20 March 2019 19:51 (six years ago)
Luke Perry plays Wayne Maunder, the real-life star of the Western TV shows Custer and Lancer.Nicholas Hammond plays Sam Wanamaker, the actor and director. Wanamaker mostly worked in the UK having fled America during the McCarthy hearings. But his occasional forays back to the US included directing Maunder in Custer.
Nicholas Hammond plays Sam Wanamaker, the actor and director. Wanamaker mostly worked in the UK having fled America during the McCarthy hearings. But his occasional forays back to the US included directing Maunder in Custer.
― Number None, Wednesday, 20 March 2019 19:55 (six years ago)
Not going to happen, but would love it if Roger Sterling or Don Draper or more realistically Megan Draper featured in this.
― Dan Worsley, Wednesday, 20 March 2019 19:58 (six years ago)
We need Harry Crane carousing w/a hooker somewhere in the background.
― a large tuna called “Justice” (C. Grisso/McCain), Wednesday, 20 March 2019 20:46 (six years ago)
Dakota Fanning ... Squeaky Fromme
what a time to be alive?
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 21:31 (six years ago)
a lot of children of hollywood in this film:
Harley Quinn Smith Margaret Qualley Rumer Willis Maya Hawke
probably some more. i suppose this is what you call "meta" casting (although i guess casting always is)
also, this is most millennial name ever:
Hayley Malia Johnson
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 21:34 (six years ago)
There's also someone named "Parker Love Bowling" in this, but that's more weird sounding than millennial.
― MarkoP, Wednesday, 20 March 2019 21:44 (six years ago)
a plurality of current hollywood stars under 30 or so are, in one way or another, legacy cases
― Simon H., Wednesday, 20 March 2019 21:48 (six years ago)
Weird trailer--didn't know what to make of the end of it. If a trailer leaves you puzzled, that's a good thing.
― clemenza, Wednesday, 20 March 2019 22:20 (six years ago)
keep reading this thread title as
"Quentin Tarantino murders Manson movie"
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 22:39 (six years ago)
Damon Herriman (born 31 March 1970) is an Australian actor known for his film and television work in Australia and the United States. He is perhaps best known for his portrayal of Dewey Crowe in Justified. He will portray Charles Manson in both the Netflix series Mindhunter and the Quentin Tarantino film Once Upon a Time in Hollywood (both 2019).
― ... (Eazy), Wednesday, 20 March 2019 23:12 (six years ago)
franchise crossover!
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 23:13 (six years ago)
shades of out of sight/jackie brown
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 23:14 (six years ago)
He doesn't look like him so God knows what's going on there.
― Carmel Sprout (Tom D.), Wednesday, 20 March 2019 23:15 (six years ago)
I agree clemenza, it's a shit trailer, his teaser trailers used to be great, this is practically an outtakes roll. it doesn't even work as a vague/mood piece teaser. Whatever there's probably going to be 70 of them
― flappy bird, Wednesday, 20 March 2019 23:41 (six years ago)
He could release the whole film as trailers!
― a large tuna called “Justice” (C. Grisso/McCain), Wednesday, 20 March 2019 23:48 (six years ago)
this will be up-Quentin's-asshole shit
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 20 March 2019 23:50 (six years ago)
The trailer makes it look very boring, visually - like its promoting the wardrobe instead of the film. Makes it seem like it'll be yet another 2010s movie that just looks like an expensive TV show.
― One Eye Open, Thursday, 21 March 2019 00:06 (six years ago)
this will be up-Quentin's-asshole shit― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, March 20, 2019 11:50 PM (yesterday) Bookmark Flag Post Permalink
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, March 20, 2019 11:50 PM (yesterday) Bookmark Flag Post Permalink
that's almost guaranteed!
― affects breves telnet (Gummy Gummy), Thursday, 21 March 2019 00:38 (six years ago)
For what it's worth, I said the trailer was weird, not terrible--it wasn't what I expected...I don't even know what I expected. It seems to be less about Manson than I maybe thought. And I didn't get the final thing where the girl whispers to DiCaprio that he's a great actor, and DiCaprio starts crying. So it left me a little puzzled, and that's better than a trailer that spells out the film from start to finish.
― clemenza, Thursday, 21 March 2019 00:47 (six years ago)
idk i think it looks fun
― jolene club remix (BradNelson), Thursday, 21 March 2019 00:58 (six years ago)
http://phildellio.tripod.com/tarantino.jpg
Charlie looks very friendly.
― clemenza, Thursday, 21 March 2019 01:30 (six years ago)
I'm not getting interested in this until I find out if it's shorter than 2:30.
― Greta Van Show Feets BB (milo z), Thursday, 21 March 2019 01:41 (six years ago)
Quentin up his own ass mining for Hollywood / hippie shit in 1969 >>>>>>>>>>> Quentin up his own ass mining for Westerns
xp I would put $100 on this being at least 150 min.
― flappy bird, Thursday, 21 March 2019 01:43 (six years ago)
― gbx, Thursday, 21 March 2019 03:34 (six years ago)
He's crying at the end because he's a conceited actor
― Number None, Thursday, 21 March 2019 07:56 (six years ago)
I agree that it's nice for once to have a trailer that doesn't reveal the whole plot and best jokes/moments and instead leaves you wondering what the thing is even about.
― AlXTC from Paris, Thursday, 21 March 2019 08:39 (six years ago)
Maybe those are the best jokes/moments?
― Carmel Sprout (Tom D.), Thursday, 21 March 2019 09:17 (six years ago)
ahah touché !
― AlXTC from Paris, Thursday, 21 March 2019 09:33 (six years ago)
Not that there were any jokes I could spot.
― Carmel Sprout (Tom D.), Thursday, 21 March 2019 10:11 (six years ago)
That's the point !Anyway, for all the Manson talks, I get the impression it's mostly a movie about... making movies ?
― AlXTC from Paris, Thursday, 21 March 2019 10:23 (six years ago)
regarding his latest movies, I really enjoyed Death Proof, liked some moments in IB and Django was OK.I haven't bothered watching The Hateful Eight...Overall, at this point, I think my favourite movies of his are Jacky Brown and Death Proof.
― AlXTC from Paris, Thursday, 21 March 2019 10:38 (six years ago)
I thought it might be that he's a stuntman who's overcome by someone taking him seriously, even if it looks to be by a 10-year-old.
Anyway, for all the Manson talks, I get the impression it's mostly a movie about...making movies?
Same impression.
― clemenza, Thursday, 21 March 2019 11:26 (six years ago)
Brad is the stuntman, Leo is the actor
― Ward Fowler, Thursday, 21 March 2019 11:28 (six years ago)
Oops. Not so puzzling anymore.
― clemenza, Thursday, 21 March 2019 11:42 (six years ago)
I really liked Death Proof at the time. Besides jibing (again at the time) with my appreciation for boring for boring's sake, it contains one of my favorite visual jokes, when this hard-boiled gritty '70s pastiche spills over into the contemporary world, and this grimy muscle car chase starts sharing the road with mundane minivans. Don't know if it was intentional, but I could have sworn the movie itself also shifts from affectations like fake film artifacts to something clearer and more pristine, too, but tbh I just saw it once.
IB, I pretty much like all the parts that don't involve Brad Pitt and his titular rag-tag crew. I also appreciate the cathartic audacity of its conclusion.
Django and Hateful Eight I thought were indulgent and offensive and stupid and lazy.
― Josh in Chicago, Thursday, 21 March 2019 12:13 (six years ago)
Yeah, this seems to me to be less "a Manson Murders movie" and more "a Hollywood 1969 movie which happens to include the Family." I wonder if Tarantino has read this book, Creepy Crawling: Charles Manson and the Many Lives of America's Most Infamous Family -- it's a kind of anti-Joan Didion look at not just Manson, but out how the counterculture generally, and the Family specifically, easily insinuated itself into the movie and music industries in the late 60s, and how quickly everyone shut the gates and stopped "slumming" after the murders. (Terry Melcher, e.g., was a *lot* more involved with the Family then he let on later, and at one point was interested in having Sandra Good move into his house and act as an, um, "domestic servant" to him and Candace Bergen.)
― Plinka Trinka Banga Tink (Eliza D.), Thursday, 21 March 2019 12:16 (six years ago)
Kind of surprised Dennis Wilson isn't popping up in this actually
― Number None, Thursday, 21 March 2019 12:28 (six years ago)
I suspect there's no way his estate would let them use his name, but I wouldn't be surprised to see a Wilson-like character show up.
― Plinka Trinka Banga Tink (Eliza D.), Thursday, 21 March 2019 12:38 (six years ago)
Or Papa John Phillips, the Wolf King of LA.
― Josh in Chicago, Thursday, 21 March 2019 13:14 (six years ago)
eheh I have just realized Brad Pitt in this is basically... Jacques Dutronc (french singer for those who are not familiar) !
https://resize-parismatch.ladmedia.fr/img/var/news/storage/images/paris-match/culture/cinema/once-upon-a-time-in-hollywood-premiere-photo-de-dicaprio-et-brad-pitt-dans-le-nouveau-tarantino-1548710/25196318-1-fre-FR/Once-Upon-a-Time-in-Hollywood-premiere-photo-de-DiCaprio-et-Brad-Pitt-dans-le-nouveau-Tarantino.jpg
https://static1.puretrend.com/articles/1/11/29/21/@/1309118-jacques-dutronc-en-compagnie-de-la-580x0-2.jpg
― AlXTC from Paris, Thursday, 21 March 2019 16:09 (six years ago)
I wonder if Tarantino has read this book, Creepy Crawling: Charles Manson and the Many Lives of America's Most Infamous Family
Jeffrey Melnick's book--read it over the summer.
― clemenza, Thursday, 21 March 2019 16:47 (six years ago)
What the heck is this movie even about? It looks fun, but I'm worried it will deal with the Manson story in a weird and superficial way.― Mario Meatwagon (Moodles), Thursday, March 21, 2019 4:55 AM (yesterday) Can he actually do this story justice or is it going to just be a bunch of wish fulfillment nonsense?― Mario Meatwagon (Moodles), Thursday, March 21, 2019 5:00 AM (yesterday)
― Mario Meatwagon (Moodles), Thursday, March 21, 2019 4:55 AM (yesterday)
Can he actually do this story justice or is it going to just be a bunch of wish fulfillment nonsense?
― Mario Meatwagon (Moodles), Thursday, March 21, 2019 5:00 AM (yesterday)
Are there any indications that this is "about" the Manson murders, rather than adjacent?― change display name (Jordan), Thursday, March 21, 2019 5:17 AM (yesterday)
― change display name (Jordan), Thursday, March 21, 2019 5:17 AM (yesterday)
It seems to be less about Manson than I maybe thought. And I didn't get the final thing where the girl whispers to DiCaprio that he's a great actor, and DiCaprio starts crying. So it left me a little puzzled, and that's better than a trailer that spells out the film from start to finish.― clemenza, Thursday, March 21, 2019 11:47 AM (yesterday)
― clemenza, Thursday, March 21, 2019 11:47 AM (yesterday)
Anyway, for all the Manson talks, I get the impression it's mostly a movie about... making movies ?― AlXTC from Paris, Thursday, March 21, 2019 9:23 PM (yesterday)
― AlXTC from Paris, Thursday, March 21, 2019 9:23 PM (yesterday)
Yeah, this seems to me to be less "a Manson Murders movie" and more "a Hollywood 1969 movie which happens to include the Family." I wonder if Tarantino has read this book, Creepy Crawling: Charles Manson and the Many Lives of America's Most Infamous Family -- it's a kind of anti-Joan Didion look at not just Manson, but out how the counterculture generally, and the Family specifically, easily insinuated itself into the movie and music industries in the late 60s, and how quickly everyone shut the gates and stopped "slumming" after the murders. (Terry Melcher, e.g., was a *lot* more involved with the Family then he let on later, and at one point was interested in having Sandra Good move into his house and act as an, um, "domestic servant" to him and Candace Bergen.)― Plinka Trinka Banga Tink (Eliza D.), Thursday, March 21, 2019 11:16 PM (yesterday)
― Plinka Trinka Banga Tink (Eliza D.), Thursday, March 21, 2019 11:16 PM (yesterday)
As far as I can tell, the entirety of Tarantino's public statements are:
in November 2017, on the then-untitled film: “It’s not Charles Manson, it’s 1969." cautioned Quentin Tarantino
February 2018 press release announcing title Once Upon A Time In Hollywood: Tarantino describes it as “a story that takes place in Los Angeles in 1969, at the height of hippy Hollywood. The two lead characters are Rick Dalton, former star of a western TV series, and his longtime stunt double Cliff Booth. Both are struggling to make it in a Hollywood they don’t recognize anymore. But Rick has a very famous next-door neighbor…Sharon Tate.”
“I’ve been working on this script for five years, as well as living in Los Angeles County most of my life, including in 1969, when I was seven years old. I’m very excited to tell this story of an LA and a Hollywood that don’t exist anymore. And I couldn’t be happier about the dynamic teaming of DiCaprio & Pitt as Rick & Cliff.”
Tarantino in April 2018: the film is set in LA at the height of the counterculture revolution and of New Hollywood; there are two leads and everyone else are interweaving characters somewhat in the style of Pulp Fiction.
can we retire this "hmm how will he handle this deep biographical examination of the Manson Family??!" handwringing itt?
― steven, soda jerk (sic), Thursday, 21 March 2019 18:34 (six years ago)
tbf this thread kicked off w/ an article titled "Quentin Tarantino Prepping New Movie Tackling Manson Murders" during a time QT was screening that Manson doc and peddling his weird conspiracy theories
― heinrich boll weevil (Hadrian VIII), Thursday, 21 March 2019 19:11 (six years ago)
not sure that QT can pull of a manson biopic
― ( ͡☉ ͜ʖ ͡☉) (jim in vancouver), Thursday, 21 March 2019 19:20 (six years ago)
I'm guessing Tarantino has been quite content to let the Manson hand-wringing proceed a pace.
― clemenza, Thursday, 21 March 2019 19:38 (six years ago)
nah I think he can do it, Roman Polanski is gonna machine-gun Charlie to death and be carried shoulder-high down Hollywood Boulevard
― steven, soda jerk (sic), Thursday, 21 March 2019 19:39 (six years ago)
i think it’ll be dope
― Squeaky Fromage (VegemiteGrrl), Friday, 22 March 2019 05:21 (six years ago)
I believe she is playing a Mansonite named Gypsy?
There wasn't even a "Hollywood" by 1969.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 22 March 2019 11:35 (six years ago)
huh?
― affects breves telnet (Gummy Gummy), Friday, 22 March 2019 15:06 (six years ago)
Hollywood in the '30s/'40s sense of the word--primarily the studio system--was gone almost two decades by 1969.
― clemenza, Friday, 22 March 2019 18:52 (six years ago)
Isn’t that exactly what sic’s quotes are saying?
― A funny tinge happened on the way to the forum (wins), Friday, 22 March 2019 18:56 (six years ago)
a story that takes place in Los Angeles in 1969, at the height of hippy Hollywood. The two lead characters are Rick Dalton, former star of a western TV series, and his longtime stunt double Cliff Booth. Both are struggling to make it in a Hollywood they don’t recognize anymore.
― A funny tinge happened on the way to the forum (wins), Friday, 22 March 2019 18:57 (six years ago)
More like HollyWEIRD, amirite?
― a large tuna called “Justice” (C. Grisso/McCain), Friday, 22 March 2019 19:01 (six years ago)
Hollywood in the '30s/'40s sense of the word--primarily the studio system--was gone almost two decades by 1969.― clemenza, Friday, March 22, 2019 6:52 PM (seven minutes ago) Bookmark Flag Post Permalink
― clemenza, Friday, March 22, 2019 6:52 PM (seven minutes ago) Bookmark Flag Post Permalink
strictly speaking there was never a singular "hollywood" identical to the motion picture industry, b/c studio facilities and offices were spread out across urban los angeles (as they are today). "hollywood" was always a casual bit of synecdoche.
in other words, 1969 is different to 1939, no doubt. 2019 is different to 1969, as well. and yet people have used the term "hollywood" as a synonym for the U.S. film (and, by the '50s at the latest, TV) industry since the 1910s and through to the present, with minimal misunderstanding. tarantino's movie takes place w/in the industry. so what exactly is the problem?
― affects breves telnet (Gummy Gummy), Friday, 22 March 2019 19:04 (six years ago)
a burbank they don't recognize anymore
― difficult listening hour, Friday, 22 March 2019 20:12 (six years ago)
Keep Hollyweird weird
― calstars, Friday, 22 March 2019 21:01 (six years ago)
"once upon a time in century city"
― affects breves telnet (Gummy Gummy), Friday, 22 March 2019 21:13 (six years ago)
Can’t wait for this. Damn, it’s even made me want to watch death proof for gosh sake
― calstars, Friday, 22 March 2019 21:39 (six years ago)
Death Proof is good if you like either car chases or Tarantino hang-out dialogue (nb: haven't seen the extended DVD version, saw Grindhouse in 2007 and 2017). better than Django, maybe better than Inglorious.
― steven, soda jerk (sic), Friday, 22 March 2019 22:21 (six years ago)
The sign said HOLLYWOODLAND until 1949, i'm not sure i realised it was so recently that they changed it.
The sign was at its most dilapidated in the late 70s;
https://upload.wikimedia.org/wikipedia/commons/f/f2/Hullywod-Sign.jpg
― piscesx, Friday, 22 March 2019 22:33 (six years ago)
I'll watch a couple movies made in Hollyweird in 1969 while youse guys are at this
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 22 March 2019 22:56 (six years ago)
not a good year tbh.
― affects breves telnet (Gummy Gummy), Friday, 22 March 2019 23:41 (six years ago)
they shoot horses, don't they?
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 22 March 2019 23:53 (six years ago)
In what universe is Death Proof better than IB or even Django ferchristsake?
― Carly Jae Vespen (Capitaine Jay Vee), Saturday, 23 March 2019 02:06 (six years ago)
I'll take Death Proof over Django any day
― Simon H., Saturday, 23 March 2019 02:07 (six years ago)
[23,200 posts on which is tarantino's worst movie]
― affects breves telnet (Gummy Gummy), Saturday, 23 March 2019 02:15 (six years ago)
Basterds, Django, and Eight all seem forced to me. excited for this one cause it seems more casual, shooting for a lower bar maybe
― calstars, Saturday, 23 March 2019 02:29 (six years ago)
In what universe
I haven't rewatched Basterds, so I'm unsure of its specific placing among the lower ranks; Django is the only QT I think is bad.
― steven, soda jerk (sic), Saturday, 23 March 2019 03:10 (six years ago)
Death Proof had a lot of weak spots but the car crash sequence that closes the first half is really close to peak Tarantino.
― omar little, Saturday, 23 March 2019 04:29 (six years ago)
The creep if weak, overly indulgent Tarantino dialogue is all there in Death Proof but the car stuff is so good I can forgive it.
― circa1916, Saturday, 23 March 2019 04:31 (six years ago)
as my friend has observed:
"What kind of movies does Tarantino like?
CRAP.
And that's FINE.
But HOW LONG is the crap that he likes? 82 minutes."
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 23 March 2019 05:59 (six years ago)
Yeah I mean it’s not an uncommon opinion that things went downhill after his longtime editor passed away.
― circa1916, Saturday, 23 March 2019 07:12 (six years ago)
what crap movies does tarantino like? i mean, jack hill movies are rough around the edges, but i wouldn't say they were crap. and certainly the classic hollywood and asian action films he appreciates aren't crap. or pabst or, heck, doesn't he pretty much like everything? (except john ford, i suppose.) i remember ray carney publishing some idiotic thing in the baffler a million years ago about how tarantino represented a debased culture since he was basing his aesthetic on trash and it was a tiresome argument then. that doesn't mean everything t touches turns to gold, not hardly.
― affects breves telnet (Gummy Gummy), Saturday, 23 March 2019 07:26 (six years ago)
Finding gold in trash is... his thing. He’s not oblivious to or unappreciative of the classics either, obviously. The marriage of high/low is the appeal. I don’t know why this needs to be talked about in 2019 but hey Morbs.
― circa1916, Saturday, 23 March 2019 07:38 (six years ago)
I just want to say that John Ford was an excellent filmmaker
― she carries a torch. two torches, actually (Joan Crawford Loves Chachi), Saturday, 23 March 2019 11:24 (six years ago)
yeah, he wrote a thing for his rep theater's site about how great Ulzana's Raid is (true!) but bashing Ford's Fort Apache.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 23 March 2019 13:27 (six years ago)
it's incredible to me how many typos and grammar mistakes are in anything tarantino writes. i guess this has been known for a while. is he dyslexic?
― affects breves telnet (Gummy Gummy), Saturday, 23 March 2019 17:15 (six years ago)
― Number None, Saturday, 23 March 2019 17:19 (six years ago)
I don't love Tarantino, but I don't completely hate him, either. To me, his films are a bit thin on heavy ideas, and they throw a lot of style at you. But on second thought, I'll bet that like me he's read a lot of the Manson material and felt there was a mystique there, or a lot of nagging questions, when you read all that stuff, you feel unsatisfied (they're all about the gore and the beautiful people who died), and maybe, like the Aquarius thing, getting into the milieu around Manson might give you a more complete sense of what was going on in LA back then. Maybe that's more of what I'm looking for, so I'll def watch it.
The thing I hate about Manson movies is that the dudes never look like Manson, but this one does, and I always find that distracting. The other movies make Manson too Jesus-like.
― i don't read novels. i prefer good literary criticism. (I M Losted), Saturday, 23 March 2019 18:13 (six years ago)
But HOW LONG is the crap that he likes? 82 minutes.nah, I saw The Hallelujah Trail at the New Bev
― steven, soda jerk (sic), Saturday, 23 March 2019 18:20 (six years ago)
obv I am talkin the AIP drive-in crap
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 23 March 2019 18:23 (six years ago)
Death Proof deserves some wry admiration I think for being a movie that just consists of QT’s kinks onscreen for the length of a feature.
― moose; squirrel (silby), Saturday, 23 March 2019 18:35 (six years ago)
Would be cool if some characters show up from Pychon’s Inherent Vice
― calstars, Saturday, 23 March 2019 19:10 (six years ago)
Mary Harron--first I've heard of this:
http://www.imdb.com/title/tt1759744/
Wouldn't be shocked if it turns out to be the better film.
― clemenza, Tuesday, 9 April 2019 04:51 (six years ago)
Dr. Who (Matt Smith) as Manson!?!?
― a large tuna called “Justice” (C. Grisso/McCain), Tuesday, 9 April 2019 04:57 (six years ago)
So we have The Haunting of Sharon Tate, Charlie Says and Once Upon a Time in Hollywood. Apparently, there is also a forthcoming Sharon Tate biopic from Kate Bosworth, though she's indicated it won't be Manson-centric.
― blatherskite, Tuesday, 9 April 2019 17:07 (six years ago)
50th anniversary etc.
― Angry Question Time Man's Flute Club Band (Tom D.), Tuesday, 9 April 2019 17:37 (six years ago)
Has there been a young Charles Manson movie yet? There should be. We have to get to the bottom of how Charles Manson became Charles Manson!
― Josh in Chicago, Tuesday, 9 April 2019 17:41 (six years ago)
Charlie Says at least treats "the girls" as human beings, which is sadly a new angle.
― Three Word Username, Tuesday, 9 April 2019 17:59 (six years ago)
xp: a prequel! yeah, I like the sounds of that.
― ☮ (peace, man), Tuesday, 9 April 2019 18:05 (six years ago)
Charles Before Manson
― a large tuna called “Justice” (C. Grisso/McCain), Tuesday, 9 April 2019 18:16 (six years ago)
Charlie Says looks like it has the same kind of empathy for the females as the Jeffrey Melnick book Creepy Crawling.
― clemenza, Tuesday, 9 April 2019 18:29 (six years ago)
I'm wondering whether they had to change the title for the UK market, because over here "Charlie Says" can only mean one thing...
https://www.youtube.com/watch?v=4ZGCEdv5ngg
― Do you like 70s hard rock with a guitar hero? (Tom D.), Tuesday, 9 April 2019 19:11 (six years ago)
― calstars, Tuesday, 9 April 2019 23:13 (six years ago)
It never occurred to me that Charlie Says wasn't a deliberate allusion to the cat.
― Three Word Username, Wednesday, 10 April 2019 06:10 (six years ago)
I thought it referenced "Candy Says."
― nickn, Wednesday, 10 April 2019 17:07 (six years ago)
Charlies saysI've come to hate the piggies...
― blatherskite, Wednesday, 10 April 2019 17:10 (six years ago)
(xpost) Thought the same. Mary Harron did direct I Shot Andy Warhol.
― clemenza, Friday, 12 April 2019 03:01 (six years ago)
I keep wanting to say Charlie Says ... Relax!
― Josh in Chicago, Friday, 12 April 2019 03:10 (six years ago)
Charlie Says Don't Surf
― ☮ (peace, man), Friday, 12 April 2019 11:04 (six years ago)
I assumed the title comes from the fact that his followers were apt to quote his sayings ad nauseum.
― Do you like 70s hard rock with a guitar hero? (Tom D.), Friday, 12 April 2019 11:47 (six years ago)
Yet another one--saw a bootleg copy of this today.
https://m.media-amazon.com/images/M/MV5BMWNjMWMwMmQtYjM5MC00NDE2LWEyM2ItOTY0ZjMxYjY0NWUxXkEyXkFqcGdeQXVyMzY0MTE3NzU@._V1_UX182_CR0,0,182,268_AL_.jpg
The premise makes no sense at all. Sharon Tate didn't survive Manson--I don't think I've ever read anywhere that her dreams beforehand were noteworthy.
― clemenza, Sunday, 19 May 2019 22:11 (six years ago)
Poor Hilary Duff...
― a large tuna called “Justice” (C. Grisso/McCain), Sunday, 19 May 2019 22:24 (six years ago)
https://centuriesofsound.files.wordpress.com/2017/03/2017_03_28_08-07-28.png
― mfktz (Camaraderie at Arms Length), Sunday, 19 May 2019 22:27 (six years ago)
I saw that film last week, so I could contrast with the new Mary Harron one — it's bad, and not even in a MST3k way. It's really just an excuse to film the murder itself, which they replay about three times, including an "alternate reality" where they manage to kill off the Manson family and escape. Duff spends the whole film wide-eyed and at least once a scene someone has to mention she's pregnant, or she touches her belly. It doesn't even look particularly period.
― blatherskite, Monday, 20 May 2019 18:03 (six years ago)
https://www.youtube.com/watch?v=ELeMaP8EPAA
New Trailer.
― a large tuna called “Justice” (C. Grisso/McCain), Tuesday, 21 May 2019 15:57 (six years ago)
Tarantino/Pitt/Dicaprio interview as well.
https://www.esquire.com/entertainment/movies/a27458589/once-upon-a-time-in-hollywood-leonardo-dicaprio-brad-pitt-quentin-tarantino-interview/
― ☮ (peace, man), Tuesday, 21 May 2019 16:47 (six years ago)
That's a great roundtable. Suddenly I'm stoked for this picture.
― WmC, Tuesday, 21 May 2019 17:15 (six years ago)
LucyHoldsFootball.gif
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Tuesday, 21 May 2019 17:30 (six years ago)
Yeah, me too. It starts off feeling kinda douchey imo, but they take the conversation to some interesting places. I'm definitely cautiously optimistic.
― ☮ (peace, man), Tuesday, 21 May 2019 17:33 (six years ago)
Early Cannes reactions:
https://variety.com/2019/film/news/once-upon-a-time-in-hollywood-first-reactions-quentin-tarantino-1203222562/
― Ward Fowler, Tuesday, 21 May 2019 19:36 (six years ago)
Gah, I was not expecting to be excited, since I hated his last two, but ... count me in. Now to go several months spoiler free ...
I remember getting a copy of the Pulp Fiction script months before it came out. I didn't read it, but I did look at one page and saw the word "chainsaw." Then that sucker got given to someone else, post haste.
― Josh in Chicago, Tuesday, 21 May 2019 19:54 (six years ago)
the con goes on
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Tuesday, 21 May 2019 20:03 (six years ago)
I guess if you call the marketing a con? Because for all the movies I haven't liked, Tarantino has still made 3 or 4 or 5 or 4.5 I love, which is more good movies than most directors make. And at the least I think he is a good *director*, so I always like *watching* his movies even if I don't like the acting or script or whatever.
― Josh in Chicago, Tuesday, 21 May 2019 20:09 (six years ago)
It starts off feeling kinda douchey
I thought at first this was referring to the trailer, and I was like, wait, but it ends kinda douchey too
― d'ILM for Murder (Hadrian VIII), Tuesday, 21 May 2019 21:13 (six years ago)
morbs otm
https://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/once-upon-time-hollywood-quentin-tarantino-1960s-golden-age-meta-movie-charles-manson-sharon-tate-murders?fbclid=IwAR0u4IXsvkkwQlcqRV6fd1hFV7b28seLm_tODBB-JPqAg_9Ya-V1leU3J9k
― Ward Fowler, Wednesday, 22 May 2019 10:15 (six years ago)
this movie is totally going to end with leo killing manson and saving the day, right?
― devvvine, Wednesday, 22 May 2019 12:48 (six years ago)
I figure it's gonna be something like that, though I think it's gonna be Sharon Tate that ends up killing Manson somehow. Hopefully Tarentino put a bit of thought into this than I did though.
― silverfish, Wednesday, 22 May 2019 13:34 (six years ago)
weird that i feel very much okay with tarantino killing hitler in his wwii revenge picture but very much not okay at the prospect of him 'saving' sharon tate in this one
― michael keaton IS jim thirlwell IN ‘foetaljuice’ (bizarro gazzara), Wednesday, 22 May 2019 13:42 (six years ago)
same
― Simon H., Wednesday, 22 May 2019 13:42 (six years ago)
I'm gonna ask my Cannes contact to spoil it for me
They're gonna break into the wrong house and kill DiCaprio and Pitt.
― Plinka Trinka Banga Tink (Eliza D.), Wednesday, 22 May 2019 13:50 (six years ago)
No genuine spoilers on this thread, please.
― Ward Fowler, Wednesday, 22 May 2019 13:59 (six years ago)
simon pls inbox me full and detailed spoilers kthxbye
― michael keaton IS jim thirlwell IN ‘foetaljuice’ (bizarro gazzara), Wednesday, 22 May 2019 14:07 (six years ago)
MANSON KILLS DAENERYS & IRON MAN.
― a large tuna called “Justice” (C. Grisso/McCain), Wednesday, 22 May 2019 14:18 (six years ago)
https://frinkiac.com/meme/S09E13/335117.jpg?b64lines=IFNPLCBUSEUgQ09QUyBLTkVXIFRIQVQKIElOVEVSTkFMIEFGRkFJUlMgV0FTCiBTRVRUSU5HIFRIRU0gVVA_
― Plinka Trinka Banga Tink (Eliza D.), Wednesday, 22 May 2019 14:19 (six years ago)
Anyway, A.A. Dowd at The AV Club gives it a B+ fwiw
https://film.avclub.com/quentin-tarantino-fights-the-future-in-his-funky-meand-1834944301
― Plinka Trinka Banga Tink (Eliza D.), Wednesday, 22 May 2019 15:59 (six years ago)
Is the word "Baggy" a new film crit plaything? Somebody over on CriterionForum collected up a number of tweets re:OUATIH and it appeared in like 3/4 of them.
― a large tuna called “Justice” (C. Grisso/McCain), Wednesday, 22 May 2019 16:33 (six years ago)
I remember it being used to describe his last 2 movies
― flappy bird, Wednesday, 22 May 2019 16:40 (six years ago)
It's gotta be a loose fit.
― ☮ (peace, man), Wednesday, 22 May 2019 16:45 (six years ago)
I think it's gonna be Sharon Tate that ends up killing Manson somehow
Smothering him to death with her gigantic, naked feet, of course.
― shared unit of analysis (unperson), Wednesday, 22 May 2019 16:49 (six years ago)
The ending to Inglorious Basterds was an entertaining twist. Django was just dumb. If he's going for some kind of wish fulfillment fix for the Manson murders, I'll be pretty disappointed.
Movie looks cool though, so I'm not ready to abandon hope.
― Mario Meatwagon (Moodles), Wednesday, 22 May 2019 16:59 (six years ago)
Manson gets that record deal, no murders.
― Ned Caligari (Tom D.), Wednesday, 22 May 2019 17:01 (six years ago)
At the behest of a desperate Dennis Wilson, Mike Love kills the entire Manson family.
― 5 favrite kind of animal. jaguar. giraffe. (Old Lunch), Wednesday, 22 May 2019 17:11 (six years ago)
At the behest of a desperate Dennis Wilson, Mike Love has his photograph taken with the entire Manson family, 45 years later it is posted on a thread on the ILX message board.
― Ned Caligari (Tom D.), Wednesday, 22 May 2019 17:12 (six years ago)
alright im outta here until July
― flappy bird, Wednesday, 22 May 2019 17:15 (six years ago)
If, as widely guessed, Brad Pitt prevents the murders in a blaze of bloody glory, that will be an Inglourious Bastards-derived joke come to fully unimagined life.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 22 May 2019 17:20 (six years ago)
Sharon Tate lives, plays Jackie Brown in an universally acclaimed comeback in 1997.
― a large tuna called “Justice” (C. Grisso/McCain), Wednesday, 22 May 2019 17:23 (six years ago)
fond of this L'boxd review
https://letterboxd.com/papabear9/film/once-upon-a-time-in-hollywood/
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 22 May 2019 17:32 (six years ago)
a nearly comatose-able experience directed savegly
would make a great blurb for the poster
― One Eye Open, Wednesday, 22 May 2019 17:52 (six years ago)
Anyone who wants full spoilers: go digging in the Wiki entry's edit history.
― Simon H., Wednesday, 22 May 2019 18:12 (six years ago)
OK, that's officially even worse than anything I would have come up with.
― shared unit of analysis (unperson), Wednesday, 22 May 2019 18:29 (six years ago)
lol my reaction as well
― devvvine, Wednesday, 22 May 2019 18:38 (six years ago)
yup
― Simon H., Wednesday, 22 May 2019 18:39 (six years ago)
Movie looks cool though
iirc QT works with a good cinematographer. don't let that fool you.
― A is for (Aimless), Wednesday, 22 May 2019 20:35 (six years ago)
I truly can’t think of a dumber ending, or one that plays to his critics more. Is there a German word for the paradoxical feeling of actually being surprised at how lazily predictable something ends up being?
― One Eye Open, Wednesday, 22 May 2019 21:57 (six years ago)
And when Sharon Tate, spared a grisly end by Bruce Lee's single-handed dispatch of her would-be assailants, finally did give birth, her son grew up to be famous in his own right. His name? Quentin Tarantino. And that's the rest of the story. Good day!
― 5 favrite kind of animal. jaguar. giraffe. (Old Lunch), Wednesday, 22 May 2019 22:09 (six years ago)
(If I did guess the ending, I swear it was a total accident and I apologize, but if it's actually that stupid then you should probably also demand an apology from QT himself.)
― 5 favrite kind of animal. jaguar. giraffe. (Old Lunch), Wednesday, 22 May 2019 22:10 (six years ago)
I approve of your Paul Harvey impression, could use more ellipses though
― Οὖτις, Wednesday, 22 May 2019 22:11 (six years ago)
oh god there’s gonna be so many fucking thinkpieces about this
― michael keaton IS jim thirlwell IN ‘foetaljuice’ (bizarro gazzara), Wednesday, 22 May 2019 22:16 (six years ago)
stinkpieces
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, 23 May 2019 02:09 (six years ago)
Video store boy makes another film. What a grifter.
― xyzzzz__, Thursday, 23 May 2019 02:16 (six years ago)
Doesn't look like this has been posted, unless I missed it.
http://www.vulture.com/2019/05/once-upon-a-time-in-hollywood-review.html?fbclid=IwAR0kWz7CbfHiURq8pmffxOUjehb_ZF90Gr8V2qSPW9Iny6cWwNeGbiIZIPE
I barely skim reviews beforehand, but does seem to be enthusiastic.
― clemenza, Thursday, 23 May 2019 12:44 (six years ago)
― michael keaton IS jim thirlwell IN ‘foetaljuice’ (bizarro gazzara), Wednesday, May 22, 2019 6:16 PM (
I went on one of my few Twitter tirades two days ago constructing false binaries (i.e. why men -- always men -- look to QT to relive the shit nostalgia from their youth don't get half so excited for Claire Denis or even James Gray).
― recriminations from the nitpicking woke (Alfred, Lord Sotosyn), Thursday, 23 May 2019 12:52 (six years ago)
That drifting, elegiac quality (which at times may recall his once-neglected, now-classic Jackie Brown) is the film’s great strength
v encouraging sentence
― american bradass (BradNelson), Thursday, 23 May 2019 12:53 (six years ago)
I wish people would stop this "once neglected" twaddle. It got good reviews, did well in theaters, did better on VHS/DVD; lots of critics at the time said it was his best movie.
― recriminations from the nitpicking woke (Alfred, Lord Sotosyn), Thursday, 23 May 2019 12:55 (six years ago)
Yeah, there's no such thing as a "neglected" Tarantino movie, unless they mean that the Pulp Fiction-worshipping frat ape contingent didn't like it as much as his other shit, because it had recognizable human beings demonstrating realistic human emotions in it.
― shared unit of analysis (unperson), Thursday, 23 May 2019 13:00 (six years ago)
Anyone who wants full spoilers: go digging in the Wiki entry's edit history.― Simon H., Wednesday, May 22, 2019 2:12 PM (yesterday) Bookmark Flag Post Permalink
OK, that's officially even worse than anything I would have come up with.― shared unit of analysis (unperson), Wednesday, May 22, 2019 2:29 PM (yesterday) Bookmark Flag Post Permalink
how indeed is it possible for somebody to be so far up his own ass
― d'ILM for Murder (Hadrian VIII), Thursday, 23 May 2019 13:09 (six years ago)
v otm
― american bradass (BradNelson), Thursday, 23 May 2019 13:10 (six years ago)
I was gonna make a crack about 'neglected' in this context basically meaning 'a QT film that cannot be easily perpetuated in the public consciousness via the medium of Halloween costumes' but now I feel like I absolutely must do Max Cherry this year.
― 5 favrite kind of animal. jaguar. giraffe. (Old Lunch), Thursday, 23 May 2019 13:14 (six years ago)
that climax is 100% unsurprising, eh
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, 30 May 2019 00:55 (six years ago)
There's a great movie to be made about the Manson family that focuses on the psychological path of the women.― полезные дурак (Sanpaku), Wednesday, July 12, 2017
It turns out that movie is Mary Harron's Charlie Says, written by long term collaborator Guinevere Turner (American Psycho, The Notorious Bettie Page). Heard about it on today's Film Comment podcast, where Harron reveals that she was only green lit after Tarantino's film was announced.
― despondently sipping tomato soup (Sanpaku), Thursday, 30 May 2019 02:31 (six years ago)
Ten films to see before you see Once Upon a Time in Hollywood:
https://www.indiewire.com/gallery/quentin-tarantino-movies-influenced-once-upon-a-time-in-hollywood/
― Ward Fowler, Saturday, 20 July 2019 06:22 (five years ago)
Ten films on television? Pffft. Here's what he's showing on 35mm double features as warmup for the One Day In 1969 flick:
9/10 June: [part of 12 days programming of gay & lesbian film]The Killing Of Sister George (1968, Beryl Reid and Susannah York have a relationship breakdown)The Sergeant (1968, Rod Steiger tries to bang PFC John Phillip Law)
1969 in JUNE:
12/13:The Wrecking Crew (1968 Matt Helm joint starring Dean Martin & Sharon Tate – newly-struck print)Hammerhead (1968, Sony Archive print)
14/15:2001: A Space Odyssey [1968, no double feature]
16/17:Once Upon A Time In The West [1968, no double feature]
18: Gary Lockwood double featureModel Shop (Jacques Demy) They Came To Rob Las Vegas (1968)
19/20:Lady In Cement (1968 noir starring Sinatra)Pretty Poison (1968 Lorenzo Semple Jr. / Tony Perkins / Tuesday Weld joint)
21/22:Bob & Carol & Ted & AliceCactus Flower
23/24:Sweet Charity [no double feature]
25:There’s A Girl In My Soup (1970)The Love God?
26/27:Krakatoa East Of Java [IB Tech print]The Boston Strangler (1968)
28/29:Bullitt (1968)Pendulum (George Schaefer directing George Peppard and Jean Seberg)
30/01:The Sterile Cuckoo (Pakula / Liza)3 In The Attic
1969 MIDNIGHTS:
June 15:Journey To The Far Side Of The Sun (d. Robert Parrish)
22:Candy (d. Christian Marquand, w. Terry Southern)
29:Alice’s Restaurant (d. Arthur Penn)
1969 KIDDIE MATINEES:
June 1&2:The Computer Wore Tennis Shoes (Robert Butler directing Kurt Russell, 16mm)
15/16:The Green Slime (Kinji Fukasaku, 16mm)
22/23: Chitty Chitty Bang Bang (d. Ken Hughes, w. Dahl, Fleming)
29/30:The Reivers (d. Mark Rydell, 16mm)
NEW HOLLYWOOD / MOVIE STARS IN JULY
2:The Mad Bomber (starring Vince Edwards, 1973, 16mm)Moving Target (starring Ty Hardin, 1967, 16mm)
3/4: George Maharis double featureThe Happening (1967, Sony Archive print)Land Raiders (1970)
5/6: Raquel Welch double featureFantastic Voyage (1966)100 Rifles (1969)
7/8: Ann-Margret double featureMurderer’s Row (1966)Kitten With A Whip (1964)
9: Ed ‘Kookie’ Byrnes double featureAny Gun Can Play (1967)Wicked, Wicked (1973)
10/11: Ed ‘Kookie’ Byrnes double featureThe Secret Invasion (1964)Darby’s Rangers (1958, 16mm)
12/13: Jane Fonda double feature, both Sony Archive printsCat Ballou (1965) The Chase (1966)
4/15: Tab Hunter double feature, both Sony Archive printsGunman’s Walk (1958) They Came To Corduba (1959
16:A Bullet For Pretty Boy (starring Fabian, 1970)Horror House (starring Frankie Avalon, 1969)
17/18 TRIPLE FEATURE:Sweet Kill (starring Tab Hunter, 1972)Soul Hustler (starring Fabian, 1973, 16mm)Sweet Saviour (starring Troy Donahue, 1971)
19/20: Natalie Wood double featureGypsy (1962)This Property Is Condemned (1966)
21/22: Fabian double featureRide The Wild Surf (1964)Thunder Alley (1967, 16mm)
23: William Smith TRIPLE FEATUREC.C. And Company (1970, 16mm)The Losers (1970)Hollywood Man (1976)
24: George Hamilton double featureEvel Knievel (1971) Jack Of Diamonds (1967, 16mm)
WEDNESDAY MATINEES in JUNE: ‘60s HITCHCOCK on IB Tech printsThe BirdsMarnieTorn CurtainTopaz
WEDNESDAY MATINEES in JULY: ‘60s BOND on IB Tech printsFrom Russia With LoveGoldfingerThunderballYou Only Live TwiceOn Her Majesty’s Secret Service
MONDAY MATINEES JUNE: BRAD PITTInterview With The VampireSe7enThe Assassination Of Jesse James By The Coward Robert FordOcean’s Eleven
MONDAY MATINEES JULY: LEO DiCAPRIOInceptionThis Boy’s LifeThe Quick And The DeadThe Basketball DiariesThe Aviator
― quelle sprocket damage (sic), Saturday, 20 July 2019 09:28 (five years ago)
Once Upon A Time In The West [1968, no double feature]What cowardice is this
― shhh / let peaceful like things (wins), Saturday, 20 July 2019 09:33 (five years ago)
I think u guys need a nu thred as there won't be any Manson murders
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 20 July 2019 11:30 (five years ago)
The Wrecking Crew (1968 Matt Helm joint starring Dean Martin & Sharon Tate – newly-struck print)
the WASTE
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 20 July 2019 11:31 (five years ago)
It's pointed out in the You Must Remember This Manson season that The Wrecking Crew garnered Tate her only good reviews (pre-slaying).
― frustration and wonky passion (C. Grisso/McCain), Saturday, 20 July 2019 12:32 (five years ago)
― Supercreditor (Dr Morbius), Wednesday, July 12, 2017 11:42 AM (two years ago)
― Supercreditor (Dr Morbius), Thursday, July 13, 2017 12:18 AM (two years ago)
― Supercreditor (Dr Morbius), Thursday, July 13, 2017 6:37 AM (two years ago)
― Supercreditor (Dr Morbius), Thursday, July 13, 2017 9:16 PM (two years ago)
― Supercreditor (Dr Morbius), Friday, July 14, 2017 12:10 AM (two years ago)
― ice cream social justice (Dr Morbius), Saturday, November 18, 2017 5:26 AM (one year ago)
― ice cream social justice (Dr Morbius), Saturday, November 18, 2017 6:16 AM (one year ago)
― ice cream social justice (Dr Morbius), Saturday, November 18, 2017 6:27 AM (one year ago)
― ice cream social justice (Dr Morbius), Saturday, November 18, 2017 6:53 AM (one year ago)
― ice cream social justice (Dr Morbius), Saturday, January 20, 2018 4:19 AM (one year ago)
― ice cream social justice (Dr Morbius), Saturday, January 20, 2018 5:04 AM (one year ago)
― ice cream social justice (Dr Morbius), Saturday, January 20, 2018 5:05 AM (one year ago)
― the ignatius rock of ignorance (Dr Morbius), Thursday, May 10, 2018 3:48 PM (one year ago)
― the ignatius rock of ignorance (Dr Morbius), Thursday, July 19, 2018 2:50 AM (one year ago)
― the ignatius rock of ignorance (Dr Morbius), Thursday, July 19, 2018 2:57 AM (one year ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, July 28, 2018 6:38 AM (eleven months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, July 28, 2018 12:11 PM (eleven months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, July 28, 2018 12:13 PM (eleven months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, July 28, 2018 12:23 PM (eleven months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, August 23, 2018 10:05 PM (ten months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, January 26, 2019 5:25 AM (five months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, January 26, 2019 5:31 AM (five months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, January 26, 2019 5:34 AM (five months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, March 20, 2019 12:57 AM (four months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, March 21, 2019 4:19 AM (four months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, March 21, 2019 10:50 AM (four months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, March 22, 2019 10:35 PM (three months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, March 23, 2019 9:56 AM (three months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, March 23, 2019 10:53 AM (three months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Sunday, March 24, 2019 5:23 AM (three months ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, May 22, 2019 3:30 AM (one month ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, May 22, 2019 6:03 AM (one month ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, May 23, 2019 3:20 AM (one month ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, May 23, 2019 3:32 AM (one month ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, May 23, 2019 12:09 PM (one month ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, May 30, 2019 10:55 AM (one month ago)
― quelle sprocket damage (sic), Saturday, 20 July 2019 18:40 (five years ago)
must you
― Squeaky Fromage (VegemiteGrrl), Saturday, 20 July 2019 19:45 (five years ago)
it's "must u guys"
― quelle sprocket damage (sic), Saturday, 20 July 2019 20:01 (five years ago)
Morbs u
― frustration and wonky passion (C. Grisso/McCain), Saturday, 20 July 2019 20:06 (five years ago)
dis ting got a soundtrack yet?
― calstars, Saturday, 20 July 2019 20:15 (five years ago)
Andrew Sarris singled her out in Don't Make Waves, albeit strictly for physical charms ("Claudia's troubles are compounded by the fact that she is out-vavavoomed by Sharon Tate in the biggest Hollywood cheesecake robbery since Betty Grable displaced Alice Faye in Tin Pan Alley.").
― gjoon1, Saturday, 20 July 2019 21:59 (five years ago)
jaw-dropping caption alert pic.twitter.com/NwQhjNcvWw— heavy sweater (@someofmybest) July 21, 2019
― Funky Isolations (jed_), Sunday, 21 July 2019 15:00 (five years ago)
Is Manson family chic in style again?
― Mario Meatwagon (Moodles), Sunday, 21 July 2019 15:57 (five years ago)
Not until women start shaving their heads and scratching swastikas on their foreheads.
― Arthur Lowe & Love (Tom D.), Sunday, 21 July 2019 16:01 (five years ago)
it's been some time since I anticipated a movie the way I am this one. And I haven't even seen Tarantino's last three movies.
― akm, Sunday, 21 July 2019 16:03 (five years ago)
Haha that explains yr enthusiasm
― Οὖτις, Sunday, 21 July 2019 21:34 (five years ago)
my enthusiasm is basically all based on the premise, the time it's set, and the trailer.
― akm, Sunday, 21 July 2019 22:47 (five years ago)
Spotted on FB:
ONCE UPON A TIME IN… HOLLYWOOD SOUNDTRACK TRACK LISTING:1. Treat Her Right – Roy Head & The Traits2. Ramblin’ Gamblin’ Man – The Bob Seger SystemBoss Radio feat. Humble Harve:3. Hush – Deep Purple4. Mug Root Beer Advertisement5. Hector – The Village Callers6. Son of a Lovin’ Man – Buchanan Brothers7. Paxton Quigley’s Had the Course (from the MGM film Three in the Attic) – Chad & Jeremy8. Tanya Tanning Butter Advertisement9. Good Thing – Paul Revere & The Raiders10. Hungry – Paul Revere & the Raiders11. Choo Choo Train – The Box Tops12. Jenny Take a Ride – Mitch Ryder and the Detroit Wheels13. Kentucky Woman – Deep Purple14. The Circle Game – Buffy Sainte-MarieBoss Radio feat. The Real Don Steele:15. Mrs. Robinson – Simon & Garfunkel16. Numero Uno Advertisement17. Bring a Little Lovin’ – Los Bravos18. Suddenly / Heaven Sent Advertisement19. Vagabond High School Reunion20. KHJ Los Angeles Weather Report21. The Illustrated Man Advertisement / Ready For Action22. Hey Little Girl – Dee Clark23. Summer Blonde Advertisement24. Brother Love’s Traveling Salvation Show – Neil Diamond25. Don’t Chase Me Around (from the MGM film GAS-S-S-S) – Robert Corff26. Mr. Sun, Mr. Moon – Paul Revere & the Raiders (feat. Mark Lindsay)27. California Dreamin’ – Jose Feliciano28. Dinamite Jim (English Version) – I Cantori Moderni di Alessandroni29. You Keep Me Hangin’ On (Quentin Tarantino Edit) – Vanilla Fudge30. Miss Lily Langtry (cue from The Life and Times of Judge Roy Bean) – Maurice Jarre31. KHJ Batman Promotion
I've seen write-ups mentioning "Out of Time" by the Stones as also figuring in. This just might be what's on the actual soundtrack LP.
― frustration and wonky passion (C. Grisso/McCain), Thursday, 25 July 2019 18:16 (five years ago)
Needs more Deep Purple. I'm going to see a 70mm print of this with a friend next week. My wife didn't want to go and sent this https://themuse.jezebel.com/quentin-tarantinos-once-upon-a-time-in-hollywood-double-1836675763 as part of her reasoning - which I totally get.
― BlackIronPrison, Thursday, 25 July 2019 18:29 (five years ago)
How perversely long are we going to persist with this thread title
― my but is not working it kept telling me device not found. (Old Lunch), Thursday, 25 July 2019 18:52 (five years ago)
There's a hilarious fake soundtrack floating around.
DISC ONE
1.01. The Mamas & The Papas - Straight Shooter1.02. Iron Butterfly - Flowers and Beads1.03. Kaleidoscope - Keep Your Mind Open1.04. Blackburn & Snow - Stranger in a Strange Land1.05. The Byrds - Tribal Gathering1.06. Fraternity of Man - Wispy Paisley Skies1.07. Buffalo Springfield - Hung Upside Down1.08. Charles Manson - The Empty House of Tomorrow1.09. Spirit - Fresh Garbage1.10. Neil Young - I've Been Waiting for You1.11. Dennis Wilson - A Time to Live in Dreams1.12. West Coast Pop Art Experimental Band - Coming of Age in L.A.1.13. Fusion - Time of the Ostrich Head1.14. Charles Manson - People Say I'm No Good1.15. Canned Heat - Sic 'em Pigs1.16. Neil Diamond - Brother Loves Travelling Salvation Show
DISC TWO
2.01. Paul Revere & The Raiders - Good Thing2.02. Turquoise - Beautiful Death Dealer2.03. Spirit - Fog2.04. Fraternity of Man - Stop Me, Citate Me2.05. Evergreen Blueshoes - Silver Shadows2.06. Hunger! - Colors2.07. The Doors - Go Insane2.08. St. John Green - Messages from the Dead2.09. Fifty Foot Hose - If Not This Time2.10. MU - Nobody Wants to Shine2.11. The Beatles - Not Guilty2.12. The Doors - The Severed Garden (Adagio)2.13. Charles Manson - The Eyes of a Dreamer2.14. The United States of America - Where Is Yesterday?2.15. The Mothers of Invention - Hungry Freaks, Daddy2.16. Los Bravos - Bring A Little Lovin'
P.S. Hi, Morbs! Love ya, boo!
― Kevin John Bozelka, Thursday, 25 July 2019 21:24 (five years ago)
I've been studiously avoiding soundtrack listings. I want songs to catch me by surprise...
― clemenza, Thursday, 25 July 2019 21:31 (five years ago)
ppl seem to have forgotten the Oscar-winning film that opens with "Out of Time"
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Thursday, 25 July 2019 21:41 (five years ago)
never
https://www.goautographs.com/1182-large_default/out-of-time-signed-memorabilia-denzel-washington-eva-mendes-sanaa-lathan-multiple-autographs.jpg
― quelle sprocket damage (sic), Thursday, 25 July 2019 21:44 (five years ago)
biggest Hollywood cheesecake robbery
would watch for real
after the heist, they repair to the hideout where they eat the cheesecakes and everybody is really happy
― j., Thursday, 25 July 2019 21:49 (five years ago)
read that as "biggest Hollywood Cheesecake Factory"
― TikTok to the (Alfred, Lord Sotosyn), Thursday, 25 July 2019 22:01 (five years ago)
Thoroughly enjoyed it. About as low-key as a $90 million dollar movie can be.
Noticed how it's deliberate when we should be soaking in the details and design and when we should be listening, rather than piling it all on at once.
― ... (Eazy), Friday, 26 July 2019 00:40 (five years ago)
Enough ppl I trust have told me it's not worthless that I'll probably see it next week
― Simon H., Friday, 26 July 2019 04:02 (five years ago)
holy shit, this movie is almost 3 hours long? wish me luck!
― Josh in Chicago, Friday, 26 July 2019 14:59 (five years ago)
are you familiar with Quentin Tarantino?
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 26 July 2019 15:02 (five years ago)
Quentin 'King of Brevity and Concision' Tarantino is stretching out, it seems.
― my but is not working it kept telling me device not found. (Old Lunch), Friday, 26 July 2019 15:04 (five years ago)
spost ha
Ok, so I guess I didn't hate this, but I didn't find much to like about it either. Probably his most indulgent movie since Death Proof? I suppose less of it annoyed me than his last two, but I can't imagine ever seeing this again. And I am not sure I would recommend it to anyone.
― Josh in Chicago, Friday, 26 July 2019 18:45 (five years ago)
I liked it very much. the end was a bit jarring but I loved the whole vibe and there was some genuine heart to it at pointsgorgeous looking LA
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, 26 July 2019 19:00 (five years ago)
Robie, Leo and Pitt were all great
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, 26 July 2019 19:08 (five years ago)
Armond -- who says all the movies QT has made thus far "are all movies for moral idiots" -- turns in a rave.
https://letterboxd.com/notarmondwhite/film/once-upon-a-time-in-hollywood/
― Pauline Male (Eric H.), Friday, 26 July 2019 19:12 (five years ago)
I liked the acting fine, though Leo's acting is as always the antithesis of "effortless." But the twist (as such) at the end not only treads the same ground as "Basterds" but is imo both not as successful and also less impactful. That is, the what-if? posed by this movie just didn't do as much for me as the "who says we can't kill Hitler?" surprise. I was surprised by how chill and not showy most of the movie was, compared to lots of recent Tarantino, and relieved it lacked some of his more recent annoying/jarring ticks, but jeez, the stuff with the feet? If you're a dude with a reputation for jerking off to feet, it takes some cojones to constantly ask your actors to prop 'em up and shove them at the camera.
― Josh in Chicago, Friday, 26 July 2019 19:22 (five years ago)
I didn't really notice but people sure seem hung up on it. I don't know what effortless vs effortful acting means or why one is better than the other
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, 26 July 2019 19:38 (five years ago)
If you're a dude with a reputation for jerking off to feet, it takes some cojones to constantly ask your actors to prop 'em up and shove them at the camera.
tbf, by some weird coincidence his two worst films also happen to be the two films that do not feature fetish shots of feet
― Οὖτις, Friday, 26 July 2019 19:43 (five years ago)
https://www.hollywoodreporter.com/news/tarantino-billboards-hijacked-la-slam-epstein-polanski-pedowood-1227227
― frustration and wonky passion (C. Grisso/McCain), Friday, 26 July 2019 19:45 (five years ago)
xp which two?
― Pauline Male (Eric H.), Friday, 26 July 2019 19:47 (five years ago)
― calstars, Sunday, July 21, 2019 6:15 AM (six days ago)
fifteen copies for sale at each screening at the New Bev today
Soundtrack update! We will have a very limited quantity of the Once Upon a Time in... Hollywood vinyl soundtrack for sale tomorrow at the theater. 15 copies will be allocated for each of Friday’s shows. Limit 1 copy per ticketed customer. Available while supplies last. pic.twitter.com/7TxOHLljE1— New Beverly Cinema (@newbeverly) July 26, 2019
― quelle sprocket damage (sic), Friday, 26 July 2019 19:48 (five years ago)
which two?
Django and Hateful 8
― Οὖτις, Friday, 26 July 2019 19:49 (five years ago)
every other one - except for Reservoir Dogs, which I don't think has a single woman in it anywhere (apart from the one who gets carjacked) - has a foot shot
― Οὖτις, Friday, 26 July 2019 19:51 (five years ago)
Could've sworn he managed to work one in on Django, but by this point everyone's on the lookout and I trust any such claim.
― Pauline Male (Eric H.), Friday, 26 July 2019 19:53 (five years ago)
I'd like a foot shot of QT tripping over one and off a cliff
― TikTok to the (Alfred, Lord Sotosyn), Friday, 26 July 2019 19:54 (five years ago)
sounds hottt
― Οὖτις, Friday, 26 July 2019 19:54 (five years ago)
Re effortful acting, I mean that Leo is capital A Acting, trying so hard, and you can tell, like a dancer who has memorized the choreography but still looks like they have to think about what they are doing. It's almost campy, but at least in this one it was often kind of TV actor campy on purpose.
― Josh in Chicago, Friday, 26 July 2019 20:03 (five years ago)
Very stagey and broad is what I'm getting at I guess.
― Josh in Chicago, Friday, 26 July 2019 20:05 (five years ago)
will never be able to fathom what Scorsese and QT see in Sweaty Bigface
― Οὖτις, Friday, 26 July 2019 20:07 (five years ago)
box office
― A is for (Aimless), Friday, 26 July 2019 20:09 (five years ago)
does he really have a reliable fanbase a la Nic Cage or Tom Cruise or idk some other aging hearthrob? who are these people?
― Οὖτις, Friday, 26 July 2019 20:10 (five years ago)
a butthole
― Fuck Trump, cops, and the CBP (Neanderthal), Friday, 26 July 2019 20:11 (five years ago)
Oops wrong thread
xps I'm not sure, but I think The Aviator made money, so they must exist.
― A is for (Aimless), Friday, 26 July 2019 20:12 (five years ago)
I'm fairly sure leonardo dicaprio is one of the biggest stars in motion pictures and that this isn't a little-known fact
― bookmarkflaglink (jim in vancouver), Friday, 26 July 2019 20:17 (five years ago)
His last few movies have grossed more than $100 million, dudes.
― TikTok to the (Alfred, Lord Sotosyn), Friday, 26 July 2019 20:18 (five years ago)
he's a star by any definition, but for my students he's already "old."
But are Leonardo DiCaprio movies "Leonardo DiCaprio movies" the way Tom Cruise movies are "Tom Cruise movies"? Or are they inherently interesting movies that happen to star Leonardo DiCaprio?
― shared unit of analysis (unperson), Friday, 26 July 2019 20:19 (five years ago)
I saw Inception and The Wolf of Wall Street in theaters, and I go to about one movie a year, but DiCaprio was not the selling point for me in either case.
― shared unit of analysis (unperson), Friday, 26 July 2019 20:20 (five years ago)
he is generally the main character in movies he stars in.
― bookmarkflaglink (jim in vancouver), Friday, 26 July 2019 20:21 (five years ago)
and gets top-billing.
― shared unit of analysis (unperson),
I dunno about "inherently interesting," but otherwise yes and yes
― TikTok to the (Alfred, Lord Sotosyn), Friday, 26 July 2019 20:22 (five years ago)
The Revanant grossed $150 million and won him an Oscar because it was a monster movie starring Scrunchy Face.
― TikTok to the (Alfred, Lord Sotosyn), Friday, 26 July 2019 20:23 (five years ago)
I can say after teaching a film class this summer that thanks to the interchangeability of MU stars (three different Peter Parkers in 15 years?) the men and women less than 25 don't give a shit about stars generally, BUT Brad Pitt and Scrunchy Face (and Meryl Streep!) are easily recognizable and have a "brand." For them, though, Pitt is like Paul Newman when we were kids: "old," "handsome," cool enough to watch in a movie.
― TikTok to the (Alfred, Lord Sotosyn), Friday, 26 July 2019 20:26 (five years ago)
Fair enough. Movies, even more than pop music, are an area where I am totally alienated from what normal people like and why.
― shared unit of analysis (unperson), Friday, 26 July 2019 20:27 (five years ago)
It was fascinating.
― TikTok to the (Alfred, Lord Sotosyn), Friday, 26 July 2019 20:30 (five years ago)
A plot digression features Bruce Dern as a blind, wizened, weakened victim of his own lusts as well as of female opportunists, a Harvey Weinstein figure.
Armond will never change he will only get more despicable
― omar little, Friday, 26 July 2019 20:56 (five years ago)
Leonardo has rarely been the best thing about any movie he’s in though I admired his insane commitment to the role in The Revenant (which was pretty good) and he was fantastic in Wolf of Wall Street.
― omar little, Friday, 26 July 2019 20:59 (five years ago)
WoWS may be the only movie I legit enjoyed him in, yeah
― Οὖτις, Friday, 26 July 2019 21:06 (five years ago)
certainly that may be the only scorsese movie he's in where I find he doesn't distract.
― Josh in Chicago, Friday, 26 July 2019 21:17 (five years ago)
Can only think he must be very easy to work with/director-friendly, like they say about Cruise.
― change display name (Jordan), Friday, 26 July 2019 21:21 (five years ago)
I thought this movie was a serious pleasure to watch - wonderful pacing and world-building. Really enjoyed how restrained and patiently meandering it was. I've always thought his movies were extremely heavy-handed and left little room to breathe, and this was refreshingly different. One thing I didn't like was the narration bookending the movie - it was jarring and bizarre to me.
― boobie, Friday, 26 July 2019 21:30 (five years ago)
also this movie is so ... fun? really lighthearted and often hilarious
― boobie, Friday, 26 July 2019 21:37 (five years ago)
a butthole― Fuck Trump, cops, and the CBP (Neanderthal), Friday, July 26, 2019 4:11 PM (two hours ago) bookmarkflaglinkOops wrong thread― Fuck Trump, cops, and the CBP (Neanderthal), Friday, July 26, 2019 4:11 PM (two hours ago) bookmarkflaglink
― Fuck Trump, cops, and the CBP (Neanderthal), Friday, July 26, 2019 4:11 PM (two hours ago) bookmarkflaglink
No, you're in the right place.
― Mazzy Tsar (PBKR), Friday, 26 July 2019 22:32 (five years ago)
Nic Cage or Tom Cruise
This would be a wacky alternative cast for this movie.
― ... (Eazy), Friday, 26 July 2019 22:39 (five years ago)
Josh's posts above are more or less in line with my own reaction. Setting the last half-hour to one side, the rest is not bad and not silly, and I could pick out a few scenes I liked. To go along with that, many other scenes that are weirdly flat. The biggest surprise for me--should have been a lay-up--was how lazy the soundtrack is.
― clemenza, Friday, 26 July 2019 23:06 (five years ago)
"Patiently meandering"--if you were to take a half-full view toward it, that's exactly what I meant by weirdly flat. It'll just depend how you feel about the pacing.
― clemenza, Friday, 26 July 2019 23:09 (five years ago)
lol sorta disappointed to find out the wikipedia plot spoilers upthread were false
― devvvine, Friday, 26 July 2019 23:17 (five years ago)
Wait what were the false spoilers? The ones I read match the updated synopsis iirc
― Simon H., Friday, 26 July 2019 23:48 (five years ago)
nvm, tracked them down
― Simon H., Saturday, 27 July 2019 00:32 (five years ago)
Loved it
― akm, Saturday, 27 July 2019 05:39 (five years ago)
I liked a lot of scenes but this ended up being one of QT's worst IMO.
― adam the (abanana), Saturday, 27 July 2019 07:14 (five years ago)
Qualified rave from David Edelstein:
http://www.vulture.com/2019/07/once-upon-a-time-in-hollywood-review-quentin-tarantino.html
― clemenza, Saturday, 27 July 2019 13:58 (five years ago)
"world-building" needs to go to hell
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 27 July 2019 14:06 (five years ago)
also what a steaming pile of hypocritical crap Wolf of Wall St was
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 27 July 2019 14:07 (five years ago)
He'll have Susan Atkins and Leslie Van Houten debating whether Green Acres or The Beverly Hillbillies is better.
― clemenza, Wednesday, July 12, 2017 9:16 AM (two years ago)
I think I was actually pretty close here when Tex Watson and Patricia Krenwinkel start comparing notes on Dalton.
― clemenza, Saturday, 27 July 2019 14:37 (five years ago)
I thought this review made a good point comparing this film to how Westerns treat history.
― ... (Eazy), Saturday, 27 July 2019 15:42 (five years ago)
Good review. One line I'd take issue with: "Most of all, Once Upon a Time...in Hollywood is the first Tarantino film to feel like the product of an older director." I think that was a very big part of why Jackie Brown is so great--followed, unfortunately, by a retreat back into the safety of juvenalia. (Which I realize is also central to Tarantino at his best.)
I won't retract my misgivings stated above, but I should say how much I liked Brad Pitt, some combination of the character and the performance. He's especially great in the Spahn Ranch scene--so much so that I won't dwell too much on the fact that, in getting the Mansonite to fix his flat, he blithely hands over a rather lethal weapon. You just kind of go with that, I know.
― clemenza, Saturday, 27 July 2019 15:57 (five years ago)
liked a lot of this but the ending was dumb as hell.
i'll never get the ilx hate for Django. that's prob my favorite of his since JB. or at least tied w IB for that honor.
HAteful 8 is hot garbage tho
― A-B-C. A-Always, B-Be, C-Chooglin (will), Saturday, 27 July 2019 16:01 (five years ago)
the ending was disappointing esp for the jarring return to Inglorious ultraviolence, the core parts of what I liked were the bittersweet bromance, Pitt's easy way, Leo struggling to be a good actually, him and the girl talking books, Tate watching herself at the movies, etc
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Saturday, 27 July 2019 16:08 (five years ago)
Might have made a better two-parter, like Kill Bill.
― Josh in Chicago, Saturday, 27 July 2019 16:10 (five years ago)
Kill Bill would've been a better one parter
― Mario Meatwagon (Moodles), Saturday, 27 July 2019 16:14 (five years ago)
If this were my company, think I'd be keeping some extra stock on hand.
https://res.cloudinary.com/teepublic/image/private/s--CfMatkE_--/t_Resized%20Artwork/c_crop,x_10,y_10/c_fit,w_423/c_crop,g_north_west,h_626,w_470,x_-23,y_-33/g_north_west,u_upload:v1462829024:production:blanks:a59x1cgomgu5lprfjlmi,x_-418,y_-358/b_rgb:eeeeee/c_limit,f_jpg,h_630,q_90,w_630/v1556063801/production/designs/4703264_0.jpg
― clemenza, Saturday, 27 July 2019 16:26 (five years ago)
Pitt's wardrobe throughout is amazing
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Saturday, 27 July 2019 16:33 (five years ago)
Second Tarantino stunt person movie. Wonder what he thinks of The Stunt Man. My guess? A fan.
― Josh in Chicago, Saturday, 27 July 2019 16:48 (five years ago)
Pitt's most amiable performance. Clemenza is otm about the ranch sequence: he can finally move in character.
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 27 July 2019 16:57 (five years ago)
the shots of Tex riding the horse back to the ranch were pretty exhilarating. the entire ranch sequence is probably my favorite of the film and Bruce Dern was great.
really liked Bonnie the dog
― akm, Saturday, 27 July 2019 17:09 (five years ago)
I wish Pitt and Scrunchy Face had more sides that the dialogue would reveal.
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 27 July 2019 17:12 (five years ago)
One thing I wondered about--that I really could not formulate an answer for; I could see one extreme or the other--is how Sharon Tate's surviving family members would feel about this. I know they've been dutifully going to parole hearings for 50 years, and that they put out a book on Tate a few years ago.
I just read a small item in the paper that Tate's sister 1) really likes Margot Robbie's performance, and 2) was appreciative that Tarantino sought her out to talk about her sister (a first, she said).
― clemenza, Saturday, 27 July 2019 17:20 (five years ago)
I'm a little surprised (glad, but surprised) because, to me, the violence at the end, no matter in what context, would be another reminder.
― clemenza, Saturday, 27 July 2019 17:30 (five years ago)
yeah she was originally very against the movie and then after she met with him she changed her mind (presumably when she learned how he treats Tate's fate); she also gave him feedback on the script and loaned out her jewelry to Robbie.
― akm, Saturday, 27 July 2019 17:34 (five years ago)
One thing that puzzles me--and I can see where this would really upset people--is the way Tarantino basically stays clear of Manson himself. The normal explanation would be that he wants him to be an unseen, sinister presence, but in the one scene where he does get him in there, Manson is anything but. If the whole driving force of the film (this seems obvious) is that Tarantino hates how the murders put an end to a world, imagined or otherwise, that he loved, and that his rewrite is a form of revenge, it seems really strange that he essentially lets the guy most responsible for it all off the hook.
― clemenza, Saturday, 27 July 2019 18:09 (five years ago)
having not seen it yet, maybe reducing him to an afterthought is the ultimate revenge?
― Simon H., Saturday, 27 July 2019 18:13 (five years ago)
Given how, well, to repeat the word, amiable the film is, the garishness of the third act violence struck me as incongruous.
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 27 July 2019 18:17 (five years ago)
I don't think understatement is one of Tarantino's strengths.
― A is for (Aimless), Saturday, 27 July 2019 18:21 (five years ago)
It is, as his best films demonstrate.
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 27 July 2019 18:21 (five years ago)
I think reducing Manson to an afterthought is a solid move, and tbh I think if anything this alternate universe version of what happened doesn’t so much avoid the truth but makes it more tragic in an oblique way. idk maybe similar to the unexpected emotions my wife had while watching Inglourious Basterds at the end.
― omar little, Saturday, 27 July 2019 18:21 (five years ago)
I might agree that his best film, Jackie Brown, demonstrates a capacity for understatement, but I have failed to see it in Reservoir Dogs, Pulp Fiction, Kill Bill, or Inglourious Basterds - at which point I gave up on him.
― A is for (Aimless), Saturday, 27 July 2019 18:33 (five years ago)
Leaving out Manson is exactly the same as leaving out what’s in the briefcase in Pulp Fiction.
― ... (Eazy), Saturday, 27 July 2019 18:38 (five years ago)
Except for the part where the entire audience has a pretty good idea of what's in Manson.
― A is for (Aimless), Saturday, 27 July 2019 18:40 (five years ago)
The only thing is, if you leave Manson out of the equation, the villains then become Watson and the teenage girls he recruited. And that's where I think he's going to run into some sharp condemnation. I haven't seen Mary Harron's Manson film yet, but my sense is that her approach is the exact opposite, an attempt to restore some humanity (if that's the right word--they did murder) to Van Houten and Atkins and Krenwinkel, or at least some kind of context.
― clemenza, Saturday, 27 July 2019 18:46 (five years ago)
There's even that weird thing where Watson turns to the other two and says "Either Charlie told me to do this, or else I'm making it all up--who do believe?" It's almost an invitation to believe that Manson wasn't in fact behind everything.
― clemenza, Saturday, 27 July 2019 18:52 (five years ago)
QT knocked it out of the fucking park
The ending was an almost out of body experience for me and my family, it's by some distance the best scene in the movie. If movies are dreams reconstructed, this is the sweetest justice ever served.
Haven't read any reviews yet but really looking forward to seeing ppl twist themselves into knots moaning about QT "brutalizing women" who happen to be MASS FUCKING MURDERERS. They deserved it and I had a blast watching those three scum fucks die!
Don't care that he repeated the IB rewriting history bit. And the Manson murders are 50 years old, I don't think it's insensitive at all, especially knowing he got the approval of some of the family
People complaining about foot shots? Come on... he likes feet, so what...
He refrained from using his favorite word for the first time ever I think
Best movie of the year besides The Image Book
Thank you QT
― flappy bird, Saturday, 27 July 2019 21:24 (five years ago)
They deserved it and I had a blast watching those three scum fucks die!
I agree up to a point--but you don't see a problem with that on the one hand and portraying Manson as not much more than a genial, slightly dazed hippie out looking for his friend?
― clemenza, Saturday, 27 July 2019 21:43 (five years ago)
No, I think as someone said upthread, QT properly reduces Manson to an afterthought, a footnote. Besides, he's hardly genial in the *one* scene that he's in. He's a menacing wannabe.
― flappy bird, Saturday, 27 July 2019 22:08 (five years ago)
Okay...I didn't find him very menacing in that one scene; he just seemed lost. And I don't see how he can be reduced to a footnote. I mean, dramatically you can make whatever choices you want. But historically, to say he's just some insignificant nothing that you can write out of these awful murders, that doesn't make sense to me.
― clemenza, Saturday, 27 July 2019 22:14 (five years ago)
Loved this. Could have happily watched a 6 hour cut. I got emotional and teared up at the ending, the aerial shot seeing them all come out of the house to meet Rick, mentally reminded of the actual scene at the house by that time. I thought it was a unique & good way to honor their memory.Charlie doesn’t need to be in the movie calling the shots. His presence is felt from the moment Cliff encounters the first girl. The movie doesn’t give him a pass at all - he’s THERE by proxy, you know that everything that comes out of their mouths is his spoonfeeding. That’s plenty. The mythology of him is already stupidly powerful - giving him any more screentime would weigh the dreamlike fairytale tone of the movie down too much imo.
― Squeaky Fromage (VegemiteGrrl), Saturday, 27 July 2019 22:16 (five years ago)
i thought this was boring & i don't really understand why it was made
― J0rdan S., Saturday, 27 July 2019 22:24 (five years ago)
(xpost) That defense makes more sense to me than the idea of him as a footnote, that the best way to get revenge on a vainglorious blowhard is to ignore him--cf. current president.
― clemenza, Saturday, 27 July 2019 22:25 (five years ago)
to make money
― she carries a torch. two torches, actually (Joan Crawford Loves Chachi), Saturday, 27 July 2019 22:27 (five years ago)
That's exactly what I meant - Manson himself is reduced to a footnote (he's not ignored, he does appear). VG otm, we all know the history and it hangs over every scene. that's what makes the ending so thrilling. Obviously QT isn't saying that Manson was insignificant - this is a fairytale, a dream like I said. And a triumphant one.
― flappy bird, Saturday, 27 July 2019 22:30 (five years ago)
xxxp @clemenza
― flappy bird, Saturday, 27 July 2019 22:31 (five years ago)
I think we're gonna have to disagree (or at least I'm going continue seeing it as a puzzling choice). If I understand Tarantino's reasons for rewriting history, then take a blow-torch to Manson too. I agree it would be a mistake to have him in the film much more than he is--it's not a film about him, plus what VG said about knowing all that stuff already--but in the film's universe, Manson lives and he's still out there walking around. I don't mean to get all stodgy and literal, least of all with this film, but that just doesn't seem right to me.
In clicking around today, found out that the part of George Spahn was originally given to Burt Reynolds...not sure if I knew that at any point in the last two years.
― clemenza, Saturday, 27 July 2019 22:38 (five years ago)
I loved the way QT spun Tex’s actual line from the murders — making them look as pathetic as they were Cliff - (something like) “What was your name again?”Tex - “I'm the devil, and I came to do the devil's business"Cliff - “Naw it was dumber than that. Rex or something?”
― Squeaky Fromage (VegemiteGrrl), Saturday, 27 July 2019 22:38 (five years ago)
Funniest line in the film.
― clemenza, Saturday, 27 July 2019 22:40 (five years ago)
There was almost an hour in the middle of the movie where nothing happened. It just dawdled with none of Tarantino's esprit.
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 27 July 2019 22:41 (five years ago)
Not seeing this until tomorrow night, and a little disappointed in letting myself be spoiled, but also fascinated by how polarized opinions have been so far.
― Mario Meatwagon (Moodles), Saturday, 27 July 2019 22:43 (five years ago)
I'll catch this at some point but it might be years from now.
Guessing the soundtrack does not include Guns N' Roses cover of "Look At Your Game Girl."
― billstevejim, Saturday, 27 July 2019 22:43 (five years ago)
George Spahn (Burt Reynolds): "Do you girls have names?"Susan Atkins: "I'm 'Sexy Sadie'--my friend's name is Squeaky."Spahn: "Those are great names!"
(Sorry, Moodles...just assume anyone reading the thread at this point has seen it or doesn't care about learning details beforehand.)
― clemenza, Saturday, 27 July 2019 22:45 (five years ago)
I'm not blaming anyone but myself
― Mario Meatwagon (Moodles), Saturday, 27 July 2019 22:50 (five years ago)
but in the film's universe, Manson lives and he's still out there walking around. I don't mean to get all stodgy and literal, least of all with this film, but that just doesn't seem right to me.
Good point. Then again, a lot of burnouts and acid casualties could've been Manson. There were plenty of candidates. But it's a good point, even in the fairytale world of the film. Even though the three get annihilated, neither Cliff nor Rick can give the police any details or clues about where they came from or their motives. Even their car was gone. So for now you're right, the Manson family basically escapes, probably keeps a low profile for a bit, maybe tries again. But I think to not include him at all would've been much more ominous and menacing. Who knows how they would react to this version of events. Ultimately I think it's beside the point because this is not a film to be taken literally and it's not really about Manson or Tate - if Jackie Brown was about aging, OUATIH is about being old. And I take that last scene as a kind of raging against the dying of the light.
I sort of agree with Alfred about the middle but I'm still swooning over the ending enough to excuse it, and will reconsider it on second viewing sometime this week.
― flappy bird, Saturday, 27 July 2019 22:51 (five years ago)
if Tex & crew get killed and noone knows who they are and the whole city doesnt fly into a horrified panic, the Manson balloon deflates. The girls start to wonder if he is maybe full of it. He’s stuck stalking Terry Melcher about his record deal until the girls get sick of him. He loses a lot of his power with that imaginary incident & it’s fucking great. Sorry to bang on.
― Squeaky Fromage (VegemiteGrrl), Saturday, 27 July 2019 23:01 (five years ago)
My favorite second act scene: Robbie reveling in the small courtesies shown her in the theater. Everyone wants to be a star.
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 27 July 2019 23:12 (five years ago)
"Even though the three get annihilated, neither Cliff nor Rick can give the police any details or clues about where they came from or their motives. "
well cliff was at the ranch and will remember after he recovers that he encountered them there. Remember they didn't even tie Manson to the murders for some time and they only got arrested due to theft charges.
I like it when Cliff can't remember the line exactly : "he said "i'm the devil and I'm here to do some....devil shit"
Only two things made me raise my guard a bit: not sure what the point of Cliff having killed his wife was; and I started to squirm a little with the girl actress but it didn't get creepy.
― akm, Saturday, 27 July 2019 23:21 (five years ago)
sorry, girl "actor" as she stated.
― akm, Saturday, 27 July 2019 23:22 (five years ago)
yea was the wife murder a reference to something? Was very specific - did anyone Hollywood adjacent get harpooned by their spouse on a boat?True true about Cliff at the ranch
― flappy bird, Saturday, 27 July 2019 23:40 (five years ago)
There seemed to be a darker Cliff story that was kept just in the shadows. Like his two weeks on a chain gang, or that close up of a gun he had in his trailer, etc. I did like that he was essentially an impervious superhero, someone who could kick Bruce Lee's ass and bounce up to a roof in three cartoonish leaps (replete with sound effects!). Though I don't know what any of that means, if anything.
― Josh in Chicago, Saturday, 27 July 2019 23:46 (five years ago)
More fantasy
― flappy bird, Saturday, 27 July 2019 23:49 (five years ago)
well, he sure knows how to kill
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 27 July 2019 23:50 (five years ago)
and is happy to oblige if the opportunity presents itself
― Squeaky Fromage (VegemiteGrrl), Sunday, 28 July 2019 00:00 (five years ago)
nerds gotta nerd, esp over bad Hollywood stuff from '69
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Sunday, 28 July 2019 00:22 (five years ago)
yr inner life must be so very rich
― Squeaky Fromage (VegemiteGrrl), Sunday, 28 July 2019 00:35 (five years ago)
As much as I loved the movie overall, Cliff’s fight with Bruce Lee bummed me out. I get the macho stuntguy fantasy of beating Lee, but that always felt racist af. it just felt like bad faith to me. I mean, Cliff IS “that guy” but even so.
― Squeaky Fromage (VegemiteGrrl), Sunday, 28 July 2019 00:56 (five years ago)
aero posted this thread this morning:
If it's a "white boy fantasy" that a white guy could best Bruce Lee, it's the same kind of fantasy that would posit Lee as the ultimate test of fighting ability for a fictional white guy. Your racism is either bigoted or paternalistic. Who would win? Bruce or imaginary guy?— Walter Chaw 周瑜 (@mangiotto) July 26, 2019
― TikTok to the (Alfred, Lord Sotosyn), Sunday, 28 July 2019 01:05 (five years ago)
POLANSKI'S AUSTIN POWERS SUIT
― frustration and wonky passion (C. Grisso/McCain), Sunday, 28 July 2019 01:20 (five years ago)
that was awesome
― Squeaky Fromage (VegemiteGrrl), Sunday, 28 July 2019 01:37 (five years ago)
RIGHT??
― flappy bird, Sunday, 28 July 2019 01:37 (five years ago)
already a couple years out of date too
― TikTok to the (Alfred, Lord Sotosyn), Sunday, 28 July 2019 01:38 (five years ago)
Really, deeply loved the soundtrack. Full tilt AM radio boogie, suited the vibe of the movie perfectly. cmon man, THREE Paul Revere tracks and not even one Tommy James? You cut me deep, QT. (Paul Revere and the Raiders are awesome so it’s not even really a complaint)
― Squeaky Fromage (VegemiteGrrl), Sunday, 28 July 2019 01:42 (five years ago)
i thought cliff's backstory was a reference to robert wagner and natalie wood. serving in the story only to reinforce that he shouldn't be messed with.
At the beginning I thought the movie was going to have Rick Dalton taking his movie cowboy persona from the real Cliff but it didn't happen.
― adam the (abanana), Sunday, 28 July 2019 03:17 (five years ago)
the wood murder happened in the 80’s though? be kind of a weird pull imo
― Squeaky Fromage (VegemiteGrrl), Sunday, 28 July 2019 03:21 (five years ago)
Gen X's elevation of this subliterate to cultural godhead will never be forgiven. Puts all boomer crimes in perspective.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Sunday, 28 July 2019 04:48 (five years ago)
http://www.reactiongifs.com/r/elnb.gif
― Squeaky Fromage (VegemiteGrrl), Sunday, 28 July 2019 04:59 (five years ago)
Riiiight! Natalie Wood, of course. That is the case that resembles it the most (it is a bit of a stretch time wise though I agree). But like so much of this movie and QT that scene is an amalgam and I also thought of Chappaquiddick, Dennis Wilson, Brian Jones...
This movie made me very sad as the day went on.
It reminds me most of California Split - another hangout movie that appears aimless and meandering before a profound sense of loss that lingered as melancholy at first sets in - and The Image Book, another death rattle for movies. Godard speaks of the cinema as "a necessary utopia" at the very end, and to me that's what the ending of Once Upon a Time is, a fantasy of a better world, a world where history is rewritten and justice is served. It's escapism at its most humane, not in spite of its violence but because of it. It's a universal, prefrontal primate wish for the "evil people" to be the ones to die brutally painful deaths. I don't think it's juvenile to imagine these things, we all do - they are often involuntary. At its best the cinema offers us a pressure valve to vicariously realize our most impossible dreams and primitive, instinctual desires.
I agree with A.O. Scott that QT's worldview is conservative, and unlike The Image Book, this film does not offer a way forward for the medium. It's an ode, an Irish wake as one writer (or Letterboxd user?) described, but ultimately it is escapism. And I think it's curious that QT chose to make his Hollywood eulogy set in 1969, a year before the greatest decade in American movies began. I suppose there is optimism here in that sense, that just as the sun set on Rick and Cliff in 1969, it rose and set on New Hollywood, and it has set now on 35mm film. And if QT thinks that celluloid is necessary for the medium, then his position is justified. I don't agree, and as grim as Godard's film is, at least its construction offers us so many new ways forward even as it is lamenting the "slow dissolution of one century into the next."
― flappy bird, Sunday, 28 July 2019 05:05 (five years ago)
on to the Alfred the Butler origin story TV series, VG
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Sunday, 28 July 2019 05:09 (five years ago)
― Squeaky Fromage (VegemiteGrrl), Sunday, 28 July 2019 05:32 (five years ago)
I avoided reading anything about the central hinge of the plot prior to viewing and it felt like a more impactful if less world-altering alternate history than Inglorious I’d guess that the movie is a composite of different things Tarantino’s wanted to use, from tv and spaghetti westerns to the cultural transition of the time and, of course, that central twist that the threads spin backward from.
Manson only briefly appearing and mentioned only when all of the leads are off-camera seemed apt, less a powerfully controlling dark force and prime mover role than so many other fictions have given him, but without removing culpability.
It’s more subtle but while Tate’s destiny is severed from the Manson cult, she’s also removed from being Polanski’s tragedy — he’s ephemeral in the plot, and there’s that nearly throwaway line about how she has a type and she’d end up with one of these guys. So her legacy isn’t linked to Polanski at all by film’s end, divorcing her from all of history’s negative stakes
― untuned mass damper (mh), Sunday, 28 July 2019 06:15 (five years ago)
I can never get past the NY Times paywall anymore ("Yes you can--pay!"), but they've got a piece about the film by one of the people I most wanted to hear from: Ed Sanders.
― clemenza, Sunday, 28 July 2019 14:13 (five years ago)
It's escapism at its most humane, not in spite of its violence but because of it. It's a universal, prefrontal primate wish for the "evil people" to be the ones to die brutally painful deaths.
Poetic as your defense is, you are positing that the primitive desire to see people you hate writhing in their painful death throes is the "most humane" of fantasies. That's not how I would use that word.
― A is for (Aimless), Sunday, 28 July 2019 17:23 (five years ago)
Exaggeration got the best of me. You're right, it is not the most humane of fantasies but it is the most humane catharsis of this primate wish. Off the top of my head, Spike Lee offers two similarly naively optimistic fantasy endings in He Got Game and 25th Hour. I was completely blindsided by the ending of La La Land, a movie that doesn't offer much except for its fantasy ending, a montage that actually does show what cinema can do in a much wider and truly humane scope than Once Upon a Time. But weren't many people moved by the similarly over the top and gruesome spectacle at the end of Inglourious Basterds? I saw the ending of Once Upon a Time as similarly exultant, because I don't personally hate the Manson family, I have no connection to them or the Nazis other than a shared cultural trauma. And to reverse reality as QT does in both films, is an act of compassion I think, violent as it may be.
― flappy bird, Sunday, 28 July 2019 17:54 (five years ago)
I think our concept of compassion differs somewhat radically, too.
― A is for (Aimless), Sunday, 28 July 2019 17:56 (five years ago)
I was unmoved by the gruesome spectacle at the end of IB. As Katherine Hepburn said in The African Queen, "Nature, Mr. Allnut, is what we were placed on earth to rise above.
― TikTok to the (Alfred, Lord Sotosyn), Sunday, 28 July 2019 18:02 (five years ago)
But weren't many people moved by the similarly over the top and gruesome spectacle at the end of Inglourious Basterds?
I brought this up earlier, because as a "shared cultural trauma" the impact of WWII was, obviously, vastly wider and more impactful in scale. There have been hundreds of "what if?" WWII scenarios explored in art, not least because it truly is a "shared" cultural trauma that affected hundreds of millions of people around the world. Ergo, the fantasy of killing Hitler is one that's been similarly shared by countless people. It's even a trope (killing baby Hitler, etc.). But Manson? He's nowhere near that level. It would be akin to the movie concluding with Cliff and Rick rescuing Meredith Hunter at Altamont.
― Josh in Chicago, Sunday, 28 July 2019 18:03 (five years ago)
I wonder if Tarantino has a notebook filled with epochal events he could subvert. "What if Bruce Lee lived to foil the 9/11 hijackers?" "What if the Titanic didn't sink and was subsequently converted into a WWI battleship?" "What if Custer didn't die at Little Bighorn?"
― Josh in Chicago, Sunday, 28 July 2019 18:07 (five years ago)
"What if Donald Trump had won the presidency?"
― TikTok to the (Alfred, Lord Sotosyn), Sunday, 28 July 2019 18:09 (five years ago)
(I'm sure that one is crossed out in his notebook)
― Josh in Chicago, Sunday, 28 July 2019 18:13 (five years ago)
It all starts with this:
https://www.youtube.com/watch?v=eJJYVORSP_w&t=92s
― clemenza, Sunday, 28 July 2019 19:48 (five years ago)
Well...I don't know: I thought you just had to adjust the https on a YouTube. Anyway, it's at youtube.com/watch?v=eJJYVORSP_w&t=92s.
― clemenza, Sunday, 28 July 2019 19:49 (five years ago)
looks like first weekend will be between 40-45 million, QT's best opening weekend ever
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Sunday, 28 July 2019 20:12 (five years ago)
That old Manson magic. Public can't get enough of it.
― A is for (Aimless), Sunday, 28 July 2019 20:13 (five years ago)
Was messaging with a Gen-X friend who's a playwright and who also grew up as a Helter Skelter fan and wroteL "For me, it was like the monsters came alive. Sheesh, us Gen Xers have had those specters haunting us for 50 yrs. Good “what if” tale that tries to exorcise that pain."
And it's true that as 70s kids we grew up with the cynicism of everything having a "dark underbelly" and to me as well the movie has a tone that feels like SoCal Tarantino in a world where Manson never existed.
― ... (Eazy), Sunday, 28 July 2019 21:05 (five years ago)
Right, of course it's on a significantly smaller scale than WWII - but it is a shared cultural trauma nonetheless.
― flappy bird, Sunday, 28 July 2019 22:04 (five years ago)
"shared cultural trauma" lol stop it!
― calzino, Sunday, 28 July 2019 22:25 (five years ago)
How is it not? By no means is it WWII but it’s an American tragedy nonetheless - is “shared pop cultural trauma” any better?
― flappy bird, Sunday, 28 July 2019 22:28 (five years ago)
I've talked to a few friends that want to see it based on ads and they don't really seem to know Manson has anything to do with it
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Sunday, 28 July 2019 22:28 (five years ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, July 27, 2019 11:48 PM (yesterday) bookmarkflaglink
Dismantling the social safety net, speeding the world toward climate apocalypse....liking Quentin Tarantino....six of one, half dozen of the other
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Sunday, 28 July 2019 22:32 (five years ago)
Imo Manson has next to nothing to do with this movie. Manson does have everything to do with the last 20 minutes or so, but then again, I'm not sure if the last 20 minutes or so have anything to do with the movie either.
― Josh in Chicago, Sunday, 28 July 2019 23:08 (five years ago)
seemed obv to me that the last 20 mins is the alternative fiction jumping off pt to the whole thing & qt worked backwards from there; idk if the movie works w/o it (to the extent it 'works'); agree w jordan that idk why this was made + it is p indulgent; that said, its absolutely the qt movie i've enjoyed the most since the kill bills
The ending was an almost out of body experience for me and my family,
flappy family
― johnny crunch, Sunday, 28 July 2019 23:22 (five years ago)
☺️
― flappy bird, Sunday, 28 July 2019 23:24 (five years ago)
hey uppmiss, I was talkin bout culture only, like pushing the Beatles in yer face nonstop awww boohoo
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 29 July 2019 00:06 (five years ago)
I liked that Sharon Tate is depicted as a slapstick comedienne rather than a tragic, sacrificial love goddess. But the total film is an extensive and expansive wankfest for Tarantino.
― Anne Hedonia (j.lu), Monday, 29 July 2019 00:38 (five years ago)
Thought this was personal, idiosyncratic, rich, beautifully designed, and utterly pointless / mildly insulting
― Simon H., Monday, 29 July 2019 01:46 (five years ago)
So basically on recent par
it's true that as 70s kids we grew up with the cynicism of everything having a "dark underbelly"
See also: growing up any time during the entire 20th century. The 70's don't have no special claims.
― A is for (Aimless), Monday, 29 July 2019 02:37 (five years ago)
(xpost) If you delete mildly insulting, that's a perfect description of my reaction to Phantom Thread.
― clemenza, Monday, 29 July 2019 03:09 (five years ago)
Phantom Thread had more laughs.
― Simon H., Monday, 29 July 2019 03:36 (five years ago)
― Larry Elleison (rogermexico.), Monday, 29 July 2019 03:50 (five years ago)
damn u autocorrect
You look at this, though, and wonder how it affects the choices behind this Manson movie.
― ... (Eazy), Monday, 29 July 2019 04:06 (five years ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Sunday, July 28, 2019 7:06 PM (four hours ago) bookmarkflaglink
The Beatles were a pretty cool band with some good tunes no need to be sad amigo 🙂
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 29 July 2019 04:10 (five years ago)
I am beginning to entertain the idea that the fake ending that originally circulated would have at least been a full measure.
― Simon H., Monday, 29 July 2019 04:33 (five years ago)
And yet Bad Times at the El Royals sank without a trace...
Bad Times at the El Royale With Cheese?
― Anne Hedonia (j.lu), Monday, 29 July 2019 10:03 (five years ago)
"But the total film is an extensive and expansive wankfest for Tarantino."
it sounds like he might be *cleaning up* in the foot fetish category of the porn oscars, the sad twat.
― calzino, Monday, 29 July 2019 10:50 (five years ago)
This is like exactly what the most scolding, alarmist, finger-wagging 90s critics of his onscreen violence predicted he would do to his audience, congrats.
― “Hakuna Matata,” a nihilist philosophy (One Eye Open), Monday, 29 July 2019 12:43 (five years ago)
I thought kinkshaming was bad now?
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 29 July 2019 12:45 (five years ago)
that rule doesn't apply to people called Quentin who clearly like to mix a bit of wanking with work.
― calzino, Monday, 29 July 2019 12:53 (five years ago)
I honestly didn't notice the feet when I was watching the movie, I think a lot of you just think about Quentin Tarantino jacking off more than I do....and that's okay, no judgment
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 29 July 2019 13:00 (five years ago)
oh come off it... oops possibly bad choice of words there.
― calzino, Monday, 29 July 2019 13:04 (five years ago)
Pretty prominent foot shot in this one.
― frustration and wonky passion (C. Grisso/McCain), Monday, 29 July 2019 13:05 (five years ago)
Xpost lol
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 29 July 2019 13:08 (five years ago)
Multiple foot shots! In multiple scenes!
― Josh in Chicago, Monday, 29 July 2019 13:09 (five years ago)
And lots of shots of barefoot girls (all of them are barefoot) padding around.
― Josh in Chicago, Monday, 29 July 2019 13:10 (five years ago)
QT: The Russ Meyer of Feet.
― frustration and wonky passion (C. Grisso/McCain), Monday, 29 July 2019 13:11 (five years ago)
QT feet = fine, whateverDan Schneider feet = bad
― ☮ (peace, man), Monday, 29 July 2019 13:13 (five years ago)
*writes in notebook*
Josh how did those shots make you feel?
*tents fingers*
In all seriousness thoughI was just watching the movie and I guess I dunno, it wasn't something I noticed, i hadn't even heard of the foot thing until this thread
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 29 July 2019 13:21 (five years ago)
Tbh I never noticed the foot stuff either until it started being a thing that ppl made fun of a lot, post Kill Bill I think?
― “Hakuna Matata,” a nihilist philosophy (One Eye Open), Monday, 29 July 2019 13:33 (five years ago)
There is a dinner in Buñuel's honour at George Cukor's house in Hollywood in 1972. Fifteen famous directors are there, including John Ford, Rouben Mamoulian, Robert Mulligan, George Stevens, Robert Wise, William Wyler, Billy Wilder. Hitchcock sits next to Buñuel, says very little, then at one point puts an arm round his companion's shoulder and says with deep admiration: "Buñuel, that wooden leg in Tristana. That wooden leg."
― Ward Fowler, Monday, 29 July 2019 13:40 (five years ago)
There is lots of skeezy stuff about Tarantino that connects right to this movie. For example, his provocative past defense of Polanski (which he apologized for). Or his thing about feet, which has been talked about for years (including an infamous email that circulated some years back). And then tie that with his relationship with Harvey Weinstein (was this his first movie with no Weinstein credit?).
― Josh in Chicago, Monday, 29 July 2019 13:41 (five years ago)
https://www.buzzfeed.com/donnad/quentin-tarantino-foot-fetish-detailed-in-email
And xpost obv foot rubs are even a huge plot point of Pulp Fiction!
https://www.youtube.com/watch?v=KCO-SBPTF5E
― Josh in Chicago, Monday, 29 July 2019 13:43 (five years ago)
XP Trigger Warning: QT Penis Description Within
― frustration and wonky passion (C. Grisso/McCain), Monday, 29 July 2019 13:53 (five years ago)
Josh, you win.
Onwards,
I thought the was a really affecting review, Pricilla Page tweeted it out
https://www.filmfreakcentral.net/ffc/2019/07/once-upon-a-timein-hollywood.html#more
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 29 July 2019 13:53 (five years ago)
I was really disappointed by the lack of Primus on the soundtrack.
― Josh in Chicago, Monday, 29 July 2019 14:10 (five years ago)
Wow, man what is up with you
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 29 July 2019 14:18 (five years ago)
That was just a joke. I'm about to put on Sailing the Seas of Cheese, and I'm not kidding.
― Josh in Chicago, Monday, 29 July 2019 14:19 (five years ago)
Reading about someone committing suicide, time for a Primus zing!
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 29 July 2019 14:20 (five years ago)
Oh, whoops. Honestly I didn't make it past the first couple lines yet, where I saw the Primus reference.
― Josh in Chicago, Monday, 29 July 2019 14:24 (five years ago)
I didn't find that review even slightly affecting. Affected, maybe.
I'm sorry the writer's friend killed himself. One of my best friends drove off a bridge. It sucks. But he failed to make the connection between that and the movie (was his dead friend a Tarantino fan?), so the part of me that reads movie reviews for thoughts on art thinks that maybe he should have written a review of the new Quentin Tarantino movie, and then written about his dead friend on Facebook.
― shared unit of analysis (unperson), Monday, 29 July 2019 14:44 (five years ago)
i thought the review was v moving - thx for posting ums
― Squeaky Fromage (VegemiteGrrl), Monday, 29 July 2019 14:46 (five years ago)
I'm w unperson for once!
― Simon H., Monday, 29 July 2019 14:48 (five years ago)
Agree that it's not a 'movie review' per se but I would say he drew a connection btw the film & his friend well enough: this movie about male friendships, aging, the fragility of macho personas, & violence inspired the writer to reflect about his own recent experiences with same.
― “Hakuna Matata,” a nihilist philosophy (One Eye Open), Monday, 29 July 2019 14:53 (five years ago)
I found the film nearly worthless, except as a retro popcult wallow. DiCaprio's acting is terrible, let's not mince words. He does that thing bad actors do when you hand them a cigarette, he fiddles with it incessantly and takes a drag every five seconds instead of smoking it like a normal person would. And it was embarrassing how he persisted with that silly, implausible accent.
Maybe the closest the film comes to having a point is near the end when Tex & the girls are in the car and the Susan Atkins character talks about having been weaned in a culture of violence, but that idea has been expressed more eloquently by the Manson Family themselves, whose rambling pronouncements contain more wit than this script. Yeah I know the film is mainly supposed to be about male aging/machismo, but it's far too artless to impress me on that angle.
I'd rather have rewatched The Wrecking Crew than sit through this. Alternatively if it were just 30 minutes of Brad Pitt driving around listening to old radio hits while passing mock-ups of old LA hotspots that would encapsulate all the joy I got from it.
― Josefa, Tuesday, 30 July 2019 02:34 (five years ago)
ughhhhhhhhh you guys suckthis movie is SO good and all you nerds do is complain i cant stand it
― Squeaky Fromage (VegemiteGrrl), Tuesday, 30 July 2019 02:42 (five years ago)
seriously go back to the star trek thread nerds
― j., Tuesday, 30 July 2019 02:44 (five years ago)
I saw it last night and loved it. Was completely blown away by how convincingly it immerses you in that world. I thought the easy going pace gave it a great vibe, and damn, Brad Pitt is aging quite well. The whole ranch sequence was incredibly creepy, and captured exactly how I had imagined it.
The actual climax was the only bum note, disappointing in part because as soon as they announced it was a Manson family movie with Leo and Brad, it was obvious where Tarantino would go with it. That scene though was mostly redeemed by the final shot that gave it an unsettling poignancy, as if it was making clear that no, these people really died horrific deaths and will never come back, this was merely a fairy tale.
― Mario Meatwagon (Moodles), Tuesday, 30 July 2019 03:10 (five years ago)
i thought it was cool that Rick’s episode of Lancer was really directed by Sam Wannamaker who really wore a cape irl, and really starred James Stacy (Oliphant) and Wayne Maunder (Luke Perry)
― Squeaky Fromage (VegemiteGrrl), Tuesday, 30 July 2019 03:27 (five years ago)
My wife and I really liked it and are going to see it again.
― Chris L, Tuesday, 30 July 2019 03:33 (five years ago)
we’re going again tomorrow night
― Squeaky Fromage (VegemiteGrrl), Tuesday, 30 July 2019 03:34 (five years ago)
haha I haven't see this so come at me but I know it in my heart Josefa otm^
― The Ravishing of ROFL Stein (Hadrian VIII), Tuesday, 30 July 2019 03:43 (five years ago)
but per vg this nerd will bow out now
(although I can't think of single nerdier thing in the whole wide world than QT)
― The Ravishing of ROFL Stein (Hadrian VIII), Tuesday, 30 July 2019 03:44 (five years ago)
ok sorry calling you all nerds is too large of a pigeonhole JOYLESS nerds is what i meant:D
― Squeaky Fromage (VegemiteGrrl), Tuesday, 30 July 2019 03:47 (five years ago)
fair
― The Ravishing of ROFL Stein (Hadrian VIII), Tuesday, 30 July 2019 03:59 (five years ago)
the hour where 'nothing happens' is the second day, where we see someone making a movie, someone watching a movie, and someone living a movie.
― flappy bird, Tuesday, 30 July 2019 04:56 (five years ago)
Cant wait to see this tbh.
― Οὖτις, Tuesday, 30 July 2019 04:57 (five years ago)
And i hated the last couple. But the bad reviews make it sound like something i will like
― Οὖτις, Tuesday, 30 July 2019 05:07 (five years ago)
It's certainly way better than the last 2. I'm baffled by the people who think Django is one of his best movies. I thought it was hot garbage.
― Mario Meatwagon (Moodles), Tuesday, 30 July 2019 05:33 (five years ago)
"Joyless" feelings given me by IB is what made me quit this supernerd's output. As someone wrote on L'boxd, "I’m just not that interested in all the shit and obscure minutiae floating around inside Tarantino’s head."
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Tuesday, 30 July 2019 07:03 (five years ago)
xpost It's much better than the last two. However, I think this movie's success, unfortunately, hinges on those last 20-25 minutes, so imo how you feel about the preceding 2+ hours - and there's a lot to like - is tempered by how you feel about the conclusion. And tbh I didn't even dislike those last 20-25 minutes, I just think they were a lame way to end this particular movie.
I only saw Django once, and while iirc it had so many more problems than this one, to the best of my memory one of the big ones was that it indulgently ended twice. That is, the movie reaches a logical conclusion, then there's the long digression with Tarantino as an Aussie, and then the movie basically backtracks and gets a redundant second conclusion? Something like that. With Hateful 8 (again, saw it once), I want to say the thing that hurt it the most was the redundant, unnecessary flashback, which was similarly indulgent and detrimental.
Ultimately, it's not the movie references and minutia that overstuff these films, imo, it's that there is just not enough story or depth to the characters. I liked Basterds a lot, but not for all the titular Brad Pitt bullshit. It was (from memory; now that I think about it I've not seen *any* of his post Kill Bill movies more than once) the richness of the Shosanna character that drew me in and enhanced the payoff. These last three were nowhere near as satisfying to me. I like the characters in this one, they're fun, but they add up to nothing, imo, and the conclusion is a bs means of imposing a Big Cultural Statement where there is none.
But obviously there is plenty of disagreement here.
― Josh in Chicago, Tuesday, 30 July 2019 12:54 (five years ago)
has anyone watched the longer cut of Hateful 8 that's on Netflix (broke into hour segments)?
― akm, Tuesday, 30 July 2019 13:09 (five years ago)
I read a few things that said it was misleading. Like this:
That “extended version” moniker is a tad deceptive, though: While the full runtime for the miniseries version of the movie clocks in at about 211 minutes, each episode also contains roughly 8 minutes of opening and ending credits that were mostly absent from the original film. As such, the miniseries reportedly mostly resembles the 187-minute extended “roadshow” version that Tarantino toured around the country in 70 mm, give or take a few edits, extra scenes, and alternate takes here and there.
― Josh in Chicago, Tuesday, 30 July 2019 14:01 (five years ago)
I watched the Netflix series and kind of liked it better than my previous viewing of the cinematic version. I think it was mostly down to be less bothered by the interminable run time when broken up into episodes.
― Mario Meatwagon (Moodles), Tuesday, 30 July 2019 14:04 (five years ago)
I haven't seen either so have been debating which one to watch; I'll probably do the 4 parter.
― akm, Tuesday, 30 July 2019 16:37 (five years ago)
https://www.thewrap.com/bruce-lee-daughter-mockery-once-upon-a-time-in-hollywood-shannon-lee/
― frustration and wonky passion (C. Grisso/McCain), Tuesday, 30 July 2019 16:41 (five years ago)
hey there was no n word in the script for the first time ever. baby steps
― bookmarkflaglink (jim in vancouver), Tuesday, 30 July 2019 17:02 (five years ago)
"Hippie" was the epithet thrown around in its place.
― ... (Eazy), Tuesday, 30 July 2019 17:03 (five years ago)
Yeah this might be the first one - not sure about IB or Death Proof, haven't seen either since they came out, does he use it in either? Can't remember a context or scene where it would make sense
― flappy bird, Tuesday, 30 July 2019 17:05 (five years ago)
No N word, and also ... no black characters.
― Josh in Chicago, Tuesday, 30 July 2019 17:06 (five years ago)
the only way QT can excise the n word is to have no black people in the movie, damn
― bookmarkflaglink (jim in vancouver), Tuesday, 30 July 2019 17:07 (five years ago)
Right
― flappy bird, Tuesday, 30 July 2019 17:07 (five years ago)
i want to see this because i like LA, and i like LA movies, especially those set in the 60s and 70s. but generally late tarantella (lol) is not my favourite
― bookmarkflaglink (jim in vancouver), Tuesday, 30 July 2019 17:08 (five years ago)
Didn't mention how cool it was to see Lena Dunham in a big movie. Hope she does more acting.
Dakota Fanning was awesome. She's been keeping kind of a low profile, but she's fantastic in darker roles- Kelly Reichardt's Night Moves is carried by her and Peter Sarsgaard (Jesse Eisenberg stars and sucks)
xp It really reminded me of Altman, particularly California Split (another melancholic hangout movie that suddenly becomes really sad at the end)
― flappy bird, Tuesday, 30 July 2019 17:11 (five years ago)
https://y.yarn.co/4f6e92cc-bde5-4acb-b7fe-633e33f5c13a_screenshot.jpg
XP
― frustration and wonky passion (C. Grisso/McCain), Tuesday, 30 July 2019 17:14 (five years ago)
when i saw the movie i thought that the bruce lee fight was what cliff was imagining his day on set to be like if Dicaprio hadn't sent him home...i did not realize it was supposed to have actually happened, that is in pretty fuckin poor taste
― boobie, Tuesday, 30 July 2019 17:18 (five years ago)
I only saw Django once, and while iirc it had so many more problems than this one, to the best of my memory one of the big ones was that it indulgently ended twice. That is, the movie reaches a logical conclusion, then there's the long digression with Tarantino as an Aussie, and then the movie basically backtracks and gets a redundant second conclusion?
this is totally fair and why i def don't think it's one of his "best"; just his only good one besides IG (and to a lesser extent Hollywood) this century.
― A-B-C. A-Always, B-Be, C-Chooglin (will), Tuesday, 30 July 2019 17:20 (five years ago)
tho tbf i have not seen KB2
KB2 is good.
― Josh in Chicago, Tuesday, 30 July 2019 17:23 (five years ago)
.i did not realize it was supposed to have actually happened,
It helps if one knows something about the Green Hornet show, which was filmed in '66-'67.
BTW, I believe the whole Green Hornet series is up in watchable quality rips on YouTube, and it's worth checking out if you're into '60s action stuff.
― frustration and wonky passion (C. Grisso/McCain), Tuesday, 30 July 2019 17:24 (five years ago)
Tarantino loves two things: "cinema" in some abstract way, and sadistic violence. Consequently, the "cinema" that he loves concretely is the metagenre of, you know, very violent movies: classical westerns, samurai films, war pictures, gangster sagas, the world of the grindhouse.— Joshua Clover (@joshuaclov3r) July 30, 2019
― reggae mike love (polyphonic), Tuesday, 30 July 2019 17:59 (five years ago)
Also: Feet
― frustration and wonky passion (C. Grisso/McCain), Tuesday, 30 July 2019 18:01 (five years ago)
I don't see the Manson Family as portrayed here as representative of hippies or leftists. I think he sees them as murderers akin to the historical villains of his other films. With their bloodthirstiness and cop-out excuses about TV violence they strike me more as antecedents of the mass shooters of today.
― Chris L, Tuesday, 30 July 2019 19:01 (five years ago)
Also, the film's one anti-hippie rant that I remember comes from Rick, a buffoon even when sober, who at that moment is totally drunk and oblivious.
― Chris L, Tuesday, 30 July 2019 19:25 (five years ago)
Every single person making any comment about feet in this movie should be barred from all forms of public speech for one month, unless it can be shown that they have previously made a minimum of twenty complaints about directors who habitually show actors using hands, body language or facial expressions to convey character.
― quelle sprocket damage (sic), Tuesday, 30 July 2019 19:31 (five years ago)
with the caveat that I haven't seen this movie & probably won't, Clover's thread feels weird to me from its opening gambit: "x love y. consequently" hold up hold up. why/how "abstract" - is T's use of reference-as-vocabulary "abstract"? Is allusion abstraction? what work is "loves" doing in this thread? etc
― she carries a torch. two torches, actually (Joan Crawford Loves Chachi), Tuesday, 30 July 2019 19:34 (five years ago)
yeah seriously who gives a shit that you saw some fucking feet in a movie
― boobie, Tuesday, 30 July 2019 19:35 (five years ago)
But feet aren't one of the half dozen or so body parts that are regularly fetishized in movies and other media, so eww.
― Mario Meatwagon (Moodles), Tuesday, 30 July 2019 19:35 (five years ago)
I've never seen certain people more satisfied with themselves and happy to repeat the joke than when they figure out a glaringly obvious recurring theme in a famous director's work.
― Chris L, Tuesday, 30 July 2019 19:39 (five years ago)
I don't see the Manson Family as portrayed here as representative of hippies or leftists.
point of fact, Manson was not a hippie or leftist, he was a vicious little crook who quickly sussed out that the hippie scene was full of easy marks. he was explicitly racist and race war was at the heart of his agenda/philosophy. he was influenced by dale carnegie which he had read in a prison stint.
this was a great book that really cut through the mythology and was grippingly told.
https://www.amazon.com/Manson-Life-Times-Charles/dp/1451645171/ref=asc_df_1451645171/?tag=hyprod-20&linkCode=df0&hvadid=312176338241&hvpos=1o3&hvnetw=g&hvrand=17098841435305716303&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9019659&hvtargid=aud-643191255296:pla-567197841809&psc=1&tag=&ref=&adgrpid=60258870897&hvpone=&hvptwo=&hvadid=312176338241&hvpos=1o3&hvnetw=g&hvrand=17098841435305716303&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9019659&hvtargid=aud-643191255296:pla-567197841809
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Tuesday, 30 July 2019 19:40 (five years ago)
xxxxxp
just the feet of woman, sic. And if you already don't rate his work the sense he is jerking off on the job makes it even more fucking unpalatable.
― calzino, Tuesday, 30 July 2019 19:43 (five years ago)
Tarantino's ongoing goal as a director seems, to me, to attempt to tell increasingly meandering shaggy dog stories while having moments of tight dialog punctuated by absurdist violence and a thin overarching plot
Mission accomplished on this one. The Bruce Lee fight is pure fantasy and is one of a handful of scenes that strain credulity. I can't remember what I recently read or listened to that made the point that filmmakers are discouraged from breaking the fourth wall in any way in a lot of films of the modern era, but this movie does so in a handful of obvious ways that some reviews are taking too literally.
― untuned mass damper (mh), Tuesday, 30 July 2019 19:58 (five years ago)
And if you already don't rate his work the sense he is jerking off on the job makes it even more fucking unpalatable.
Why did you pay to go to the film, then?
― quelle sprocket damage (sic), Tuesday, 30 July 2019 20:32 (five years ago)
― quelle sprocket damage (sic), Tuesday, July 30, 2019 12:31 PM (one hour ago)
this is so obtuse. he has a foot thing. it's the equivalent of a male director always having his female stars have their breasts out. it's for his own titillation.
― bookmarkflaglink (jim in vancouver), Tuesday, 30 July 2019 20:34 (five years ago)
is there a scene inside Musso & Franks?
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Tuesday, 30 July 2019 20:36 (five years ago)
xp: It could be for everybody's titillation if they'd just open their goddamn minds to some erotic podiatry.
― ☮ (peace, man), Tuesday, 30 July 2019 20:40 (five years ago)
What is the issue with his foot fetish
― flappy bird, Tuesday, 30 July 2019 20:47 (five years ago)
xxxp lol not seen it and never will cos he bores me to death. just responding to other people's comments on how much gratuitous female foot fetish porn he has done this time.
― calzino, Tuesday, 30 July 2019 20:49 (five years ago)
it's the equivalent of a male director always having his female stars have their breasts out.
he's not Russ Meyer. It's the equivalent of a male director having a single boob shot in a majority of films, which is hardly some novel or unusual transgression.
― Οὖτις, Tuesday, 30 July 2019 20:49 (five years ago)
er single boob shot per film in a majority of his films
ie Tarantino averages one female foot shot per film, with a few exceptions noted upthread (Reservoir Dogs, Hateful Eight, and Django)
― Οὖτις, Tuesday, 30 July 2019 20:50 (five years ago)
are you people still HERE?
― TikTok to the (Alfred, Lord Sotosyn), Tuesday, 30 July 2019 20:58 (five years ago)
― flappy bird, Tuesday, 30 July 2019 21:00 (five years ago)
also i don't think that is inherently problematic for a film to reflect a director's sexuality, as such i'm pretty confused why he gets so much hate for this especially when it's always been such a minute FOOTnote in his films
― boobie, Tuesday, 30 July 2019 21:03 (five years ago)
i first noticed it in kill bill vol. 1, and despite what people on twitter think, it's not a very interesting thing to notice
― american bradass (BradNelson), Tuesday, 30 July 2019 21:09 (five years ago)
xposts!
Morbs: yes, and outside
he has a foot thing.
that's nice, dear
it's for his own titillation.
a) when Tate puts her feet up in the theatre, it's an indicator of how she's dropping the presentation of her dressed-up day out. She wasn't recognised outside, though she really wanted to be; in the darkness afterward she relaxes into celebrating herself, shoes off and feet up as though she's at home.
Cliff is the most casual character in the film before Pussycat re-suceeds at hitching. Tate is making an image. Rick is starting to unravel because his image has collapsed and he doesn't know how to make a new one. Lee is hypersensitive to how hard he has to work be taken seriously at all, then again to be acknowledged on top of that. Janet is hypervigilant to keeping her set running smoothly and safely for hundreds of workers. Schwarz is constantly "on." Wanamaker wears a blowdried coif and a cape to go to work in dust. Throughout, Cliff projects an ease and a lack of face, from his carriage to his clothes to the carelessness with which he serves Brandy.When Pussycat puts her feet on his dash, squishing the pads against the windscreen, he's reframed as an example of uptight society, not a barely-engaged outsider from it. His car is kinda shitty, maybe, but he has a car. His denim is weathered, but it's a style. The scene sets up the new protagonist-type role he's going to take in the following third of the film. Pussycat flexes her toes for sheer celebratory pleasure; Cliff has until now been the film's character most comfortable in his body, but now we see that by contrast he's wary, tense, and conscious.
Bridget Fonda wiggling her toes at DeNiro in Jackie Brown is sexual: this is not a flaw. Characters in film lean over to display cleavage, and they flex biceps and hold, and they touch each other's faces, and they let legs show through long slits in dresses or from behind curtains. Humans have bodies in real life too. DeNiro's character has not had female contact in years, and probably has no particular interest in feet. Fonda's character is able to spark his libido out in the open before Odell leaves, and in a way that puts him on the back foot, by flirting at him with her feet. If another director would have had her drop an ice cube down her bikini, or had Joe Mangianello bend at the waist to tie his shoe in a gas station, that doesn't make QT incorrect to have Fonda bend her tarsals.
b) stop the fucking presses, Quentin Tarantino puts his personal interests into his movies? holy shit what a revelation, let's go back and excise every one of his obsessions from every script he's ever written so that they immediately become 90% more interesting
― quelle sprocket damage (sic), Tuesday, 30 July 2019 21:11 (five years ago)
To me, the foot thing is just a funny and peculiar maker's mark that we can have fun with too.
― frustration and wonky passion (C. Grisso/McCain), Tuesday, 30 July 2019 21:17 (five years ago)
holy canoli I'm starting to think ilx has a foot fetish
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Tuesday, 30 July 2019 21:18 (five years ago)
I like Orson Welles' remarks about Luis Bunuel:
He's a rich feeding ground for that sort of critic, because it's all true about him. You can take off and say he likes feet and all that. Jesus, it's all true. He's that kind of intellectual, and that kind of Catholic. He is a deeply Christian man who hates God as only a Christian can, and, of course, he's very Spanish. I see him as the most supremely religious director in the history of the movies. A superb kind of person he must be. Everyone loves him.
― TikTok to the (Alfred, Lord Sotosyn), Tuesday, 30 July 2019 21:19 (five years ago)
Booming post sic
― flappy bird, Tuesday, 30 July 2019 21:19 (five years ago)
please don't sully Bunuel by bringing him to a thread dedicated to an overindulged hollywood hack.
― calzino, Tuesday, 30 July 2019 21:23 (five years ago)
Complain all you want, Tarantino will not be defeated.
― Josh in Chicago, Tuesday, 30 July 2019 21:24 (five years ago)
he still sez he's quitting after the next film
and the world / will be a better place
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Tuesday, 30 July 2019 21:25 (five years ago)
morbs you’re going to see to it though right
― flappy bird, Tuesday, 30 July 2019 21:27 (five years ago)
lol see it*
not even if it's a Star Trek
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Tuesday, 30 July 2019 21:30 (five years ago)
take 57 of the kill bill foot scene:
QT: i think we nearly got it that time
― bookmarkflaglink (jim in vancouver), Tuesday, 30 July 2019 21:33 (five years ago)
Going back to the Lee scene for a sec, I feel it serves dual purposes not yet discussed (or at least under-discussed).
A. It illustrates part of why Booth is seen as damaged goods and a troublemaker. While on the clock he literally gets into a fight with one of the stars of the show, which unto itself is/was a reason for getting fired and/or blacklisted. Booth pretty much only has a career afterwards because Dalton is still getting work and making it a package deal, but as we see, even that isn't a sure thing anymore.
B. It lets the audience in that Booth is the kind of guy who can and will go toe-to-toe with someone like Bruce Lee. Later on, in his encounters w/the tire slashing guy and ultimately the would-be killers, the audience's sense of suspense is slightly removed and replaced with anticipation of just how severely he's gonna fuck 'em up.
― frustration and wonky passion (C. Grisso/McCain), Tuesday, 30 July 2019 21:34 (five years ago)
someone lmk when you all stop talking about feet but also: great post, sic!!
― Squeaky Fromage (VegemiteGrrl), Tuesday, 30 July 2019 22:02 (five years ago)
Self-XP
I noticed on another forum someone alluding to a similar thing happening re: Dalton & the two flamethrower scenes early on, kind of a 'Chekov's Flamethrower' thing.
― frustration and wonky passion (C. Grisso/McCain), Tuesday, 30 July 2019 22:34 (five years ago)
also, to your point about Cliff being the 'superhero' of the movie: the jump sound effects when he's fixing the TV antenna early on (which is also a callback to Kill Bill)
― flappy bird, Tuesday, 30 July 2019 22:39 (five years ago)
if we had a best original critical dialogue of the week feature, sic would have a strong contender with that post agree with all, Pitt’s fictional character defeating fictionalized Bruce Lee isn’t an intentional slight on the real Lee, it’s a nod toward the audience that this is a character in a movie and that we’re to believe he’s going to do extraordinary things
― untuned mass damper (mh), Tuesday, 30 July 2019 22:51 (five years ago)
Yeah, that scene was such a goof I don't see why anyone would take issue with it. Bruce Lee's reputation (like that of Muhammed Ali, for that matter) is downright legendary, so getting his ass kicked by a fictional stunt man? BFD.
Now, why anyone should care that Brad Pitt's character can do that and other things, I don't know, but he's pretty entertaining doing them.
― Josh in Chicago, Tuesday, 30 July 2019 22:58 (five years ago)
Random thoughts:
- Loved the recreation of 1969 LA, as someone who spends a lot of time immersed in the era as a result of various interests and research projects. I'm not sure I would have enjoyed it as much had I not been able to geek out over the little details ("hey, there's that club I saw mentioned in the Free Press archives!")
- If you dug the bursts of KHJ, check out www.reelradio.com — hours of old airchecks from KHJ and other markets.
- I wouldn't have cared for the ending all that much either way, but the almost cartoon-like dispatching of the Family didn't sit that well after seeing Charlie Says. Obviously, they did a horrible crime, but considering the abuse the Manson women themselves suffered (both from Charlie and their backgrounds), it felt a bit gross, not much like the satisfaction of killing off a bunch of Nazis.
- I thought the use of a flamethrower was interesting, reminded me of a lot of Vietnam imagery. Considering Rick (and the film) represents the old generation that the counterculture displaces, perhaps no coincidence it's from one of his World World II movies — a clear "good guys vs bad guys" conflict, as opposed to the war those hippies types Rick hates are protesting.
― blatherskite, Tuesday, 30 July 2019 23:01 (five years ago)
Cliff doesn't even defeat Lee - Bruce takes one (1) fall in the sizing-up section of a constrained spar, before Lee is taking Cliff seriously.
(The moment felt unsatisfying to me because of the cheat of the off-screen throw, and cartoonish dent & foley, but the scene is showing there's much more to Cliff than his mien and ambition indicate. It's not saying that Lee was less than his demonstrated skill & incredible ability IRL.)
― quelle sprocket damage (sic), Tuesday, 30 July 2019 23:03 (five years ago)
A little detail I liked about Cliff is all the scars you can see all over his body throughout the movie.
― Josh in Chicago, Tuesday, 30 July 2019 23:07 (five years ago)
the thing people are complaining about is not so much that he beats bruce lee but that the film depicts bruce lee as an asshole
there's also the whole racial connotations which don't really need to be explained.
― bookmarkflaglink (jim in vancouver), Tuesday, 30 July 2019 23:12 (five years ago)
At least he didn't have Bruce Lee using the n word.
― Josh in Chicago, Tuesday, 30 July 2019 23:13 (five years ago)
but that the film depicts bruce lee as an asshole
it does not do this in any way
― quelle sprocket damage (sic), Tuesday, 30 July 2019 23:15 (five years ago)
Eh, sure it does. At least a little.
― Josh in Chicago, Tuesday, 30 July 2019 23:16 (five years ago)
That's why Cliff picks a fight with him.
Cliff is the asshole in that exchange.
― quelle sprocket damage (sic), Tuesday, 30 July 2019 23:17 (five years ago)
Sure. But it comes after Bruce Lee boasting about besting Cassius Clay, and his fists being lethal weapons and whatnot.
― Josh in Chicago, Tuesday, 30 July 2019 23:18 (five years ago)
― Josh in Chicago, Tuesday, July 30, 2019 4:18 PM (0 seconds ago)
bingo
― bookmarkflaglink (jim in vancouver), Tuesday, 30 July 2019 23:18 (five years ago)
Bruce is at work. He's writing "Bruce Lee."
― quelle sprocket damage (sic), Tuesday, 30 July 2019 23:20 (five years ago)
Gonna need smelling salts to contemplate the unprecedented effrontery of some "bragging" taking place in a conversation about whether Cassius Clay might win a fight
― quelle sprocket damage (sic), Tuesday, 30 July 2019 23:24 (five years ago)
Bruce single-handedly dispatching the entire Manson Family while the ghost of Ip-Man smiles from the heavens would have placated everyone.
― Philip Nunez, Tuesday, 30 July 2019 23:30 (five years ago)
enjoying sic's takes in this thread
― american bradass (BradNelson), Tuesday, 30 July 2019 23:32 (five years ago)
― Squeaky Fromage (VegemiteGrrl), Wednesday, 31 July 2019 01:39 (five years ago)
what pct of the opening-weekend audience knows who Cassius Clay was?
btw I never heard of The Wrecking Crew til this thing came along
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 31 July 2019 01:46 (five years ago)
Same percentage that would buy Damian Lewis as Steve McQueen under that weird Sonny Corleone wig.
― Philip Nunez, Wednesday, 31 July 2019 03:57 (five years ago)
Yeah, wtf was going on there? I thought they mostly did a good job casting the celebrity roles, but that was just way off.
― Mario Meatwagon (Moodles), Wednesday, 31 July 2019 03:59 (five years ago)
I saw it again tonight ( sung to the tune of the Mamas & the Papas lol) I took sic’s take on the Cliff vs Bruce scene into consideration & it def plays better in that light. ie that the purpose of the scene is showing more of what Cliff’s about than any kind of deliberate slight on Bruce. Cliff’s stuntman archetype in general always had something to prove even when there was nothing TO prove, like the only reason he even does it is the fact that a) there’s a crowd & b) they’re all awed by Bruce - oneupsmanship-as-performance is all those dudes knew how to doPlus seriously, what kind of asshole ~other than Cliff~ would challenge Lee on the set of Lee’s own show? While working a job he’s barely holding onto to start with that he only got because Rick begged for Cliff to be hired. the ego required for that is staggering when you think about it. I loled this time seeing that one of the cans of dog food was BIRD FLAVOR (i saw the rat and raccoon flavors before)
― Squeaky Fromage (VegemiteGrrl), Wednesday, 31 July 2019 05:11 (five years ago)
I thought this was a decent review, though some parts are a little off - https://www.vanityfair.com/hollywood/2019/07/tarantino-once-upon-a-time-in-hollywood-revenge-fantasy-manson-family
And not to continually harp on the Manson aspect, but this was one of the few movies/depictions I've seen that comes close to getting the vibe of the Manson girls right. It's not just being free spirity hippy runaways. These are teen runaways who are eating acid for breakfast lunch and dinner and boning anyone who comes through the gate AND trying to survive AND impress Manson with who they can lure. That scene when Pussycat leans in through the window at Cliff and you can see right away that she's fried, flushed and twitchy, it's played so well because it's so squirmy and a little creepy and just kinda not quite right. That QT cast such young looking or irl young actresses really sets in the shock when you see them all standing together at the ranch. They're SO young. Manson was running those girls as a pimp to get over with people like Melcher, or the bikers, or whoever else he needed to get over with. And it doesn't need explaining -- you can see it plain as day as Cliff takes it all in.
― Squeaky Fromage (VegemiteGrrl), Wednesday, 31 July 2019 06:04 (five years ago)
catching up on some earlier thread:
yeah, do that: I haven't seen the standard version, but enjoyed the roadshow cut and liked the tweaks & format of the episodic edition. Most of the changes are just small indulgences due to the running time allowed by the episodes, or additional / overlapping dialogue that didn't reveal anything we weren't told about the characters elsewhere. But there's one substantial new scene which expands the audience's perspective on events and characters, and that scene benefits from its positioning relative to an episode break.
The best reason to watch it, though, is alleviation of longeurs, as noted. What was rich and immersive on 70mm, between velvet curtains, in a 700-seat 1935 art deco theatre, doesn't hold the focus as compellingly on a $20 tv off Craigslist. Watching 50 minutes a night worked well & left me keen to return at the start of each episode.
(Also, disregard Josh - the whole title sequence doesn't play each time. If you want to run straight through, Netflix gives you a basic end credit roll, enough to have a wee or put the kettle on, then picks up with the narrative again.)
Burn After Reading.
― quelle sprocket damage (sic), Wednesday, 31 July 2019 08:16 (five years ago)
(although you might call that moving in caricature.)
― quelle sprocket damage (sic), Wednesday, 31 July 2019 08:18 (five years ago)
He's better here.
― TikTok to the (Alfred, Lord Sotosyn), Wednesday, 31 July 2019 11:08 (five years ago)
I didn't think the credits of the extended Hateful 8 weren't skippable or something, my understanding was just that their combined runtime (rather than new or longer scenes) accounted for the biggest boost in the movie's total runtime. Or so I read multiple places, I haven't seen the extended cut myself.
― Josh in Chicago, Wednesday, 31 July 2019 11:58 (five years ago)
I can't imagine anyone sticking around for The Hateful Eight credits without wanting to nuke the theater.
― TikTok to the (Alfred, Lord Sotosyn), Wednesday, 31 July 2019 12:01 (five years ago)
Didn't catch that Clu Gulager was the bookstore clerk when Robbie goes in and asks for Tess of the d'Urbervilles (People you thought were...)
― Josefa, Wednesday, 31 July 2019 14:42 (five years ago)
Was Tess a reference to the Polanaki rape case?
― Mario Meatwagon (Moodles), Wednesday, 31 July 2019 14:51 (five years ago)
Polanski directed the movie of Tess and supposedly he got the idea from Sharon Tate lending him the book
― Josefa, Wednesday, 31 July 2019 14:54 (five years ago)
i believe the film is also dedicated to Sharon
hoping the Scorsese film will be a meal at Rao's after you've all gone to Chuck E Cheese with this one
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 31 July 2019 15:02 (five years ago)
The Scorsese will be terrible, get real
― Pauline Male (Eric H.), Wednesday, 31 July 2019 15:14 (five years ago)
just see the movie morbs you’ll probably like it
― flappy bird, Wednesday, 31 July 2019 15:37 (five years ago)
it's possible; i wouldn't say likely
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 31 July 2019 15:37 (five years ago)
no flappy, i vote by withholding my dollars
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 31 July 2019 15:38 (five years ago)
Held up well a second time--some ambivalence remains, a few things got better. I really don't care, but I was thinking afterwards I could see it winning the Best Picture AA. 1) It's making lots of money; 2) They can look after the lifetime-achievement thing for Tarantino; 3) (most important) It deifies Hollywood. Hollywood literally prevents the Manson murders and saves the day. And not the big-star, clueless-elite, right-wing caricature of Hollywood--an even more appealing rank-and-file Hollywood, a washed-up actor and his stunt-double. I know there's the violence, but excessively violet films have won Best Film, no? And the violence really amounts to 10 minutes or so.
― clemenza, Wednesday, 31 July 2019 15:49 (five years ago)
"excessively violet films"--You know, Purple Rain, The Purple Rose of Cairo, those films.
― clemenza, Wednesday, 31 July 2019 15:50 (five years ago)
Was this filmed in 70mm? The 35mm projection looked very nice.If you put Steve McQueen and Bruce Lee in the first act, shouldn’t they do a buddy cop sequence by the last? No Oscar for that oversight!
― Philip Nunez, Wednesday, 31 July 2019 16:28 (five years ago)
"hoping the Scorsese film will be a meal at Rao's after you've all gone to Chuck E Cheese with this one"
is scorsese doing a tate film?
― akm, Wednesday, 31 July 2019 16:29 (five years ago)
I'm hoping the second weekend box office dive will be at least 65% (unless the screen count is going up)
it was shot on 35
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 31 July 2019 16:33 (five years ago)
Having no interest in Tarantino is one thing, but holding out Scorsese--based on his body of work the past 20 years at least, especially the films that aren't documentaries--as something to aspire to, I don't get that.
― clemenza, Wednesday, 31 July 2019 16:36 (five years ago)
Silence was great!
― Simon H., Wednesday, 31 July 2019 16:38 (five years ago)
Yeah, clem, Silence was easily his best since The Age of Innocence.
― TikTok to the (Alfred, Lord Sotosyn), Wednesday, 31 July 2019 16:39 (five years ago)
― calzino, Wednesday, 31 July 2019 16:43 (five years ago)
I thought it was pretty good like Age of Innocence was pretty good (and, for that matter, like Phantom Thread was pretty good)--expertly made, and a dim echo of what I loved about Scorsese's great films up to Goodfellas. (We probably shouldn't get into that here, though.)
― clemenza, Wednesday, 31 July 2019 16:43 (five years ago)
Silence following The Wolf of Wall Street is one of the best runs this decade imo, two phenomenal films for obviously different reasons
― flappy bird, Wednesday, 31 July 2019 16:48 (five years ago)
I've followed most of this thread--has anyone mentioned Rick Dalton's stutter yet? Intriguing. Fantastic: Tate's daydreamy look as she drives along to "The Circle Game." Was also thinking that, like Midnight Cowboy, whatever you think about everything else, there's a great friendship at the core of this film (even if a subservient one--that Dalton tries hard to smooth over).
― clemenza, Wednesday, 31 July 2019 16:53 (five years ago)
i was intrigued by the stuttering too! ... and you can see in his interactions with the girl on the Lancer set that he’s pausing before troublesome words to mitigate the stutter second time around i noticed his speech patterns and tone is very similar to Kurt Russell, especially in that opening Bounty Law promo interview
― Squeaky Fromage (VegemiteGrrl), Wednesday, 31 July 2019 17:24 (five years ago)
agree w this, was a p unexpected one-two punch with two great and entirely different movies
― Οὖτις, Wednesday, 31 July 2019 17:25 (five years ago)
(xpost) Obviously one of the film's best lines: "I don't like names like 'Pumpkin Puss,' but since you're upset, we'll talk about that some other time."
― clemenza, Wednesday, 31 July 2019 17:30 (five years ago)
https://screenrant.com/once-upon-time-hollywood-movie-soundtrack-songs/
― frustration and wonky passion (C. Grisso/McCain), Wednesday, 31 July 2019 18:32 (five years ago)
lol well the headline literally sums it up. dunno why but i was hoping for something a little more in-depth/insightful than just “here are the songs & when they happened in the movie”
― Squeaky Fromage (VegemiteGrrl), Wednesday, 31 July 2019 19:07 (five years ago)
I wrote this a few days ago, VG. Much of my ambivalence has to do with the soundtrack, so you won't agree with some (most?) of this.
http://heardjustwhatiseen.wordpress.com/2019/07/26/a-dragonfly-inside-a-jar/
― clemenza, Wednesday, 31 July 2019 19:10 (five years ago)
He has a plaque designating his preferred seat (near the back, right section, in from the aisle) at the New Beverly. When his wife died in 2003, he started going there most nights, and as of two years ago could be found hanging out and chatting about the films in the lobby with other patrons afterward.
(Tarantino didn't buy the building until 2007, and didn't take over programming until 2014, so Gulager's patronage of & association with the place isn't connected to Quentin.)
― quelle sprocket damage (sic), Wednesday, 31 July 2019 19:18 (five years ago)
hard to miss the Maltese Falcon in that antique/book shop, did anybody spot anything else?
― flappy bird, Wednesday, 31 July 2019 19:27 (five years ago)
xpost clemenza— yeah i think we part ways pretty drastically on the soundtrack :) i like your writeup nonetheless though! maybe I just need to write my own thoughts bcz i havent seen anyone go in the way i want them to
― Squeaky Fromage (VegemiteGrrl), Wednesday, 31 July 2019 19:41 (five years ago)
Do it! I'd love to read it
― Mario Meatwagon (Moodles), Wednesday, 31 July 2019 19:44 (five years ago)
I'm sitting here furiously googling the difference between a flamethrower and a blowtorch because I've never heard of one of the latter than can shoot flames over ten feet
― untuned mass damper (mh), Wednesday, 31 July 2019 20:26 (five years ago)
I think I can google up a photo that'll explain the difference between a blowtorch and a blowhard, if that's any help.
― clemenza, Wednesday, 31 July 2019 20:29 (five years ago)
could really use all the help I could get
― untuned mass damper (mh), Wednesday, 31 July 2019 20:31 (five years ago)
This is easily my favorite Tarantino since Jackie Brown. The ultimately illusory prospect of a "mature" Tarantino that JB hints at--which is probably due entirely to the source material--still makes me wistful for wasn't to be. But this one comes pretty close to that.
I didn't think the historical revisionism of IB was cathartic but somehow it is here. Maybe it's more personal? Maybe making it about one instance (albeit a culturally significant one) of tragedy rather than a world-historical tragedy makes it easier to swallow the sentiment? Possibly also because rather than feeling like "revenge" and nazi killin' this is more about preventing a tragedy from happening in the first place rather than avenging one that already happened?
― ryan, Wednesday, 31 July 2019 20:35 (five years ago)
Just read a Facebook post from a guy who wrote a recent book on Manson: Manson's second favourite band was the Moody Blues. Never knew that! Not the best choice, but far from the worst if the window is the late '60s.
― clemenza, Wednesday, 31 July 2019 20:45 (five years ago)
I know some of you (all of you?) don't like the Red Letter Media guys, but they made an I think good observation that Tarantino is kind of the last auteur whose movies get wide theatrical releases and big audiences. Am I overlooking someone obvious?
― Josh in Chicago, Wednesday, 31 July 2019 20:50 (five years ago)
Wrt the soundtrack I'd say he's using music in a slightly different way this time than he has before, which is to pin down a time & place. It seems as if he's using more diegetic music than ever before - much of what you hear is coming from the radio, TVs, record players, etc. And I guess that somewhat constricts his options, since, for example, he has to choose songs that would plausibly be on the radio, and so on.
― Josefa, Wednesday, 31 July 2019 20:51 (five years ago)
XPS Karina Longworth touched on that in one of the You Must Remember This Manson eps, even pointing out lyrical similarities between his songs and ones by the Moodies.
― frustration and wonky passion (C. Grisso/McCain), Wednesday, 31 July 2019 20:51 (five years ago)
Christopher Nolan but he's even more conservative and safe than QT
xxp
― flappy bird, Wednesday, 31 July 2019 20:53 (five years ago)
Tarantino is kind of the last auteur whose movies get wide theatrical releases and big audiences
Are Fincher & Nolan too mersh or something?
― frustration and wonky passion (C. Grisso/McCain), Wednesday, 31 July 2019 20:53 (five years ago)
Wes Anderson movies routinely make healthy profits these days.
― TikTok to the (Alfred, Lord Sotosyn), Wednesday, 31 July 2019 20:54 (five years ago)
red letter media guys in being huge dumbasses shocker
― bookmarkflaglink (jim in vancouver), Wednesday, 31 July 2019 20:56 (five years ago)
Nolan and Fincher I think of mostly as technicians, but Wes Anderson is a pretty good example.
― Josh in Chicago, Wednesday, 31 July 2019 20:58 (five years ago)
PTA hasn't been in multiplexes this century, and he's arguably the preeminent American auteur and his biggest success was There Will Be Blood with $76m worldwide. QT's highest gross, for Django Unchained, was $425m.
xp Wes Anderson also hasn't been in multiplexes since... Tenenbaums? Rushmore? Was he ever? Anyway, his highest gross is $100m for Grand Budapest Hotel.
― flappy bird, Wednesday, 31 July 2019 21:00 (five years ago)
frustration and wonky passion (C. Grisso/McCain) at 4:51 31 Jul 19XPS Karina Longworth touched on that in one of the You Must Remember This Manson eps, even pointing out lyrical similarities between his songs and ones by the Moodies.
― ☮ (peace, man), Wednesday, 31 July 2019 21:01 (five years ago)
Nolan and Fincher are more than technicians, they're for sure auteurs imo, but both are a lot safer and more palatable than QT.xp
― flappy bird, Wednesday, 31 July 2019 21:01 (five years ago)
I just mean that the last two Fincher movies were adaptations of big best seller beach reads, and while he made them his own, a lot of people could have made those movies.
― Josh in Chicago, Wednesday, 31 July 2019 21:05 (five years ago)
― flappy bird, Wednesday, July 31, 2019
I saw the dogs thing and The Grand Budapest at an AMC 245 or whatever
― TikTok to the (Alfred, Lord Sotosyn), Wednesday, 31 July 2019 21:07 (five years ago)
For sure. There's also Soderbergh, who imo is an auteur as well whether he's making Unsane or an Ocean's movie, but again it's a different breed. Fincher and Soderbergh work a lot more than QT and Nolan.
Even though Nolan did the Batman trilogy, he's the only solid peer auteur at the same level of QT - well, much higher actually, but he's far more selective and all of his movies are events.
xp I stand corrected. Makes sense- I'm shocked that Budapest is his highest grossing movie for some reason, figured it would be Tenenbaums
― flappy bird, Wednesday, 31 July 2019 21:08 (five years ago)
yeah I saw Isle Of Dogs at an AMC 10-screen
― quelle sprocket damage (sic), Wednesday, 31 July 2019 21:12 (five years ago)
XP Tenenbaums still is, if you adjust for inflation.
― frustration and wonky passion (C. Grisso/McCain), Wednesday, 31 July 2019 21:12 (five years ago)
don't adjust for inflation, smelly Marvel doods will come for you
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 31 July 2019 21:18 (five years ago)
I guess this is a definition of "auteur" that doesn't include Nancy Meyers.
― shared unit of analysis (unperson), Wednesday, 31 July 2019 21:21 (five years ago)
ooh, good call!
― Josh in Chicago, Wednesday, 31 July 2019 21:29 (five years ago)
or Katherine Bigelow (who I hate tbh)
― Οὖτις, Wednesday, 31 July 2019 21:35 (five years ago)
Bigelow sure, but again, far more conservative and predictable than QT
― flappy bird, Wednesday, 31 July 2019 21:36 (five years ago)
Nancy Meyers is such a stretch, at least this century
― flappy bird, Wednesday, 31 July 2019 21:37 (five years ago)
lol, auteur in the same sentence as Nolan, going by them standards I'm Caravaggio, my dog is Benny Hill Beryl Cook. The guy that directed Jossy's Giants is Rossellini.
― calzino, Wednesday, 31 July 2019 21:40 (five years ago)
Nolan's definitely got an identifiable style and consistent themes that pop up in his movies, that's enough to qualify imo (regardless of the quality of his output)
― Οὖτις, Wednesday, 31 July 2019 21:41 (five years ago)
Yeah my point being that QT is the most 'radical' and original auteur in multiplexes in comparison to his very few peers - this is not good.
― flappy bird, Wednesday, 31 July 2019 21:52 (five years ago)
also? Interstellar was sick
Someone called Michael Mann "Nancy Meyers for men," it works.
― ... (Eazy), Wednesday, 31 July 2019 22:05 (five years ago)
Heh.
Anyway, I did finish the Red Letter Media review, and they actually had a lot of interesting things to say about the movie imo. Especially the ending. For example, we cheer the Manson folks getting their faces bashed in, but in the film ... they haven't really done anything yet, let alone to warrant that. Our viewing and feelings are informed by what the real life Manson family did, but of course in this movie, they haven't done that. Sharon Tate is never even really at risk. These are three dummies/kids who walk into a house (sure, wielding weapons) and end up getting brutally murdered by smashing/dog/flamethrower. And we celebrate and enjoy it, but only because we the audience know who they really are and that their murder means the Manson murders don't happen. Factor in a fictional violent comeuppance for a real violent act that said fictional comeuppance "prevents," and ... it's pretty complicated.
― Josh in Chicago, Wednesday, 31 July 2019 23:53 (five years ago)
they haven't really done anything yet, let alone to warrant that.
We know their intentions from their conversation in the car -- they're going to carve up some piggies, kill the killers, etc.
― Manfred Hemming-Hawing (WmC), Wednesday, 31 July 2019 23:56 (five years ago)
My feelings about this movie are so complicated -- there are some fragments of interesting filmmaking embedded in a thing that I ultimately wish didn't exist.
― Manfred Hemming-Hawing (WmC), Wednesday, 31 July 2019 23:59 (five years ago)
We know their intention, but an intention is not a death sentence.
― Josh in Chicago, Thursday, 1 August 2019 00:00 (five years ago)
Anyway, yeah, it's complicated. More I think about it, more I'm inclined to see it again, for all the lil' problems I might have had with it.
― Josh in Chicago, Thursday, 1 August 2019 00:03 (five years ago)
sure, being labelled a “pig” shouldn’t be a death sentence either.
― sknybrg, Thursday, 1 August 2019 00:05 (five years ago)
The Family had already killed a guy that summer, and Manson himself thought he'd killed a drug dealer he assumed was connected to the Black Panthers, which was part of why he was eager to get Helter Skelter going.
― frustration and wonky passion (C. Grisso/McCain), Thursday, 1 August 2019 00:10 (five years ago)
But we only know that from history, that's not depicted in the movie.
― Josh in Chicago, Thursday, 1 August 2019 00:15 (five years ago)
XP Not that that justifies what happens.
OTOH, I'm a little surprised that Booth is presumably still tripping during the killings isn't getting brought up more.
― frustration and wonky passion (C. Grisso/McCain), Thursday, 1 August 2019 00:18 (five years ago)
Anyway, I did finish the Red Letter Media review, and they actually had a lot of interesting things to say about the movie imo. Especially the ending. For example, we cheer the Manson folks getting their faces bashed in, but in the film ... they haven't really done anything yet, let alone to warrant that.
we know their intentions. they're home intruders wielding knives and a gun, cliff and rick kill them in self defense.
Our viewing and feelings are informed by what the real life Manson family did, but of course in this movie, they haven't done that.
this movie is constantly playing with reality and our knowledge of the era and the actors in the movie.
Sharon Tate is never even really at risk. These are three dummies/kids who walk into a house (sure, wielding weapons) and end up getting brutally murdered by smashing/dog/flamethrower. And we celebrate and enjoy it, but only because we the audience know who they really are and that their murder means the Manson murders don't happen. Factor in a fictional violent comeuppance for a real violent act that said fictional comeuppance "prevents," and ... it's pretty complicated.
Good lord
I can't believe people are hemming and hawing over the depiction of the Manson Family murderers in a Quentin Tarantino movie. It isn't complicated.
― flappy bird, Thursday, 1 August 2019 00:26 (five years ago)
It is, though! Because it's changing history. They're *not* the Manson Family murderers in this movie. They were the people who threatened Brad Pitt and got brutally killed.
― Josh in Chicago, Thursday, 1 August 2019 00:35 (five years ago)
flappy bird, meet Josh in Chicago
― Larry Elleison (rogermexico.), Thursday, 1 August 2019 00:38 (five years ago)
I'd like to think history doesn't change until Dalton goes out and yells at them.
― frustration and wonky passion (C. Grisso/McCain), Thursday, 1 August 2019 00:38 (five years ago)
This is silly. A huge chunk of the import of the movie relies on at least some knowledge of the Manson family and Sharon Tate's fate. If you watched the movie in a total vacuum and knew absolutely nothing at all about any of the real people or events involved the movie wouldn't work.
― Simon H., Thursday, 1 August 2019 00:43 (five years ago)
I assume a lot of people seeing the movie don't know anything about Manson, don't you think?
― Josh in Chicago, Thursday, 1 August 2019 00:45 (five years ago)
It is, though! Because it's changing history. They're *not* the Manson Family murderers in this movie. They were the people who threatened Brad Pitt and got brutally killed.― Josh in Chicago, Wednesday, July 31, 2019 8:35 PM (six minutes ago) bookmarkflaglink
― Josh in Chicago, Wednesday, July 31, 2019 8:35 PM (six minutes ago) bookmarkflaglink
the power of the whole sequence rests on our knowledge of what really happened. tex, susan, and patricia murdered everyone at 100500 cielo dr just as brutally and insanely as cliff kills them in this movie. it is legal to kill an armed home intruder in self defense.
― flappy bird, Thursday, 1 August 2019 00:45 (five years ago)
I do not think this.
― Simon H., Thursday, 1 August 2019 00:47 (five years ago)
xpost That's sort of what I said. How we react is informed by real life. But this movie alters what happened in real life, so that it didn't happen. So that these people are being killed in this movie for something they did in real life, but of course which didn't happen yet/was prevented in this fictional world. I didn't say it was wrong, I said it was complicated.
― Josh in Chicago, Thursday, 1 August 2019 00:48 (five years ago)
complicated in what way?
― flappy bird, Thursday, 1 August 2019 00:52 (five years ago)
How we feel is complicated.
― Josh in Chicago, Thursday, 1 August 2019 00:54 (five years ago)
not me
― flappy bird, Thursday, 1 August 2019 01:04 (five years ago)
I thought about Sharon Tate and Jay Sebring and everyone murdered on that night. the movie venerates Tate and I think it does it with a lot of grace and true melancholy.
― flappy bird, Thursday, 1 August 2019 01:06 (five years ago)
Yeah I think as others have pointed out the real achievement of the last act is a weird kind of dramatic irony in which you, as the audience, feel a kind of mounting dread (I ~really~ did not want the murders to happen in an almost visceral way) about something that *doesn’t* end up happening.
― ryan, Thursday, 1 August 2019 01:22 (five years ago)
If you think logic matters, I think Josh's point--which hadn't occurred to me--is quite valid. If you find the very ending moving--and I do--that won't change, but it's a valid point.
― clemenza, Thursday, 1 August 2019 01:36 (five years ago)
Having Sharon's voice be disembodied on through the gate speaker while Jay's there irl adds something sort of otherworldly quality to that moment. idk. I noticed it more on my second viewing
― Squeaky Fromage (VegemiteGrrl), Thursday, 1 August 2019 04:49 (five years ago)
also i found this article in my rabbithole travels about the dude who wrangled all the cars for the movie it is poorly written but i love that QT always seems to finds the right people to work with who have similar geek levels for detail this was kinda O_oEven the less flashy cars were rooted in a specific attention to detail. Did you see the Ford Galaxie driven by Manson family follower Tex Watson in the film? Yeah, they found that car too.“That’s an actual replica of the real car they used to do the actual murders,” Butcher said. “I found the real car in a guy’s private collection. The guy wanted to rent it to us to use in the film. But I had a meeting with Quentin, and we talked about it and thought that would be creepy to have the real car on set.”https://www.thewrap.com/once-upon-a-time-in-hollywood-cars-reservoir-dogs/
― Squeaky Fromage (VegemiteGrrl), Thursday, 1 August 2019 05:42 (five years ago)
also this:
#OnceuponatimeinHollywood: Bruce Lee training Sharon Tate for her role in “The Wrecking Crew” in 1968. Via thevintagephotobooth on FB. pic.twitter.com/2usoqmMXPX— Channing Thomson (@CHANNINGPOSTERS) July 30, 2019
― Squeaky Fromage (VegemiteGrrl), Thursday, 1 August 2019 05:58 (five years ago)
https://film.avclub.com/once-upon-a-time-in-hollywood-annotated-1836793225
― frustration and wonky passion (C. Grisso/McCain), Thursday, 1 August 2019 14:46 (five years ago)
My second viewing was with a good friend who virtually never goes to the movies. (Up at the cottage he and his wife rent--she stayed back to watch TV.) Anyway, I don't think we're destined to see a lot of movies together. My friend, out loud, when Mason showed up unnamed: "That's Charles Manson."
― clemenza, Thursday, 1 August 2019 14:50 (five years ago)
Ugh, Manson...not the scene where Jackie Mason showed up.
― clemenza, Thursday, 1 August 2019 14:51 (five years ago)
I don't think it's unintentional that we were given a mini-treatise about how the violent culture of movies and tv makes us violent, maaan, immediately followed by a scene where a stuntman, dog, and actor dispatch several creepy home intruders with martial arts, visceral biting, and a flamethrower
― untuned mass damper (mh), Thursday, 1 August 2019 15:08 (five years ago)
Anyway, I don't think we're destined to see a lot of movies together. My friend, out loud, when Mason showed up unnamed: "That's Charles Manson."
Was he blurting it out bcz he was startled*, or was it a "that's Chappie" explanation**?
* (and you thought it was gauche to blurt in a cinema)** (and you were disappointed at his implied assessment of you)
― quelle sprocket damage (sic), Thursday, 1 August 2019 20:50 (five years ago)
The movie never directly states that it is Manson, does it? Presumably the credits did, but I wasn't watching closely enough. It's definitely implied as a chekov's gun situation.
― untuned mass damper (mh), Thursday, 1 August 2019 20:55 (five years ago)
https://blog.discogs.com/en/quentin-tarantino-is-as-proud-of-his-soundtracks-as-he-is-of-his-films/
I started working on the script for this a long time ago. So I [went into my record room] then. I had a whole little soundtrack — I wasn’t even finished with the script — that I thought would be terrific for the movie. And I was working from the assumption that that would be how I would do it.But then I didn’t know I wanted to use the KHJ Radio as this kind of period narrator, as this instrument to play all this stuff. I got about 17 to 14 hours of KHJ recordings … and I started listening to it and it was amazing! I remember this from when I was 6 or 7, but to hear it all over again kind of blew my mind. It was great. I had to listen to it all just so I could chronicle it. Like: This is a Pioneer Chicken commercial, and then an RC Cola commercial, and this DJ outro, or whatever. I started getting into the groove of what KHJ was doing between 1968 and 1969. Also, [KHJ Radio] was really fun. There was a reason why it was so popular! It was really fun to listen to, even now.And then I realized: I don’t think I should play any song in this movie (if it’s coming from the radio, anyway) that’s not from these tapes. So I can’t just take a song I like, and then throw a KHJ DJ in front of it. No. If it’s coming from the radio, and supposedly coming from KHJ, then I want it actually from KHJ, taken from those recordings, from this source.
But then I didn’t know I wanted to use the KHJ Radio as this kind of period narrator, as this instrument to play all this stuff. I got about 17 to 14 hours of KHJ recordings … and I started listening to it and it was amazing! I remember this from when I was 6 or 7, but to hear it all over again kind of blew my mind. It was great. I had to listen to it all just so I could chronicle it. Like: This is a Pioneer Chicken commercial, and then an RC Cola commercial, and this DJ outro, or whatever. I started getting into the groove of what KHJ was doing between 1968 and 1969. Also, [KHJ Radio] was really fun. There was a reason why it was so popular! It was really fun to listen to, even now.
And then I realized: I don’t think I should play any song in this movie (if it’s coming from the radio, anyway) that’s not from these tapes. So I can’t just take a song I like, and then throw a KHJ DJ in front of it. No. If it’s coming from the radio, and supposedly coming from KHJ, then I want it actually from KHJ, taken from those recordings, from this source.
― frustration and wonky passion (C. Grisso/McCain), Thursday, 1 August 2019 20:58 (five years ago)
(xpost) I can't say exactly what was on his mind, why he felt the need to announce it was Manson--it seemed more like a reflex--but I'm pretty close to absolute when it comes to no talking in movies. (He did the same four or five other times: "Is that the Manson family?", "Bruce Dern," etc.)
― clemenza, Thursday, 1 August 2019 21:03 (five years ago)
got it - glad it was your second time viewing, at least! but it sounds like you could have affirmed his own enjoyment with some quick uh-huhs.
no, iirc the movie never identifies him beyond Charlie, or explains who he is, and the younger viewer is left to make their own connections (or not) between this Charlie and the absent one at the ranch. I really enjoyed that aspect, that there's no mythologising or weight placed on him by the text whatsoever, and that all the reasons to feel dread around the Family members come from their own depicted actions.
― quelle sprocket damage (sic), Thursday, 1 August 2019 21:57 (five years ago)
Tarantino OTM: re the KHJ broadcasts. The ReelRadio airchecks are great, it's that much more satisfying to hear a great hit when I've been sitting through Vicki Carr or another Gary Lewis and the Playboys retread, rather than a "just the hits" oldies station. It was a big thrill to see them in the movie — my irritating pedant side gets annoyed when a character in a period show listens to a track in a car that is clearly an LP version and not the alternate single mix...
― blatherskite, Thursday, 1 August 2019 22:06 (five years ago)
Makes me wonder how comprehensible this movie is if you are not familiar with the details of the Manson murders.
― Mario Meatwagon (Moodles), Thursday, 1 August 2019 22:35 (five years ago)
No answer, just a question. Does Tarantino view the Manson women as two distinct groups--the murderous ones like Atkins, and the dippy space cadets like Margaret Qualley's character--or is it more fluid than that? When Qualley hops on the car as Pitt leaves the ranch and screams "You're the ____________" (I can't remember the exact words), this murderous rage seems to momentarily take over.
― clemenza, Thursday, 1 August 2019 22:39 (five years ago)
You don't need to know anything about the Manson murders. The movie tells you the story it is telling.
― quelle sprocket damage (sic), Thursday, 1 August 2019 22:42 (five years ago)
You wouldn't be confused without knowing the backstory, agreed--it tells its story--but surely you'd miss out on a very large part of what makes the film interesting. The context means almost everything here, I'd say.
― clemenza, Thursday, 1 August 2019 22:47 (five years ago)
There are thousands of different bits of context that different viewers are going to bring to different facets of this film. All of them change the viewer’s perception, none of them are essential.
― quelle sprocket damage (sic), Thursday, 1 August 2019 23:08 (five years ago)
I guess it depends on what you mean by "essential?" Because while the movie I'm sure plays on its own terms, if you don't know the real life story this movie does *not* tell, you are missing out. Hell, I'm not sure my older daughter knows what Woodstock was, let alone Altamont, let alone the Manson murders.
― Josh in Chicago, Thursday, 1 August 2019 23:10 (five years ago)
(Look at the number of details & references in the car article linked upthread - ppl who know things about cars are going to read lots of that while watching. But they’d still need to know the exact details of Tex’s car IRL to receive the specific cue that events are still clinging directly to reality at the opening of the sequence. And Manson / car historians who do get that reference are probably not the types to calculate that Vincent’s brother will buy Rick’s car fourth-hand from an LA lot two decades later. Me, all I could tell was that the inside of Cliff’s car was a bit dirtier than Rick’s.)
― quelle sprocket damage (sic), Thursday, 1 August 2019 23:15 (five years ago)
xpost
You’re not missing out. You’re having the opportunity to read the text differently on your first encounter.
― quelle sprocket damage (sic), Thursday, 1 August 2019 23:16 (five years ago)
As threatened, i wrote a bit of a deep dive into the music of Once Upon A Time In Hollywood and why I love it so much.
https://tourdefrump.blogspot.com/2019/08/once-upon-time-in-hollywood-how-do-i.html
― Squeaky Fromage (VegemiteGrrl), Friday, 2 August 2019 05:41 (five years ago)
I liked reading that VG
― Dan S, Friday, 2 August 2019 05:52 (five years ago)
:D
thanks!
― Squeaky Fromage (VegemiteGrrl), Friday, 2 August 2019 06:00 (five years ago)
hoping i can be not-sick enough to see this this weekend
― Vape Store (crüt), Friday, 2 August 2019 06:11 (five years ago)
The music kinda disappointingly washed past me on first viewing*, apart from being frustrated that the one song I know and love got filleted from intro to finale, but I loved that post Veg - if I see it again I'll be taking that joy, and the knowledge that QT used actual airchecks instead of needledrops as source, into my listening. * I wasn't sure if I liked the movie much on walking out on Saturday; after talking about it here the last few days, I suspect it's great.
― quelle sprocket damage (sic), Friday, 2 August 2019 07:39 (five years ago)
I knew I liked it better than his last two, but I've definitely come around to it, for several reasons. And yeah, talking through it here helped.
― Josh in Chicago, Friday, 2 August 2019 12:04 (five years ago)
Very nice post Veg! Your enthusiasm is infectious.
― Mario Meatwagon (Moodles), Friday, 2 August 2019 12:27 (five years ago)
Well done, VG. Agree that Tommy James would have been perfect, especially, I'd say, "Crimson and Clover." Checked the date, and it was a '68 release that hit #1 in Feb. '69, which would coincide precisely with the first half of the film; I'm sure it was still all over the radio in the summer, though. I can imagine it cuing up, Scorsese-like, the first time Rick lays eyes on Sharon Tate (or, more sinister, the first time Cliff spots Margaret Qualley roadside...I have to refer to her as Margaret Qualley, I feel too silly calling her by her character's name).
― clemenza, Friday, 2 August 2019 12:56 (five years ago)
Along the lines of the Terry Melcher/Paul Revere & the Raiders connection, a perfect song to use would've been "Don't Make Waves" by the Byrds, which was both a Terry Melcher production and the title song of a Sharon Tate film
― Josefa, Friday, 2 August 2019 14:03 (five years ago)
"Hey Little Girl" might have been my least favourite song in the film. 1) It's literal to a degree that's clunky--we already get what the song spells out; 2) It reaches back to 1959. I know Tarantino was meticulous about consulting playlists--stations had solid-gold weekends back then, so I'm not saying it wouldn't have shown up on the radio in 1969. But it still felt anachronistic (I don't know what the next earliest thing was--"Summertime" would be my guess, and that was '66); 3) Personally, I don't think it's that great a song. I've got a Dee Clark compilation, and my favourite thing on there by far is a doo-wop song from when he was in the Kool Gents: "When I Call on You."
https://www.youtube.com/watch?v=h4getIwhd0I
― clemenza, Friday, 2 August 2019 14:14 (five years ago)
KHJ was playing top 40 from multiple years, not just current, which i think was a bit part of its appeal? Good interview here where QT talks about deciding to use the aircheck tapes:https://blog.discogs.com/en/quentin-tarantino-is-as-proud-of-his-soundtracks-as-he-is-of-his-films/
― Squeaky Fromage (VegemiteGrrl), Friday, 2 August 2019 14:38 (five years ago)
Giggity...
https://birthmoviesdeath.com/2019/08/02/once-upon-a-time-in-hollywood-actor-confirms-potential-4-hour-cut-for-netfl
― frustration and wonky passion (C. Grisso/McCain), Friday, 2 August 2019 18:07 (five years ago)
Someone on the Facebook Expert Witness group just linked to online archives for a bunch of music publications, including Billboard, so if you scroll down to page 70 here, you can see the Top 100 for the Feb. 8, 1969 issue:
http://www.americanradiohistory.com/Archive-Billboard/60s/1969/Billboard-1969-02-08.pdf
#1: "Crimson and Clover"Songs that turn up in the film: I can only see "Ramblin' Gamblin' Man"--I likely missed somethingSongs from the Top 100 I would prefer to songs in the film: many...
― clemenza, Friday, 2 August 2019 18:49 (five years ago)
Maybe all those songs will be in the 4-hour cut.
FWIW, the Cocker version of "The Letter" was recorded & released in '70.
― frustration and wonky passion (C. Grisso/McCain), Friday, 2 August 2019 18:52 (five years ago)
Same deal, August 9, 1969 issue:
http://www.americanradiohistory.com/Archive-Billboard/60s/1969/Billboard%201969-08-09.pdf
#1: "In the Year 2525" (ugh--but Tommy James #2...)#13: "Quentin's Theme"Songs that turn up in the film: same caveat about maybe missing something--I'm skimming--but I don't see anything
So: VG will give me grief for this, but if your stated mission is to capture actual radio playlists from that moment, only including one song among the 200 that were actually on those two charts is an odd way to go about it. Was KHJ that radically different from other Top 40 stations in the country? Maybe it was, I don't know--I was listening to Toronto's 1050 CHUM in the backseat of my parents car at the time.
― clemenza, Friday, 2 August 2019 18:58 (five years ago)
XP The Dion version of "Purple Haze" (#63 that week) would have been the most QT needledrop ever.
― frustration and wonky passion (C. Grisso/McCain), Friday, 2 August 2019 18:59 (five years ago)
"No answer, just a question. Does Tarantino view the Manson women as two distinct groups--the murderous ones like Atkins, and the dippy space cadets like Margaret Qualley's character--or is it more fluid than that?"
I'm not sure. Taken as a group they are very mysterious as to motivation and where their heads are at; the only one who seems to break out of the spell is Uma Thurmond's daughter in the car at the end. I'm by no means a compulsive Manson-ologist but everything I've read over the years hasn't helped me understand them much better either; there are definitely some, like the woman who testified against them and wrote a book a few years ago, who seemed to be in that latter category, and a few who were in the former quality, and it's very hard to tell what the state of mind of any of them is like these days. Squeaky Fromme appears to be just as fucking weird as an old lady as she was as a youngster.
They should have a family reunion!
― akm, Friday, 2 August 2019 19:51 (five years ago)
"in the former quality" wtf . in the former category.
― akm, Friday, 2 August 2019 19:52 (five years ago)
So: VG will give me grief for this, but if your stated mission is to capture actual radio playlists from that moment, only including one song among the 200 that were actually on those two charts is an odd way to go about it.
...if your stated mission is to play excerpts of actual off-air tapes of that local radio station at that moment - and you did so! - how would playing needledrops of songs which the radio station was not playing have been a better way to go about it?
Was KHJ that radically different from other Top 40 stations in the country? Maybe it was, I don't know
Tarantino argues that thesis in the interview, which has been posted by two people itt already, but here's a third: https://blog.discogs.com/en/quentin-tarantino-is-as-proud-of-his-soundtracks-as-he-is-of-his-films/
― quelle sprocket damage (sic), Friday, 2 August 2019 20:51 (five years ago)
Yeah part of the upshot of the article is that KHJ didnt just do billboard top 40, they did stuff that was popular in the local market/s, so songs that didnt go over nationally may get a lot of airplay on KHJ because ppl are calling in asking for it or it’s selling well locally etcAnd he personally leaned towards the songs he heard from the tapes that werent *just* the big national hits
― Squeaky Fromage (VegemiteGrrl), Friday, 2 August 2019 21:05 (five years ago)
But I have to believe that the tapes he was working from also included a very healthy representation of those Billboard hits, along with the more local stuff--the Billboard charts were, after all, compiled from stations like KHJ, and (I'm guessing) the more powerful the station, the more influence on Billboard's charts. (Plus sales, plus payola, etc.--I know.) It just seems odd to me that "I'm going to really capture what that moment felt like" virtually bypasses the most popular songs in the country.
I think he split the difference between detached anthropologist and the kind of subjectivity that guides something like the Reservoir Dogs soundtrack. He's faithfully working from tapes, but--with occasional departures like "Mrs. Robinson" (in some ways the weirdest thing on the soundtrack, in that it's so famous and so identified with another movie)--he's sticking to esoterica. (Just finished typing...VG arrives at the same point.)
― clemenza, Friday, 2 August 2019 21:05 (five years ago)
you kind of have to get QT and his deal QT will never go for the national hit unless there’s a really good reason cinematically he’s a contrarian at heart, and says all the time, “everyone liked the Beatles, i liked Dave Clark Five”someone talkked about Sat Nite Fever strack and he said he preferred the Thank God Its Friday soundtrackplus and if he goes for the national hits then his soundtrack becomes just another 60’s strackthe uniqueness adds a lot to the movie imo
― Squeaky Fromage (VegemiteGrrl), Friday, 2 August 2019 21:13 (five years ago)
Uniqueness, yes. Maximum effectiveness...I'd say no, not if you're forcing yourself to bypass "Crimson and Clover" and "Everyday People" for a good-not-great Los Bravos song. My own preference is a mix of the popular and the obscure that opts for the best song at the right moment.
I'm nitpicking, nitpicking, nitpicking...I like the film.
― clemenza, Friday, 2 August 2019 21:18 (five years ago)
Personally I dont miss the big hits. Abd it just makes me think well it’s not a 24/7 thing, maybe they play the hits in the in-between-moments we dont see
― Squeaky Fromage (VegemiteGrrl), Friday, 2 August 2019 21:24 (five years ago)
A great thing about the aircheck is that there’s a run of like 4 songs on the official soundtrack where the day & times are in sequence “heyyy its 3:31 on Sunday”... “that was xxx it’s 3:34”it’s so cool
― Squeaky Fromage (VegemiteGrrl), Friday, 2 August 2019 21:27 (five years ago)
Dunno about radically different, but http://www.oldiesloon.com/ has an archive of various market charts. I've been listening to the top 40s of KHJ and Chicago's WLS frequently over the past three years (to mark 1966-1969) and have noticed at least a bit of variance, mostly local bands big in one market that don't appear in another.
― blatherskite, Friday, 2 August 2019 22:23 (five years ago)
It just seems odd to me that "I'm going to really capture what that moment felt like" virtually bypasses the most popular songs in the country.the film is not called Once Upon A Time In The Rest Of The Country tbf
― quelle sprocket damage (sic), Friday, 2 August 2019 22:24 (five years ago)
(Also must add my praise to VegemiteGrrl's blog post, exactly the kind of stuff I love to read!)
― blatherskite, Friday, 2 August 2019 22:28 (five years ago)
yes, VG, it was wonderful
― TikTok to the (Alfred, Lord Sotosyn), Friday, 2 August 2019 22:43 (five years ago)
And others', I hasten to add — I left the film not quite sure how I felt, aesthetics aside, and reading the commentary here and on the blogs posted has given me some good stuff to ponder. Will have to watch again with all that in mind.
― blatherskite, Friday, 2 August 2019 22:49 (five years ago)
xxpost aw thanks you guys <3
― Squeaky Fromage (VegemiteGrrl), Friday, 2 August 2019 22:50 (five years ago)
Way back in this thread I mentioned seeing the dire Hillary Duff vehicle The Haunting of Sharon Tate, and am amused to recall that it essentially had the same ending as OUATIH: after showing us the murder as it actually happened, the film doubles back into a fantasy/alternate reality where Tate et al manage to kill off the attackers, mostly as an excuse to show us the mayhem twice. Would have love to see the director's face when he watched Tarantino's film...
― blatherskite, Friday, 2 August 2019 22:58 (five years ago)
Cosign on Veg's essay. She reminded me of the Royal Guardsmen bit, and I was laughing all over again.
I've been listening to the top 40s of KHJ and Chicago's WLS frequently over the past three years (to mark 1966-1969) and have noticed at least a bit of variance, mostly local bands big in one market that don't appear in another.
Independent Regional Distribution was still a thing, as was, in some markets, Payola. Chicago was notorious for that, and was one of the last markets to get 'cleaned up' in the '70s.
― frustration and wonky passion (C. Grisso/McCain), Friday, 2 August 2019 23:32 (five years ago)
the soundtrack seemed like stuff my parents would have actually heard a lot or listened to intentionally, and they were in the midst of high school at the time. dad loved mitch ryder
― untuned mass damper (mh), Saturday, 3 August 2019 03:37 (five years ago)
mitch ryder RULES
― Squeaky Fromage (VegemiteGrrl), Saturday, 3 August 2019 03:39 (five years ago)
i am resigned to the fact that my musical taste is basically three generations worth of dad rock
― Squeaky Fromage (VegemiteGrrl), Saturday, 3 August 2019 03:40 (five years ago)
haven't read the thread since Wednesday evening when I thought I was going to have an aneurysm but I just saw this again and here are some things I noticed the second time:
"Treat Her Right" by Roy Head & the Traits is stuck in my head and I hope it never leaves.
Some things I noticed this time:-Rick's stutter (no idea how I missed this the first time)-Everyone is always watching TV-First sound we hear is a needle stuck in the runoff groove of a record, and that's exactly the place that Rick and Cliff are in their lives when we meet them-Cliff's wife is actually named Natalie, didn't realize the Wagner/Wood reference was so explicit-Shot Sharon waking up on the second day quotes Brigitte Bardot in the opening of Contempt-Julia Butters' (little girl) stunt double!-Maya Hawke (daughter of Uma Thurman & Ethan Hawke) as Linda Kasabian!-Sharon petting the Maltese Falcon in the bookstore-There's an upward tilt on a white church (or theater?) toward the beginning with some WILD old school Cinemascope spatial distortion-the Qualley/Pitt car scene obviously quotes Save the Tiger as note upthread-Casting so many young actors, children of actors, and the Julia Butters character are the only shreds of optimism here for our world. It echoes the transience and cruel indifference of time that John Ford explored so often.
― flappy bird, Saturday, 3 August 2019 05:31 (five years ago)
if your stated mission is to capture actual radio playlists from that moment
wdn't ever confuse this joker's "stated mission" with his actual mission
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 3 August 2019 05:43 (five years ago)
his films remake the world in his image; that's why I don't go
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 3 August 2019 05:44 (five years ago)
and yet
― Squeaky Fromage (VegemiteGrrl), Saturday, 3 August 2019 05:45 (five years ago)
and yet I saw the first fucking 6 films, so don't tell me
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 3 August 2019 05:46 (five years ago)
Altman zooms!
― flappy bird, Saturday, 3 August 2019 05:51 (five years ago)
https://www.billboard.com/articles/news/8525796/3-paul-revere-raiders-mark-lindsay-once-upon-time-hollywood
― frustration and wonky passion (C. Grisso/McCain), Saturday, 3 August 2019 12:25 (five years ago)
“We wrote ‘Good Thing’ under the beam where the rope was apparently thrown over Sharon and Jay’s necks,” says Lindsay, still astounded by the extreme violence. “When we heard about what occurred, it was the biggest shock of my life because that was the last place that I could ever think something bad could have happened.”
― frustration and wonky passion (C. Grisso/McCain), Saturday, 3 August 2019 12:28 (five years ago)
I've got a few thoughts on the film.
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 3 August 2019 12:29 (five years ago)
The band began as a lark between him and Revere (real name: Paul Revere Dick)
That's quite something...The Raiders' "Him Or Me – What's It Gonna Be?" belongs to a genre I invented--yes, me--called Imitation Monkees, made up of excellent Monkees imitations wherein the creators may or may not be oblivious to the irony of imitating the Monkees. Also: the Five Americans' "Western Union," the Move's "Wave the Flag and Stop the Train," and the Lewis & Clarke Expedition's "Destination Unknown." I get stuck there--it's a small genre.
https://www.youtube.com/watch?v=IuXcfa2OKqU
― clemenza, Saturday, 3 August 2019 13:04 (five years ago)
excellent Monkees imitations wherein the creators may or may not be oblivious to the irony of imitating the Monkees
At least in the Raiders' case, they were probably oblivious because they thought they were ripping "19th Nervous Breakdown"--era Stones (more obvious on their prior single "Ups & Downs"), but instead landed on Monkee Island. Used alot of the same session players too.
― frustration and wonky passion (C. Grisso/McCain), Saturday, 3 August 2019 13:49 (five years ago)
So this week my 13-y.o. daughter and her two friends were away for several days at a friend's family's beach house, and on Thursday the dad decided to take them to see a movie. He read "Brad Pitt," "Leonardio Decaprio," "Once Upon a Time"—noted that it was rated R, but they had seen R movies before—and decided that would work, dropped them off at the theater.
The ticket person refused to sell them tickets, because they are 13. So they bought tickets to some kids movie just to get in. My daughter has no idea about the Manson family, none of the historical context. Her takeaway: 1) it seemed like just a nice movie almost all the way through; 2) right at the end it got suddenly super violent without much warning, and for reasons that weren't clear; and 3) the crowd full of "old people" seemed not to react at all to this terrible violence, and this seeming indifference struck them as completely absurd and made them laugh, though really they were laughing nervously and were considerably dismayed.
I was preparing to send an email to this guy, like, do your due diligence wtf, but he preempted with a thoughtful apology of his own, said he had no idea it was Tarantino or what the movie was about : /
― The Ravishing of ROFL Stein (Hadrian VIII), Saturday, 3 August 2019 14:12 (five years ago)
and now I guess I'm going to have to subject myself to it as well just to understand what she saw
― The Ravishing of ROFL Stein (Hadrian VIII), Saturday, 3 August 2019 14:13 (five years ago)
also she said "but daddy I don't understand what the function of this movie was, or what the fillmaker's purpose is, it seems like mere culture fetishization, a pastiche of empty period references pretending to describe the american experience ironically by foregrounding its hollowness and superficiality, but inadvertently exposing the his own vapidity, revealing the extent to which his own, poor sense of self is contingent on arbitrary pop signifiers"
― The Ravishing of ROFL Stein (Hadrian VIII), Saturday, 3 August 2019 14:29 (five years ago)
(I really didn't come in here to throw bombs, sorry I can't help it! I will tell her that Reservoir Dogs is p tight and to check that out in a few years)
― The Ravishing of ROFL Stein (Hadrian VIII), Saturday, 3 August 2019 14:40 (five years ago)
idk 13 is like prime Tarantino years
― flappy bird, Saturday, 3 August 2019 15:12 (five years ago)
― flappy bird, Saturday, 3 August 2019 15:15 (five years ago)
flappy xp I think you are right, shld be his wheelhouse demographic
― The Ravishing of ROFL Stein (Hadrian VIII), Saturday, 3 August 2019 15:40 (five years ago)
Saw this twice. Enjoyed, feels somewhat slight. Agree with Alfred that Spahn Ranch is best orchestrated scene.
Seeing Luke Perry made me sad.
Mike Moh really had Lee's voice down, except for the fighting wails. Too loud and exaggerated rather than the menacing, constricted ones Lee was famous for.
― i'd rather zing like a man, than FP like a coward (Neanderthal), Saturday, 3 August 2019 17:10 (five years ago)
the guy's face gets bashed in at the ranch, that's pretty violent, maybe not compared to the end.
― Josh in Chicago, Saturday, 3 August 2019 19:08 (five years ago)
I thought this Sam Adams piece was good: https://slate.com/culture/2019/08/once-upon-a-time-in-hollywood-ending-tarantino-violence.html
― reggae mike love (polyphonic), Saturday, 3 August 2019 19:09 (five years ago)
This was my favourite tarantino of the kill bill and after era. I thought there were lots of missteps, probably half the movie is close ups of people driving, and honestly I just don't really connect with the whole alternative reality,but the soundtrack is great,the pastiches are great, the look of 60s LA is pretty good (not as good as inherent vice in conjuring the lost LA of the past imo), pitt and DiCaprio's relationship is the film and they're good together. A plus dog acting also
― bookmarkflaglink (jim in vancouver), Saturday, 3 August 2019 23:22 (five years ago)
It felt so much less baggy the second time. The hour where "nothing happens" is the heart of the film and has the most moving sequence of QT's whole career with Sharon Tate going to the Bruin.
― flappy bird, Saturday, 3 August 2019 23:41 (five years ago)
Have we talked about how this movie is bookended by "glamorous couple returns to L.A. from overseas" montages?
― Lactose Shaolin Wanker (Raymond Cummings), Saturday, 3 August 2019 23:43 (five years ago)
I hated the depiction of Bruce Lee (who is definitely losing the fight when it's broken up) and the whole "cliff murdered his wife and got away with it, (she was mouthy and he had a harpoon gun so who can blame him?) isnt that funny?" thing felt off to me.
All the stuff on the set of Lancer was enjoyable to me.
― bookmarkflaglink (jim in vancouver), Sunday, 4 August 2019 00:39 (five years ago)
the Cliff maybe possibly probably murdered his wife thing isn’t meant to be funny, it’s another indication of how you should be wary bcz he is capable of horrible violence, not settling for being charmed by his smile
― quelle sprocket damage (sic), Sunday, 4 August 2019 00:52 (five years ago)
haven't seen this yet but expect I will like the nothing happens part
― Dan S, Sunday, 4 August 2019 00:55 (five years ago)
Found most of the Leo on set stuff really dull tbh. Though enjoyed his flubbing/trailer freakout/redemption. Pitt really carries this imo.
― circa1916, Sunday, 4 August 2019 01:02 (five years ago)
The Bruce and Sharon flashback during the Wrecking Crew scene is so poignant and makes me want to defend this movie like I never have w/ QT’s work tbh.
― Chris L, Sunday, 4 August 2019 01:37 (five years ago)
― quelle sprocket damage (sic), Saturday, August 3, 2019 5:52 PM (forty-five minutes ago) bookmarkflaglink
It's definitely meant to be funny. The scene on the boat is clearly a darkly comic scene. The references to it by other characters such as Bruce Lee are meant to be funny ("oh, that guy?", and "your creepy wife-murdering ass" are both meant to be funny lines). Theres no dubiety
― bookmarkflaglink (jim in vancouver), Sunday, 4 August 2019 01:41 (five years ago)
dubiety is a word I never knew before, thank you
― Dan S, Sunday, 4 August 2019 01:44 (five years ago)
the scene on the boat is played such as to try and catch people out laughing complicity, yeah - but the complicity is the point. The actual fact that he may have murdered his wife isn’t the joke.
― quelle sprocket damage (sic), Sunday, 4 August 2019 02:41 (five years ago)
I’m not entirely sure how the wife murdering detail really serves the character. Seems like a cheap, unnecessary way to show he’s capable of violence? We know he is without it.
― circa1916, Sunday, 4 August 2019 02:50 (five years ago)
it speaks to why he’s at this situation in his career - he can’t get work without Rick’s largesse. and it’s up in the air as to whether Rick is the only person who definitely believes Cliff isn’t a wife-murdererand we don’t know he’s capable of violence at all before the boat scene iirc? probably gonna go again this week
― quelle sprocket damage (sic), Sunday, 4 August 2019 02:55 (five years ago)
they're amalgams of several different contemporary male actors. Robert Wagner was on tv around this time and Cliff's wife is named Natalie. I think the movie knows it is being dismissive of this aspect of Cliff's personality & past - it mimics the blasé attitude of everyone around him.
― flappy bird, Sunday, 4 August 2019 03:19 (five years ago)
along with the other corroborating moments, it establishes him as being a) capable and b) quick to, extreme violence - and the suggestion of being no stranger to violence against a woman sets up the ending imo
― Squeaky Fromage (VegemiteGrrl), Sunday, 4 August 2019 03:37 (five years ago)
I live in the rabbithole now and found out some additional trivia re the use of Dee Clark’s 1959 Hey Little Girlthe aircheck you hear the KHJ jingle “🎶KHJ🎶 and then they sing 🎶GOLDEN🎶 - that was the signature for when they would play older hits from the past 10 years or so. They had others little signatures too, but it was all part of “Boss” radio giving djs more freedom to mix up the records and apparently QT liked the song because of fond memories as a kid from seeing it sung in American Hot Wax (Clark Otis is meant to be Dee Clark) when he watched it with his upstairs neighbor Floyd - he said a lot of Sam Jackson’s roles are variations on Floyd.
― Squeaky Fromage (VegemiteGrrl), Sunday, 4 August 2019 04:23 (five years ago)
link us up VG, curious about this Floyd
http://giphygifs.s3.amazonaws.com/media/10uG4cPTeBehXi/giphy.gif
― quelle sprocket damage (sic), Sunday, 4 August 2019 09:33 (five years ago)
this is a good thread, more helpful in unpacking my reactions to the film than most of the reviews I've read
I enjoyed the picture, over-long though it is, but the ending didn't work for me; as noted upthread, QT is recycling the wish-fulfillment of the IB ending in a much more trivial way ... the ending is so disconnected from the stories of Rick and Cliff that it doesn't add to our understanding of their friendship or their possible futures; in its aftermath, neither seems to have been seriously affected by it ... if the movie is the story of Rick and Cliff, what is this ending for? idgi
Tarantino has always been a violent director, but he's not really good at scenes that make us feel the human consequences of violence; Jackie Brown is sort of an exception, but that's because of its fidelity to the source novel ... his ott cartoon violence works best in the Kill Bills and maybe Death Proof, where the goals of genre homage circumscribe everything else, but it doesn't mix well in stories where we're intended to think of the characters as having inner lives and pasts and futures that extend beyond the events of the film
― Brad C., Sunday, 4 August 2019 13:44 (five years ago)
Agree with all of that.Also I think the complaints about Bruce Lee’s depiction in the film are totally grounded. Makes him look like an arrogant clown and definitely aims for yucks from the audience at his expense.
― circa1916, Sunday, 4 August 2019 14:06 (five years ago)
the Bruce Lee scene wasn't quite as dreadful as I expected, but I agree with Shannon Lee that it perpetuates the racism her father struggled against in Hollywood
Lee is the only speaking character in the film whose hairstyle and wardrobe aren't painstakingly accurate to the period; that's not an accident
Matthew Polly's 2008 biography of Lee is a good read and a useful corrective to the nonsense that surrounds his acting and martial arts careers; all the research was already there if QT had wanted to make Lee more than a caricature
― Brad C., Sunday, 4 August 2019 14:41 (five years ago)
I was preparing to send an email to this guy, like, do your due diligence wtf, but he preempted with a thoughtful apology of his own, said he had no idea it was Tarantino or what the movie was about : /― The Ravishing of ROFL Stein (Hadrian VIII), Saturday, August 3, 2019 2:12 PM (yesterday) bookmarkflaglink
― The Ravishing of ROFL Stein (Hadrian VIII), Saturday, August 3, 2019 2:12 PM (yesterday) bookmarkflaglink
When I was a teenager I sent my parents off on a date night with a recommendation of Pulp Fiction because I had overheard some classmates talking about how great it was that day in school, never having heard of Quentin Tarantino before in my life. I still remember my mom asking me "what the hell, peace man" at the breakfast table the next day.
― ☮ (peace, man), Sunday, 4 August 2019 14:53 (five years ago)
The framing around the Bruce Lee flashback was kind of ambiguous, or maybe I had just gotten back from the restroom. I kind of wonder if, in the world of the film, if even happened. Or if Cliff likes to remember that incident as “I got kicked off the set for throwing around Bruce Lee”
― untuned mass damper (mh), Sunday, 4 August 2019 15:06 (five years ago)
I didn't realize it was a flashback when watching it
― Mario Meatwagon (Moodles), Sunday, 4 August 2019 15:09 (five years ago)
I didn’t either, seemed kinda purposeful.Also there was that whole conversation between Leo and Kurt Russell’s character in the trailer that Cliff wasn’t even privy to, so I don’t think it’s supposed to be a “how Cliff imagined it” scenario.
― circa1916, Sunday, 4 August 2019 15:12 (five years ago)
The flashback is set off by his running Leo saying Randy doesn't want you on set through his mine while on the roof repairing the antenna. Initially expected to be angry with Leo/think it's bs. After the flashback he's like, well, yeah...
― by the light of the burning Citroën, Sunday, 4 August 2019 15:17 (five years ago)
I really liked the camera following Cliff hopping back and forth to scale the roof in that scene
― untuned mass damper (mh), Sunday, 4 August 2019 15:21 (five years ago)
that's a good moment, it shows both Cliff's athleticism and his lack of fucks given
all the leads are great ... Pitt and Robbie are mesmerizing, while DeCaprio has to work a lot harder to sell us a not-very-good actor worrying about his acting, acting badly, acting better, and not acting; it's a fidgety performance, but he's ridiculous, pathetic, and sympathetic in just the right proportions
― Brad C., Sunday, 4 August 2019 15:46 (five years ago)
I feel like his role was written more for Robert Downey Jr.I buy Leo more as a pompous manchild slaveowner.
Cliff can super Mario up rooftops, fine, but effortlessly parrying Bruce’s strikes without giving any indication of also being a martial artist is kind of nutballs.
― Philip Nunez, Sunday, 4 August 2019 16:04 (five years ago)
Tarantino has always been a violent director, but he's not really good at scenes that make us feel the human consequences of violence
I gotta disagree, I think this is the first time he's ever used violence in a meaningful, poignant way (except the ending of IB perhaps). the ending is for the audience as much as the movie theater sequence is.
agree that criticism of the Bruce Lee scene is grounded, he's the only character in the movie who is fictionalized and made into an asshole. wasn't trying to justify it via its function, QT obviously could've come up with something else to demonstrate cliff's superhero strength.
― flappy bird, Sunday, 4 August 2019 17:10 (five years ago)
Frankly I've been getting overwhelmed thinking about this movie and specifically its depiction of Sharon Tate. I can't get over how beautiful and full of grace Robbie's performance is, how QT handled this subject better than I ever imagined. Tate is Dorothy Stratten, Robert Walker, Natalie Wood, even Carole Lombard and River Phoenix: actors that died young or so early in their career that they're either remembered for their sudden deaths or not remembered at all. I feel this extends to any overwhelming and crushing trauma or loss - Once Upon a Time in Hollywood, a fairy tale about a fairy tale machine. I think there's a lot going on here and every day that goes by it opens up more and more for me.
― flappy bird, Sunday, 4 August 2019 17:17 (five years ago)
I enjoyed the picture, over-long though it is, but the ending didn't work for me; as noted upthread, QT is recycling the wish-fulfillment of the IB ending in a much more trivial way
Why I preferred it to IB.
― TikTok to the (Alfred, Lord Sotosyn), Sunday, 4 August 2019 17:17 (five years ago)
I don't know that much about Bruce Lee, did he compete in martial arts? Just imagining there's a difference between movie martial arts and what I imagine is a less aesthetically pleasing competition version
(Don't really know what the competition scene was like pre MMA which is a different beast)
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Sunday, 4 August 2019 17:25 (five years ago)
Tarantino has Lee lead off the fight with ... a flying side kick, wow! And then, when urged by Cliff, he does another flying side kick so the white non-martial-artist can toss him onto a car ... fun!
maybe this was QT's subtle callback to Winslow Wong being a little light on his feet in Marlowe, but it had about as much to do with Bruce Lee as the Crazy 88s
― Brad C., Sunday, 4 August 2019 17:53 (five years ago)
martial arts in movies, martial arts as competitive sports, and traditional martial arts are three different things ... notoriously, Lee criticized the "classical mess" of traditional arts, including the Wing Chun he learned from Ip Man, but his approach to training was more traditional than he acknowledged ... he seems to have gotten in a lot of fights, especially before his parents made him move to the states, but he never competed in martial arts tournaments
― Brad C., Sunday, 4 August 2019 18:07 (five years ago)
Really liked all the driving scenes Also those big floaty blue dad recliners for pools with built in cup holders
― calstars, Sunday, 4 August 2019 18:08 (five years ago)
XP He would appear and do demonstrations at tournaments, which was how he hooked up with producer William Dozier and eventually be cast on The Green Hornet.
― frustration and wonky passion (C. Grisso/McCain), Sunday, 4 August 2019 18:11 (five years ago)
Would have liked to have seen Big T pitching the ending to his producers
― calstars, Sunday, 4 August 2019 18:13 (five years ago)
Cliff is a stunt guy and war hero who can take a lot of punishment so why not write the scene to capitalize on that? It seemed a bit clunky more from a basic writing perspective rather than from a "let's just use Bruce purely as comic relief" POV, especially if he's going to the lengths of including the detail of him training Sharon Tate.
Also he didn't do very much to differentiate Cliff from Pitt's Basterd role, character or demeanor-wise. Even the accent come to think of it. Maybe that's more on Pitt, though.
― Philip Nunez, Sunday, 4 August 2019 18:33 (five years ago)
DiCap’s best scene was the monologue about quitting drink
― calstars, Sunday, 4 August 2019 18:33 (five years ago)
I enjoyed evil Hamlet
― Mario Meatwagon (Moodles), Sunday, 4 August 2019 18:35 (five years ago)
I think the sensitivity of the presentation of Sharon Tate is one reason I'm annoyed by the insensitivity toward Bruce Lee, who also died young ... seeing Tate and Lee working together on The Wrecking Crew evokes that parallel directly
it would have been funnier and more resonant with Rick's problems to spend a minute or two on Lee as a hustler smooth enough to develop a side gig as personal trainer to the stars when his TV show got cancelled ... Tarantino may have thought about going there, since he shows Lee giving Sebring a lesson
― Brad C., Sunday, 4 August 2019 18:47 (five years ago)
In a weird way I think he meant for Bruce Lee to hover as a presence as a counterpoint to Manson -- he's enmeshed as a kind of guru to all these Hollywood types -- Pitt is literally playing Kato to Leo's character, but...?
― Philip Nunez, Sunday, 4 August 2019 18:52 (five years ago)
Also those big floaty blue dad recliners for pools with built in cup holders
Almost forgot: as it was happening, I thought there was going to be some electrocution in the backyard pool, what with the radio as part of the setup.
― ... (Eazy), Sunday, 4 August 2019 19:15 (five years ago)
Thread title notably prescient as it turns out
― calstars, Sunday, 4 August 2019 19:17 (five years ago)
Felt like Pitt’s CPU was throttled to 80% of normal operating speed. Worked fine though
― calstars, Sunday, 4 August 2019 19:19 (five years ago)
this is killing me btw
― Brad C., Sunday, 4 August 2019 19:53 (five years ago)
I don't think I ever recommended a movie to my parents that they actually saw, but once when I was a kid my parents took me and my brother to a drive-in to watch a double feature of Reefer Madness and Up In Smoke.
― shared unit of analysis (unperson), Sunday, 4 August 2019 20:47 (five years ago)
Part of the point of the finale vis a vis Cliff & Rick is practical rather than meaningful. it plays out like their entire working relationship, ie Cliff “carrying Rick’s load”. Cliff does most of the work putting hands & dispensing with the three villains, while Rick does the showier “cleanup” of the already mostly bludgeoned Sofie. There’s also the feeling that this will probably be the last time that Rick really “needs” Cliff in any meaningful fashion, now that he’s married and possibly sailing into a career upswing through his new connex w his famous neighbors. life of the stuntman: physical toil vs emotionalthe life of the actor: emotional toil rather than physical. the stuntman= lonely but emotionally unburdened; the actor = never lonely but deeply burdened with self doubti don’t know that it’s meant to ~mean anything~ exactly but to rather contrast the kind of “work” that goes into their character and maybe how the physical toil of Cliff is far more depleting over time than Rick who rides fortune’s wheel at less cost, somehow?i dunno where i’m going with this but i had time to kill & it was rolling around in my head
― Squeaky Fromage (VegemiteGrrl), Sunday, 4 August 2019 20:58 (five years ago)
VG otm throughout this thread
― Lactose Shaolin Wanker (Raymond Cummings), Sunday, 4 August 2019 21:01 (five years ago)
I saw it a second time on Friday and have been thinking more and more about it.
Cliff and Rick are some lonely, lonely guys - each is the other's best friend. Cliff's life is super basic for obvious reasons; Rick's is too, in a different way, and some of the most powerful images in Once Upon... are him floating in his pool running lines or jamming tunes while drinking. Just this decadence, this peak reached to an extent - a pool, in the Hollywood hills! - all alone or almost, shutting out the rest of the world.
― Lactose Shaolin Wanker (Raymond Cummings), Sunday, 4 August 2019 21:06 (five years ago)
I cant remember if I said this already, but it occurred to me the second time I watched this - it feels somewhat inevitable that Rick & his wife maybe end up with Brandy? Which makes me kinda sad. Like, shes already sleeping w Francesca & they’re on edge after the attack & Brandy’s such a good guard dog & boy Francesca really loves having her around...
― Squeaky Fromage (VegemiteGrrl), Sunday, 4 August 2019 21:11 (five years ago)
From the dog's POV that's a happy ending -- No more rat-flavored dog food!
― Philip Nunez, Sunday, 4 August 2019 22:25 (five years ago)
Or bird. Or raccoon. lol! Another thing i think about with Rick and Cliff, and the movie in general is that we think of Hollywood being synonymous with success, but this Hollywood, and these two guys, are the living breathing part of Hollywood which is: never quite getting There but trying. failing. stringing two projects together in the hope that the third goes. The sausage-making “work” of being in Hollwood and the costs of that. And how maybe Rick doesnt make it without Cliff being there in the car in the morning and night. Maybe Cliff is Rick’s lighthouse. And maybe Cliff doesnt want what Rick has per se but maybe he enjoys being adjacent to it.
― Squeaky Fromage (VegemiteGrrl), Sunday, 4 August 2019 22:40 (five years ago)
And maybe the two of them *dont* get as far now that they are apart as they did when they were together.
― Squeaky Fromage (VegemiteGrrl), Sunday, 4 August 2019 22:41 (five years ago)
VG, I agree with your reading of how Rick and Cliff's roles are sustained through the ending (also that you have been OTM all over this thread)
on reflection, my difficulties with the ending all seem to stem from Tarantino's lack of interest in realistic violence, illustrated here by his decision to play the killings of the Manson family members for comedic effects the timing of Cliff's decision to smoke the acid-dipped cigarette is a nice touch; our anxiety for everyone in the house spikes when we realize he's going to be tripping his head off at the worst possible moment; like Rick, we’ve learned to depend on Cliff, and now his cool competence will be most at risk when it's most needed
this is an obvious opportunity for Tarantino to ramp up some terror; Cliff ought to be more disoriented when the family members appear and more frightened, confused, and clumsy when the violence starts; but Tarantino chooses instead to have him continue looking good and cracking wise
Cliff's throwing the dog food can is the most visceral and persuasive moment of violence in the whole film, but as soon as Brandy leaps to the rescue, one horror after another is visited on the hapless bad guys without much sense of danger to the good guys
Cliff strolls through the carnage of the next minute or so in such a relaxed way that the knife wound in his hip doesn't feel dangerous; it's more of an inconvenience, swiftly punished by protracted head-smashing; we get multiple shots of him pulverizing a woman's head against various hard surfaces, but iirc little if any of her brains and blood appear on Cliff, and we get no particular emotional reaction from him before he passes out
the other face-smashed woman's popping up, firing the handgun, running through the glass door, falling in the pool, and getting roasted are all bits out of a slasher movie, but without a slasher movie's suggestions of Michael-Myers-style invulnerability; she doesn’t seem to be much of a threat to the heroes during any of these mishaps, making her final napalming gratuitous as well as corny
once the violence kicked off, I cringed during the face-smashings, but the sense of risk to the good guys dissipated so quickly that I felt I was supposed to be appreciating the gore either as comedy horror or as justified cruelty to the cruel-in-another-timeline home invaders ... neither sentiment worked for me in the moment
the same sequence, even the use of that stupid flamethrower, could have generated more terror and horror and a stronger cathartic effect if it had been staged with Cliff, Rick, and Francesca experiencing more damage and trauma, with their survival held in doubt until the end
but maybe that would have been too suggestive of the actual Cielo Drive killings, or too much like a horror movie, or inconsistent with the tone Tarantino was trying to maintain
those were my reactions seeing it yesterday; I wouldn't be surprised if I missed some important details or if I respond to it differently seeing it again
― Brad C., Sunday, 4 August 2019 23:12 (five years ago)
I could hang in the back seat of Polanski’s car for awhile
― calstars, Monday, 5 August 2019 00:01 (five years ago)
idk man, MG’s are *not* roomy
― Squeaky Fromage (VegemiteGrrl), Monday, 5 August 2019 00:13 (five years ago)
some nice moments in this Esquire piece w Tarantino, Pitt & DiCaprio. https://www.esquire.com/entertainment/movies/a27458589/once-upon-a-time-in-hollywood-leonardo-dicaprio-brad-pitt-quentin-tarantino-interview/This was p funny:[DiCaprio: ...But doing a film that’s set over only two, three days? It is an experiment that I don’t think I’ve ever done before. [Looks to Pitt.] Have you done it?QT: Well . . . Titanic is only a couple days. Right?Advertisement - Continue Reading BelowLD: [Goes silent. Then:] Truuuuue.MH: I don’t remember that movie. What happened?BP: Yeah, how does it end? [Laughs.]LD: [Laughs. Looks at Hainey and Pitt.] I guess you’re right. [Laughs again.] I stand corrected. I guess it is.
― Squeaky Fromage (VegemiteGrrl), Monday, 5 August 2019 00:33 (five years ago)
Tarantino should totally do a Tiranic film where they kick that fuckin' iceberg's ass
― Mario Meatwagon (Moodles), Monday, 5 August 2019 00:37 (five years ago)
I think this is why it works, the actual murders were so much more brutal and sadistic... relegating Manson himself to one pathetic scene, and reducing the murderers to completely hapless exploding punching bags for comedic effect is an oddly poignant revision in context.
― flappy bird, Monday, 5 August 2019 01:52 (five years ago)
XP Kinda weird that QT has never worked w/Billy Zane.
― frustration and wonky passion (C. Grisso/McCain), Monday, 5 August 2019 01:55 (five years ago)
More rabbithole stuff - new interview with stuntman Gary Kent, on the long list of inspirations for Cliff & who had some run-ins w the Mansin family on Spahn Ranch in ‘69 before the murdershttps://birthmoviesdeath.com/2019/07/22/lights-camera-action-an-interview-with-legendary-stuntman-gary-kent
― Squeaky Fromage (VegemiteGrrl), Monday, 5 August 2019 03:09 (five years ago)
post the other one Veg!
― quelle sprocket damage (sic), Monday, 5 August 2019 06:28 (five years ago)
?
― Squeaky Fromage (VegemiteGrrl), Monday, 5 August 2019 14:05 (five years ago)
Quentin Tarantino's Manson murders movie
― quelle sprocket damage (sic), Monday, 5 August 2019 18:19 (five years ago)
When Tarantino killed Hitler, Hitler was already dead ... but Watson and Krenwinkel are still alive! I wonder what they think about it.
― reggae mike love (polyphonic), Monday, 5 August 2019 18:32 (five years ago)
xxposts to sicoh right! i forgot abt Floyd! he talks about Little Girl& Floyd in this odd/interesting one-off Spotify podcast he did with Rolling Stone’s David Wild, where he breaks down his music choices for the soundtrackhttps://open.spotify.com/show/7yLvxyJ9xPj3er5nE7QKnCIt can be kind of a lot bc QT is kind of a lot obv, but there’s good nuggets if you can hang with it
― Squeaky Fromage (VegemiteGrrl), Monday, 5 August 2019 18:44 (five years ago)
it’s broken into “sides” so you dont have to listen all in one chunk or skip to section of songs yr interested in
― Squeaky Fromage (VegemiteGrrl), Monday, 5 August 2019 18:45 (five years ago)
actually I can't listen to any of it but thanks!
― quelle sprocket damage (sic), Monday, 5 August 2019 19:12 (five years ago)
:( there’s also a non-spotify ep of the New Beverly podcast about his cinematic influences for the movie if yr interestedit’s pretty good! link to podcast in here https://www.slashfilm.com/quentin-tarantino-podcast/
― Squeaky Fromage (VegemiteGrrl), Monday, 5 August 2019 19:25 (five years ago)
yeah I listen to Pure Cinema semi-regularly - link for anyone else curious
― quelle sprocket damage (sic), Monday, 5 August 2019 19:56 (five years ago)
once upon a boomer nostalgia porn
― Papa Triste (Thee Macallan 18 Year), Monday, 5 August 2019 20:25 (five years ago)
morbs is that you?
― Squeaky Fromage (VegemiteGrrl), Monday, 5 August 2019 20:28 (five years ago)
yes i'm the only Tarantella skeptic on earth
K Austin Collins must be me too
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 5 August 2019 20:33 (five years ago)
https://www.vanityfair.com/hollywood/2019/07/tarantino-once-upon-a-time-in-hollywood-revenge-fantasy-manson-family
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 5 August 2019 20:38 (five years ago)
So what did you think about the movie, Morbs?
― Mario Meatwagon (Moodles), Monday, 5 August 2019 20:43 (five years ago)
I skimmed the Vanity Fair quickly--it doesn't seem to be a pan (at the very least, half-and-half).
― clemenza, Monday, 5 August 2019 21:16 (five years ago)
hey Mood -- nothing post-IB and I will die that way
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Tuesday, 6 August 2019 02:25 (five years ago)
The Wiki for James Stacy, the actor played by Timothy Olyphant in OUATIH, is a real rollercoaster pic.twitter.com/87eYHrNaz4— Very Stable Pagliacci (@writtenlow) August 6, 2019
― reggae mike love (polyphonic), Tuesday, 6 August 2019 18:57 (five years ago)
jesus
― Squeaky Fromage (VegemiteGrrl), Tuesday, 6 August 2019 19:42 (five years ago)
Hey guys! So I am gonna see this next week!
― Οὖτις, Tuesday, 6 August 2019 19:46 (five years ago)
we cant wait for you to hate it lol
― Squeaky Fromage (VegemiteGrrl), Tuesday, 6 August 2019 19:50 (five years ago)
ilx discussion to-date makes me expect I will like it tbh
― Οὖτις, Tuesday, 6 August 2019 19:53 (five years ago)
going again tonight ($5 DCP screening)
― quelle sprocket damage (sic), Tuesday, 6 August 2019 20:05 (five years ago)
― Mario Meatwagon (Moodles), Sunday, August 4, 2019 8:37 PM (two days ago)
^^^^^Lol.
― Mazzy Tsar (PBKR), Tuesday, 6 August 2019 20:14 (five years ago)
xpost :D
― Squeaky Fromage (VegemiteGrrl), Wednesday, 7 August 2019 00:08 (five years ago)
HUSHHUSH
― calstars, Wednesday, 7 August 2019 00:30 (five years ago)
NAAAAAAHNANANAAHHHNANANAAHHHNANANAAHHH
― Squeaky Fromage (VegemiteGrrl), Wednesday, 7 August 2019 01:22 (five years ago)
(BOMP BOMP BOMP BA BOMP BA BOMP BOMP)
― Squeaky Fromage (VegemiteGrrl), Wednesday, 7 August 2019 01:23 (five years ago)
That song makes everything better despite its crap lyrics.
― Josh in Chicago, Wednesday, 7 August 2019 02:00 (five years ago)
Killer jams & crap lyrics is Deep Purple’s eternal guarantee to you
― Squeaky Fromage (VegemiteGrrl), Wednesday, 7 August 2019 02:05 (five years ago)
The jams transcend.
― Josh in Chicago, Wednesday, 7 August 2019 02:09 (five years ago)
it’s kinda crazy that Hush is their first single. like, way to make an entrance.
― Squeaky Fromage (VegemiteGrrl), Wednesday, 7 August 2019 02:11 (five years ago)
Ian Paice is so funky
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Wednesday, 7 August 2019 02:19 (five years ago)
Purple didn’t write Hush tho, Joe South did
― Ward Fowler, Wednesday, 7 August 2019 02:34 (five years ago)
oh thats true huhwell, still very on-brand for them
― Squeaky Fromage (VegemiteGrrl), Wednesday, 7 August 2019 02:49 (five years ago)
Deep Purple were awesome, I won't countenance any argument on that point
― Josefa, Wednesday, 7 August 2019 02:55 (five years ago)
no one itt has suggested otherwise
― Squeaky Fromage (VegemiteGrrl), Wednesday, 7 August 2019 03:09 (five years ago)
I'm just preempting any potential argument
― Josefa, Wednesday, 7 August 2019 03:11 (five years ago)
there will be no such thing while i live & breathe
― Squeaky Fromage (VegemiteGrrl), Wednesday, 7 August 2019 03:19 (five years ago)
I still am thinking a lot about the movieOne of the things I really like but that has been slow to coalesce for me is the character of Rick. There is something about his flawed shallowness that is poignant. It’s weirdly touching to see Rick slowly grasp some basic fundamentals of acting. while it’s funny to see his mind get blown by little Maddie’s truthbombs, it also in a subtle way strikes at the heart of this breed of actor that Tarantino is showing us. he came to Hollywood to be The Guy, to be cool & handsome & say the lines in the right way, and his whole career was made on that alone. His discovery of something more than that, of an enjoyment of going a little deeper, is important, but in a small, seemingly insignificant way storywise. it gives him a little bit of hope that there is still enjoyment in this for him. Even in a villain role in someone else’s show. That makes him less worried about failing & maybe lets him enjoy the possibility of doing something different to what he’s done befire. that seems to be why he changes his mind about going to Italy. It’s not that now he understands acting & is going to build on that to hone his craft & blow everyone away. He’s still Rick Dalton & his learning curve is fairly shallow. But maybe now that he’s seen that all of his experience, even the bad parts, makes his acting better, not worse, maybe just -knowing~ that means he won’t ever go back to the point where blowing his brains out in the pool is even a remote possibilty. I dunno. I’ve always been interested in that idea from tv and b movies anyway. The struggles of an ~average~ actor and how many (unlike Rick) never made it past their worst, loneliest moment.
― Squeaky Fromage (VegemiteGrrl), Wednesday, 7 August 2019 05:14 (five years ago)
*maddie? trudi
― Squeaky Fromage (VegemiteGrrl), Wednesday, 7 August 2019 05:16 (five years ago)
In The Los Angeles Times, Mary McNamara observed that the moral of Tarantino’s new fairy tale, “Once Upon A Time In … Hollywood,” is, “Who doesn’t miss the good old days when cars had fins and white men were the heroes of everything?”
Dubbing the cowboys-versus-hippies movie starring Brad Pitt and Leonardo DiCaprio “nostalgia porn,” McNamara notes: “Watching two middle-aged white guys grapple with a world that does not value them as much as they believe it should, it was tough not to wonder if that something was the same narrow, reductive and mythologized view of history that has made red MAGA hats the couture of conservative fashion.”
― curmudgeon, Thursday, 8 August 2019 03:55 (five years ago)
https://thumbs.gfycat.com/BoldLeanAracari-size_restricted.gif
― Squeaky Fromage (VegemiteGrrl), Thursday, 8 August 2019 04:15 (five years ago)
Lol I've been pleasantly surprised by how few unfair negative reviews and insane takes like that there have been
― flappy bird, Thursday, 8 August 2019 04:25 (five years ago)
Not inconceivable I will see this in theaters a 3rd time.
― Chris L, Thursday, 8 August 2019 12:17 (five years ago)
they grapple with it... successfully! Pacino's character giving forward-looking advice that Dalton actually takes, playing a role where he's not immediately recognizable and then spinning his career off into Italy for his own fistful of dollars, as it was
you could even claim this is an alternate history where an aging white man adapts for the times in order to make it
― untuned mass damper (mh), Thursday, 8 August 2019 13:15 (five years ago)
― Squeaky Fromage (VegemiteGrrl), Thursday, 8 August 2019 14:39 (five years ago)
and Cliff drives a Karmann Ghia.
― by the light of the burning Citroën, Thursday, 8 August 2019 14:54 (five years ago)
watching two middle-aged white guys grapple with a world that does not value them as much as they believe it shouldDalton doesn't believe the world should value him - basically the whole movie he's struggling with believing he's a fraud!
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Thursday, 8 August 2019 14:58 (five years ago)
loved Cliff's Karmann Ghia, it made me miss mine so bad
looked like the same one Uma drove in Kill Bill 2
― Brad C., Thursday, 8 August 2019 15:24 (five years ago)
it was!
― Squeaky Fromage (VegemiteGrrl), Thursday, 8 August 2019 21:28 (five years ago)
God, I just realized that Pacino does the ending of Scarface in the first scene
― flappy bird, Thursday, 8 August 2019 21:33 (five years ago)
How so?
― calstars, Thursday, 8 August 2019 23:57 (five years ago)
I liked Pacino, but I don't get that either (conceding that I have thankfully forgotten most everything from Scarface).
― clemenza, Friday, 9 August 2019 00:02 (five years ago)
I haven't seen Scarface in a long, long time myself, but it's the moment where Pacino pretends to be firing a machine gun at a room full of people while he's enthusing about Leo's action movies - you know, "I like the ones with a lot of killing," and Leo bashfully saying "Yeah, there's a lotta killing." Anyway, in that moment Pacino is basically re-doing the "say hello to my little friend!" moment from Scarface in miniature in an L.A. restaurant instead of in a cokelord's mansion with an actual gun as The Law closes in.
Good catch, Flappy. I *knew* there was something else in that scene but I didn't quite grasp it during either of my two viewings of Once Upon...
― Lactose Shaolin Wanker (Raymond Cummings), Friday, 9 August 2019 00:14 (five years ago)
We'll see if this link works when I post it here.
https://www.youtube.com/watch?v=3GyInWVCxGw
― Lactose Shaolin Wanker (Raymond Cummings), Friday, 9 August 2019 00:18 (five years ago)
iirc the flamethrower comes from that scene too
https://www.youtube.com/watch?v=aAF5c8bGN0M
― quelle sprocket damage (sic), Friday, 9 August 2019 00:37 (five years ago)
Yea, what Ray said. "I love those movies, with all the killing" and then he does the machine gun thing
― flappy bird, Friday, 9 August 2019 01:22 (five years ago)
Scarface is one of Tarantino's favourite films (I think), so I guess that makes sense. That he'd refer to it, I mean--not that Scarface would be one of anybody's favourite films. Pacino's character seemes to walk out of Grace of My Heart or Love and Mercy.
― clemenza, Friday, 9 August 2019 01:57 (five years ago)
saw this yesterday, still turning it over in my head. thread has done a great job of articulating a lot of what was so great and generous and thought-provoking about it, and also what was frustrating. i didn't feel the length at all, i could have spent ages in this world... but the sadistic glee of the violence, particularly the head-bashing and the torching of an already-incapacitated woman, really didn't grow out of anything for me or justify themselves in any way. yes, manson's minions were fucked up people on their way to do evil, but it rubbed me the wrong way, in tandem with the awful natalie wood allusion and especially with the little girl actor showing off the padded costume: QT trolling his critics, "what these dummies complaining about violence against women don't get is that it's a MOVIE, they're ACTORS" --- when one of the more serious charges against him is that he actually, really endangered a female actor on set. these gestures are obnoxious and immature, imo. i also agree that nothing required bruce lee to be depicted as a bragging jackass awaiting his comeuppance.but to be clear, leo with the little girl was riveting. i really loved the entire on-set sequence. a cute but still effective move: taking us through something with all the brewing tension of the IB basement bar scene, then stopping it three times to highlight the performances and camera moves and wardrobe and rehearsal tapes and studio backlots and supporting cast that make it work. the director on-set seem to barely be contributing beyond the fairly silly "evil hamlet" concept. the film opens with the actor giving credit to the stuntman, and makes sure to include cutaways to lee as trainer/choreographer to point out that he deserves some of the applause tate's absorbing in that theater.maybe as much as IB's climax this has something to say about cinema and auteurism and genre: QT's true loves are hollywood schlock and the various equivalents of the spaghetti knockoff pictures depicted in the middle, and in all of these he seems to think the machine as a whole matters more than the auteur, and wants to give credit to those people, as much as to "hollywood 1969." which is maybe why him using the film in a personal, auteury way --- to wind up QT critics or indulge specific QT fetishes --- when it has no larger moral compass or reason to be made, feels so childish.
― Good morning, how are you, I'm (Doctor Casino), Friday, 9 August 2019 19:48 (five years ago)
but the sadistic glee of the violence, particularly the head-bashing and the torching of an already-incapacitated woman, really didn't grow out of anything for me or justify themselves in any way. yes, manson's minions were fucked up people on their way to do evil, but it rubbed me the wrong way, in tandem with the awful natalie wood allusion and especially with the little girl actor showing off the padded costume: QT trolling his critics, "what these dummies complaining about violence against women don't get is that it's a MOVIE, they're ACTORS" --- when one of the more serious charges against him is that he actually, really endangered a female actor on set. these gestures are obnoxious and immature, imo.
Why is the ending "QT trolling" and the ending of IB isn't? Privileging Susan & Patricia's gender first and foremost is truly bizarre and frankly offensive. What about Tex? And "they were just mixed up kids..." I truly do not know where to begin. That's so wildly offensive to me. They fucking cut Sharon Tate open! How is this any different than the ending of IB? If this is his love letter to Hollywood and cinema itself, is the ending not an exact reflection of the ending of IB and the ability of the cinema to fulfill naive wishes and reverse history and awful tragedy?
to wind up QT critics or indulge specific QT fetishes --- when it has no larger moral compass or reason to be made, feels so childish.
Why is everyone so sure he is "winding" anyone up? And as for indulgences and "why was this made" - oh my god! it's a work of art. Not everything is a public service announcement. What do you expect him to do? Work at the Red Cross? Good lord...
I don't want to be nasty and I agree fully about the Bruce Lee scene but I can't believe people are defending the MANSON MURDERERS I feel like I am going insane!
― flappy bird, Friday, 9 August 2019 21:44 (five years ago)
flappy'd strangle baby hitler with his bare hands
― reggae mike love (polyphonic), Friday, 9 August 2019 21:57 (five years ago)
It's not fucking funny
― flappy bird, Friday, 9 August 2019 21:58 (five years ago)
wait when did I call them "mixed up kids" ?
― Good morning, how are you, I'm (Doctor Casino), Friday, 9 August 2019 22:00 (five years ago)
and who's defending the manson murderers? all i said was that lingering on the violence didn't sit well with me. i didn't like the scene, didn't think it added to the movie, and in the context of a filmmaker who is practically persona non grata among a lot of my friends because of his reveling in violence against women in movie after movie, it seemed like the gratuity of it was there on purpose, to double down, to wind up. none of that is a defense of the murderers, any more than if i'd said I didn't like that scene because it broke the pace of the movie or derailed the central pitt/dicaprio relationship.
― Good morning, how are you, I'm (Doctor Casino), Friday, 9 August 2019 22:05 (five years ago)
there is something queasy to me about visceral violence played for laughs. "they're the manson family murderers!" doesn't deflect from that. like sure, alternative reality where someone takes them out before they commit their horrific crimes, why not? doesn't mean you need to luxuriate in the violence so much, but that's kind of QT's deal obv.
― bookmarkflaglink (jim in vancouver), Friday, 9 August 2019 22:05 (five years ago)
Not sure how to take it myself but on second viewing it almost feels as if a kind of explosive rage escapes from Cliff (which was amply foreshadowed of course). Something about the cartoonish mayhem seems parallel to the (far worse!) actual events--maybe it has to be somewhat extreme to work as catharsis or whatever QT is going for.
― ryan, Friday, 9 August 2019 22:09 (five years ago)
it's carnage cum slapstick
― bookmarkflaglink (jim in vancouver), Friday, 9 August 2019 22:09 (five years ago)
i was simultaneously skeeved out by it and amused, and when rick headed for his shed i knew what was coming, and laughed in recognition when it came out
― bookmarkflaglink (jim in vancouver), Friday, 9 August 2019 22:11 (five years ago)
i think it just a difference in personal morality whether or not you enjoy the violence in this. personally i have never been more pleased to watch motherfuckers die, shit was cash
― boobie, Friday, 9 August 2019 22:12 (five years ago)
i don't think it's morality. i am a person capable of violence and have attempted to severally harm people before (I've thrown a bottle at someone, i've tried to kick someone in the face during a fight only for the blow to be blocked), at the same time i do not like violence or feel untroubled by its depiction in fiction
― bookmarkflaglink (jim in vancouver), Friday, 9 August 2019 22:14 (five years ago)
Sorry, Dr. C- conflating some posts here. But "yes, manson's minions were fucked up people on their way to do evil, but it rubbed me the wrong way," and QT being "persona non grata" among you and your friends... I mean, why did you go? Why bother?
there is something queasy to me about visceral violence played for laughs.
are you familiar with the work of Quentin Tarantino?
The ending was cathartic and euphoric because it lingered, because it was cartoonish, because it completely belittled and literally annihilated three historical embodiments of inexplicable evil.
Obv. this movie is not everyone's bag. But criticizing QT for wild, cartoonish violence and "indulgence" is like criticizing Chantal Akerman for the length of her shots.
― flappy bird, Friday, 9 August 2019 22:17 (five years ago)
bv. this movie is not everyone's bag. But criticizing QT for wild, cartoonish violence and "indulgence" is like criticizing Chantal Akerman for the length of her shots.
― flappy bird, Friday, August 9, 2019 3:17 PM (thirty-four seconds ago)
i don't agree that those are equivalent
― bookmarkflaglink (jim in vancouver), Friday, 9 August 2019 22:18 (five years ago)
Go on
― flappy bird, Friday, 9 August 2019 22:22 (five years ago)
you could literally say "criticizing x for y is like criticizing a for b" about any directors you might like, it doesn't make it an analogy
― bookmarkflaglink (jim in vancouver), Friday, 9 August 2019 22:24 (five years ago)
Wild, cartoonish violence is something QT excels at, specializes it. It is in all of his films. So if it makes you queasy, why go? I don't like rollercoasters or bars but I don't go to either and complain about how much I don't like them. Not a fan of horror movies either, can't handle it. As much as a veil of secrecy surrounded this film pre-release, probably the one thing you could count on was wild, cartoonish violence.
― flappy bird, Friday, 9 August 2019 22:28 (five years ago)
So yes, it is like walking out of Jeanne Dielman and complaining about the runtime. What did you expect?
that's not really a valid or worthwhile response
― bookmarkflaglink (jim in vancouver), Friday, 9 August 2019 22:31 (five years ago)
I don’t know if we’re in a place as a culture to have a conversation about why but I feel it’s important to say it. It’s what I feel and I think it warrants expression.— Rostam (@matsoR) August 2, 2019
― flappy bird, Friday, 9 August 2019 22:32 (five years ago)
most of his films do not have a scene at the level of gruesomeness of the finale in this, it's much more visceral than the probably half of his movies at least - i rewatched jackie brown last weekend, the shootings are pretty tame.
i don't go to movies because i think they will be perfect, none of them are.
― bookmarkflaglink (jim in vancouver), Friday, 9 August 2019 22:32 (five years ago)
you won't brook any mild criticism regarding a QT film because you're extremely precious about him because you're a stan. that's not my issue
― bookmarkflaglink (jim in vancouver), Friday, 9 August 2019 22:33 (five years ago)
I really enjoyed this film, but found that particular scene offputting and gross. Not sure what a better approach would have been, but it was pretty rough.
― Mario Meatwagon (Moodles), Friday, 9 August 2019 22:36 (five years ago)
you won't brook any mild criticism regarding a QT film because you're extremely precious about him because you're a stan. that's not my issue― bookmarkflaglink (jim in vancouver), Friday, August 9, 2019 6:33 PM (thirty-three seconds ago) bookmarkflaglink
― bookmarkflaglink (jim in vancouver), Friday, August 9, 2019 6:33 PM (thirty-three seconds ago) bookmarkflaglink
No I'm not, I care a lot about this film. I don't love any of his other movies besides Kill Bill. what other QT films besides JB lack wild, cartoonish violence? and as I've said multiple times in this thread, I agree with criticisms of the Bruce Lee scene, and even if I don't agree, I think the criticism of the lack of screen time for Margot Robbie is at least fair. your characterization of me is way off and again, how is the Akerman analogy "not an analogy"?
― flappy bird, Friday, 9 August 2019 22:41 (five years ago)
I admit I won't cede an inch on the ending. as boobie said, shit was cash. finding it rough & queasy is one thing, but criticizing QT for "indulging" in something he specializes in makes no sense to me.
― flappy bird, Friday, 9 August 2019 22:44 (five years ago)
xpost the analogy is constructed in a way that it becomes impossible to criticize the *way* the film uses this element, because... it's something in all of the director's films? that (a) seals each director from the rest of film so they can only be compared to themselves, despite the analogy's suggestion of a comparison to someone else (b) is patently silly. surely it would have been possible for someone to say "hitchcock's use of the hitchcock cameo in this film was distracting and inept" or "this time around spielberg's use of the ooh-ahh light on characters' faces came at a moment that for me felt tonally inappropriate" etc etc
― Good morning, how are you, I'm (Doctor Casino), Friday, 9 August 2019 22:47 (five years ago)
'shit was cash' ... huh, well I'm sold.
― reggae mike love (polyphonic), Friday, 9 August 2019 22:48 (five years ago)
You're right, that makes sense.
IYO, has QT ever used wild, cartoonish violence to appropriate effect?xp
― flappy bird, Friday, 9 August 2019 22:50 (five years ago)
Worked better in Kill Bill because the entire film was cartoonish, and not going for a deeper meaning.
― Mario Meatwagon (Moodles), Friday, 9 August 2019 22:52 (five years ago)
as i thought i made clear, i liked the ending of IB to name one example
― Good morning, how are you, I'm (Doctor Casino), Friday, 9 August 2019 22:52 (five years ago)
Fair enough, that wasn't entirely clear to me from your posts- sorry to be pedantic
― flappy bird, Friday, 9 August 2019 23:03 (five years ago)
i mean the "it's a thing he's specializes in" argument is a nonstarter for me. like... so what? so there's no space to say "i thought it was the wrong move for this film" or "i thought it took the focus off the stuff that i really loved in the film" or "i enjoyed seeing this filmmaker grow and change and develop some new themes, so then it felt startlingly regressive, defensive and yes trollish for him to suddenly revert to lavish violence shots in a way that felt totally inorganic to the film" ?the IB ending is very different imho. yes both involve historical bad people dying violently and there may be some satisfaction in that depending how much you are personally convinced by "what's even the question, these are bad people, they deserve whatever violence is done to them" arguments. (i find these less convincing at age 37 in 2019 than i perhaps did at other points, but this is just me personally.) but:1. violence against women has different connotations, in a patriarchal misogynistic society, than violence against men. a character established as having murdered his wife beating a woman to death with his bare hands is very close to real violence that people in the audience might experience or have reasonable fear of, and thus changes the emotions that the scene calls forth for some audiences. again this is in a world where the filmmaker has been called out for relishing the suffering of women - this too changes the context. the film doesn't exist in a vacuum.2. the crimes of hitler are more historic and far more severe than the crimes of the drugged out monsters manson manipulated. they are monsters and i'm okay with them being stopped by force but it's not reasonable to suggest that if you don't feel the same about them as you do about *adolf hitler* then there's something unfair or inconsistent in your reaction.3. most importantly,
― Good morning, how are you, I'm (Doctor Casino), Friday, 9 August 2019 23:15 (five years ago)
ah shit lost the best part of my post
The part right before the murders?
― frustration and wonky passion (C. Grisso/McCain), Friday, 9 August 2019 23:18 (five years ago)
I just can't privilege Susan & Patricia's gender over their real life crimes. I am not a violent person, I have never been in a real fight or seriously physically hurt anyone, and I think the death penalty is barbaric and should be allowed and vigilante justice is not justice at all - but yeah, like boobie said, I have never enjoyed watching people die more than in this film. of course they're not Hitler, and I think QT relishes suffering in men & women pretty equally in his work. But Dr. C, I respect your position. The movie doesn't foreground Cliff's past at all, really brushes right past it (probably knowingly?), and I'd certainly be more amenable to complaints about the ending if we saw Cliff beat up an innocent woman or actually kill his wife. But it is there, it is mentioned, so fair game.
Anyway I really don't want to be nasty. I am no one's "stan." Not even Billy...
― flappy bird, Friday, 9 August 2019 23:30 (five years ago)
lol *OUTLAWED fuck the death penalty
3. short version: the killers in IB are jewish men and women killing hitler and countless other high-ranking nazis, something of great moral purpose for them, to the point that they are more than willing to die for it, it is a major existential choice. the killers in OUaTiH are two inebriated guys confused by what's happening, fending off a home invasion with no larger significance known to them, and which ends with their relationship with each other and their outlook on life basically no different than before. i submit that this is very different! and maybe explains why i had a cathartic fuck-yeah emotional response to the earlier film, while this one felt indulgent, cruel, and gratuitous even tho yes, the historical people being portrayed are very bad. ymmv.
― Good morning, how are you, I'm (Doctor Casino), Friday, 9 August 2019 23:34 (five years ago)
Best criticism of the ending I've read here or elsewhere. Thank you.
― flappy bird, Friday, 9 August 2019 23:41 (five years ago)
idk maybe it depends on yr investment in the murders pre-movie as to how you take that final showdown? because i have to say my reaction was FUCK YES. THANK YOU to the whole scene, like, at the level of a relieved catharsis. i mean it was horrific & the overkill was insane BUT SO WERE THE MURDERS IN THE FIRST PLACE. So, i dunno, fuck them. i know what they represented and i am not about to confuse them w regular ppl, fiction or otherwise. maybe that makes me a monster but for me there’s no better handling of the manson family & it’s as much as they fictiotiously deserve.
― Squeaky Fromage (VegemiteGrrl), Saturday, 10 August 2019 03:33 (five years ago)
*fictitiously
oh that's interesting. yeah, i had no prior interest in the case so i'm sure that affected my emotional connection... i would have been totally happy with pitt just knocking them out with dog food cans and then explaining to the cops "they're all living out at this ranch... something weird going on out there... damn crazy hippies" and then leo meeting his neighbors. cause - for me - the kind and generous thing in the film was bringing tate to life not as a victim but as a young, charming actress with nothing but potential --- and then finding an imaginary way for her to retain that at the end. getting symbolic revenge torture on the real-world killers just wasn't adding to that, for me. especially given the real-world equivalents for these anti-hippie, violent hollywood cowboys. so even tho the manson family should be stopped by whoever happens to be there, having it be robert wagner and a low-rent john wayne (basically) takes a lot away.... imo!!
― Good morning, how are you, I'm (Doctor Casino), Saturday, 10 August 2019 13:02 (five years ago)
plus ending in a quiet, unsatisfying, downbeat kinda way would be the perfect nod to where hollywood was actually going for a while after 1969...
― Good morning, how are you, I'm (Doctor Casino), Saturday, 10 August 2019 13:05 (five years ago)
Doc, you really need to check out the You Must Remember This Manson season. It's up on Spotify as a separate playlist under the title You Must Remember Manson. Covers all the players from different angles over 12 episodes.
― frustration and wonky passion (C. Grisso/McCain), Saturday, 10 August 2019 13:38 (five years ago)
I couldn't stand the violence either, Tarantino film or not.
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 10 August 2019 13:41 (five years ago)
I've been re-listening to this. Still great the second time through.
― Mario Meatwagon (Moodles), Saturday, 10 August 2019 13:43 (five years ago)
just started listening to that series in the shower. plug: I did so at the insistence of my friends who host the Losers podcast, reviewing/comparing old movies, using the device of didn't-win-the-Oscar-for-whatever-random-category to select movies that otherwise weren't on their radars. It's fun! A very different sort of enterprise than Longworth's, of course, but always nice to scratch the "people being movie nerds" itch with something that's not three white comedy nerds on the mic.
― Good morning, how are you, I'm (Doctor Casino), Saturday, 10 August 2019 14:25 (five years ago)
having absorbed the insane violence done to their victims, it feels like less of an imbalance getting bludgeoned or blowtorched to death isnt one for one the *same* as stabbing someone 16, 28, or 51 times ( those are some of the actual numbers) but Tarantino set the table for out-of-control violence for *that* reason, not because of gender or “for kicks, man”. There are emotional, historical reasons for the violence he shows . And it’s is the whole reason for Cliff being on acid & Dalton being completely hammered)
― Squeaky Fromage (VegemiteGrrl), Saturday, 10 August 2019 15:21 (five years ago)
disclaimer: i haven't seen this yet and i have no idea how i'll feel about the end. maybe I'll hate it!
but absent some specifics around the differences between men's and women's suffering in Tarantino's stuff this particular calling-out seems ehhh.
like, is there a qualitative difference between female suffering in uh Kill Bill I guess and male suffering in idk reservoir dogs? django? pulp fiction?
also not sure i'd call the violence in his pictures "cartoonish" - in general he seems to borrow visual approaches from e.g. 70s exploitation while rendering the violence depicted intimate and excruciating. violence and cruelty in his stuff is genuinely hard to watch because it's precisely not cartoonish as in idk Hobbs & Shaw? like if anything his movies take violence more seriously than most multiplex fare?
― Larry Elleison (rogermexico.), Sunday, 11 August 2019 00:21 (five years ago)
US box office down 51% the first weekend, 42% the second. Not enough supernerd repeat business.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 12 August 2019 14:28 (five years ago)
you fully or just semi hard?
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 12 August 2019 14:33 (five years ago)
Clearly the fact that the movie is following just about every other box office trend of the past several years is a sign of ... what?
Some interesting discussion in here:
https://www.washingtonpost.com/business/2019/08/01/modern-box-office-mystery-what-read-into-numbers-once-upon-time-hollywood/
― Josh in Chicago, Monday, 12 August 2019 14:38 (five years ago)
I killed Tarantella with my big fucking hernia
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 12 August 2019 14:46 (five years ago)
https://www.vulture.com/2019/08/once-upon-a-time-in-hollywood-box-office-bet-pays-off.html
― TikTok to the (Alfred, Lord Sotosyn), Monday, 12 August 2019 14:56 (five years ago)
My movie stats nerd friend says this was the first summer movie of this summer to break $100 Mil that wasn't based on previously existing properties (comics, sequels etc.).
― frustration and wonky passion (C. Grisso/McCain), Monday, 12 August 2019 14:59 (five years ago)
it's based on Inglourious Basterds
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 12 August 2019 15:09 (five years ago)
The Tarantino brand itself is a property, with a certain following.
― Anne Hedonia (j.lu), Monday, 12 August 2019 16:47 (five years ago)
absolutely
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 12 August 2019 16:52 (five years ago)
they make that argument in the article Alfred linked to!
― untuned mass damper (mh), Monday, 12 August 2019 17:00 (five years ago)
Woody Allen is an existing IP, his wife is based on several existing IPs
― quelle sprocket damage (sic), Monday, 12 August 2019 17:27 (five years ago)
QT is definitely an IP, but I was just surprised that there hasn't been some other film, be it an original star vehicle or genre title (a romcom, new sci-fi or action thing etc.) this summer that's done as well.
― frustration and wonky passion (C. Grisso/McCain), Monday, 12 August 2019 18:02 (five years ago)
I shouldn't be surprised tho.
The 'studios' are phasing those out. Disney is just recycling old shit, period.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 12 August 2019 18:04 (five years ago)
Saw this today. To begin with I felt that I hadn't been quite as overwhelmed as I might have hoped, and I thought it was a really conservative ending. I don't think it should be forgotten that Cliff is a murderer, and him and Rick are definitely boorish and steeped in the misogyny of the day. The first part of the film takes place right after Nixons inauguration, and these two definitely voted for him. There's another version of this cathartic Hollywood revenge drama, that ends with a family of enraged young women massacring some standins for Robert Wagner, John Wayne, every other man who has stood in the way of equality.
But when i thought about it, I thought it was exactly important that the guys who do the revenging are conservatives. It's not as much revenge as it's atonement. I think the politics of Tarantino's films have been simplified a lot, like the way the nazi in Inglorious Basterds is really outthinking them all, and can only be defeated through brute force and suicide bombings, or how the only thing keeping the final Hateful men together is their shared love of hurting a woman. The end of OUaTiH is not righteous anger setting history right. This is people who are part of the problem doing just a little thing to set things right again. Just like Tarantino is really part of the problem, and has a lot to atone for, and seems to know he has a lot to atone for, but also in these last five films keep trying to create spaces for other people to defeat their traumas. And I thought the end was beautiful. Rick has really saved his neighbors lives, they do in one way owe him anything, but on the other hand they owe him nothing, and he seems to know that. He gets a reward, but he doesn't demand it, he seems really grateful. There's no entitlement. I liked that.
― Frederik B, Monday, 12 August 2019 21:22 (five years ago)
I liked the little touch about Tate being aware Dalton was her neighbor, and how she'd tease Polanski about having him come over and beat him up.
― frustration and wonky passion (C. Grisso/McCain), Monday, 12 August 2019 21:30 (five years ago)
Cliff doesn't strike me as an avid voter.
― Chris L, Monday, 12 August 2019 23:33 (five years ago)
who did the manson family vote for
― Jeff Bathos (symsymsym), Tuesday, 13 August 2019 02:48 (five years ago)
Saw it this afternoon. I guessed the 'twist' about halfway through but really couldn't guess the exact resolution.
Having seen Leone's Once Upon films over the past three days just because (America got a one-off screening yesterday at the local Alamo so I figured why not see the other two beforehand), I was reminded how West was very much its own metaWestern by intent. (Nothing more to add beyond that, more just that was an interesting reminder about how that's always been going on anyway since before I was alive.)
I find myself thinking of the very end of Hollywood quite a bit here. It's a 'perfect' moment because there's this weird sense of private-in-public space, how there's no immediate TV coverage or anything, no press hanging around, it's just neighbors chatting -- almost like everything is suspended in air, and tomorrow things will somehow change radically but just in a different direction.
I've only seen about half of Tarantino's films and never more than once. I hardly think it perfect, but this might actually be the one I'd see again. And I'm honestly surprised by that, pleasantly.
Secret MVP for Margaret Qualley who between this and Fosse/Verdon's had a pretty great year.
The soundtrack seems like something that Ace Records should have put out on CD this past decade with Alec Paleo doing the liner notes. (VG's blog post on the subject = great, as are her thoughts throughout this thread.)
― Ned Raggett, Tuesday, 13 August 2019 02:55 (five years ago)
xpost Cesar Chavez
― i'd rather zing like a man, than FP like a coward (Neanderthal), Tuesday, 13 August 2019 02:58 (five years ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, August 12, 2019 7:46 AM (fourteen hours ago) bookmarkflaglink
I got and appreciate this.
― Yelploaf, Tuesday, 13 August 2019 04:58 (five years ago)
Bill Simmons’s new podcast has a good long conversation about this movie, including equating Margaret Quallry’s character with Pitt’s in Thelma and Louise.
― ... (Eazy), Tuesday, 13 August 2019 06:12 (five years ago)
https://people.com/movies/quentin-tarantino-defends-bruce-lee-once-upon-a-time-after-backlash/
smdh
― Brad C., Tuesday, 13 August 2019 16:47 (five years ago)
Would totally watch a Bruce Lee v. Dracula movie. Or even a Brad Pitt v. Dracula movie.
― Josh in Chicago, Tuesday, 13 August 2019 17:00 (five years ago)
I guess we got the latter already.
― Josh in Chicago, Tuesday, 13 August 2019 17:01 (five years ago)
who are you s-ing your h at there
― quelle sprocket damage (sic), Tuesday, 13 August 2019 17:33 (five years ago)
“The way he was talking, I didn’t just make a lot of that up,” Tarantino said at a press conference for the movie in Russia. “I heard him say things like that, to that effect. If people are saying, ‘Well he never said he could beat up Muhammad Ali,’ well yeah, he did. Not only did he say that, but his wife, Linda Lee, said that in her first biography I ever read … She absolutely said it.”
Narrator: She did not say it.
Robert Clouse worked with Lee on Enter the Dragon and later published a biography of him. Here's an excerpt:
Another time Yeung, aka (Bolo) went to see Bruce at Golden Harvest Studios. Bruce was screening a Cassius Clay (Muhammad Ali) documentary. Ali was world heavyweight champion at the time and Bruce saw him as the greatest fighter of them all. The documentary showed Ali in several of his fights. Bruce set up a wide full-length mirror to reflect Ali’s image from the screen. Bruce was looking into the mirror, moving along with Ali.Bruce’s right hand followed Ali’s right hand, Ali’s left foot followed Bruce’s left foot. Bruce was fighting in Ali’s shoes. “Everybody says I must fight Ali some day.” Bruce said, “I’m studying every move he makes. I’m getting to know how he thinks and moves.” Bruce knew he could never win a fight against Ali. “Look at my hand,” he said. “That’s a little Chinese hand. He’d kill me."
Bruce’s right hand followed Ali’s right hand, Ali’s left foot followed Bruce’s left foot. Bruce was fighting in Ali’s shoes. “Everybody says I must fight Ali some day.” Bruce said, “I’m studying every move he makes. I’m getting to know how he thinks and moves.” Bruce knew he could never win a fight against Ali. “Look at my hand,” he said. “That’s a little Chinese hand. He’d kill me."
― Brad C., Tuesday, 13 August 2019 17:57 (five years ago)
maybe she said it in tarantino's upcoming revisionist bruce lee biopic
― Philip Nunez, Tuesday, 13 August 2019 18:10 (five years ago)
Dragon 2 - The More Bruce Lee-er Story
― i'd rather zing like a man, than FP like a coward (Neanderthal), Tuesday, 13 August 2019 23:02 (five years ago)
In my head it’s always “hush” morphing into the doors’ “touch me”
― calstars, Tuesday, 13 August 2019 23:05 (five years ago)
the Doors were one of the most glaring omissions from the soundtrack, but I understand why they weren't included
― Brad C., Tuesday, 13 August 2019 23:19 (five years ago)
The Rhino "Where The Action Is" Nuggets box is a good companion to the film/soundtrack.
― frustration and wonky passion (C. Grisso/McCain), Tuesday, 13 August 2019 23:31 (five years ago)
― Squeaky Fromage (VegemiteGrrl), Wednesday, 14 August 2019 07:40 (five years ago)
i loved this. i welled up at the scene where rick's telling the girl about his book. when she told rick that was the best acting she’d ever seen I DIED. VG i love your post about rick and his career. that’s most acting careers in a nutshell. swinging between self-loathing and vanity, never quite smashing it, doing your best work as a baddie on a TV show that never sees a repeat.
i saw the 35mm version with Pete B erstwhile of this bailiwick and it was projected a little out of focus, which is a shame. after the movie though they had a big stack of posters on really nice stock. (one small detail: on the poster the ellipses in the title appear in different places depending on whether you're reading the tombstone at the bottom or the big title at the top i.e. once upon a time... in hollywood vs once upon a time in... hollywood. no, it’s not important. but the sloppiness almost feels… diegetic?)
the manson family baddies went to the wrong house, right? they were supposed to go to 'tim's old house' where sharon tate lived? right? but instead they go next door and encounter... the guy who'd just beat the fuck out of their friend at the ranch. completely coincidentally. or did i miss something there?
something else.. when rick's first talking to timothy oliphant there's a jump cut and suddenly they're both wearing their hats. was that really in the movie or just a projection issue?
you can put me in the anti-headbashing - flamethrower gets you the over-the-topness you need from that scene. but mainly that’s because i’m a big wuss.
i think it’s ok that nobody's characters changed. nobody ‘arcs’. i liked that. for a movie as obsessed with TV as this one is it feels appropriate. and it fits with the fantasy ending. crazy shit happens and everything goes back to the way it was - tune in next week. apart from cliff and rick’s relationship, i guess. though that change happens in spite of the events of the movie, rather than because of them.
“Lee is the only speaking character in the film whose hairstyle and wardrobe aren't painstakingly accurate to the period” - hmm big disagree here, i think most of the hair wasn’t right, particularly tate’s. if you look at pictures of people from the late 60s the hair is just DIFFERENT. nobody styles it that way any more. it’s like we’ve forgotten how. i mean, in the movie it was good enough, it didn’t bother me, but 15 years from now we’ll look back at this and be like jeez that hair is so late teens.
“DeCaprio has to work a lot harder to sell us a not-very-good actor worrying about his acting, acting badly, acting better, and not acting; it's a fidgety performance, but he's ridiculous, pathetic, and sympathetic in just the right proportions” - agree w/this 100% tho
speaking of people still alive: Squeaky Fromme “was released on parole from Federal Medical Center Carswell on August 14, 2009,[20][21] and moved to Marcy, New York,[22][23] where she and her boyfriend Robert Valdner, who pleaded guilty to a manslaughter charge in 1988, live in a house decorated with skulls.[24]” o_O
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 00:31 (five years ago)
you can put me in the anti-headbashing COLUMN i meant to say..
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 00:32 (five years ago)
You did, yep - after they take the car back down out of the cul-de-sac and park, one of the backseat girls messianically tells the others about some ideas she's been formulating while tripping. She argues that they have been shaped and twisted by Hollywood, that its imagery of wealth and violence has corrupted society. Rather than kill the people at Terry's house - whose identities I don't think that even Charlie knows, let alone the four killers? - she suggests that it would be a better, more meaningful strike to go and kill the guy they grew up watching kill on TV.
― quelle sprocket damage (sic), Friday, 16 August 2019 00:52 (five years ago)
(I found the headbashing over the top on first viewing, and was looking forward to taking it less squeamishly on second round, once it wasn't coming as such a shock. Nope: just as brutal the second time. Also thought that maybe it was meant to play as exaggerated through Cliff's acid-tinged perception, first time, and dropped that on review. His brutality is amplified by the acid for sure, though.)
― quelle sprocket damage (sic), Friday, 16 August 2019 00:58 (five years ago)
that's a good point about the hairstyles in general, Lee's is not the only one that's not really period-correct
Bruce looks especially anachronistic because the scene on the Green Hornet set is early 1967 at the latest and he didn't wear his hair that long until 1973
― Brad C., Friday, 16 August 2019 01:17 (five years ago)
All of the hairstyles, bar maybe the tyre-stabber, look like (wigs or) modern movie versions of '60s hair. (Conditioner is better now!) That's fine: the signage restored for backgrounds is done to represent glamour and artifice, too, not to signal absolute realism. I lolled delightedly both times at Leo's six-months-later wig.
― quelle sprocket damage (sic), Friday, 16 August 2019 01:32 (five years ago)
Green Hornet Lee
https://i.pinimg.com/originals/de/6b/63/de6b6379604c276286cb1e8a43d7ad7e.jpg
― frustration and wonky passion (C. Grisso/McCain), Friday, 16 August 2019 01:47 (five years ago)
the rat-flavored dog food is real and no one can tell me different
― untuned mass damper (mh), Friday, 16 August 2019 01:50 (five years ago)
https://www.thedailybeast.com/ex-manson-family-member-dianne-lake-reviews-quentin-tarantinos-once-upon-a-time-in-hollywood?ref=author
― frustration and wonky passion (C. Grisso/McCain), Friday, 16 August 2019 04:02 (five years ago)
and encounter... the guy who'd just beat the fuck out of their friend at the ranch. completely coincidentally. or did i miss something there?Actually maybe you took a bathroom break around here? The night they go to Terry Melcher’s house is six months after the day Cliff goes to the Spahn ranch, which is part of why they don’t recognise him.(whereas he can still identify each of them, with a specific feature he’s logged, because unlike these would-be murder-spree doofi , Cliff is a dangerous killer with his wits about him)
― quelle sprocket damage (sic), Friday, 16 August 2019 09:06 (five years ago)
Disappointing. The dialogue didnt exactly sparkle, the comedic moments fell flat and the ending was dumb. Brad Pitt and Leo Di Cap were great in it though.
― The World According To.... (Michael B), Friday, 16 August 2019 09:16 (five years ago)
yeah no i get that it's six months later. and yes the violence-against-tv-violence thing makes sense directed against rick. that and the fact that he just enacted every jock-rage stereotype in the book. ("amount of taxes i pay!!") they're on their own revenge kick! that's what finally fires them up. yes. duh.
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 09:17 (five years ago)
re: the jump cut with the hats, i found this interview with the editor:
We have the moment where Jim Stacy introduces himself to Rick Dalton which is a weird example. That was a scene that played out in one take and we wanted to collapse it and Quentin said, “This is my homage to the Brian De Palma movies of the late ’60s — using the jump cuts in this way.” So I said “OK.” He’s pretty firm that there are no rules. Even though plenty of people would look at that and say, “What are you doing? You can’t do that.”
https://www.provideocoalition.com/aotc-raskin-hollywood/
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 09:56 (five years ago)
My assembly for this movie was not short. It was about four hours and forty-one minutes long. So there’s two hours worth of movie that didn’t make the final cut of the movie.
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 10:15 (five years ago)
and sorry to harp on this because it's not that important but it IS a massive coincidence that cliff, the guy who showed up at the ranch six months ago, who tex ALMOST managed to get back in time to beat the shit out of (and agreed at how thrilling it was to watch tex gallop back - his body and that horse together i could have just watched for hours probably) - just happened to be the dude in rick dalton's kitchen when the manson family decide spur of the moment to go in.
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 10:50 (five years ago)
how much black culture is in this movie?
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 16 August 2019 10:53 (five years ago)
zero.gif
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 10:55 (five years ago)
Hold up, so they targeted Rick Dalton's house on purpose? No joke, I had to take an emergency phone call right beforehand so missed the violence speech! If they targeted Rick on purpose, then ... history is altered before anyone even gets killed? Sharon Tate was never even a target?
― Josh in Chicago, Friday, 16 August 2019 12:56 (five years ago)
ok you're making fun of me now
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 12:58 (five years ago)
morbs you should watch the movie
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, 16 August 2019 12:59 (five years ago)
1. tate was never really a target in real life, right? manson had sent the killers to the *house,* not having a clear sense of who actually lived there. he had seen tate there, months before (as shown in the film) but didn't necessarily know who she was, and may have just conflated several different plans and grievances in targeting the house formerly occupied by terry melcher, who had declined to give manson a record deal. (i've been listening to the longworth series!)2. again, in the film, the killers pull the car up, contemplating their plans for the tate house. what changes events is drunk dalton coming out and yelling at them for being loud hippies. IIRC they then move the car back down the hill so that it can be kept at the ready without attracting such attention, and in the interim realize who dalton is and convince themselves that killing him is the best thing to do.
― Good morning, how are you, I'm (Doctor Casino), Friday, 16 August 2019 13:06 (five years ago)
xpost Not making fun at all! I made it to them bringing the car down the hill and then my phone rang (I was that asshole, I had it on do not disturb except from important numbers. It was my mom, but it was not important). I ran out to answer it then ran back in, but I missed the speech. I just assumed they went to the wrong house, because they were doofi but also because it would have paid off the bit with Manson going to the wrong house earlier in the movie.
― Josh in Chicago, Friday, 16 August 2019 13:10 (five years ago)
Huh, now I have to think about how that changes the movie. I'd been thinking about it like dummy Manson people go to the wrong house and get their ass kicked, thus "saving" Tate. But in this new (to me) reading, she's never "saved" because she's never in danger. In this movie she would have lived and had a future even if they killed Leo and Brad Pitt.
― Josh in Chicago, Friday, 16 August 2019 13:13 (five years ago)
yep. yes that is what i assumed as well but i was actually watching the whole sequence o_O. i guess i'd conflated their brainwave about killing entertainers with keeping to their plan to go to the house where tate lived. but no, they switched the plan. their genuine delight at nostalgically remembering rick from their childhoods was so amazing and relatable. yet somehow was able to sit congruously in their heads with a desire to murder him.
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 13:15 (five years ago)
the last shot really was brilliant, the overhead view, knowing that you're now in fantasy alternate-timeline, and the people move away inside, and you're left looking at the parked cars and knowing what really happened. it's all a bit like a dream. somehow rick's sober and dressed well and looking great after a night where he's torched a woman with a flamethrower and dead drunk.
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 13:18 (five years ago)
Also, I guess them being the actual target better justifies them taking out the intruders by any means necessary. I watched it as Pitt and Leo essentially killing a bunch of unlucky strangers!
― Josh in Chicago, Friday, 16 August 2019 13:20 (five years ago)
regarding leo's sobriety, it's not clear how much time has passed --- there must have been some time with the cops arriving, extensive questioning before pitt gets in the ambulance. was there time after also? or does sebring appear as the ambulance is driving off? it felt plausible to me as that late-late-night, early morning time, after a bizarre all-night experience, where you're not exactly sober but things have started settling in a little...
― Good morning, how are you, I'm (Doctor Casino), Friday, 16 August 2019 13:42 (five years ago)
sure, and the jolt of an experience like that would wake you up. but he was already so drunk at the restaurant he couldn't drive back home, and then had an entire pitcher of margarita. and he looked like shit. on the drive of tate's house he had on nice slacks, shirt tucked in, ready for a.....drink? with a pregnant woman at 4 in the morning?
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 13:51 (five years ago)
like i said tho i LIKED that because it's like you're zooming off into the fantasy world at that point, so it feels right that the normal rules don't apply
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 13:52 (five years ago)
sobered up enough to need a couple cooldown drinks before going to bed
also, adrenaline is a hell of a drug and dealing with some knife-wielding maniacs is just the thing to harsh your margarita buzz
― untuned mass damper (mh), Friday, 16 August 2019 13:56 (five years ago)
Also, Hollywood hours are akin to Vegas hours: there are no clocks.
― Josh in Chicago, Friday, 16 August 2019 14:17 (five years ago)
Surprisingly boring, but it had its moments. Fantastic soundtrack. Looked amazing especially the street signs and shop lights all popping on. I think PTA’s LA video for Haim makes LA look just as good though.
Margot was great.
Lot of very audible and visible boredom in my screening. Watching Apocalypse Now earlier in the week on an IMAX screen didn’t help this in comparison.
Worst scene? Probably ‘Brad Pitt tries to wake up Bruce Dern for 20 minutes’.
― piscesx, Friday, 16 August 2019 21:25 (five years ago)
― Josh in Chicago, Friday, August 16, 2019 6:20 AM (eight hours ago)
peak josh in chicago here.
even if you missed the bit where they deliberately chose to go to that house after they arrive at the house they are still planning on murdering the inhabitants! tex refers to himself as the devil while brandishing again, they chase rick's wife with a knife. it's reasonable to kill people doing this to you.
― bookmarkflaglink (jim in vancouver), Friday, 16 August 2019 21:34 (five years ago)
"brandishing a gun"
I meant that there was no even trying to talk them out of what they were doing by saying "you've got the wrong house, dude" or whatever.
― Josh in Chicago, Friday, 16 August 2019 21:55 (five years ago)
There was no right house for any inhabitants to argue that, though: Charlie already knew that Melcher had left almost a year earlier
it's not that important but it IS a massive coincidence
I meant to add that there was still a huge element of coincidence, so that I didn't sound like I was dismissing your reaction! But the whole film is strung together on coincidences - that Cliff keeps seeing Pussycat, that Tate happens across a theater showing her flick, that the hippies are living on a ranch Cliff used to work at, that Randy is stunt coordinator on Bounty Law so Cliff is left driving around idly that day, that the plot of the pulp novel Rick is reading happens to align with his own career AND a random stranger asks him about it SO he has an emotional breakdown/breakthrough... plus the IRL coincidence that the up-and-coming pregnant actress wife of a notable director happened to have moved into a house that Charlie Manson happened to have a resentment toward.
― quelle sprocket damage (sic), Friday, 16 August 2019 22:10 (five years ago)
Most of Tarantino's plots are largely hung on coincidences, apart from the straight revenge drive of Kill Bill?
In Dogs, Mr White just happens to have taken a younger robber under his wing out of some paternal motivation, and then just happens to be paired on the job with a colleague who's apparently been turned into an irrational psycho by a stint carrying a bag in jail.
In Pulp, Jules and Vincent just happen to be chilling in the diner when Honey Bunny and Tim Roth rob it; Alexis Arquette just happened to have missed them with every shot in the apartment; the gun just happened to go off when Vincent was talking to Marvin in the car; Vincent just happens to be taking a shit & reading Modesty Blaise when Butch comes back; Marcellus just happens to have popped out for lunch and just happens to be crossing the street when Butch is leaving; they just happen to stumble into a shop owned by some possibly-white-supremacist S&M rapists; Mia just happens to be a coke fiend being guarded by someone who just happens to be a user of a different unlabelled powder; etc etc etc
In Dusk Til Dawn, the Geckos just happen to take refuge in a bar that's open all night for the clientele's particular preferences.
In the second half of Death Proof, the film crew just happen to be fake test driving a car on remote roads when a woman-hating road racer happens to be driving the same road
In Django, Jamie Foxx's Django happens across Waltz on a horse, which sets the whole story in motion.
In H8ful, a blizzard makes Sam Jackson stumble across Kurt Russell (almost on a horse), and then Russell & Jackson stumble across Goggins, and then trap all three of them in a single room with a crime gang who intended to pull an ambush in town.
Jackie Brown plays around with this - nearly everybody has a scheme going that they're trying to pull off without anyone noticing, but Jackie and Max try to unloop the schemes by pulling an elaborate fake coincidence, with the dressing-room shell game.
(I don't remember Inglorious well; have never rewatched.)
― quelle sprocket damage (sic), Friday, 16 August 2019 22:19 (five years ago)
tate's film was new in theaters and she set out to see it, i thought. and it's plausible that leo is continuing to read the novel because he subconsciously identifies with "easy breezy." it's the cliff stuff that makes it a big coincidence: easy to imagine that some stuntman stumbled on spahn ranch (lots of people went out there at least once, seemingly, but a guy who used to know spahn might have stuck around and scratched deeper into the surface, sure), and easy to imagine that tate and polansky had a recognizably famous neighbor who might've gone out and drunkenly yelled at what he perceived as some loud hippies that night. the movie's major what-if is, what if those worlds had crossed over by the ranch-visiting guy being best buds with the yelling-at-hippies guy? and that's not much of a stretch REALLY: i'm most of the way through the longworth miniseries and realizing how many second- and third-tier Young Hollywood types actually did encounter manson in some fashion. for that matter, you could also imagine this story where cliff and dick are younger, cliff is a little less square, and he meets the mansonites at a crazy party at dennis wilson's house. but of course then you lose the whole aging-old-hollywood stuff, the mini-generation-gap between the Korean War vet generation and the boomers.
― Good morning, how are you, I'm (Doctor Casino), Friday, 16 August 2019 22:28 (five years ago)
good recollection sic. yeah he generally doesn't go in for plots where things lead in to other things. more of a, this scene produces this change in this *character*, so now that informs way they act in the next situation that arrives in their laps, the choices they make. pulp fiction, with the biggest pile of coincidences listed above, does this very very effectively with jackson's and willis's characters. and if the movie can be said to thematize people making choices in response to crazy, wild, pulpish events, then maybe it's a great match of this kind of storytelling with this specific material. if it's really a major interest of his as a storyteller then we could maybe identify others where it works better or worse.like, the only one i've seen where the plotting is completely ruinous is hateful eight. i complained abt this in the relevant thread but that whole movie is, we're just locked in a room with a bunch of people, and stuff happens when it's time for it to happen and in between we're waiting. crisis comes about not because events have built to that moment, but because jackson decides it's time to share some new information about the stew.
― Good morning, how are you, I'm (Doctor Casino), Friday, 16 August 2019 22:38 (five years ago)
finally seeing this tomorrow
― Οὖτις, Friday, 16 August 2019 22:44 (five years ago)
she set out to see it, i thought.
nah, it's definitely a coincidence that she happens across that marquee. it's possible that having been out of the country for weeks, she's not even super-aware of it being in release
and it's plausible that leo is continuing to read the novel because he subconsciously identifies with "easy breezy."
tbh it looks to be about 94pp, it's not like he's wading through Infinite Jest over 14 months
either way it takes the conversation with Pumkin Pie to actually bring it forward
― quelle sprocket damage (sic), Friday, 16 August 2019 22:48 (five years ago)
we're just locked in a room with a bunch of people, and stuff happens when it's time for it to happen and in between we're waiting. crisis comes about not because events have built to that moment, but because jackson decides it's time to share some new information about the stew.
ha ha sure. but H8ful is built like a play where the point is just to let everybody show off and give page-long speeches. and the locked-room portion takes place pretty much in real time, so you're only waiting while Jackson listens to everyone else and figures out how to leverage what he knows.
(that said I don't remember the stew reveal, unlike the jelly bean clues, the not-to-standard coffee tension, and then the crisis kicking off when another batch of now-poisoned coffee makes Kurt Russell's neck explode.)
― quelle sprocket damage (sic), Friday, 16 August 2019 22:58 (five years ago)
if it's really a major interest of his as a storyteller then we could maybe identify others where it works better or worse.
I'm for sure interested in tracking this now. iirc True Romance pretty much runs on a this-action-leads-to-that-situation engine, even with branches splitting off and rejoining, and Natural Born Killers is all driven by the leads' actions, which in this context might speak to his disinterest in returning to those stories once he'd directed Dogs.
― quelle sprocket damage (sic), Friday, 16 August 2019 23:03 (five years ago)
sic i'd want to draw a distinction between something being UNLIKELY i.e. Vincent being in the bathroom, many of your other examples; and coincidental because i do think the is a pretty fundamental difference (tho it is late and I'm struggling to articulate it)
― Li'l Brexit (Tracer Hand), Friday, 16 August 2019 23:28 (five years ago)
I know heroin causes constipation but it might have been a couple of days since he took a shit in the diner later in the movie
― quelle sprocket damage (sic), Friday, 16 August 2019 23:49 (five years ago)
(do come back and articulate it when rested! thread isn't going anywhere)
the stew reveal was the one that broke the camel's back for me but i don't know if it was worse/stupider than anyone else. but basically the movie masquerades as having some kind of finely-tuned puzzle logic, and then "one of these people isn't who they say they are" turns out to mean "unbeknownst to the audience i've eaten the stew here before and this isn't their usual recipe." like wow way to craft a locked-room potboiler there quentin.
― Good morning, how are you, I'm (Doctor Casino), Saturday, 17 August 2019 01:00 (five years ago)
so it feels right that the normal rules don't apply
you guys should all watch Beatty's Rules Don't Apply btw
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 17 August 2019 01:05 (five years ago)
made by a fully grown adult
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 17 August 2019 01:06 (five years ago)
The ranch scene had some tension to it at least. The diCap / child actor BS though, that was some weak sauce
― calstars, Saturday, 17 August 2019 01:07 (five years ago)
I bet QT was all about Rules Don't Apply...
― frustration and wonky passion (C. Grisso/McCain), Saturday, 17 August 2019 01:16 (five years ago)
"unbeknownst to the audience i've eaten the stew here before and this isn't their usual recipe."oh nah, Jackson keeps saying he knows things are wrong before he even gets into the building! the back & forth with the Mexican non-chef in the stables almost comes to guns drawnthe whole movie is just a showcase for ham though. each reveal is more an excuse for Jackson or Russell or Goggins or Leigh to crank it a few more notches over the top, rather than an intricate puzzle piece(obv anyone is welcome to hate it on those grounds! but it feels to me like after the multiple hamfests in Basterds & Django he decided to just get story out of the way & hang up a canvas backdrop for ppl to chew scenery in front of. now it’s out of his system & he could do a leisurely all-real-location* hang sesh with Once Upon.)
― quelle sprocket damage (sic), Saturday, 17 August 2019 01:17 (five years ago)
finally saw it.thoughts going in: jesus the last thing anyone needs is another fkn manson thingthoughts coming out: I have never enjoyed anything Tarantino has done more than I enjoyed thismore later but basically I am a VG truther now is how I break it down to an extent
― Larry Elleison (rogermexico.), Saturday, 17 August 2019 01:18 (five years ago)
*Cliff’s trailer is almost certainly a set, Spain’s bedroom could be, and the Western sets are of course sets irl. But not much else?
― quelle sprocket damage (sic), Saturday, 17 August 2019 01:19 (five years ago)
hrmmm well it's been a while since i've seen H8 but i'll defer to you... i just remember being annoyed by the stew thing at the time. the "great cast hamming" thing i would buy, but it'd help if the dialogue were more interesting or if anybody created any really memorable characters. as soon as it was over i forgot so much of that movie....
― Good morning, how are you, I'm (Doctor Casino), Saturday, 17 August 2019 01:48 (five years ago)
The diCap / child actor BS though, that was some weak sauce
― circa1916, Saturday, 17 August 2019 01:53 (five years ago)
counterpoint: sure it was
― Larry Elleison (rogermexico.), Saturday, 17 August 2019 02:03 (five years ago)
somehow rick's sober and dressed well and looking great after a night where he's torched a woman with a flamethrower and dead drunk.
This seemed like deliberate movie logic, part of the fantasy, when we find that we’re actually in a shaggy Burt Reynolds-like action comedy instead of a serial-killer movie.
― ... (Eazy), Saturday, 17 August 2019 03:20 (five years ago)
(Not unlike Uma Thurman on a plane with her giant sword in the final shot of part one of Kill Bill.)
― ... (Eazy), Saturday, 17 August 2019 03:26 (five years ago)
That sorta thing makes sense in Kill Bill, which is a total cartoon from beginning to end.Was holding back groans through the climax of this. Not only recycling his Inglorious Basterds trick, it’s tonally completely out of place, dumb in not a good way (flamethrower was the cherry), and it cemented the weird Conservative bent that flows through the whole thing.I liked things about this, but honestly don’t get the full on love it’s getting.
― circa1916, Saturday, 17 August 2019 07:09 (five years ago)
This seemed like deliberate movie logic, part of the fantasy
i agree with you! and said so! i liked this aspect of it!
i think a lot of the full-on love, at least from where i'm sitting, is how generous it feels. it just lets you unspool time with these characters in this place. you could watch a documentary about hollywood c-listers in the late 60s, or read a biography of one of them, but neither would really get you inside the place like this does.
i'm not quite getting the 'conservative' thing?
― Li'l Brexit (Tracer Hand), Saturday, 17 August 2019 09:10 (five years ago)
IT'S THE REAL DON STEEL SHOW, STILL SUCKIN' "EM IN
― Lactose Shaolin Wanker (Raymond Cummings), Saturday, 17 August 2019 13:40 (five years ago)
the movie feels conservative because Rick and Cliff are anti-hippie and because Tarantino's 1969 Hollywood doesn't seem to belong to the same California as the Watts riots, the RFK assassination, Gov. Reagan vs. People's Park, etc. ... that's a legit way to portray Hollywood's perception of itself, but it also reinforces the reactionary theme of two aging white guys struggling with change
― Brad C., Saturday, 17 August 2019 16:39 (five years ago)
Doc otm about H8ful, film is poorly conceived from start to finish, the actors cant save it cuz they have almost nothing to work with. It fails as a western, as a locked room potboiler, as a play-on-film.
― Οὖτις, Saturday, 17 August 2019 16:55 (five years ago)
But it does succeed at taking a great cast, a great setting and 70 mm and making it boring.
― Josh in Chicago, Saturday, 17 August 2019 17:20 (five years ago)
Lol exactly
― Οὖτις, Saturday, 17 August 2019 17:27 (five years ago)
did either of you watch it on 70mm
― quelle sprocket damage (sic), Saturday, 17 August 2019 17:57 (five years ago)
Cant imagine how that would improve the experience. Does the totally boring set that 90% of the movie takes place on look 10x better?
― Οὖτις, Saturday, 17 August 2019 18:01 (five years ago)
I enjoyed the Netflix serial for a rewatch but I’d say the 70mm projection looked at least seven times betternbd if anyone disagrees but it’s pointless to specifically disparage an element you didn’t actually see amongst legit personal criticisms or dislikes
― quelle sprocket damage (sic), Sunday, 18 August 2019 00:30 (five years ago)
I wasn't able to catch one of the 70mm screenings, but I honestly don't see how it could have made it that much better. I mean, it *looked* fine when I saw it. But this movie is not "2001."
― Josh in Chicago, Sunday, 18 August 2019 02:02 (five years ago)
Hey guys!
This was v good
― Οὖτις, Sunday, 18 August 2019 06:17 (five years ago)
Right? You were OTM upthread about expectations after the last few but this was good.
― Larry Elleison (rogermexico.), Sunday, 18 August 2019 06:32 (five years ago)
:D :D
― Squeaky Fromage (VegemiteGrrl), Sunday, 18 August 2019 07:25 (five years ago)
Saw it again with my sis on Friday, who hadn't seen it yet -- another highly positive vote. And my dad's wanting to see it as well! (Kinda wished we had the chance to see it with him, since, after all, he was alive that year and we weren't even gleams.)
― Ned Raggett, Sunday, 18 August 2019 15:40 (five years ago)
I’ve seen this four times already.
Took my dad to see it, and he loved it. The Batman contest Ad reminded him of a couple of funny childhood incidents related to the 60s show, both involving my cranky-ass grandpa. These would have occurred around 1966-67, at the height of the show’s popularity.
The first story: A local theater (this was in Watertown, MA) was running the old Batman serials from the 30s to cash in on the current Batman tv craze. To promote this, they set up a hotline number with a “special message” from Batman and Robin (this was when pre-recorded messages were still pretty novel).
It just so happened that my dad’s home phone number was one digit off from the hotline’s, so the house started receiving misdialed calls from children expecting to hear from Batman. After a few days of this my grandpa was pretty fed up.
The next time a young boy called asking to speak with Batman, my grandpa replied “THIS IS BATMAN TALKING TO ROBIN...THIS IS BATMAN TALKING TO ROBIN...HANG UP AND DON’T CALL AGAIN!!!”
My dad jokes that whoever that poor kid was, he’s probably a serial killer now.
The second story: my dad and his brothers were watching the Batman tv show with my grandpa. In this particular episode the villain was Mr. Freeze. In one scene Batman evades Mr. Freeze’s clutches by pretending to be frozen, subsequently revealing that he was protected by special thermal underwear.
At this point my grandpa stood up and proclaimed “THAT’S IT! I’VE HAD ENOUGH OF THIS BULLSHIT! and left the room. Afterwards he refused to watch the show ever again.
― Conceptualize Wyverns (latebloomer), Sunday, 18 August 2019 18:31 (five years ago)
this was sort of a mixture of the Coens' "Hail Caesar!" and "Inherent Vice", maybe some of Altman's "Long Goodbye" as well. Mixture of old-school Hollywood fantasy/homage with rambling/shaggy-dog pacing, with Tarantino's particular penchant for gruesome violence tacked on at the end. If there's any conservatism here, I don't think it's of the explicitly right-wing political variety - it's a conservatism borne of wanting to preserve a comforting fantasyland, to maintain its continuity across generations. I think focusing on how much the Manson murderers are a stand-in for hippies/the new generation in general is fundamentally wrong, because it excludes the fact that Tate, Polanksi & co. are the flipside of that new generation: they're young, more beautiful, cooler, they smoke weed, they party at the Playboy mansion with hippies and ultimately they hold the keys to the kingdom that Cliff and Rick want so badly to stay a part of. The reason I bring up "Hail Caesar!" is because this similarly presents an old school Hollywood studio "solution" to the problem (ie, Manson): some scrappy underdog trad white guys save the day and the kids and the olds find common ground at the end, the central disruption presented by Manson is avoided in favor of a preservation of the status quo.
I think that context is important but also in the background - the more important, and more moving, story is the one that's just generally about these guys being old and confused and driven by a near-crippling need for validation, and following them around for a few days in a lovingly recreated facsimile of a very specific era.
Also the dog:Cliff::Cliff:Rick, obviously.
― Οὖτις, Monday, 19 August 2019 16:56 (five years ago)
(in Hail Caesar the problem is unruly "talent" + communism, both resolved by an old school studio arm-twister whose job is to preserve the status quo)
― Οὖτις, Monday, 19 August 2019 16:58 (five years ago)
It's funny you bring up the Coens, because like Tarantino (or PTA) they're so careful and controlled they're like the antithesis of shaggy *filmmakers* even when their stories go that direction. Unlike Altman, yeah, who is as shaggy a storyteller as it gets.
Are there any good interviews with Tarantino? Is he a particularly thoughtful guy? Everything I've read has largely been blustery or fan-boy-y, but does he ever offer any deep thoughts about his films? Just curious. I'd love to read not about the references he's making or whatever but his creative decision making process as a writer and director.
― Josh in Chicago, Monday, 19 August 2019 17:03 (five years ago)
idk sometimes he drops references to interesting stuff that informed his process ("Where Eagles Dare" for IB, for ex.) but generally I would say he's insufferable to listen to/read.
― Οὖτις, Monday, 19 August 2019 17:05 (five years ago)
I think the most interesting thing I ever read him saying about making anything was talking about the function of various languages in the European theater in WWII, which is obviously a key part of IB
― Οὖτις, Monday, 19 August 2019 17:07 (five years ago)
Busting in here to advise folks to go see Charlie Says before you throw any more money at this.
― Elvis Telecom, Tuesday, 20 August 2019 00:48 (five years ago)
Sub-Headline in an LA Times email I just saw --
Both Netflix's "Mindhunter" and Quentin Tarantino's "Once Upon a Time ... in Hollywood" downplay — or erase — Charles Manson's white supremacist ideology.
― curmudgeon, Tuesday, 20 August 2019 12:52 (five years ago)
We learn next to nothing about Manson in OUATIH
― Mario Meatwagon (Moodles), Tuesday, 20 August 2019 12:55 (five years ago)
Which was a relief.
― piscesx, Tuesday, 20 August 2019 13:33 (five years ago)
That is absolutely not true re MINDHUNTER.
― Simon H., Tuesday, 20 August 2019 13:34 (five years ago)
some good points about Hollywood nostalgia and Manson here:
https://www.nybooks.com/daily/2019/08/19/once-upon-a-time-in-tarantinos-hollywood/
― Brad C., Tuesday, 20 August 2019 14:51 (five years ago)
https://letterboxd.com/bennash/film/once-upon-a-time-in-hollywood/
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 21 August 2019 01:18 (five years ago)
You're doing a great job of making me never want to watch any movie you recommend.
― reggae mike love (polyphonic), Wednesday, 21 August 2019 02:05 (five years ago)
I mean, I didn't even particularly like OUATIH? But your posts are beyond tedious.
― reggae mike love (polyphonic), Wednesday, 21 August 2019 02:06 (five years ago)
yeah can't you just like, leave
― boobie, Wednesday, 21 August 2019 16:30 (five years ago)
ok
see u for Tarantootsies' last movie!
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 21 August 2019 16:56 (five years ago)
Let's kickstart Morbs a ticket to OUATIH, drink of his choice and medium popcorn
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Wednesday, 21 August 2019 17:11 (five years ago)
a vow is a vow
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 21 August 2019 17:14 (five years ago)
you held onto your last one for 18 minutes
― quelle sprocket damage (sic), Wednesday, 21 August 2019 17:31 (five years ago)
don't listen to them morbs!
― ogmor, Wednesday, 21 August 2019 17:59 (five years ago)
please Hammer, don't hurt 'em
― quelle sprocket damage (sic), Wednesday, 21 August 2019 18:01 (five years ago)
"tarantootsies" is p good imo
― Seany's too Dyche to mention (jim in vancouver), Wednesday, 21 August 2019 18:11 (five years ago)
imagine how u ppl would lose your minds if he ever included actors' hands in frame
― quelle sprocket damage (sic), Wednesday, 21 August 2019 18:19 (five years ago)
"tarantootsies" is shorter than "grotesquely trivializing a mass murder"
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 21 August 2019 18:20 (five years ago)
that is... not what happens
― Οὖτις, Wednesday, 21 August 2019 18:22 (five years ago)
but you'll never know, will you?
morbs, good news I spoke with the board we are willing to upgrade to to a large popcorn and as an incentive mike & ikes if you make it past 2 hours
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Wednesday, 21 August 2019 21:21 (five years ago)
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, August 21, 2019 2:20 PM bookmarkflaglink
He hasn't made a film about the Subway Series yet
― FUCK YOUR POTATO (Neanderthal), Wednesday, 21 August 2019 21:42 (five years ago)
Morbs has already posted itt more than anyone else, the servers might melt if he actually saw the film
― quelle sprocket damage (sic), Wednesday, 21 August 2019 22:45 (five years ago)
holy shit when did i last have a blast like this
― phil neville jacket (darraghmac), Wednesday, 21 August 2019 22:50 (five years ago)
― Οὖτις, Monday, 19 August 2019 16:56 (two days ago) bookmarkflaglink
rick::steve mcqueen::cliff::dog
― phil neville jacket (darraghmac), Wednesday, 21 August 2019 22:53 (five years ago)
xp I dunno, deems. Watching some action movie like MI5? A Marvel Universe superhero movie? Mad Max: Fury Road? Probably something like that.
― A is for (Aimless), Wednesday, 21 August 2019 22:53 (five years ago)
the correct answer was, in fact, fury road, aimless
now do i detect a pointedness to that
― phil neville jacket (darraghmac), Wednesday, 21 August 2019 22:55 (five years ago)
just making sure enthusiasm was correctly tamped down then?
strange.
― phil neville jacket (darraghmac), Wednesday, 21 August 2019 23:07 (five years ago)
i think Tarantino's revisionism is somewhat angry in bemoaning what was lost, i think it's a fairly easy copout to say he's just treating it lightly.
― omar little, Wednesday, 21 August 2019 23:14 (five years ago)
Morbz doesn't accept that you should have to read something first before you are allowed to offer a misreading
― Οὖτις, Wednesday, 21 August 2019 23:18 (five years ago)
more a matter of your giving those with whom you share your enthusiasm a few landmarks from which they might get their bearings
― A is for (Aimless), Thursday, 22 August 2019 00:01 (five years ago)
Quentin Tarantino's Manson murders movie Manson man:
How did you end up playing Manson in two unrelated projects?Bizarrely, it was a coincidence. Two productions happened to have a Charles Manson character in them, and I had an opportunity to audition for both. That’s pretty much it. If you’re going for a character like Charles Manson, you can only cast people of a certain height, so that narrows the pool because the guy was incredibly short. A lot shorter than me, but I’m only five-foot-seven, so I scraped into the pool. [Editor’s note: Though he was listed as five-foot-two, Manson himself claimed to be five foot six and three-quarter inches tall. But to be fair, he was also a notorious liar.]Mindhunter actually came about six months before Once Upon a Time in Hollywood even though they ended up shooting within two weeks of each other. Once Upon a Time in Hollywood came about not through any connection at all to Mindhunter but because of two actors in Once Upon a Time in Hollywood: Nicholas Hammond is a friend because he lives in Australia, and Timothy Olyphant is a friend from the Justified days. Together they brought up my name when they’d heard that Manson hadn’t been cast yet and suggested me to Quentin.Did you tell them at the Once Upon a Time audition you’d already gone out for Manson in Mindhunter?I didn’t think that would be a great idea because at that point I already had Mindhunter. I thought that even going for the same character again was a completely fruitless exercise, but I also didn’t want to not do an audition for Quentin Tarantino. So I was like, Well, I’ll do the audition, and if in the highly unlikely event that I get the role, then I have to say, “Hey, I’m already doing this.” He’s almost certainly going to say, “Oh well, thanks but no thanks, we’ll get someone else.” But luckily for me, it didn’t bother him.
Bizarrely, it was a coincidence. Two productions happened to have a Charles Manson character in them, and I had an opportunity to audition for both. That’s pretty much it. If you’re going for a character like Charles Manson, you can only cast people of a certain height, so that narrows the pool because the guy was incredibly short. A lot shorter than me, but I’m only five-foot-seven, so I scraped into the pool. [Editor’s note: Though he was listed as five-foot-two, Manson himself claimed to be five foot six and three-quarter inches tall. But to be fair, he was also a notorious liar.]
Mindhunter actually came about six months before Once Upon a Time in Hollywood even though they ended up shooting within two weeks of each other. Once Upon a Time in Hollywood came about not through any connection at all to Mindhunter but because of two actors in Once Upon a Time in Hollywood: Nicholas Hammond is a friend because he lives in Australia, and Timothy Olyphant is a friend from the Justified days. Together they brought up my name when they’d heard that Manson hadn’t been cast yet and suggested me to Quentin.
Did you tell them at the Once Upon a Time audition you’d already gone out for Manson in Mindhunter?
I didn’t think that would be a great idea because at that point I already had Mindhunter. I thought that even going for the same character again was a completely fruitless exercise, but I also didn’t want to not do an audition for Quentin Tarantino. So I was like, Well, I’ll do the audition, and if in the highly unlikely event that I get the role, then I have to say, “Hey, I’m already doing this.” He’s almost certainly going to say, “Oh well, thanks but no thanks, we’ll get someone else.” But luckily for me, it didn’t bother him.
https://www.vulture.com/2019/08/charles-manson-damon-herriman-mindhunter-tarantino.html
― quelle sprocket damage (sic), Thursday, 22 August 2019 05:31 (five years ago)
aka the dude with the magical healing penis from Laid
― quelle sprocket damage (sic), Thursday, 22 August 2019 05:32 (five years ago)
he was so great as Dewey Crowe on Justified, classic recurring character
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Thursday, 22 August 2019 11:58 (five years ago)
Oh shit, that's where I recognized him! He was really funny on "Justified."
― Josh in Chicago, Thursday, 22 August 2019 12:47 (five years ago)
With this film of all films the gap between us & uk releases felt insane given the amount of online chatter there was about it. I’m not even that much of a spoilerphobe but it felt like I had a month of skimming past dozens of stupid arguments about every individual scene of this film, so I was kind of sick of it way before I even had a chance to see it (these arguments being largely from ppl on twitter that I don’t even follow, thanks twitter)If I didn’t have a free ticket I’d probably have waited another week or so before bothering to see it, but I saw it on tues and pretty much... ¿loved it? I had a similar experience to when I watched the latest jarmusch, where I was so into what the filmmakers were doing in the main that my enjoyment didn’t even really dip when there were things that I think were probably quite bad. The “middle hour where nothing happens” as it’s known itt is where it’s at for me, I could have hung out there a bit longer even. Pitt was the worst thing about IB and (after Robbie) the best thing here, fantastic easygoing toxic dude energy (speaking of Justified!)Tate in the cinema, Cliff at the ranch, Rick on set all amazing tbhI obviously had some idea of what was coming at the end but I did NOT expect the nastiness and ultraviolence (lotta killin). I laughed my arse off at the whole sequence tho, Pitt’s finger gun, belittling the mansonites, the slapstick gore, the horribly maimed woman shrieking and running blindly (in contrast, I fucking hate this gag in Fargo)... There was that awful webcomic going around that was like “the villains of this film are women who disrespect the Hollywood old guard”, referring to the Nazi space cadet dipshits who butchered a pregnant woman irl, & I feel like QT has benefited from this kind of pious gibberish going around because it obscures the valid reasons ppl may criticise scenes like this. The counter becomes as easy as ITS THE FUCKING MANSON FAMILY - that will get you so far because, in fairness, ITS THE FUCKING MANSON FAMILY, but I don’t think Tarantino is morally off the hook (per Fred, does he even want to be?). The “Natalie” ref was hard to miss (smh thread for taking so long to get there btw) and yeah it is a glib way to refer to that story and all the other stories it stands in for. Mileage is gonna vary on stuff like that, I thought it pretty obvious that the scene was there for a pointed reason but I won’t say anyone’s wrong for thinking the way it’s presented undercuts it. The retrovenge murder scene is puerile and bro-y - tex gets it right in the nards! - but for me that’s a hearty way to go about a tricky exorcism.
― YouGov to see it (wins), Thursday, 22 August 2019 17:18 (five years ago)
Oh also every Tarantino foot shot has been entirely knowing since at least “wiggle your big toe” in KB1 and possibly earlier, so simply noticing it each time is not an hilarious takedown
― YouGov to see it (wins), Thursday, 22 August 2019 17:22 (five years ago)
I had a similar experience to when I watched the latest jarmusch
The Dead Don't Die got a raw deal..I don't think any other wide-release movie this year has reflected the unsubtle absurdity and apocalyptic despair of our current moment as well that movie did.
― Conceptualize Wyverns (latebloomer), Thursday, 22 August 2019 18:36 (five years ago)
hmm i mean it was great fun but it had no idea what to do with ten mins to go and really didnt pull it off
wins otm re this tho
― phil neville jacket (darraghmac), Thursday, 22 August 2019 18:38 (five years ago)
"it had no idea what to do with ten mins to go and really didnt pull it off"
lol if that doesn't describe the current moment I don't know what does
― Conceptualize Wyverns (latebloomer), Thursday, 22 August 2019 18:46 (five years ago)
i'm kinda bummed, the local alamo is now showing this in 70mm after having it in 35 for the first couple weeks when i caught it. i'm interested enough to want to watch it again someday but maybe not just yet. #filmnerdproblems
― Good morning, how are you, I'm (Doctor Casino), Thursday, 22 August 2019 18:58 (five years ago)
It’s filmed on 35 and about a 35mm world, blowing it up is just a gimmick
― quelle sprocket damage (sic), Thursday, 22 August 2019 19:01 (five years ago)
― Conceptualize Wyverns (latebloomer), Thursday, 22 August 2019 18:46 (one hour ago) bookmarkflaglink
my gift 2u
― phil neville jacket (darraghmac), Thursday, 22 August 2019 20:43 (five years ago)
grazzi
― Conceptualize Wyverns (latebloomer), Thursday, 22 August 2019 23:47 (five years ago)
Interesting listen, from film editors' perspectives.
https://thisguyedits.libsyn.com/once-upon-a-time-in-hollywood-2019
― Lactose Shaolin Wanker (Raymond Cummings), Friday, 23 August 2019 18:46 (five years ago)
Greil Marcus being so wildly popular on ILX, this should go over well:
5. Quentin Tarantino, Once Upon a Time in...Hollywood (Sony Pictures). Los Angeles, 1969 — when, according to this movie, there wasn’t a single good song on the radio. When well into more than halfway through the Rolling Stones’s 1966 “Out of Time” comes on — not playing via the agency of any character, just dropped over a scene — the relief is like a wave that started in Japan coming down on the beach at San Pedro. Then it’s back to the sludge.
I think he overstates that a bit, but, as I posted above, I think he's about 85% right.
― clemenza, Friday, 23 August 2019 19:03 (five years ago)
"Hush" is a good song
― Οὖτις, Friday, 23 August 2019 19:10 (five years ago)
It was certainly intentional not to have BIG SONGS for « cult » scenes a-la Pulp Fiction, except the Stones. (Same thing with the dialogues maybe). So that it feels less like a juxtaposition of scenes and more of a whole.And I actually felt like listening to a lot of that era’s music after watching it, which I hadn’t in a while.
― AlXTC from Paris, Friday, 23 August 2019 19:52 (five years ago)
it's almost as if qt is more interested in the overlooked detritus of pop culture than the critical favourites??? huh
― Li'l Brexit (Tracer Hand), Friday, 23 August 2019 19:54 (five years ago)
I love "Out of Time," and it was certainly on the nose--played, I think, as everyone was arriving back from Europe the day before the murders--but I already associate that song with Coming Home. Interference like that always lessens a song's impact for me.
― clemenza, Friday, 23 August 2019 19:56 (five years ago)
I don't think Marcus is lobbying for critical favourites--I don't think he wants Astral Weeks in there--just better detritus.
― clemenza, Friday, 23 August 2019 19:57 (five years ago)
i liked it. helped with the scuzzy feel of the movie.
― Li'l Brexit (Tracer Hand), Friday, 23 August 2019 20:00 (five years ago)
Billy Stewart's "Summertime" is one of the 90 greatest sound recordings ever made by humans
― quelle sprocket damage (sic), Friday, 23 August 2019 20:06 (five years ago)
"Treat Her Right", "Ramblin' Gamblin' Man" too... Marcus is just pissed nobody heard a song and had to pull over.
― frustration and wonky passion (C. Grisso/McCain), Friday, 23 August 2019 20:40 (five years ago)
greil is just bummed he doesn't get to write a description of the guitar solo in "gimme shelter" for the 500th time
― (The Other) J.D. (J.D.), Friday, 23 August 2019 20:48 (five years ago)
The Irishman is coming, so he'll just have to be patient.
― frustration and wonky passion (C. Grisso/McCain), Friday, 23 August 2019 20:52 (five years ago)
(xpost) Actually, with one of my two favourite songs--Buffy Sainte-Marie's "Circle Game" cover--Sharon Tate does pull over to the side of the road. But just to pick up a hitchhiker.
― clemenza, Friday, 23 August 2019 20:58 (five years ago)
I already associate that song with Coming Home. Interference like that always lessens a song's impact for me.
since he broke the dam with Across 110th St in Jackie Brown, nearly every piece of music in every Tarantino film was recorded for, written for, or used in another film.
(even Hateful 8, which features Morricone score, was mainly a new recording of unused score he wrote for The Thing)
― quelle sprocket damage (sic), Friday, 23 August 2019 21:05 (five years ago)
XP Haha, had already forgotten that a song was still playing--instead of an ad or dj patter--at that moment.
One thing that has bugged me is that it seems like instead of the music being played on tapes or records at the Playboy Mansion, they would have had a live band like Deep Purple or the Strawberry Alarm Clock or Steppenwolf play. "Rock Me" would have sounded great.
― frustration and wonky passion (C. Grisso/McCain), Friday, 23 August 2019 21:11 (five years ago)
I only like Greil when he's writing cryptic shit about the Band and I only understand every fourth sentence, love that shit but otherwise he's hard for me
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, 23 August 2019 21:12 (five years ago)
Deep Purple *did* play Hush at the Playboy Mansion!
― Οὖτις, Friday, 23 August 2019 21:18 (five years ago)
...and Steppenwolf did..."Monster"
https://www.youtube.com/watch?v=fqJWNXuob-Q
Wasn't <actually. the mansion tho.
― frustration and wonky passion (C. Grisso/McCain), Friday, 23 August 2019 21:42 (five years ago)
since he broke the dam with Across 110th St in Jackie Brown, nearly every piece of music in every Tarantino film was recorded for, written for, or used in another film
Interesting...I'd have to look into that. Used and used well are two different things, though--I mentioned Coming Home because "Out of Time" is played memorably over the opening credits.
― clemenza, Friday, 23 August 2019 22:41 (five years ago)
I haven’t seen it, but sure - he used the actual theme songs from Across 110th St and Cat People as late-in-film tone-setters too.
― quelle sprocket damage (sic), Friday, 23 August 2019 22:59 (five years ago)
Kill Bill is wall-to-wall sdtk music from other films with a few notable exceptions
― Οὖτις, Friday, 23 August 2019 23:02 (five years ago)
My favourite songs post-Pulp Fiction are "Didn't I (Blow Your Mind This Time)" and "Tennessee Stud" in Jackie Brown, "Brother Love" and "The Circle Game" in the new one; nothing in the films between made much of an impression on me. Are any of those four associated with (or even used in) other films? I've never seem them if so. And there's certainly nothing in Reservoir Dogs--his greatest film soundtrack-wise--I've ever heard in another film.
― clemenza, Saturday, 24 August 2019 03:16 (five years ago)
since he broke the dam with
― quelle sprocket damage (sic), Saturday, 24 August 2019 03:38 (five years ago)
Once Upon is his first diegetic radio film since Pulp & Dogs
― quelle sprocket damage (sic), Saturday, 24 August 2019 03:39 (five years ago)
I understand you drew a line there...What I'd say then--and you can argue or rationalize this a million ways, but it all comes down to personal taste--is that there's a huge gap between how inspired the Reservoir Dogs soundtrack is and how comparatively ordinary Hollywood's is. Both, as you point out, are diegetic. Setting yourself that parameter does not rule out coming up with something as mind-bending as the way "Stuck in the Middle" or "Hooked on a Feeling" are used in Reservoir Dogs.
For me. If you think there's music in Hollywood that has the same kind of impact, that's great. I wish I felt the same way.
― clemenza, Saturday, 24 August 2019 03:47 (five years ago)
“I’ve Got A Name” in Django was pretty moving.
― ... (Eazy), Saturday, 24 August 2019 03:55 (five years ago)
naw the Once song selections (bar Summertime) were unremarkable pop music to me, vs the "what the heck is this" effect of Dogs, we're totally on the same page. but he's doing something different now! Dogs and Pulp (and Jackie? I know she's into her record collection, but iirc the 110th St moment is used as score, not played in-scene) are iirc totally presented as diegetic.
KB1 has RZA score but is mostly nicked from other scores, KB2 deliberately accepted a Robert Rodriguez score for $1 as the only thing to distinguish it as a separate film* but is likewise mostly stock. then he continued primarily lifting existing scores, with the odd existing song, until Once. His previous diegetic radio music was all vintage material being played in-fiction as nostalgia - K-Billy's Sounds Of The Seventies in Dogs, Urge Overkill covering '70s Neil Diamond in Pulp, 1950s-1971 songs in the 1971 Vanishing Point car in Death Proof.
Once is his first radio-era period piece, and while he's almost exclusively (caveat White Stripes in H8ful) used music from his childhood before, this time he's limited himself via research to songs played on the IRL radio station on actual 1969 tapes (although there's one cheat I found last time this came up itt).
This is a fun thing about him as an auteur: despite such a short filmography, there are easily readable phases he goes through, and we can see him refine tropes and then dump them once he's used them effectively. The pop-culture overload of Dogs/Romance/Killers gets dropped for the maturity of Jackie Brown. The revenge film run gets more overblown through Bill -> Proof -> Basterds -> Django, he compresses to a chamber piece in H8ful, then drops it but reworks the Basterds element to much greater effect in Once. He plays with westerns for a while, figures he's put his spin on it, but needs to shake the influence off by channeling his TV western viewing directly into Once (and apparently is showing longer Bounty Law excerpts in the pre-show at New Bev screenings - plus he says he has ten full episode scripts).
The sampling old scores (plus a few minutes of new stuff by a friend) phase wore out by H8ful, so he asked Morricone for a full score. Instead Morricone said "I like the screenplay but look I've only got time to write a theme, how about you pick from the orchestral The Thing music that Carpenter ignored?," then ended up delivering two pieces a total of 25 minutes long as the "theme" iirc from the DGA podcast.
Once's radio music is w/e to me as songs (as I said upthread when Veg wrote her great blog of a different opinion) but absolutely works as texture of what was in these characters' lives on those three days.
(And everyone's different! Rick doesn't really gaf about music that we can tell, Tate and her entourage banter about the poppiness of Paul Revere, go-with-the-flow Cliff is soundtracked by what happens to flow out of the radio, and the creepy crawlers are enraged by the late-night listening of Cielo Drive residents -- possibly a tiny nod toward their home listening being Charlie's own songs played on an acoustic guitar while he looks into their eyes. Music too real and pure to have been accepted by sell-outs like Doris Day's son.)
― quelle sprocket damage (sic), Saturday, 24 August 2019 05:48 (five years ago)
I've had a few drinks lads
also I went to see Basterds for the second time last night, in honour of its placing in the ILE 2009 poll, and the Bowie / Moroder comes in much earlier than I recalled. characters have already discussed an assassination attempt on Goebbels & associates, but this sudden, dramatic intrusion of achronology presages the film's overturning of history.
― quelle sprocket damage (sic), Saturday, 24 August 2019 05:53 (five years ago)
Are any of those four associated with (or even used in) other films?
per IMDB: Delfonics' Didn't I in two 1991 films, Bacon/Fiorentino/Malcatraz vehicle Queens Logic and Robert Townsend/Keenan Wayans joint The Five Heartbeats; Tennessee Stud in Demme's Melvin & Howard, 1980.
― quelle sprocket damage (sic), Saturday, 24 August 2019 06:45 (five years ago)
Learn something new every day--had no idea "Tennessee Stud" was in Melvin and Howard, one of my favourite films from that era (musically, too, for "Fortunate Son" and "Satisfaction"). I'm not sure if I ever saw it again after Jackie Brown came out, but that's 22 years, so I have to believe I did somewhere along the way. Must have missed it. (Its use in Jackie Brown, with Ordell sitting in his car outside Jackie's house as Max pays her a visit, is terrifying.)
― clemenza, Saturday, 24 August 2019 13:33 (five years ago)
but this sudden, dramatic intrusion of achronology presages the film's overturning of history.
Yeah, that's something I loved about it. I'm trying to think of another film that does that, a period film set in the (relatively) distant past scored by a distinctly futuristic/"modern"/contemporary pop song (that wasn't written for the film).
― Josh in Chicago, Saturday, 24 August 2019 13:41 (five years ago)
The "Tennessee Stud" from Melvin and Howard is the Eddy Arnold version. Johnny Cash's version from Jackie Brown was recorded years later as part of The American Recordings w/Rick Rubin.
― frustration and wonky passion (C. Grisso/McCain), Saturday, 24 August 2019 18:33 (five years ago)
“I’ve Got A Name” in Django was pretty moving.― ... (Eazy), Friday, August 23, 2019 10:55 PM (yesterday) bookmarkflaglink
― ... (Eazy), Friday, August 23, 2019 10:55 PM (yesterday) bookmarkflaglink
^loved this
― A-B-C. A-Always, B-Be, C-Chooglin (will), Saturday, 24 August 2019 18:59 (five years ago)
I'm trying to think of another film that does that, a period film set in the (relatively) distant past scored by a distinctly futuristic/"modern"/contemporary pop song (that wasn't written for the film).Not a film but this was like Peaky Blinders' whole thing for awhile
― Li'l Brexit (Tracer Hand), Saturday, 24 August 2019 20:48 (five years ago)
Obvious example (which, after staying away from it forever, finally watched last year and liked a lot): Sofia Coppola's Marie Antoinette.
― clemenza, Saturday, 24 August 2019 20:52 (five years ago)
New Order, Siouxsie & the Banshees, Gang of Four...it's completely nuts, in a good way.
― clemenza, Saturday, 24 August 2019 20:53 (five years ago)
That’s a pretty good one.
― AlXTC from Paris, Saturday, 24 August 2019 20:55 (five years ago)
A knights tale
― YouGov to see it (wins), Saturday, 24 August 2019 21:15 (five years ago)
Cough cough Moulin Rouge
― frustration and wonky passion (C. Grisso/McCain), Saturday, 24 August 2019 21:18 (five years ago)
I hadn't read the Billboard interview with Mark Lindsay until just now and didn't realize he lived at the Cielo Drive house with Terry Melcher and met Manson there ... that adds a spooky vibe to the Paul Revere & the Raiders songs in the soundtrack
― Brad C., Saturday, 24 August 2019 21:21 (five years ago)
I'm trying to think of another film that does that, a period film set in the (relatively) distant past scored by a distinctly futuristic/"modern"/contemporary pop song (that wasn't written for the film).
Something kind of related to this is the 70s-upped versions of Classical pieces in Lisztomania.
― frustration and wonky passion (C. Grisso/McCain), Saturday, 24 August 2019 21:47 (five years ago)
related in the sense that it's the opposite and also very bad
― mark s, Saturday, 24 August 2019 21:50 (five years ago)
Those are all good examples, though aren't the soundtracks to a Knight's Tale and Mary Antoneitte, stuff like that, wall to wall modern songs? That's the gimmick, right? I love the Bowie song in Basterds because it sticks out.
― Josh in Chicago, Saturday, 24 August 2019 22:00 (five years ago)
there's a small amount of music-of-the-period in marie antoinette (harpsichords and such)
― mark s, Saturday, 24 August 2019 22:06 (five years ago)
Well, related in that it's a period film with period music, but in both instances presented with a Glam/Prog sensibility fashionable from the time it was made.
Something else too is the mountain music versions of "White Light/White Heat" & "Fire and Brimstone" in Lawless.
― frustration and wonky passion (C. Grisso/McCain), Saturday, 24 August 2019 22:12 (five years ago)
I got one! In 'A Quiet Passion' Emily Dickinson sits upstairs and can hear a piano recital downstairs, and the song they are playing is 'I'm All Alone' from Spamalot.
― Frederik B, Sunday, 25 August 2019 00:03 (five years ago)
Edith Bowman asks Tarantino about Cat People and Across 110th St in last week's Soundtracking podcast, and he says that during the year of press for Pulp Fiction, as a young idiot he would often opine that it was bad to use any song that had been used well in another film.
― quelle sprocket damage (sic), Sunday, 25 August 2019 22:52 (five years ago)
Making me...I won't ask. He was so much older then, he's dumber than that now.
― clemenza, Sunday, 25 August 2019 23:02 (five years ago)
It seems like such an obvious, commonsense point to me: if a film or TV show has essentially taken ownership of a song by using it unforgettably--"Stuck in the Middle with You," "In Dreams," "Don't Stop Believin'," "Tomorrow Never Knows"--unless it's absolutely crucial to what you're doing (or unless you're engaging in a game of "I can top that"--better not miss), why wouldn't you simply pick another song? When "Out of Time" showed up in Hollywood, my thoughts went something like this: "Interesting...certainly fits...I wonder if he's seen Coming Home?...of course he's seen Coming Home, he's Quentin Tarantino...I like this, but it was better in Coming Home." I'm not sure that's what he wants me thinking.
― clemenza, Sunday, 25 August 2019 23:13 (five years ago)
Having not seen Coming Home, which version of "Out of Time" did Ashby use--the 'Strings' version that QT also used, or the real Stones version from After-Math (UK)/Flowers/More Hot Rocks?
― a bevy of supermodels, musicians and Lena Dunham (C. Grisso/McCain), Sunday, 25 August 2019 23:33 (five years ago)
chris farlowe baby
― phil neville jacket (darraghmac), Sunday, 25 August 2019 23:35 (five years ago)
The real version? Here it is, you can check:
https://www.youtube.com/watch?v=s8GzIdqTlVQ
(The song starts around 2:45.)
― clemenza, Sunday, 25 August 2019 23:36 (five years ago)
he used a different version tbf (xpost!)
and he goes into detail on the thinking behind the two choices cited, no need to just speculate. (I don't think they mention it specifically, but I suspect she's leading towards Out Of Time when she asks about picking songs that connect with the scene - he responds that that's usually something he avoids doing, having lyrics match or comment on screen action.) You're also not bothered by fully half his films using unoriginal score from other films, because you don't notice it! A minuscule proportion of Once Upon viewers will have seen Coming Home.
if a film or TV show has essentially taken ownership of a song by using it unforgettably--"Stuck in the Middle with You," "In Dreams," "Don't Stop Believin',"
look if this was the rule, Patty Jenkins wouldn't have been allowed to use Don't Stop Believin' in Monster.
― quelle sprocket damage (sic), Sunday, 25 August 2019 23:40 (five years ago)
XP That's the 'real' (i.e. actually performed by the band) one. The version QT used is Jagger's demo for Chris Farlowe, wherein he's backed by a bunch of session guys. This version was released on Metamorphosis, was a modest hit single in the mid-'70s, and ergo an anachronism in OUATIH.
― a bevy of supermodels, musicians and Lena Dunham (C. Grisso/McCain), Sunday, 25 August 2019 23:42 (five years ago)
(xpost) You're right--I don't notice that, so of course it doesn't bother me. As for songs, I'm hardly saying it's a rule, or that you're not allowed to do it, just that it's generally a bad idea. You're defending this point to death...As I've said more than once, I liked the film, enough to see it twice. But I sometimes get the feeling that anything less than awestruck subservience to the genius of QT is unacceptable.
― clemenza, Sunday, 25 August 2019 23:50 (five years ago)
Stones version, 1966 UK album track, cut-down version released on US compilations in 1967 and 1972: used in Coming Home, 1978. (Probably this version used in the American remake of Life On Mars starring Keitel and Imperioli.)
Chris Farlowe, 1966 #1 hit single
Mash-up version by Allen Klein, featuring Jagger guide vox, as demoed for Farlowe, over the produced Farlowe backing - 1975 single: used in Once Upon Hollywood, 2019 such an obvious, commonsense point to me
It's totally a good rule of thumb, but (eg) Cat People wouldn't have anything like the same effect if it was a new song written about setting fire to Nazis in a cinema - it's the recontextualising that makes it startling.
(xposts again! I'm not trying to attack yr opinions, just knocking ideas around, thinking abt this stuff having seen Basterds three days ago.)
― quelle sprocket damage (sic), Monday, 26 August 2019 00:01 (five years ago)
unless it's absolutely crucial to what you're doing
everything is absolutely crucial to every director, at least in their own minds, particularly quentin tarantino, is pretty much how i break it down to an extent
― Li'l Brexit (Tracer Hand), Monday, 26 August 2019 00:08 (five years ago)
he says that during the year of press for Pulp Fiction, as a young idiot he would often opine that it was bad to use any song that had been used well in another film
I searched out that section of the podcast, and that's not exactly what he says.
"I'm coming up with all these theories (while promoting Pulp Fiction) about 'You can do this, but you can't do that. You can do this, but I can't do that. I would never do that, and anybody who does that is an idiot.'" He wasn't saying he was an idiot then, he was busy calling other people idiots. He then goes on to say that one of his impulses for using songs from other films is one of the things I proposed above, that he thinks he can take that song and use it better (or sometimes, just differently).
So that's fine, there is some thought at work. But to reiterate, I don't think he uses "Out of Time" better, and he most definitely doesn't use "Mrs. Robinson" better (which I haven't even bothered to mention yet, it was so weirdly clumsy).
― clemenza, Monday, 26 August 2019 00:13 (five years ago)
I was paraphrasing “I didn’t know what I was talking about, I’d only made two films, but I’d say (etc)” as ‘young idiot’
― quelle sprocket damage (sic), Monday, 26 August 2019 00:19 (five years ago)
on this film and Demy's Model Shop
https://letterboxd.com/keithuhlich/film/once-upon-a-time-in-hollywood/2/
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 26 August 2019 02:53 (five years ago)
Can mods replace all morbz posts in this theead with https://youtu.be/0xGXeWVOtgM
― Οὖτις, Monday, 26 August 2019 03:02 (five years ago)
Are you saying u want to fuck Morbs
― FUCK YOUR POTATO (Neanderthal), Monday, 26 August 2019 03:04 (five years ago)
just trying to help u out w/ further viewing, yer welcome
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 26 August 2019 10:56 (five years ago)
Not sure if these have been posted or not--we've probably exhausted the subject anyway.
http://www.gq.com/story/mary-ramos-quentin-tarantino-interview
http://thefilmstage.com/news/listen-quentin-tarantino-and-paul-thomas-anderson-discuss-once-upon-a-time-in-hollywood/?fbclid=IwAR2Mm2ejWdgJpszgZTvd-Zld46gikU9nWqzk9_T0bQdOUhcYVi4xdH-UNwE
― clemenza, Wednesday, 28 August 2019 14:18 (five years ago)
fbclid=IwAR2Mm2ejWdgJpszgZTvd-Zld46gikU9nWqzk9_T0bQdOUhcYVi4xdH-UNwE
― quelle sprocket damage (sic), Wednesday, 28 August 2019 15:41 (five years ago)
omg that DGA convo looks awesome — thanks clemenza!!!and mary ramos is a genius, i love hearing about how she works with QT, they have such a cool symbiotic relationship
― Squeaky Fromage (VegemiteGrrl), Thursday, 29 August 2019 00:11 (five years ago)
I finally have enough free hours to go see this in a few days
― change display name (Jordan), Thursday, 29 August 2019 17:32 (five years ago)
This exchange from the DGA convo above made me imagine if DiCaprio had starred in Punch Drunk Love.
PTA: Leo is consistently–when he decides to be–the f*cking funniest actor in Hollywood. Right? When he flips that switch….
QT: But truly, what’s so funny about him is that he’s not playing it funny. He’s playing it so f*cking serious. And that’s what so ridiculous.
― ... (Eazy), Thursday, 29 August 2019 18:13 (five years ago)
Good interview with the author of one of my favorite Manson books, Creepy Crawling: Charles Manson and the Many Lives of America's Most Infamous Family here, which briefly touches on the film.
I guess what I most want to say about Bugliosi is that he was some kind of genius: I’ve been shocked, in this summer of the 50th anniversary, to see how many of the folks in my social media bubble—good Leftists, anti-mass incarceration, et cetera—are still fully in Bugliosi’s thrall. The book—and miniseries—were huge: if you go back and reread the book and remember how it freaked you out when you were 12 it will be a disappointment. It’s pretty flat and has been passed on the highway by much gorier and detailed works. But Bugliosi’s logic—especially the “Helter Skelter” theory or apocalyptic race war—keeps getting repeated as gospel. By, like Boots Riley! Why could Boots Riley repeat what is essentially cop-knowledge-on-steroids? I know you know that Mekons line about how turning journalists into heroes takes some doing. So I’ll just leave this question by saying the same thing about Bugliosi: he turned himself into the hero of the story. And he really was a petty square who made his bones with this case and then appointed himself Big Boss of Manson. But he was just tall—compared to Manson. That’s all.
― blatherskite, Friday, 30 August 2019 01:57 (five years ago)
otmHelter Skelter gives a good overview of the bungled investigation & the insanity of the trial proceedings but his argument was total bunk
― Squeaky Fromage (VegemiteGrrl), Friday, 30 August 2019 02:16 (five years ago)
Someone else will want to gleefully post this, so let me beat him to it:
http://letterboxd.com/jrosenbaum2002/film/once-upon-a-time-in-hollywood/
What is Rosenbaum's history with Tarantino? Maybe I'm wrong, but sounds like the film never had a chance.
― clemenza, Sunday, 1 September 2019 21:33 (five years ago)
he's seen his crappy movies
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Sunday, 1 September 2019 21:57 (five years ago)
Oh ziiiing
― FUCK YOUR POTATO (Neanderthal), Sunday, 1 September 2019 21:58 (five years ago)
fuck can we send a crew to check tarantino after that ruthless hit
― theRZA the JZA and the NDB (darraghmac), Sunday, 1 September 2019 22:00 (five years ago)
I liked it Morbs
― The Ravishing of ROFL Stein (Hadrian VIII), Sunday, 1 September 2019 22:02 (five years ago)
incredibly I am not the only person on Earth who finds him morally and aesthetically reprehensible
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 2 September 2019 04:36 (five years ago)
really loved this. easy and breezy with an atmosphere of low hovering doom. california dreamin’
― american bradass (BradNelson), Tuesday, 3 September 2019 01:03 (five years ago)
yesterday i sat next to a guy on the Tube who was watching:1) a "cam" version of this i.e. recorded surreptitiously on a video camera at a movie theatre2) on his phone3) and he was impatiently fast-forwarding every few seconds. to get to the "good parts" i guess
― Li'l Brexit (Tracer Hand), Tuesday, 3 September 2019 06:51 (five years ago)
prob just needed to get the gist of its politics so he could review it
― theRZA the JZA and the NDB (darraghmac), Tuesday, 3 September 2019 07:15 (five years ago)
lmao
― Li'l Brexit (Tracer Hand), Tuesday, 3 September 2019 07:39 (five years ago)
― Frederik B, Tuesday, 3 September 2019 08:07 (five years ago)
irl lol
― quelle sprocket damage (sic), Tuesday, 3 September 2019 09:16 (five years ago)
Finally saw this, it was enjoyably breezy. Did NOT like the Bruce Lee scene at all (when I was a kid I idolized him, read a bunch of biographies, did martial arts for years, etc), especially when it came to people in the theater laughing at his Bruce Lee noises + getting emasculated by Pitt. And I'm in the camp that did not feel much (if any) catharsis at the end, the same trick that was so powerful in Inglorious Basterds didn't work for me here. Most of my emotional involvement had to do with the dog aka the best character, particularly when I thought Brad Pitt had been shot in the head at the end (what would that dog do without him?!).
― change display name (Jordan), Tuesday, 3 September 2019 20:57 (five years ago)
Took my bathroom break during the Bruce Dern scene, did I miss anything?
hot foot action
― Οὖτις, Tuesday, 3 September 2019 21:02 (five years ago)
Old man feet would have been a nice change from hippie girl feet
― change display name (Jordan), Tuesday, 3 September 2019 21:05 (five years ago)
A+ cowboy wallpaper
― Squeaky Fromage (VegemiteGrrl), Wednesday, 4 September 2019 01:51 (five years ago)
re : the Bruce Lee scene, I dunno, I've grown loving his movies and admiring him but I found the sequence silly and funny.It's OK and sound to mock people you admire/respect imo (+ QT made a 2 volume movie basically in homage to BL and the whole genre...).
― AlXTC from Paris, Wednesday, 4 September 2019 10:47 (five years ago)
i liked that bruce lee kept reappearing through the movie in brief training scenes, movie felt like it had more affection for him than reported
― american bradass (BradNelson), Wednesday, 4 September 2019 16:14 (five years ago)
I just saw this. I wasn’t in a hurry but ended up loving it. I think the ending was more effective than Inglorious Bastards. I genuinely didn’t know what was going to happen.
― Allen (etaeoe), Wednesday, 4 September 2019 16:19 (five years ago)
For soundtrack fiends, here's almost two hours of music performances in megacut form from Playboy After Dark...
https://www.youtube.com/watch?v=eoWek-2LG7w
Bunch of things I hadn't seen before: Marvin Gaye doing "Chained"; Canned Heat not long before Al Wilson's death; an earlier Steppenwolf clip than the one I linked upthread; a very awkward intro to the Cowsills; and Jackie DeShannon being backed by a young Barry White.
― a bevy of supermodels, musicians and Lena Dunham (C. Grisso/McCain), Saturday, 7 September 2019 16:18 (five years ago)
The only full-audience laugh was when Leo asked how to make the flame thrower less hot, which actually was pretty funny
― fremmes with neppavenettes (rip van wanko), Saturday, 7 September 2019 16:49 (five years ago)
we had a much livelier audience, they were laughing at everything including the bloodshed O_o
― Squeaky Fromage (VegemiteGrrl), Saturday, 7 September 2019 17:39 (five years ago)
I laughed at the bloodshed too, partly surprised bark at the audacity/extremity, mainly the fact that the whole scene is explicitly comic from start to finish
― YouGov to see it (wins), Saturday, 7 September 2019 17:43 (five years ago)
also the bit where Cliff turns on the light switch, which works especially well in a darkened theater
― Larry Elleison (rogermexico.), Sunday, 8 September 2019 06:12 (five years ago)
My showing was packed and laughs abounded.
On reflection I'm finding that I remember this movie as being very dumb, though I enjoyed it while watching, ho hum.
― Seany's too Dyche to mention (jim in vancouver), Sunday, 8 September 2019 06:15 (five years ago)
Really thought that violence explosion at the end to be the corniest, dorkiest, low level thing. Like so eager for Hell Yeah’s. Felt spectacularly dumb.
― circa1916, Sunday, 8 September 2019 06:26 (five years ago)
tyvm for that link, even though I have now listened to two Grateful Dead songs in my life
― now let's play big lunch take little lunch (sic), Tuesday, 17 September 2019 19:56 (five years ago)
legend was that the Dead, who were known for such tricks, dosed all the coffee pots at the Playboy taping
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Tuesday, 17 September 2019 21:19 (five years ago)
the camera was dosed for sure
― now let's play big lunch take little lunch (sic), Tuesday, 17 September 2019 22:55 (five years ago)
Barbi Benton playing with her tongue and forgetting how to introduce Sonny & Cher = same energy as Pete Waterman drenched in sweat and forgetting how to introduce Carl Cox
― now let's play big lunch take little lunch (sic), Tuesday, 17 September 2019 23:00 (five years ago)
Lots more soundtrack talk in this huge chunk of outtakes from Kim Morgan's Sight & Sound interview, inc.
One of the best recycling of scores in this movie that I’m really proud of is, there’s this great theme and it’s only used in one scene in Lamont Johnson’s terrific western Cattle Annie and Little Britches, it’s got this great music bit when the Doolin-Dalton gang actually enter the town for the first time and I thought, I wanna use that bit in this movie. And so my music supervisor Mary Ramos, she’s magnificent, she just finds all this stuff but she couldn’t find anything for that… and all I had, I don’t think it’s ever been out on DVD, I just had not only an old video cassette of it, like a Good Times video cassette of it, which means it was done in the six hour mode… and so I took my audio from the cassette and there’s even talking during the some of the musical sequence and my musical editor had to cut it out and he did – he did a good job with it. And so, we kind of made it work for one sequence. But then Mary my music supervisor talked to the composer of it and he said, “Look I don’t have any masters or anything – of any of the things we recorded, but I wrote the piece. I know the piece. Would you like me to do an acoustic version on the guitar and I’ll send it to you?” (claps hands) “Fuck yeah!” So, he just did his own acoustic version with a guitar, put it on file, send it to us. That’s the music we use when Tex Watson rides up to confront Cliff.
― now let's play big lunch take little lunch (sic), Thursday, 19 September 2019 20:43 (five years ago)
I want the movie to be extremely realistic, but the “Once Upon a Time…” suggests that it’s taking place in a vaguely alternative universe. Not that I wanna make a big deal about that, but it is. And I think, when you think, “Once Upon a Time,” that is part of the implication. So, I didn’t want to do anything super big – but I wanted to have little tiny touches, of, “Oh, OK, if you’re hip enough, you got it.” And one of the things that I thought would be kind of cool is …one of my absolutely favorite imaginary bands is The Carrie Nations from Russ Meyer’s Beyond the Valley of the Dolls. And so, I thought it would be kind of cool at some point that they’re driving around and “Look on Up from the Bottom” plays, and the announcer says, “OK, that’s the Carrie Nations, those girls are just tearing it up!” And so, if you’re hip enough to catch it, you’re thinking, the Carrie Nations weren’t a real band, so ultimately this isn’t real…
Now imagining an alternate Beyond the Valley of the Dolls where Terry Melcher manages the Carrie Nations instead of Z-Man, and Charlie orders the remnants of the Family to kill the band when their attempt on Tate/Rick fails...
― blatherskite, Thursday, 19 September 2019 23:00 (five years ago)
Extended Cut In Theatres This Weekend: https://www.indiewire.com/2019/10/quentin-tarantino-adds-four-scenes-once-upon-a-time-in-hollywood-re-release-1202184268/
― a bevy of supermodels, musicians and Lena Dunham (C. Grisso/McCain), Wednesday, 23 October 2019 18:41 (five years ago)
Sony recently confirmed that Brad Pitt would be campaigned for Best Supporting Actor, leaving DiCaprio to to run for Best Actor without facing competition from his co-starother way around imo
― now let's play big lunch take little lunch (sic), Wednesday, 23 October 2019 19:21 (five years ago)
Yeah definitely.
― AlXTC from Paris, Wednesday, 23 October 2019 19:51 (five years ago)
the Oscars deserve em
Ad Astra? too good
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 23 October 2019 20:23 (five years ago)
https://www.instagram.com/p/B5d_q0on8xY
― ... (Eazy), Saturday, 30 November 2019 06:55 (five years ago)
swoon
― terminators of endearment (VegemiteGrrl), Saturday, 30 November 2019 07:39 (five years ago)
finally watched it. it was p dull, though the ending was funny.
― peloton for the painfully alone (m bison), Friday, 20 December 2019 05:35 (five years ago)
this has been my biannual movie review *curtsies*
hard-hitting, but fair
― A is for (Aimless), Friday, 20 December 2019 06:07 (five years ago)
yr pretty dull xpost
― terminators of endearment (VegemiteGrrl), Saturday, 21 December 2019 06:03 (five years ago)
Picked up the Blu-ray the other week so I could show it, per my sister's suggestion, to my folks for our usual post-Christmas dinner movie watch (they loved it). In going through the various extra bonus bits and repurposed EPK stuff, it turns out there was a lot of chat from Luke Perry -- which was just nice to see, sounded like he had a great time on set. One of the bonus scenes is an extended bit from the Lancer episode where his character and Olyphant's first arrive in town, and we get to see more of the kid actor be amazing which was worth it in its own right. Also a few more fake ads, an extended Bounty Law cut, a little more with Manson from the one scene he's in the film, etc. Tim Roth's bit still on the cutting room floor somewhere.
― Ned Raggett, Tuesday, 31 December 2019 21:03 (five years ago)
I liked the long chat between Rick and Sam Wannamaker in the bonus footage too
― terminators of endearment (VegemiteGrrl), Tuesday, 31 December 2019 23:06 (five years ago)
Yeah I'd love to know if that was scripted or just one hell of a riff by the two in character.
― Ned Raggett, Tuesday, 31 December 2019 23:28 (five years ago)
my guess is Tarantino is a big enough nerd that it was 100% scripted
― terminators of endearment (VegemiteGrrl), Wednesday, 1 January 2020 02:15 (five years ago)
― terminators of endearment (VegemiteGrrl), Saturday, December 21, 2019 12:03 AM (one week ago) bookmarkflaglink
not wrong
― peloton for the painfully alone (m bison), Wednesday, 1 January 2020 02:40 (five years ago)
<3
― terminators of endearment (VegemiteGrrl), Wednesday, 1 January 2020 02:55 (five years ago)
iirc Jackson and Dern are the only actors he allows to tweak words, let alone change lines, let alone improvise
― don't care didn't ask still clappin (sic), Wednesday, 1 January 2020 03:30 (five years ago)
yeah it’s pretty rare he lets anyone go off book
― terminators of endearment (VegemiteGrrl), Wednesday, 1 January 2020 03:33 (five years ago)
Unless they're adding racial epithets, those are evergreen
― looking for Mon in Alderaan places (Neanderthal), Wednesday, 1 January 2020 03:43 (five years ago)
Could work:
https://theplaylist.net/tarantino-4-hour-once-upon-time-20200104/
― Ned Raggett, Sunday, 5 January 2020 23:39 (five years ago)
Quentin Tarantino's Manson murders movie tbf
― don't care didn't ask still clappin (sic), Sunday, 5 January 2020 23:49 (five years ago)
I just saw this on the plane and it was entirely not what I expected. And otm about the dog being very good in it. I also don't understand how Leo Di is nominated above Pitt in this.
― Yerac, Monday, 6 January 2020 00:13 (five years ago)
The vagaries of the Academy and star agents.
― TikTok to the (Alfred, Lord Sotosyn), Monday, 6 January 2020 00:17 (five years ago)
Leo was kind of wallpaper in this.
― Yerac, Monday, 6 January 2020 00:21 (five years ago)
disagree! I thought Rick’s story of, kinda discovering the actual act of Acting was really touching & great & Leo did some great work imoJust cause Rick is a cheeseball doesnt make him less intetesting.
― terminators of endearment (VegemiteGrrl), Monday, 6 January 2020 01:08 (five years ago)
both were great, but leo does all of the acting for the pair
― Banáná hÉireann (darraghmac), Monday, 6 January 2020 01:50 (five years ago)
I've posted this clip before. I don't know if Tarantino had it somewhere in the back of his mind while making Hollywood, but I'm quite sure he's very familiar with the film. I don't think anything in Hollywood is this good music-wise--Margot Robbie driving along to "The Circle Game" is close.
https://www.youtube.com/watch?v=y8z_g3R7uXY
― clemenza, Monday, 6 January 2020 02:06 (five years ago)
I just may not be attuned to later Leo's 'thing'. He's constantly upstaged in almost everything I see him in despite him looking like he's working very hard. I barely remember the scenes he was in besides the flamethrower.
This was the first time I have seen Margaret Qualley in anything besides her Kenzo ad. I like her.
― Yerac, Monday, 6 January 2020 03:53 (five years ago)
XP QT totally knows that film. Also kind of amazed he never used Paul Le Mat in anything.
― a bevy of supermodels, musicians and Lena Dunham (C. Grisso/McCain), Monday, 6 January 2020 03:58 (five years ago)
Good point--he would have made a perfect reclamation project along the lines of Travolta, Robert Forster, Chris Penn even. I can imagine him in the Kurt Russell Hollywood role.
― clemenza, Monday, 6 January 2020 04:24 (five years ago)
https://giphy.com/gifs/margot-robbie-mike-moh-rick-dalton-L4U4IrAmDhp4AFywRa
― terminators of endearment (VegemiteGrrl), Monday, 6 January 2020 05:09 (five years ago)
https://media0.giphy.com/media/L4U4IrAmDhp4AFywRa/giphy.gif?cid=19f5b51ac21811def2c0a75ea9e1c876adef1e2eaf0bd501&rid=giphy.gif
― terminators of endearment (VegemiteGrrl), Monday, 6 January 2020 05:10 (five years ago)
https://deadline.com/2020/01/quentin-tarantino-oscar-nominations-once-upon-a-time-in-hollywood-star-trek-bounty-law-tv-series-1202829629/
He wants to do a five-ep Bounty Law series.
― a bevy of supermodels, musicians and Lena Dunham (C. Grisso/McCain), Friday, 17 January 2020 17:39 (five years ago)
historically Tarantino's forays into TV have ... not been good
― Οὖτις, Friday, 17 January 2020 17:41 (five years ago)
his CSI two-parter was great!
― terminators of endearment (VegemiteGrrl), Friday, 17 January 2020 17:45 (five years ago)
He’s been talking about the Bounty Law series for six months, but he talks about a lot of vaporware and he’s about to have a kid. Don’t count yr spurs before the cowboy saddles up, as my pappy used to say.
― don't care didn't ask still clappin (sic), Friday, 17 January 2020 19:56 (five years ago)
He talks a lot about... vaporwave?
― circa1916, Friday, 17 January 2020 20:06 (five years ago)
Oh lol n/m
damn hes having a kid? good for him
― johnny crunch, Friday, 17 January 2020 20:17 (five years ago)
I mean, is there a list of all of the abandoned Tarantino ideas out there? It's not like he tosses away ideas at a Neil Young clip or anything, but he's talked about a lot that falls by the wayside.
― soaring skrrrtpeggios (jon /via/ chi 2.0), Friday, 17 January 2020 20:18 (five years ago)
Star Trek and Bond films spring to mind
― Οὖτις, Friday, 17 January 2020 20:27 (five years ago)
Also the abandoned Vega brothers movie, and I think there was talk about a Basterds spin-off following a platoon of black soldiers.
― soaring skrrrtpeggios (jon /via/ chi 2.0), Friday, 17 January 2020 20:49 (five years ago)
Halloween 7a Modesty Blaise filmcompleting or compiling My Best Friend's BirthdayKill Bill 3theatrically releasing, or putting out on disc, the complete Kill Billanime Kill Bill spinoffsmaking all the cut material from Inglorious Basterds into a miniseriesmaking a longer cut of Basterds with some of the cut material reinstatedKiller Crow, a whole chunk of Basterds about black soldiers going rogue and slaughtering white officers that he spun off into its own idea before shootingDouble V Vega, a prequel with Vic Vega visiting Vince Vega in Amsterdama third Western (he said the Lancer stuff in Once fixed that jones)wanting to make a horror filma John Brown biopica series of Django novelsvarious other novelsvarious graphic novelsvarious remakesa Len Deighton adaptation trilogy
― don't care didn't ask still clappin (sic), Friday, 17 January 2020 21:15 (five years ago)
a John Brown biopic
Not the former publisher of Viz, I take it?
Tarantino should still do all the things you list.
― Ward Fowler, Friday, 17 January 2020 21:19 (five years ago)
So many bullets dodged
― Baby yoda laid an egg (wins), Friday, 17 January 2020 21:20 (five years ago)
would watch a movie of these bullets being dodged
― Banáná hÉireann (darraghmac), Friday, 17 January 2020 21:50 (five years ago)
a Len Deighton adaptation trilogy
He’s supposed to have a James Bond script done too. Would be very happy with Len Deighton though.
― Dan Worsley, Friday, 17 January 2020 22:05 (five years ago)
ha ha
dude who gave up on the political process and tried to overthrow slavery personally through armed uprising and mass assassinations, convicted of treason and hung
a little late for the Young Vega Brothers but Travolta could use a guiding hand again. he should definitely not write graphic novels. he should definitely come out of the upcoming retirement and make a bunch of horror movies when he gets bored.
― don't care didn't ask still clappin (sic), Friday, 17 January 2020 22:23 (five years ago)
xpost re ha ha
He’s supposed to have a James Bond script done too.
nah, he was trying to make Casino Royale before the Broccolis got the rights
― don't care didn't ask still clappin (sic), Friday, 17 January 2020 22:25 (five years ago)
he should pull a Malick and disappear, and hopefully in 20 years there won't be any more movies
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 17 January 2020 22:57 (five years ago)
Imagine if River Phoenix hooked up with Wes Anderson, Paul Thomas Anderson, even Tarantino (whatever you think of the guy).— Dennis Perrin (@DennisThePerrin) March 18, 2019
― bidenfan69420 (jim in vancouver), Friday, 17 January 2020 23:00 (five years ago)
Tarantino should remake Knight of Cups
― reggae mike love (polyphonic), Friday, 17 January 2020 23:01 (five years ago)
For me, ONCE UPON A TIME IN HOLLYWOOD didn't live up to the hype. Tarantino had the look and the sounds down, yet it seemed pointlessly impressionistic. The Manson kids get killed, but they didn't really. It just reminds you that the massacre happened. Revisionism has its limits. pic.twitter.com/mjOmibaJMj— Dennis Perrin (@DennisThePerrin) August 18, 2019
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Friday, 17 January 2020 23:14 (five years ago)
Too Much Perrin Up In This Bitch!
― a bevy of supermodels, musicians and Lena Dunham (C. Grisso/McCain), Friday, 17 January 2020 23:43 (five years ago)
xp. not necessarily a negative appraisal (and he went to the theatre to watch it to boot)
― bidenfan69420 (jim in vancouver), Friday, 17 January 2020 23:45 (five years ago)
*shares tweet about movie i didn’t see*
― american bradass (BradNelson), Friday, 17 January 2020 23:45 (five years ago)
i actually fully agree with denny p's assessment there, christ!
― bidenfan69420 (jim in vancouver), Friday, 17 January 2020 23:46 (five years ago)
Brad plz dear stfu w/ your persnickety policing
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 18 January 2020 01:59 (five years ago)
did you end up seeing it, morbs?
― Doctor Casino, Saturday, 18 January 2020 02:52 (five years ago)
Morbs has said many times that he will never see it, and yet he keeps persnicketily policing any reactions to it that don't accord with his imagined one
― don't care didn't ask still clappin (sic), Saturday, 18 January 2020 02:55 (five years ago)
I detest its maker as a human; this is the most active thread about him
that last tweet was in response to jiv's, in the spirit of "don't fuck with a fucker"
wishing you all a sleepless night
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 18 January 2020 02:57 (five years ago)
yeah it's super annoying when ppl take up loads of space on a thread for something they'll never watch :) xp
― bold caucasian eroticism (Simon H.), Saturday, 18 January 2020 02:58 (five years ago)
"fixing" the Manson murders is a fucking aesthetic crime, I don't need to see it after the Basterds idiocy cuz IT'S THE SAME THING.
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Saturday, 18 January 2020 02:59 (five years ago)
haven't seen it but you're making me want to
― Dan S, Saturday, 18 January 2020 03:12 (five years ago)
iirc you were very mad at ppl dismissing ready player one before they saw it bc the source material was nuclear garbage
― american bradass (BradNelson), Saturday, 18 January 2020 05:13 (five years ago)
i think the violence at the end of basterds and this film are v different just based on context, for one this movie is wayyyyyyy more intimate
― american bradass (BradNelson), Saturday, 18 January 2020 05:14 (five years ago)
― terminators of endearment (VegemiteGrrl), Saturday, 18 January 2020 05:18 (five years ago)
and unnecessary imo
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 18 January 2020 06:02 (five years ago)
Just watched this a second time. Yeah, still wildly fucking mediocre. Pitt has some good moments and the set design is fun. Ending remains cringe-level stupid. Don’t get the love for this thing at all, but I’ve disliked everything from IG (against popular opinion) on.
― circa1916, Saturday, 18 January 2020 06:27 (five years ago)
IG? Inglorious Basterds.
― circa1916, Saturday, 18 January 2020 06:29 (five years ago)
GREATJackie BrownOnce Upon a Time
GOODInglourious BasterdsPulp FictionKill Bill Vol. 1
AIIGHTDeath ProofKill Bill Vol. 2
NOT GOODDjango Unchained
AWFULReservoir DogsThe Hateful Eight
― temporarily embarrassed thousandaire (Eric H.), Saturday, 18 January 2020 14:59 (five years ago)
otm though flip kill bills 1 and 2 and put death proof in good
― american bradass (BradNelson), Saturday, 18 January 2020 15:01 (five years ago)
I'd bump Hateful Eight above Django, and c'mon, Reservoir Dogs is good.
― Mario Meatwagon (Moodles), Saturday, 18 January 2020 15:03 (five years ago)
If Tarantino had only made Dogs, Morbs would have a very valid point.
― temporarily embarrassed thousandaire (Eric H.), Saturday, 18 January 2020 15:04 (five years ago)
GREATJackie BrownInglourious BasterdsKill Bill Vol. 2
GOODPulp FictionOnce Upon a TimeKill Bill Vol. 1
AIIGHTReservoir DogsDjango UnchainedThe Hateful Eight
NOT GOODDeath Proof
AWFULtbd
― Lactose Shaolin Wanker (Raymond Cummings), Saturday, 18 January 2020 15:34 (five years ago)
The dinner scene in Django is the only thing I'd save -- as tense as the Manson ranch scene in OUATIH later imo.
― TikTok to the (Alfred, Lord Sotosyn), Saturday, 18 January 2020 15:41 (five years ago)
Jackie Brown and Reservoir Dogs are great, the new one and half of Pulp Fiction are good, most are alright, the Kill Bills weren't for me. No interest in Death Proof, still haven't seen Inglorious Bastards.
― clemenza, Saturday, 18 January 2020 16:18 (five years ago)
finally saw this b/c theaters are rescreening it this week. fun movie!
― uncrut gems (crüt), Friday, 24 January 2020 07:01 (five years ago)
what strikes me about this film more than anything is how Tarantino's usual dialogue tics are mostly non-existent here, relying a bit more on easy natural-seeming banter and therefore the dialogue is arguably his best (though Jackie Brown had the benefit of some of Elmore Leonard's words). And unlike Death Proof/Django Unchained/Hateful Eight i was never bored, and it's vastly better than anything he's done since JB. Even when there are some moments of pop-culture namedropping it makes more sense and doesn't stop the momentum, and also frankly the cast here is the best he's had in eons.
the ending works for me, this fictional character Tarantino created stepping crudely into real history and altering the plans of these murderous idiots, and there's this brief moment at the end when Jay is calling up to Sharon at the house and Rick turns away from them with this mournful look on his face which I can only read as a wall-breaking acknowledgement of the actual history. the framing of him talking to Jay through the gate is particularly effective there. He gets a lot of emotion out of that, along with that final overhead shot of Rick walking to the house with Jay and greeting Sharon and the others.
The Spahn Ranch scene was, as stated before, completely masterful. Cliff sauntering through the place, knowing something is off almost immediately, building to him walking through the house, and as he's about to leave he sees the knife in the tire, and it continues to build up til we see the car peeling off. The knowledge of what happened at the ranch with other people, and the fact that virtually any fate could befall Cliff there, just makes the scene all the more tense.
― omar little, Sunday, 2 February 2020 22:56 (five years ago)
I was furious at QT when I first saw it -- the gall of him saving the day through his art yet again -- but I can't stop thinking about this movie. It's really good no matter how mad it makes me.
― Miami weisse (WmC), Sunday, 2 February 2020 23:24 (five years ago)
probably his most genuinely personal film in a lot of ways -- i thought the entire thing worked, front to back. considering three of his previous four films were--high points in each aside--markedly a step below his best work, i was ready to be disappointed again, but it reaches some career heights in several areas and equals them everywhere else.
― omar little, Monday, 3 February 2020 17:47 (five years ago)
51 years ago today pic.twitter.com/9pwXGybwLx— Anna Swanson (@annaswnsn) February 8, 2020
― flappy bird, Sunday, 9 February 2020 04:26 (five years ago)
xp OTM
― flappy bird, Sunday, 9 February 2020 04:28 (five years ago)
luke perry should have had the dicaprio role and vice versa.
― Philip Nunez, Sunday, 9 February 2020 19:45 (five years ago)
i love luke perry but no way dude
― terminators of endearment (VegemiteGrrl), Sunday, 9 February 2020 20:03 (five years ago)
After thinking on it I’ve decided the Bruce Lee in this film is another alternate universe character. He boasts about beating Ali and then is only so-so against Cliff, so he’s clearly not our Bruce Lee. Same for the radio (and clemenza’s issues with its top fortiness) - this is a slightly different chart listing that what we got. It’s all more relaxing that way. Also, in this universe, Steve McQueen wore a wig.
― El Tomboto, Monday, 24 February 2020 22:33 (five years ago)
Anyone see the longer cut?
― piscesx, Monday, 24 February 2020 22:38 (five years ago)
I don’t think it’s out there. There are about 20 min of deleted scenes on the disc but I haven’t watched them.
― flappy bird, Monday, 24 February 2020 23:42 (five years ago)
I was going to say, I don't think it's been released, just mentioned. The deleted scenes aren't exactly fascinating, though I've only watched once - still no Tim Roth. Some extra commercials, Rick singing "Green Door" on Hullabaloo, more of Bounty Law, extended scene when Charlie first visits Sharon Tate's house and a long conversation between Rick Dalton and Sam Wanamaker.
― soaring skrrrtpeggios (jon /via/ chi 2.0), Monday, 24 February 2020 23:49 (five years ago)
Same for the radio (and clemenza’s issues with its top fortiness) - this is a slightly different chart listing that what we got.
wild how Reel Radio's hundreds of hours of KHJ airchecks from the late 1960s managed to get transferred from this alternate universe too, right down to their imaginary disc jockeys
― Fantastic. Great move. Well done (sic), Tuesday, 25 February 2020 03:01 (five years ago)
wasn’t talking to you
― El Tomboto, Tuesday, 25 February 2020 03:11 (five years ago)
oh snap
― sorry for butt rockin (Neanderthal), Tuesday, 25 February 2020 03:12 (five years ago)
― terminators of endearment (VegemiteGrrl), Tuesday, 25 February 2020 03:33 (five years ago)
the fuckin, like... 15 seconds of the Joe Cocker cover of "The Letter" that plays when Cliff drives down Hollywood Boulevard the first time have been stuck in my head for a few weeks now.
― flappy bird, Tuesday, 25 February 2020 05:32 (five years ago)
yeah goddamn it was the perfect section for that footage
― terminators of endearment (VegemiteGrrl), Tuesday, 25 February 2020 05:50 (five years ago)
I looked at some used vinyl today, and noticed that the Buffy version of "Circle Game" appeared on the soundtrack to The Strawberry Statement, a 1970 campus uprising pic starring Bruce Davison & Kim Darby & Bud Cort (and scripted by Adrock's dad!).
― a bevy of supermodels, musicians and Lena Dunham (C. Grisso/McCain), Saturday, 7 March 2020 03:00 (five years ago)
I've seen it...excellent soundtrack: "Down by the River," two or three other Neil songs, also "Something in the Air."
― clemenza, Saturday, 7 March 2020 03:28 (five years ago)
thats such a great cue in the movie
― flappy bird, Saturday, 7 March 2020 03:52 (five years ago)
XP I've seen it too (actually own the Warner Archive 2-disc), but had forgotten the song being in it (or it didn't register--it's been a minute since I screened).
And yeah, alotta Neil, with "The Loner" & "Helpless" also figuring in alongside some other CSNY stuff.
― a bevy of supermodels, musicians and Lena Dunham (C. Grisso/McCain), Saturday, 7 March 2020 04:01 (five years ago)
Whatever my misgivings earlier in this thread, the one soundtrack pick I thought was perfect and sublime and somewhat new for Tarantino. There was such freedom and elation in the way Tate barreled down the Strip (or maybe it was a highway) with that hitchhiker.
Same, I either missed or don't remember "The Circle Game" in The Strawberry Statement. Kim Darby was very Karen Valentine, early-'70s wholesome.
― clemenza, Saturday, 7 March 2020 04:06 (five years ago)
Full disclosure: on some level I hate everything Tarantino has done for the last 20 years, even when I find certain movies or parts "entertaining" - especially, then, I guess, because I feel bad about enjoying them.
Anyway, I found this pretty entertaining, even though it was so fucking long. I kept remarking to my wife during the first half that they could have cut this scene or that to keep it under 2:42 or whatever.
Brad Pitt was great in this even if he is still playing a high-functioning Floyd on the couch in True Romance. My favorite parts might have been the scenes where Cliff and Rick were tooling around in Rick's car with the radio on and neon in the background or in reflections in the windshield. The scene at the Spahn ranch was very good - similar in tone to the Bruce Willis scene in the pawnshop, though less WTF.
I knew what was going to happen at the end and it was pretty lol.
But what the fuck was the entire point?
― Why, I would make a fantastic Nero! (PBKR), Thursday, 19 March 2020 22:22 (five years ago)
oh god
what an awful question to ask about a fun, rich, stylish movie
― thou shalt not covid thy neighbour's wife (darraghmac), Thursday, 19 March 2020 23:11 (five years ago)
I get it. 22 year old PBKR would be disappointed in 47 year old PBKR. Recalls my arguments about Pulp Fiction with my father.
Agree with the fun and stylish. Note sure how rich.
― Why, I would make a fantastic Nero! (PBKR), Thursday, 19 March 2020 23:40 (five years ago)
well they all live in mansions....
― thou shalt not covid thy neighbour's wife (darraghmac), Thursday, 19 March 2020 23:55 (five years ago)
I liked Cliff's mansion better than George's mansion
― Dollarmite Is My Name (sic), Friday, 20 March 2020 01:43 (five years ago)
mansion murders movie
― thou shalt not covid thy neighbour's wife (darraghmac), Friday, 20 March 2020 01:54 (five years ago)
Been thinking about this again and one thing I was wondering about is that Cliff killed his wife. Why does Tarantino add this fact and the quick scene showing him pointing the speargun at her? Does this imply that Cliff killed her intentionally and got away with it (maybe dumped her body overboard)? Or does it mean Cliff killed her accidentally and was acquitted?
I guess this is to add an element of danger to Cliff. But then why does Tarantino make her (the wife) such a nag? So that the viewer can still like Cliff even though he killed his wife? That frankly seems cheap and sleazy. Par for the course with Tarantino, I guess.
Sorry if this was discussed above. I read the entire thread but don't recall if it was and wasn't going to read it all again.
― Why, I would make a fantastic Nero! (PBKR), Friday, 27 March 2020 18:58 (five years ago)
It basically means that women who nag deserve to die.
― Why, I would make a fantastic Nero! (PBKR), Friday, 27 March 2020 18:59 (five years ago)
I mean it sucks but it is a cliff’s-eye-view and cliff is a psycho
― felt jute gyte delete later (wins), Friday, 27 March 2020 19:00 (five years ago)
it's also a memory within a memory in Cliff's mind, no wonder it skews his way
― flappy bird, Friday, 27 March 2020 19:03 (five years ago)
the deeper into flashbacks the movie gets, the more overloaded and confused the semiotics become: hence the bizarre and very obvious Thunderball outfit/spear gun
― flappy bird, Friday, 27 March 2020 19:04 (five years ago)
xp Is he a psycho? I didn't get that at all.
I didn't take the flashback as Cliff's memory as much as Tarantino showing us what happened, but that is more interesting/less troubling. I guess it could be a manifestation of Cliff's guilt over his wife's death, wondering if the accident was really an accident given how his wife was nagging him. That would be a more charitable (to Cliff) interpretation.
― Why, I would make a fantastic Nero! (PBKR), Friday, 27 March 2020 19:10 (five years ago)
If he murdered his wife he may be a psycho yes!
― felt jute gyte delete later (wins), Friday, 27 March 2020 19:13 (five years ago)
To me, the point is to sow doubt about Cliff. There's this unknown, dark undercurrent to his character that lives in the realm of Hollywood rumors. That scene could be his memory, but it could also be the way the Zoe Bell character and others imagined it went down. It's never resolved, but just lives there as a signal that he has a dangerous side that is rarely seen.
― Mario Meatwagon (Moodles), Friday, 27 March 2020 19:15 (five years ago)
Missing the key part that his wife was played by Rebecca Gayheart so cliff killed her before she could run over that kid.
― omar little, Friday, 27 March 2020 19:15 (five years ago)
xxp Lol, fair enough.
I just would find it hard to square psycho-Cliff with the presumably genuine concern for the possibility that Spahn was being taken advantage of (or worse) by the Manson family at the ranch.
― Why, I would make a fantastic Nero! (PBKR), Friday, 27 March 2020 19:16 (five years ago)
I remember in the first cycle of this thread I was very mad at ppl for not clocking the reference to Natalie Wood even tho the wife is literally called Natalie
― felt jute gyte delete later (wins), Friday, 27 March 2020 19:17 (five years ago)
I think what happened on the boat is obv left vague and he’s iirc a little drunk and it’s open as to whether or not it was accidental. Cliff is obv a low key bummed out dude at this point in his life who’s living in a shitty trailer so the implication is that whatever he did cost him a lot, which isn’t to say he wasn’t at fault nor didn’t deserve that kind of minor karmic justice.
― omar little, Friday, 27 March 2020 19:23 (five years ago)
it is played for laughs that he killed his wife on the boat for nagging him. it doesn't really seem particularly ambiguous in the least. I've already posted that here
― COVID and the Gang (jim in vancouver), Friday, 27 March 2020 19:27 (five years ago)
like him having the harpoon, his wife nagging at him, it cuts away from the scene with the implication that this is the moment he harpooned her
― COVID and the Gang (jim in vancouver), Friday, 27 March 2020 19:28 (five years ago)
in the theatre I was in this got a reasonably big laugh
Moodles otm
― Οὖτις, Friday, 27 March 2020 19:30 (five years ago)
Jeez, Cliff not the only psycho I guess,
― Why, I would make a fantastic Nero! (PBKR), Friday, 27 March 2020 19:31 (five years ago)
I def think it's there to both make him *less* likable and explain why he's basically an industry bottom feeder, w/a pathological devotion to his only patron
― Οὖτις, Friday, 27 March 2020 19:34 (five years ago)
the only guy who takes care of him is the guy who's ok with him having harpooned his wife, the extreme manifestation of their implicit "bros before hoes" bromance.
― Οὖτις, Friday, 27 March 2020 19:35 (five years ago)
so much so that he doesn't even believe it
― flappy bird, Friday, 27 March 2020 19:36 (five years ago)
The whole thing of him killing his wife is obv part of why stuntmaster Kurt Russell doesnt want to hire him (and stuntmaster’s wife hates him for that reason too) but between that & the war veteran part gives extra backstory/color as to why this affable handsome stunt guy is Rick’s manservant instead of working regularly
― terminators of endearment (VegemiteGrrl), Friday, 27 March 2020 19:38 (five years ago)
the reason we only see the lead up is no one other than cliff knows the truth. It’s not ambiguous as to whether or not he was responsible, we just don’t know if he decided to pull the trigger there.
― omar little, Friday, 27 March 2020 19:39 (five years ago)
or what shakey said
― terminators of endearment (VegemiteGrrl), Friday, 27 March 2020 19:39 (five years ago)
(xpost)
And yeah it makes him this more dangerous-seeming character than just an ordinary stuntman, he’s clearly working through some bleak shit whatever the truth about his past may be.
― omar little, Friday, 27 March 2020 19:40 (five years ago)
like in Cliff’s mind he kicked Bruce Lee’s ass and maybe his wife was a goddamn nag and it is all with good reason, taking ppl down a peg or two to his levelbut -outside his own head- in the actual world of movie production he is arrogant unpredictable sonofabitch who has basically made himself unhireable
― terminators of endearment (VegemiteGrrl), Friday, 27 March 2020 19:43 (five years ago)
^^^
(although he may be genuinely humble at this point / believing he's living in penance for past transgressions)
I didn't take the flashback as Cliff's memory as much as Tarantino showing us what happened
Definitely his memory, he reacts to it when we cut back to present-day taps aff Cliff on the roof
― Dollarmite Is My Name (sic), Friday, 27 March 2020 20:07 (five years ago)
just because it's his memory doesn't mean he's an unreliable narrator also
― COVID and the Gang (jim in vancouver), Friday, 27 March 2020 20:20 (five years ago)
No, his reliability is unknown, not least of all because he is not a real person, but a character in a film, and the boat scene isn't an actual memory, but a filmed sequence edited together with other film sequences, in order to create possible linkages in the viewer's mind.
― Mario Meatwagon (Moodles), Friday, 27 March 2020 20:25 (five years ago)
lol ok cool
― terminators of endearment (VegemiteGrrl), Friday, 27 March 2020 20:27 (five years ago)
lock thread i guess?
― terminators of endearment (VegemiteGrrl), Friday, 27 March 2020 20:28 (five years ago)
Lock borad
― sorry for butt rockin (Neanderthal), Friday, 27 March 2020 20:29 (five years ago)
― Dollarmite Is My Name (sic), Friday, 27 March 2020 20:35 (five years ago)
moodles otm
an actual apocalypse and ye still at it
― ole uncle tiktok (darraghmac), Saturday, 28 March 2020 03:37 (five years ago)
I mean, I know it sounds ridiculous to lots of folks on here, but we're pondering the reliability of a scene that is purposefully left ambiguous in the middle of a film about the fictionalization of historical events.
― Mario Meatwagon (Moodles), Saturday, 28 March 2020 03:51 (five years ago)
such a mind you have, it’s really wasted on all of us
― terminators of endearment (VegemiteGrrl), Saturday, 28 March 2020 04:17 (five years ago)
Lol, I'm not saying it's an original thought in any way
― Mario Meatwagon (Moodles), Saturday, 28 March 2020 04:18 (five years ago)
neither am I :D
― terminators of endearment (VegemiteGrrl), Saturday, 28 March 2020 04:43 (five years ago)
Oh I know, thanks
― Mario Meatwagon (Moodles), Saturday, 28 March 2020 04:44 (five years ago)
Cue "Ramblin' Gamblin'Man".
― "...And the Gods Socially Distanced" (C. Grisso/McCain), Saturday, 28 March 2020 04:46 (five years ago)
peace out in my karmann ghia
― terminators of endearment (VegemiteGrrl), Saturday, 28 March 2020 04:49 (five years ago)
Anyone seen the long cut yet?
― piscesx, Saturday, 28 March 2020 09:46 (five years ago)
There is no long cut yet.
― Dollarmite Is My Name (sic), Saturday, 28 March 2020 09:47 (five years ago)
Oh?! I thought it had been shown already. My bad. IMDB has this to say;
In October 2019, an extended cut of the film was released in selected theaters with an additional 10 minutes, made up of 4 new scenes which include an extended version of the opening scene, two fake commercials and a new after-credits scene.
― piscesx, Saturday, 28 March 2020 09:49 (five years ago)
He showed lots of bonus material like that, and Bounty Law stuff, before screenings at the New Beverly for months too, but the theoretical four-hour version or Netflix miniseries is still in the future
― Dollarmite Is My Name (sic), Saturday, 28 March 2020 10:21 (five years ago)
i really do want that in my life
― terminators of endearment (VegemiteGrrl), Saturday, 28 March 2020 16:15 (five years ago)
finally saw this today. liked how they don't make rick dalton a joke. he's self aware enough and also seems p committed to actually doing a good job and he is good at his job imo. dog attack + flamethrower the perfect ending too.
― oscar bravo, Saturday, 2 May 2020 15:48 (five years ago)
https://deadline.com/2020/11/quentin-tarantino-two-book-deal-harpercollins-novel-once-upon-a-time-in-hollywood-cinema-speculation-70s-movie-deep-dive-1234616927
― Ward Fowler, Tuesday, 17 November 2020 16:11 (four years ago)
Would totally read a Tarantino deep dive into '70s film, absolutely. And, hell, I'll probably read the novelization too.
― soaring skrrrtpeggios (jon /via/ chi 2.0), Tuesday, 17 November 2020 16:13 (four years ago)
Yeah as much as I hate his post-Jackie Brown work I'd be pretty interested in a book of nonfiction film essays tbh, would be cool if he transitioned into doing that more
― turn the jawhatthefuckever on (One Eye Open), Tuesday, 17 November 2020 16:24 (four years ago)
This is basically one long slow build to one big gratuitous climax, just not THAT big gratuitous climax. QT is soooooo clever! Brilliant direction though. Shame it means nothing.
― candyman, Tuesday, 17 November 2020 17:34 (four years ago)
Well, I mean, one could argue that every single piece of culture, pop or otherwise, means "nothing". What a weird argument to make.
I do see the criticism about the long slow build for this one, but honestly I think I would have enjoyed it just as much (if not more!) if that climax never came and it was just a day in the life of these characters with the Manson stuff limited to the hitchhiker and Cliff's visit to the ranch. The most interesting parts of the movie were not the climax.
― soaring skrrrtpeggios (jon /via/ chi 2.0), Tuesday, 17 November 2020 17:38 (four years ago)
ofc it doesnt mean nothing, i just thought the climax ruined all the other little observations along the way. he just stuck it there for his brodude fans
― candyman, Tuesday, 17 November 2020 18:24 (four years ago)
that Deadline article got me high
― flappy bird, Tuesday, 17 November 2020 19:10 (four years ago)
stock 2020 response but i cannot beLIEVE this movie only came out last summer. picturing going to the theater and seeing it and posting to ILX afterwards, it all seems much more distant than even other movies of that same year.
i saw that this was streaming on one of the services we get (probably our friend's premium extensions to Hulu?) and was sorta tempted to watch it, i remember really enjoying almost all of it except the ending, but the length and the sense of "this would not be the same enveloping Movie Experience on my TV" have put me off. but maybe i should really revisit it.
― Doctor Casino, Tuesday, 17 November 2020 20:12 (four years ago)
God I can't wait to read both of these books
― flappy bird, Tuesday, 17 November 2020 20:28 (four years ago)
xp I've had the opposite experience this year, I feel like zero time has passed since March. OUATIH feels as long ago now as it did in March, when I revisited Reservoir Dogs and Grindhouse for the first time in a while. No idea why
― flappy bird, Tuesday, 17 November 2020 20:30 (four years ago)
I would have preferred this movie not just without the ending but just without the Sharon Tate parts. A part of the movie that has any impact - or just any meaning whatsoever - based on context from outside the movie, from outside fiction. hate that as a trick in films to summon pathos, tension etc.
― Politically homely (jim in vancouver), Tuesday, 17 November 2020 20:40 (four years ago)
No way, some of the Sharon Tate stuff was great! The joy she had in watching herself onscreen was fantastic.
― soaring skrrrtpeggios (jon /via/ chi 2.0), Tuesday, 17 November 2020 20:46 (four years ago)
I know what you mean but I think both of those scenes work perfectly w/o context, then again I love scenes in movies where characters go to the movies and just watch a movie. They may be meeting someone, exchanging money, cruising, or just watching a movie, whatever. That kind of scene is so beautiful and meditative and even if you just know that this woman Robbie is playing is going to go see herself in a movie, that's enough, it works. And the ending is just euphoric, a glorious climax of anti-climax and some of the best fight choreography and individual gore shots I've ever seen. The ending of OUATIH goes beyond anything Argento or Fulci did, and it's so wonderful.
― flappy bird, Tuesday, 17 November 2020 20:48 (four years ago)
I'm curious about what the experience of watching this is like if you have little or no prior knowledge of the Manson murders.
― Mr. Cacciatore (Moodles), Tuesday, 17 November 2020 21:07 (four years ago)
I was shocked at how many people I knew who saw OUATIH and knew nothing about the murders. Some liked it, some loved it, some loathed it.
― flappy bird, Tuesday, 17 November 2020 21:08 (four years ago)
Did they get that the ending wasn't how things went down?
― Mr. Cacciatore (Moodles), Tuesday, 17 November 2020 21:16 (four years ago)
sharon tate’s the whole point of the movie ie what if instead of being america’s most famous murder victim & forever tied to some of the bloodiest murders of that era, what if she could be a person who lived ... this may sound v overwrought but imo the ending is a gift to the memory of her & the movie in no way works without her
― terminators of endearment (VegemiteGrrl), Tuesday, 17 November 2020 21:21 (four years ago)
yeah agreed with Veg, to me that was the most interesting and generous aspect of the movie. the rick dalton stuff is fun but it was sharon tate that got me to feel and think about things. wish she were in more of it.
― Doctor Casino, Tuesday, 17 November 2020 21:23 (four years ago)
-Would totally read a Tarantino deep dive into '70s film, absolutely
-Yeah as much as I hate his post-Jackie Brown work I'd be pretty interested in a book of nonfiction film essays tbh, would be cool if he transitioned into doing that more
-God I can't wait to read both of these books
he was blogging pretty hardcore, mostly about 70s films and TV, from December up until lockdown - wouldn't be surprised if he only went and got a book deal because there was no point posting his essays to his theatre's website while it's shut down
Guessing the book pitch included a big Bogdanovich chunk: here's 1600 words on Daisy Miller and 2700 words on Corman and on Bogdanovich's Targets from one week in March, then two months (and ten other essays) later 2500 words on Paper Moon and Last Picture Show.
On the days when he was plagued with nostalgia, before he got over that curse:
The first time movie audiences got a taste of Sylvester Stallone’s voice as artist (writer/actor) wasn’t 1976’s Rocky but 1974’s The Lords of Flatbush.
The success of American Graffiti precipitated a large wave of unfounded romanticized fifties nostalgia that at one point threatened to engulf the entire decade, and that I, as a little boy who didn’t know any better, was especially susceptible to (back then I loved anything fifties and prided myself on my fifties trivia knowledge). During this tsunami-like wave of nostalgia came “Oldies” based radio stations, the “Oldies But Goodies” series of albums, other fifties hit collection records sold on tv (most people my age first learned who Chubby Checker was from these commercials), James Dean was reintroduced to the pop culture zeitgeist , i.e. you could buy his posters in head shops again, right next to Tim Curry’s Frank N’ Furter (after a fall from grace during the hippy sixties), The Wild One replaced both On the Waterfront & A Streetcar Named Desire as the seminal Brando film (again, those were the pictures and posters they sold in head shops). And on tv, the American Graffiti inspired situation comedy “Happy Days” (lest we forget Ron Howard starred in both), and then later it’s feminine opposite number “Laverne & Shirley.” And last but certainly not least, the ascendancy of Henry Winkler’s Fonzie to the schoolyard pop culture stratosphere (to this day his black leather jacket hangs in the Smithsonian). Well some sly shrewd fox over at Columbia noticed that not only was The Lords of Flatbush fifties based like American Graffiti, but it also had Fonzie in the cast, before the industry knew that was a big deal, but us school kids knew that was a very big deal. So even though Henry Winkler didn’t really have a tremendous amount of screen time, Columbia Pictures cut together a terrific tv spot that featured Henry Winkler’s footage (Fonzie’s drawing power among young school kids was no joke), and THE BEST and MOST CATCHY commercial jingle ever written for a movie tv spot (while the original song score by disgraced songwriter – movie director Joseph Brooks is fantastic, the tv spot theme is no where to be found in the movie), that I can sing perfectly to this day.
On a 1971 episode of a Western TV show:
David Carradine, a friend of movie star Glenn Ford, once told me that in the late sixties, Ford gave his agents some specific marching orders. He wanted to do three pictures a year. He wanted to be paid 200,000 dollars a picture. And he didn’t care what they were. So naturally that led to some pretty mediocre, uninspired movies (Smith, Heaven with a Gun & A Time For Killing). Then Glenn decided to make the move to television. He started off with the quality TV movie horror film Brotherhood of the Bell, directed by one of my favorite genre director’s Paul Wendkos (in Once Upon a Time in….Hollywood it’s Wendkos who directed Rick Dalton in Tanner & The Fourteen Fists of McCluskey).
It’s one of those TV episodes that if you saw it when it aired, like I did with my dad, you never forgot it. Bobby Darin plays Billy Dobbs, a man released from prison after serving eleven years. While in prison Billy turned into a schizophrenic who thinks he’s the western outlaw Billy the Kid. The opening of the show gets my vote for most dynamic opening teaser of a TV series of the seventies, if not of all time.Billy, wearing period western cowboy duds, crests a hill on horseback, singing a little cowboy ditty to himself (Oh lord what a mornin’, oh lord what a mornin’, oh lord what a mornin’ when the sun begins to shine). He dismounts his steed and removes from the back of his saddle, what appears to be a long rifle or a buffalo gun, wrapped up in a blanket. Then the camera cuts behind him, and we see Billy’s on the hill looking down on a modern empty highway road, with a lone armored car moving his way.As he continues to sing to himself, he squats down on his haunches, and unwraps the blanket, but we don’t see its contents below frame. Then finally Billy rises to a standing position and raises the weapon he just unwrapped.Only it’s not a rifle…it’s a bazooka!Then he fires a rocket into the armored car, putting a big hole in the side, and blowing the damn thing right off the road (he stole the bazooka from a gun collector, as well as a pistol owned by the real Billy the Kid). Then he mounts back up on his horse, and proceeds to rob the fallen armored car as if it were a stagecoach. Then rides off with thirty thousand dollars (this is such a damn good idea I’m surprised another screenwriter hasn’t used it again. Or nobody's tried it in real life).
Billy, wearing period western cowboy duds, crests a hill on horseback, singing a little cowboy ditty to himself (Oh lord what a mornin’, oh lord what a mornin’, oh lord what a mornin’ when the sun begins to shine). He dismounts his steed and removes from the back of his saddle, what appears to be a long rifle or a buffalo gun, wrapped up in a blanket. Then the camera cuts behind him, and we see Billy’s on the hill looking down on a modern empty highway road, with a lone armored car moving his way.
As he continues to sing to himself, he squats down on his haunches, and unwraps the blanket, but we don’t see its contents below frame. Then finally Billy rises to a standing position and raises the weapon he just unwrapped.
Only it’s not a rifle…it’s a bazooka!
Then he fires a rocket into the armored car, putting a big hole in the side, and blowing the damn thing right off the road (he stole the bazooka from a gun collector, as well as a pistol owned by the real Billy the Kid). Then he mounts back up on his horse, and proceeds to rob the fallen armored car as if it were a stagecoach. Then rides off with thirty thousand dollars (this is such a damn good idea I’m surprised another screenwriter hasn’t used it again. Or nobody's tried it in real life).
Riffing on paperback novelisations:
John Frankenheimer’s Prophecy is pretty much a piece of shit from the word go, but the more it goes, the more enjoyable this piece of shit gets, till it can officially be classified under that beloved category, enjoyable piece of shit.
But with The Omen Seltzer didn’t just write a smash hit movie. He was also offered the chance to write the movie novelization based on his screenplay. He accepted and turned his script into a damn fine horror novel (that includes a lot of differences from the film. Including changing the first name of Peck’s character from Robert to Jeremy). Well, Seltzer’s novelization became a paperback sensation, turning into one of the best selling horror novels of all time. In the seventies when 7-Eleven store paperback spinner racks were filled with horror novels with lurid covers, there were four books that were always evoked. Rosemary’s Baby, The Exorcist, Salem’s Lot, & The Other. Evoked as in written somewhere on the front or back cover, "Scarier than The Other". "Not since Salem’s Lot". "It starts where Rosemary’s Baby and The Exorcist leaves off". Well Seltzer’s The Omen novelization sold as much as those genre defining hits. At this date over two million copies. The Omen was such a popular paperback and legit good book, that a lot of people just assumed the movie was based on the novel, and not the other way around. So David Seltzer was on the verge of becoming a horror writer superstar in both pictures and print. The newspaper ads for Prophecy didn’t read, From the man that brought you 99 and 44/100% Dead. They read, From the man that brought you The Omen. Then both Seltzer’s book for Prophecy and Frankenheimer’s film came out, and that was the end of David Seltzer’s major horror career. In the letter pages of Cinefantastique & Fangoria Magazine all the fans complained about make-up artist Tom Burman’s crazy bear monster. At the sneak preview I attended at The Mann’s Old Town Mall Theatre, towards the end when the monster stands at the foot of the lake, back lit by a full moon, people in the audience said out loud, It’s just a bear! Now it’s a monstrous bear, with a face like a cheeseless pizza, but still a bear. In the supplementary section of the newly released Blu-ray of Prophecy, Seltzer swears the creature the Native American characters refer to as Katahdin was never suppose to be a bear.That’s horseshit.I read the book. And while Seltzer never gives a complete description of Katahdin, what he does describe sounds a whole lot like a mountain bear. It’s stronger than a bear (it can rip a person in half with one strike of its…paw?) At 20 feet tall it’s bigger than a bear. And it has huge saucer-like eyes. But everything else is exactly like a bear. It’s covered in fur. It has paws and it has a snout. It runs like a bear, it charges like a bear, it reacts like a bear. It reacts to its dead cub the way a bear would. Its cubs are like bear cubs if the fur on their face was ripped off. Besides, that it’s a contaminated bear, is kind of the point of the story.
That’s horseshit.
I read the book. And while Seltzer never gives a complete description of Katahdin, what he does describe sounds a whole lot like a mountain bear. It’s stronger than a bear (it can rip a person in half with one strike of its…paw?) At 20 feet tall it’s bigger than a bear. And it has huge saucer-like eyes. But everything else is exactly like a bear. It’s covered in fur. It has paws and it has a snout. It runs like a bear, it charges like a bear, it reacts like a bear. It reacts to its dead cub the way a bear would. Its cubs are like bear cubs if the fur on their face was ripped off. Besides, that it’s a contaminated bear, is kind of the point of the story.
― @oneposter (💹) (sic), Tuesday, 17 November 2020 22:40 (four years ago)
― Li'l Brexit (Tracer Hand), Tuesday, 17 November 2020 22:54 (four years ago)
“Appropriately, the throwback novel will start as a Harper Perennial mass market paperback, “
Yess
― calstars, Tuesday, 17 November 2020 23:07 (four years ago)
Thanks for posting those, sic. They're from the New Bev site, right? I read a great piece by him on John Wayne and The Shootist on there a few months ago. (What a great movie, btw)
― flappy bird, Wednesday, 18 November 2020 01:58 (four years ago)
I really really liked this movie
― brimstead, Wednesday, 18 November 2020 01:59 (four years ago)
(oh man i love The Shootist)thx for posting these sic!!
― terminators of endearment (VegemiteGrrl), Wednesday, 18 November 2020 01:59 (four years ago)
I read a great piece by him on John Wayne and The Shootist on there a few months ago.
i just read this too (via sic) and was struck by this piece of extremely high praise, made the higher by its offhandedness, and it may have crystallized some things for me:
Wayne naturally gets every laugh he wants.
remains annoying that he insists on parsing stuff like fort apache and liberty valance as literally advising the viewer to print the legend, over the simpler and imo more fruitful reading “...and then they printed the legend”— just mentioning that for morbs’ sake— but otoh i did think passive-aggressively characterizing ford as a callow schoolkid’s hero (when contrasting, prob a lil reductively, spielberg/scorsese/lucas movie brats with altman/rafelson/cassavettes malcontents in this piece on ulzana’s raid) was kinduva compelling line of attack tbh.
― difficult listening hour, Wednesday, 18 November 2020 02:23 (four years ago)
bogdanovich stuff v good too, about the faces in paper moon.
― difficult listening hour, Wednesday, 18 November 2020 02:28 (four years ago)
But that's the line of attack leveled against Ford since...the Berkley movie brats era.
― Patriotic Goiter (Alfred, Lord Sotosyn), Wednesday, 18 November 2020 02:38 (four years ago)
I haven't watched Ulzana's Raid in twenty years, but what I remember is its space and quiet; Burt Lancaster acts as if he were a cactus, a rock, bric-à-brac, and the film's rhythms take their cue from him. Peckinpah's The Ballad of Cable Hogue works the same way. They're part of the My Darling Clementine lineage: epic in through-line, lyrical in excerpt.
What I'm saying is how Aldrich's film violates the conventions valorized by the film brat generation, or, rather, they didn't see how a Ford-influenced film not The Searchers could serve as a lodestar without the blarney.
― Patriotic Goiter (Alfred, Lord Sotosyn), Wednesday, 18 November 2020 02:43 (four years ago)
sure but what can i say; if you want me to check my flank accuse me of going to class
― difficult listening hour, Wednesday, 18 November 2020 02:44 (four years ago)
(xp)
― difficult listening hour, Wednesday, 18 November 2020 02:45 (four years ago)
https://www.nme.com/news/film/quentin-tarantino-once-upon-a-time-in-hollywood-book-release-date-2867003
― "what are you DOING to fleetwood mac??" (C. Grisso/McCain), Friday, 29 January 2021 15:54 (four years ago)
June 29
― calstars, Friday, 29 January 2021 16:38 (four years ago)
I hope the soundtrack for the book is better than the film's. Okay--gotta go!
― clemenza, Friday, 29 January 2021 17:20 (four years ago)
yay! looking forward to thisfor authenticity he should farm it out to an as yet unknown writer or established writer w an alias & base it on an early script draft or something other than the final shooting script so it’s full of weird new details not seen in the movie that we can nerd out on
― terminators of endearment (VegemiteGrrl), Friday, 29 January 2021 19:16 (four years ago)
More Quentin enthusing about old movies, if less focused: Edgar Wright worked through some top-of-the-head list of cool British films that Martin Scorsese gave some kid at a Q&A, then wrote to Scorsese asking for more recommendations. He fwded the reply to Tarantino, and the two of them have been powering away at it in lockdown, and here's three hours of them chatting about ones they've both or each seen.
(direct mp3 link. Quentin's audio is recorded on a phone in a tiled room, so plan to listen indoors.)
― shivers me timber (sic), Monday, 8 February 2021 19:07 (four years ago)
Nice!!! Thank you. Excited to listen to this. QT is living in Israel rn right?
― flappy bird, Monday, 8 February 2021 19:41 (four years ago)
Yep, in Tel Aviv.
― shivers me timber (sic), Monday, 8 February 2021 20:18 (four years ago)
(He casually names "the real" Cliff Booth in here, which I haven't seen him do before.)
― shivers me timber (sic), Monday, 8 February 2021 20:25 (four years ago)
Someone letterboxded the films they cite in the conversation.
Quentin's audio is recorded on a phone an iPad in a tiled room
― shivers me timber (sic), Wednesday, 17 February 2021 11:36 (four years ago)
This was an enjoyable listen even if Tarantino comes across as the overexcited-bordering-on-rude-nerd much of the time ( cutting off the other participants and eating up a huge chunk of the time with his own anecdotes). Kudos,as well to QT for no longer ending every statement with “Ok?!”
― SQUIRREL MEAT!! (Capitaine Jay Vee), Wednesday, 17 February 2021 13:22 (four years ago)
Someone on there mentioned “The Enfield Haunting” so I ran to find and binge watch it last night. Fantastic.
― SQUIRREL MEAT!! (Capitaine Jay Vee), Wednesday, 17 February 2021 13:24 (four years ago)
haha QT's tic is "alright?"
― flappy bird, Wednesday, 17 February 2021 17:27 (four years ago)
ha yes!
― SQUIRREL MEAT!! (Capitaine Jay Vee), Wednesday, 17 February 2021 17:53 (four years ago)
Four more hours!
https://thenewbev.com/blog/2021/03/pure-cinema-podcast-qt-movie-club/?fbclid=IwAR3rpo5HhD4WIHutrfL4_rQ-BxPClGSxBvOSN84jGWYVZfaXD7b1VwqSvl8
― We’re Up All Night To Get Lochte (Raymond Cummings), Wednesday, 3 March 2021 07:57 (four years ago)
https://thenewbev.com/blog/2021/03/pure-cinema-podcast-qt-movie-club/
69 characters = nice
?fbclid=IwAR3rpo5HhD4WIHutrfL4_rQ-BxPClGSxBvOSN84jGWYVZfaXD7b1VwqSvl8
69 characters = not nice
― grab bag cum trash bag (sic), Wednesday, 3 March 2021 10:13 (four years ago)
Will I ever get this right?
― We’re Up All Night To Get Lochte (Raymond Cummings), Wednesday, 3 March 2021 10:30 (four years ago)
I shoulda said "138 characters - not nice," d'oh
even if Tarantino comes across as the overexcited-bordering-on-rude-nerd much of the time (cutting off the other participants and eating up a huge chunk of the time with his own anecdotes)
feel like Wright is a good partner to have on this, as he knows Tarantino well enough to chime in when necessary, and has enough of QT's respect that he's given his own time to talk. he's usually relaxed and chatty on PCP, not uptight-to-the-point-of-rude but I still expect him to talk for 3.5 of the four hours
(kudes to RC for posting, I was gonna link it once I've listened but that might take a few days)
― grab bag cum trash bag (sic), Wednesday, 3 March 2021 10:52 (four years ago)
I really enjoyed the three hour marathon on old British films, fast forwarded when a) Tarantino talks about his own movies (he talks about them wih the same fervour and IT'S SO AWESOME energy he brings to his fav films by others, it weirds me out) and when he talked about the Joker, as I fear being jokerfied and do not want to run the risk. Still, pretty fun to see these two grindhouse geeks go all Talking Pictures TV.
― Daniel_Rf, Wednesday, 3 March 2021 10:59 (four years ago)
Edgar tweeted afterward that he once bought Quentin the complete Carry On box set, but Tarantino is scared to open it.
― grab bag cum trash bag (sic), Wednesday, 3 March 2021 11:04 (four years ago)
sic at 300 baud that’s an extra 4.5 seconds
― assert (MatthewK), Wednesday, 3 March 2021 11:27 (four years ago)
(altho as always I applaud your stance)
QT should at least watch Carry on Screaming, which would sit p nicely on the Scorsese list (the cinematography on COS is by Alan Hume, who also shot things like Kiss of the Vampire for Hammer and Dr Terror's House of Horrors for Amicus, so visually the film is a perfect pastiche of the colour palette/values that Scorsese (rightly!) loves so much about Hammer, or Mario Bava).
― Ward Fowler, Wednesday, 3 March 2021 11:33 (four years ago)
I think he's scared to open it because he's afraid to die of laughter
― Daniel_Rf, Wednesday, 3 March 2021 11:58 (four years ago)
https://consequenceofsound.net/2021/04/margot-robbie-quentin-tarantino-20-hour-cut-once-upon-a-time-in-hollywood/
i feel like morbs might come back to complain about this, this is the incantation
― G.A.G.S. (Gophers Against Getting Stuffed) (forksclovetofu), Monday, 5 April 2021 19:30 (four years ago)
he would come back to complain about clickbait that debunks itself if you get baited to click?
― armoured van, Holden (sic), Monday, 5 April 2021 19:38 (four years ago)
you certainly would
― G.A.G.S. (Gophers Against Getting Stuffed) (forksclovetofu), Monday, 5 April 2021 19:59 (four years ago)
if the sweet release of death can't even relieve us of the compulsion to post, what use is it
― armoured van, Holden (sic), Monday, 5 April 2021 20:39 (four years ago)
meet you back here in 60 years to discuss
― G.A.G.S. (Gophers Against Getting Stuffed) (forksclovetofu), Monday, 5 April 2021 21:08 (four years ago)
Another 3.3 hours, but with more give and take: on PCP again, with QT and the two hosts talking through five picks each for great final films by directors.
the morbsbait here is Quentin saying that addressing how many filmmakers' final works - or decade - is terrible, in preparation, made him consider not making a tenth film before quitting... because Once Upon A Time In Hollywood would be such a great mic drop.
― bobo honkin' slobo babe (sic), Friday, 4 June 2021 11:04 (four years ago)
Has one of the host guys abandoned his shtick of going "I'm definitley with you on that, that's a great point" to every fucking thing QT says, even if he's directly disagreeing with him?
― Daniel_Rf, Friday, 4 June 2021 11:05 (four years ago)
They're kinda like that most of the time anyway, nerds who don't want to have negativity in their show at all. But yes (I'm an hour in) you do need to apply a slight mental obsequity filter.
― bobo honkin' slobo babe (sic), Friday, 4 June 2021 11:19 (four years ago)
xpost Maybe the 20-hour version includes a segment on Chappaquiddick from a month earlier, with the Mod Squad saving not only Mary Jo Kopechne's life but Ted Kennedy's presidential aspirations.
― TO BE A JAZZ SINGER YOU HAVE TO BE ABLE TO SCAT (Jazzbo), Friday, 4 June 2021 12:53 (four years ago)
lol, envisioning "Quentin Tarantino's Quantum Leap."
― Josh in Chicago, Friday, 4 June 2021 12:59 (four years ago)
Wow these podcast hosts are such sycophants.
― SQUIRREL MEAT!! (Capitaine Jay Vee), Friday, 4 June 2021 13:22 (four years ago)
Yeah, Edgar Wright and Empire podcast host dude were better at reigning Tarantino in a bit.
One concerning thing I've taken on from these podcasts is that QT praises scenes from his own movies with the same amount of energy and awe that he gives to his fav films by others - and I do think he's illuminating on those.
― Daniel_Rf, Friday, 4 June 2021 13:26 (four years ago)
I'm not sure how he can top Once Upon a Time in Hollywood, makes sense he'd seriously consider stopping now.
― flappy bird, Friday, 4 June 2021 16:52 (four years ago)
Another Pulp Fiction
― Feta Van Cheese (Neanderthal), Friday, 4 June 2021 17:26 (four years ago)
does this mean the Star Trek movie isn't happening?
― Mr. Cacciatore (Moodles), Friday, 4 June 2021 17:28 (four years ago)
don't need to hear Bones saying the n-word thank you very much
― Feta Van Cheese (Neanderthal), Friday, 4 June 2021 17:29 (four years ago)
Yeah he's not directing it
― flappy bird, Friday, 4 June 2021 17:33 (four years ago)
He referred to Once Upon a Time as the "climax" of his career, so I've been thinking his 10th & last will be smaller scale, maybe only half a dozen characters, limited setting(s). Can't do Kill Bill vol. 3 or his Wuxia movie or another Corbucci homage or the Vega Brothers. Only precedent in his career is Jackie Brown -- something like that, not an epic, just a kickass cool movie, maybe a little more muted. Because he's going to end before he hits 60, I also doubt his last film will be preoccupied with aging/friends and loved ones dying as so many final films do. Maybe it'll be closer to a stage play, leading him into the next phase of his career.
― flappy bird, Friday, 4 June 2021 17:38 (four years ago)
I still like Death Proof. Make another movie under 2 hours, Quentin!
― Joe Bombin (milo z), Friday, 4 June 2021 17:49 (four years ago)
La Jetee 2
― Feta Van Cheese (Neanderthal), Friday, 4 June 2021 17:51 (four years ago)
He’s absolutely going to make an 11th movie, c’mon
― i carry the torch for disco inauthenticity (Eric H.), Saturday, 5 June 2021 17:48 (four years ago)
cancel this fuck
― Left, Saturday, 5 June 2021 18:27 (four years ago)
we keep trying
― What's It All About, Althea? (Aimless), Saturday, 5 June 2021 18:35 (four years ago)
No
― flappy bird, Sunday, 6 June 2021 04:20 (four years ago)
― i carry the torch for disco inauthenticity (Eric H.), Saturday, June 5, 2021 1:48 PM (yesterday) bookmarkflaglink
Yeah dude loves cinema way too much to be out of it for an extended period of time.
― Van Horn Street, Sunday, 6 June 2021 04:23 (four years ago)
I could see him just pulling a Lynch and making teevee
― pj, Sunday, 6 June 2021 04:54 (four years ago)
he made that CSI two-parter — which was really good imo
― terminators of endearment (VegemiteGrrl), Sunday, 6 June 2021 05:15 (four years ago)
He made a memorable Itchy & Scratchy too
https://frinkiac.com/video/S08E13/j4esjazdq0mqbWDiMmoK6KeZE5Q=.gif
― blue whales on ambient (C. Grisso/McCain), Sunday, 6 June 2021 05:17 (four years ago)
He has a point about directors' final films, and he's been saying this since at least Django press. I don't think he's going to make an 11th movie.
― flappy bird, Sunday, 6 June 2021 05:25 (four years ago)
I can think of plenty of directors who had great final films, or that at least sustained quality.
― Van Horn Street, Sunday, 6 June 2021 05:27 (four years ago)
Such as
― flappy bird, Sunday, 6 June 2021 05:31 (four years ago)
Since he started going on podcasts, he's said that if he'd had them when he was 20 he'd never have made his own films. He now has a wife and kid, programs several dozen movies for audiences every month, is starting an archival blu-ray label, will soon see whether there's a commercial audience for his novels and/or film criticism, has not just plans but scripts for at least one TV series, plans for expanded or miniseries cuts of two of his features, will be solidly into his sixties by the end of a theoretical tenth feature's promotional cycle, and can go on podcasts whenever he likes. Getting easier to believe he'd stay quit now.
One concerning thing I've taken on from these podcasts is that QT praises scenes from his own movies with the same amount of energy and awe that he gives to his fav films by others
Plenty of aspects of his public behaviour can be obnoxious but this one is just heartening imo. He puts out movies he's happy with! He's only wrong about one of them.
― bobo honkin' slobo babe (sic), Sunday, 6 June 2021 05:33 (four years ago)
A lot of the usual suspects when it comes to auteurs. I loved Saraband, Autumn Afternoon, the Sacrifice, Rouge, Voyage to India etc. Saw a few of Satyajit Ray’s last films recently and they are all really good, same for Takahata.
Maybe there’s a bunch of american filmmakers I am not thinking of, but on the top of my head, it isn’t the case for Ford, Sirk and Wilder. Cassavetes has a good example of a bad last film.
― Van Horn Street, Sunday, 6 June 2021 05:46 (four years ago)
I'm actually stunned that Tarantino didn't mention Imitation to Life, that might be the best example, maybe he's not a fan.......? (somehow???)
I actually haven't seen 7 Women or Buddy, Buddy but their partisans are few... and, to QT's point, several of their preceding films were bad. Not even "bad," but Cheyenne Autumn is clearly no Liberty Valance, and no I don't think Fedora is good. Avanti! is already long in the tooth. All of these directors, Hawks too, never thought of retiring or giving up... Ford especially, who would've done a pilot in 1970 if not for his health.
― flappy bird, Sunday, 6 June 2021 06:21 (four years ago)
Not even "bad," but Cheyenne Autumn is clearly no Liberty Valance
Ford was almost 70 when he made Liberty Vallance and had made dozens and dozens of movies. He wouldn't have even made The Searchers if he had retired at the age Tarantino is now.
To be fair late work does tend to be a problem for the kind of genre directors I imagine are more on Tarantino's mind than, say, Satyajit Ray or Douglas Sirk - not many defenders of late period Corbucci, Argento, John Carpenter, Jack Hill. Fukusake had a late career renaissance I guess. Also these director's fortunes much more dependent on the whims of their respective industries.
― Daniel_Rf, Sunday, 6 June 2021 09:20 (four years ago)
How many (healthy) career directors have announced that a film will be their last, and kept to that? Kieslowski and Tarr are the only ones coming to mind.
― Halfway there but for you, Sunday, 6 June 2021 15:57 (four years ago)
Also these director's fortunes much more dependent on the whims of their respective industries.
― Daniel_Rf, Sunday, June 6, 2021 5:20 AM (eight hours ago) bookmarkflaglink
and perhaps this is a big part of Tarantino's decision today.
― Van Horn Street, Sunday, 6 June 2021 17:43 (four years ago)
So we're not getting a QT Joker movie?
― blue whales on ambient (C. Grisso/McCain), Sunday, 6 June 2021 18:07 (four years ago)
I think its open to him *playing* the joker tbf
― Eschew things thirty two times before swallowing them (darraghmac), Sunday, 6 June 2021 18:14 (four years ago)
Batman: I've disarmed the bomb. Now to free Robin.
Robin (in gimp outfit): Mmm. Mmp! Vtmnnn!
Batman: Hold still, Robin. Did Joker hurt you?
Joker (Samuel L. Jackson): Oh, he's ok, Batman. I just gave him a foot massage.
― Vin Jawn (PBKR), Sunday, 6 June 2021 18:42 (four years ago)
The great directors get great with age. Tarantino's two best movies are Jackie Brown and Hollywood, so I guess make of that what you well.
― i carry the torch for disco inauthenticity (Eric H.), Sunday, 6 June 2021 21:44 (four years ago)
This roster will not be denied: Director's Final Films
― i carry the torch for disco inauthenticity (Eric H.), Sunday, 6 June 2021 21:45 (four years ago)
Not even "bad," but Cheyenne Autumn is clearly no Liberty ValanceFord was almost 70 when he made Liberty Vallance and had made dozens and dozens of movies. He wouldn't have even made The Searchers if he had retired at the age Tarantino is now.To be fair late work does tend to be a problem for the kind of genre directors I imagine are more on Tarantino's mind than, say, Satyajit Ray or Douglas Sirk - not many defenders of late period Corbucci, Argento, John Carpenter, Jack Hill. Fukusake had a late career renaissance I guess. Also these director's fortunes much more dependent on the whims of their respective industries.― Daniel_Rf, Sunday, June 6, 2021 5:20 AM (fourteen hours ago) bookmarkflaglink
― Daniel_Rf, Sunday, June 6, 2021 5:20 AM (fourteen hours ago) bookmarkflaglink
It's a tough comparison for a number of reasons: Ford, like so many directors of his generation and a couple after, worked in a system that had him making 3-4 movies a year for many years. Like others, he only hits his stride in the middle, with some exceptions on both ends (standout silents like The Iron Horse, Bucking Broadway, 3 Bad Men; and late period works like Liberty Valance and Sergeant Rutledge). In a system where quantity is prized over quality at all times, QT's calculation about having "the perfect shelf" of films wouldn't be possible. You couldn't be a working director if you only made 10 movies in ~30 years. It's not just the final film for QT, it's about making sure *all* of his films are all on basically equal footing (he's said Death Proof "has to be my worst movie," so keep in mind that's his bar). Of course whether or not QT's shelf ends up being "perfect" is in the eyes of the beholder, but unless #10 is an unprecedented disaster, I see his point: in a way, it would be closer to the career of a Tarkovsky or Tati, basically all bangers with the debate being which one is "the least good," rather than the worst.
― flappy bird, Sunday, 6 June 2021 23:58 (four years ago)
I am not the biggest Tarantino fan (but I do enjoy his films) it's just have no doubt that if he were to make a 11th or 12th it would be good, seems to me that his passion for cinema sort of guarantee quality.
― Van Horn Street, Monday, 7 June 2021 01:03 (four years ago)
Also making films take away so much from a person, there is also good non-artistic reasons to stop after awhile.
― Van Horn Street, Monday, 7 June 2021 01:04 (four years ago)
what's going on here
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Monday, 7 June 2021 01:10 (four years ago)
fanfic battles
― bobo honkin' slobo babe (sic), Monday, 7 June 2021 01:14 (four years ago)
was really not impressed in that podcast with the films he or the others chose as directors' greatest last films
― Dan S, Monday, 7 June 2021 01:17 (four years ago)
it's about making sure *all* of his films are all on basically equal footing (he's said Death Proof "has to be my worst movie," so keep in mind that's his bar). Of course whether or not QT's shelf ends up being "perfect" is in the eyes of the beholder, but unless #10 is an unprecedented disaster, I see his point: in a way, it would be closer to the career of a Tarkovsky or Tati, basically all bangers with the debate being which one is "the least good," rather than the worst
Reservoir Dogs, Django Unchained and The Hateful 8 are so very incredibly far from perfect.
― i carry the torch for disco inauthenticity (Eric H.), Monday, 7 June 2021 02:29 (four years ago)
I'm not arguing whether or not QT has a "perfect shelf," I don't think he does, that's just his position and why he intends to stop
― flappy bird, Monday, 7 June 2021 05:05 (four years ago)
"perfect" is also not the word he used, he just said he wants his filmography to be all bangers, basically. also not his word
― flappy bird, Monday, 7 June 2021 05:06 (four years ago)
Yes, obviously a director even having the luxury of considering his retirement for creative reasons is something that wouldn't have flown in classic Hollywood - much less in the grindhouse systems that are more relevant to Tarantino's sensibilities. Ford would have seen himself as a Man doing a Job and laughed at the idea of paying attention to his artistic ouevre (or pretended to, anyway).
But what I was getting at wasn't really to do with that: I'm saying Ford couldn't really have made Liberty Vallance in his mid career peak, because the material demands an older man with a different sensibility to direct. Same way Scorsese couldn't have made The Irishman in the 70's or Kurosawa made Dreams in the 50's.
Of course one of the main criticisms of Tarantino as a director is that his concerns are fundamentally juvenile and he doesn't really have anything to say beyond his pop culture references. Retiring now would be proving his doubters right in a way on that count.
But tbh I give his speculations on retiring as much creedence as I do yer average rapper talking on the same subject.
― Daniel_Rf, Monday, 7 June 2021 10:28 (four years ago)
He's made two great films about grappling with the notion of retirement, and the emotional baggage associated with it.
― bobo honkin' slobo babe (sic), Monday, 7 June 2021 13:09 (four years ago)
But what I was getting at wasn't really to do with that: I'm saying Ford couldn't really have made Liberty Vallance in his mid career peak, because the material demands an older man with a different sensibility to direct. Same way Scorsese couldn't have made The Irishman in the 70's or Kurosawa made Dreams in the 50's.Of course one of the main criticisms of Tarantino as a director is that his concerns are fundamentally juvenile and he doesn't really have anything to say beyond his pop culture references. Retiring now would be proving his doubters right in a way on that count.
Yet Tarantino made one movie that conveyed a more middle-aged perspective (Jackie Brown) that would seem to be beyond his emotional grasp, before talking himself out of doing it ever again. Talent and practical experience are more important in these matters than age demographics or maturity imo, especially since movies are highly collaborative. Aside from the technological limitations, Scorsese could not have made something like The Irishman in the 70s because it's a sprawling narrative that spans decades, not because he would have been incapable of depicting older characters, imo.
― Chris L, Monday, 7 June 2021 13:21 (four years ago)
people always seem to forgot the obvious:Jackie Brown was based on an Elmore Leonard book
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 7 June 2021 13:26 (four years ago)
David Lynch made The Straight Story in the middle of his career; Paul Mazursky made Harry & Tonto fairly early in his. In general, I think such films are more suited to older directors, but there are exceptions, probably quite a few.
― clemenza, Monday, 7 June 2021 13:27 (four years ago)
Yeah sure I'm not saying every good movie about old people was made by a senior citizen.
― Daniel_Rf, Monday, 7 June 2021 13:28 (four years ago)
people always seem to forgot the obvious:
Jackie Brown was based on an Elmore Leonard book
John Ford didn't write Liberty Vallance either, but a director still has to vibe with their material for it to work.
― Daniel_Rf, Monday, 7 June 2021 13:29 (four years ago)
yes I know that
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 7 June 2021 13:30 (four years ago)
I'm saying people always say Jackie Brown has as wry, funny, slightly melancholy middle age vibe that isn't the same as Tarantino's other films and maybe that has something to do with the fact that it's based on a book by an author who pretty much perfected that vibe
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 7 June 2021 13:32 (four years ago)
I don't think people forget this? They certainly don't forget that taking inspiration from existing texts is common through his work as a director. (You don't get the changes in career / life position for Ordell and Louis in the movie, to be sure.) (You also don't get the white power Nazi rally in Florida as an opener. Good thing America has come a long way since 1992!)
― bobo honkin' slobo babe (sic), Monday, 7 June 2021 13:38 (four years ago)
my point is that, if it has a slightly different vibe in his filmography, it's not a mystery why
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Monday, 7 June 2021 13:46 (four years ago)
I did not say he didn't add anything or imprint his style on to the material
One reason why he wouldn't want to get back to that vibe - adapting Leonard or someone else or even just doing an original thing with a similar vibe - is that Jackie Brown is the go to movie for ppl who don't like Tarantino as a whole to hold up as his one good film and he's mentioned resenting that in interviews.
― Daniel_Rf, Monday, 7 June 2021 13:50 (four years ago)
Tough.
― i carry the torch for disco inauthenticity (Eric H.), Monday, 7 June 2021 13:54 (four years ago)
It must suck to be a director at such a level as to have not only a generation-defining Taxi Driver but also a misunderstood sleeper Barry Lyndon whose cachet only continues to grow with time.
― i carry the torch for disco inauthenticity (Eric H.), Monday, 7 June 2021 13:55 (four years ago)
Eh I'm not saying this in a bid for people to pity the misunderstood artiste, just pointing out that it's no big mystery why he doesn't go back to that style - people keep asking him to.
― Daniel_Rf, Monday, 7 June 2021 13:59 (four years ago)
I attribute much of what's great about Jackie Brown to Grier, Forster, Jackson, and De Niro (and you can give Tarantino some degree of credit there, of course, but I wouldn't overstate that). Even if he tried to make another film of similar tone, I think it's unlikely he'd get four performances that great.
― clemenza, Monday, 7 June 2021 14:04 (four years ago)
if it has a slightly different vibe in his filmography, it's not a mystery whyAt the time, his three features as director each had different vibes, as did his other three (excluding NBK). He then did two full-on action films with different vibes to each other, but both explicit pastichey genre exercises. The next four settle into a more consistent vibe / voice for the first time imo
― bobo honkin' slobo babe (sic), Monday, 7 June 2021 14:07 (four years ago)
The performances in Jackie are kinda mutual in blame - he gave Grier and Forster a love letter of a script, and they made it even richer.
― bobo honkin' slobo babe (sic), Monday, 7 June 2021 14:10 (four years ago)
Yeah, I mean, it's impeccable casting that literally no one else would have gone with, so dude gets credit for that alone.
― Josh in Chicago, Monday, 7 June 2021 14:15 (four years ago)
For the casting, yes--should have mentioned that.
― clemenza, Monday, 7 June 2021 14:52 (four years ago)
the weird thing with jackie brown is even at the time he resented it though, he went on about how he was never ever ever going to direct something he didnt originate ever again. something about that movie just rubs him the wrong way.
― nobody like my rap (One Eye Open), Monday, 7 June 2021 16:19 (four years ago)
I know it's hard to imagine this today, but it wasn't hard to find people who thought Jackie Brown was a major misfire in the wake of Pulp Fiction. Heh, the '90s, amirite?
― i carry the torch for disco inauthenticity (Eric H.), Monday, 7 June 2021 16:21 (four years ago)
I used to argue with Morbs about ...Liberty Vallance: told him nothing on earth had persuaded me to watch it again
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Monday, 7 June 2021 16:21 (four years ago)
I was in college for Pulp Fiction and Jackie Brown and it was definitely considered a misfire by people who loved his first two movies. I remember feeling very alone in my passionate defense of that one, I wore out my VHS copy in those days.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Monday, 7 June 2021 16:26 (four years ago)
It did get head scratching responses, but, to jon's point, my friends were wearing it out on VHS the summer and fall of '98.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Monday, 7 June 2021 16:30 (four years ago)
JB has the best use of pop tunes in any QT flick imo
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Monday, 7 June 2021 16:31 (four years ago)
also it definitely just got swept up in the the post-pulp ironic crime movie backwash that was in full swing by then.
i always assumed QTs ambivalent relationship to it was bc it was the first film of his that wasnt a bonafide worldwide phenomenon, but more & more i also think it seems like he legit just doesnt really like how it turned out & regrets some of his creative decisions in it.
― nobody like my rap (One Eye Open), Monday, 7 June 2021 16:35 (four years ago)
Delfonics ftw
― Feta Van Cheese (Neanderthal), Monday, 7 June 2021 16:58 (four years ago)
it seems like he legit just doesnt really like how it turned out & regrets some of his creative decisions in it
lol, the only QT I wouldn't mess with a frame of
― intern at pelican brief consulting (Simon H.), Monday, 7 June 2021 17:01 (four years ago)
Tie at the top with Reservoir Dogs for me; both better than the overrated Pulp Fiction soundtrack.
― clemenza, Monday, 7 June 2021 17:01 (four years ago)
I really burned out on the RD soundtrack in college. It was one of the handful of albums that got played on our communal studio stereo that received no (or, at least, very very little) pushback or calls to turn it off.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Monday, 7 June 2021 17:22 (four years ago)
I've never gotten the impression he was unhappy with Jackie Brown itself, or his work on it -- I think it's obvious he resents its status as "the movie by QT for people who don't like QT."
― flappy bird, Monday, 7 June 2021 18:30 (four years ago)
resenting that is kinda stupid tho
― Bobo Honk, real name, no gimmicks (Doctor Casino), Monday, 7 June 2021 18:44 (four years ago)
Yes. And?
― flappy bird, Monday, 7 June 2021 19:01 (four years ago)
and therefore Tarantino is a big whiny babyidk, you asked
― Bobo Honk, real name, no gimmicks (Doctor Casino), Monday, 7 June 2021 19:03 (four years ago)
but they like JB for reasons other than to adulate QT as the outstanding auteur-writer-director-genius who made it. they like the story (not his) and the actors (not him) much more than they like the subtler things like editing/pacing or shot framing.
so, yeah, it's kinda stupid
― What's It All About, Althea? (Aimless), Monday, 7 June 2021 19:05 (four years ago)
its the one time in his career he clearly didnt completely cater to his own instincts and do exactly what he (probably) wanted (make it a zany ott splatterfest). and it resulted in a movie that got (for him, at the time) a somewhat disappointing reception. considering the way he talked about it at the time ("i was out of my comfort zone working with outside material and sharing the ball, creatively") and where he went after that, it doesnt seem like a stretch to imagine that he learned the wrong lesson, "i compromised my vision and it resulted in a movie with a mediocre reception, making live-action cartoons is what i was meant to do".
― nobody like my rap (One Eye Open), Monday, 7 June 2021 19:10 (four years ago)
and therefore Tarantino is a big whiny babyidk, you asked― Bobo Honk, real name, no gimmicks (Doctor Casino), Monday, June 7, 2021 3:03 PM (seventeen minutes ago) bookmarkflaglink
idk, you asked
― Bobo Honk, real name, no gimmicks (Doctor Casino), Monday, June 7, 2021 3:03 PM (seventeen minutes ago) bookmarkflaglink
Why say anything in the first place if you have nothing to add?
― flappy bird, Monday, 7 June 2021 19:24 (four years ago)
Does anyone ITT disagree that QT is incredibly obnoxious and high on myself? Do we need to keep restating that the sky is blue, water is wet, etc.?
― flappy bird, Monday, 7 June 2021 19:25 (four years ago)
High on *HIMself... God knows I don't want him high anywhere near me
― flappy bird, Monday, 7 June 2021 19:26 (four years ago)
Tarantino is up there amongst my favorite living directors, but I also recognize that he has some very problematic tendencies (some it seems he has learned from... others, not so much) and he would be an absolute nightmare to be trapped in a room with for any extended amount of time.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Monday, 7 June 2021 19:29 (four years ago)
He's a better encyclopedia than a compass.
― i carry the torch for disco inauthenticity (Eric H.), Monday, 7 June 2021 19:34 (four years ago)
He looks as if he has the worst breath.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Monday, 7 June 2021 19:48 (four years ago)
Slurping on tootsies will wreck your fumes toot sweet.
― i carry the torch for disco inauthenticity (Eric H.), Monday, 7 June 2021 19:51 (four years ago)
― flappy bird, Monday, June 7, 2021 3:01 PM bookmarkflaglink
O snap are we doing improv games?
― Feta Van Cheese (Neanderthal), Monday, 7 June 2021 20:12 (four years ago)
I need a location, a racial slur, and a calibre.
― bobo honkin' slobo babe (sic), Monday, 7 June 2021 20:19 (four years ago)
(let's make lots of money!)
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Monday, 7 June 2021 20:45 (four years ago)
fwiw flappy, i made a short comment intended to mock QT's (imo dumb) position as reported/characterized by you. you responded "Yes. And?" i didn't really have that much more to say so i just reiterated that QT's position is dumb. now you're mad that my thought doesn't run any deeper than that? i didn't know the thread had a "your thought must be this elaborate to post" sign.
― Bobo Honk, real name, no gimmicks (Doctor Casino), Monday, 7 June 2021 21:20 (four years ago)
freestyle rap your argument plz
― Feta Van Cheese (Neanderthal), Monday, 7 June 2021 21:22 (four years ago)
Please, you can’t have a needlessly drawn-out dialogue where the same simple idea gets repeated and reiterated over and over in here - this is the Quentin Tarantino thread!
― nobody like my rap (One Eye Open), Monday, 7 June 2021 21:28 (four years ago)
also flappy, it was not clear from your posts that you thought Quentin's purported views on this matter were indeed dumb. so i guess i thought my pointing it out snidely would constitute value added for the thread. but if your posts, too, were intended to showcase the dumbness of QT's views on Jackie Brown's reputation, then yeah, you brought us to the exact maximum number of times this sentiment could be expressed before we crossed the line into "water is wet" territory, and my posts were worthless self-indulgent redundancies.
― Bobo Honk, real name, no gimmicks (Doctor Casino), Monday, 7 June 2021 21:32 (four years ago)
hey you guys been reading flappy birdie's super threads of the 2000s?
― Feta Van Cheese (Neanderthal), Monday, 7 June 2021 21:37 (four years ago)
That book excerpt where Cliff lists his fave Kurosawa films that's making the rounds on twitter is really embarassing.
― Daniel_Rf, Thursday, 1 July 2021 09:18 (three years ago)
Novels very much in character. It is embarrassing for sure but, uh, I'm somewhat surprised that people are surprised that Quentin Jerome Tarantino would shoehorn an embarrassing film nerd segment in where it doesn't belong.
Hilariously revealing that QT would pick Cliff Booth as his avatar from that cast though.
I got my copy of the book and I'm looking forward to tearing into it and all its ridiculousness this weekend. Hoping for big dumb fun.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Thursday, 1 July 2021 13:53 (three years ago)
The embarrassing film nerd segments have never bothered me in his films in the slightest - there's all sorts of stuff in the actor's performance, editing, soundtrack, etc. that can make those fun onscreen even if they make zero sense. Perhaps I'll feel the same way if I see the paragraph again within the context of the novel as a whole, but isolated it just felt a lot more naked than these things ever did in his films, just pedantic fanboy whining.
― Daniel_Rf, Thursday, 1 July 2021 14:09 (three years ago)
Oh yeah, I'm not defending it, it is embarrassing but also v much in character and it's much more clunky to find a way to shoehorn film homages via the written word so I guess, uh, listicles is where he landed.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Thursday, 1 July 2021 14:10 (three years ago)
isnt he notorious for being like a 4th-grade level writer in terms of actual writing on the page? assuming this wasnt edited, thats what i'd be most worried about, not the fact that every character will talk & think like him
― nobody like my rap (One Eye Open), Thursday, 1 July 2021 16:21 (three years ago)
Got mineVery beige
― calstars, Thursday, 1 July 2021 19:24 (three years ago)
assuming this wasnt edited
why would you assume this
― bobo honkin' slobo babe (sic), Thursday, 1 July 2021 19:29 (three years ago)
bc hes very famous and powerful and its a vanity project guaranteed to sell big that he could take anywhere? im sure its copy edited for spelling, but why would he stand for someone arguing w/him about sentences or grammar?
― nobody like my rap (One Eye Open), Thursday, 1 July 2021 19:43 (three years ago)
I like the fun, dumb QT touches like fake ads in the back for other paperbacks (real ones by Elmore Leonard and Erich Segal, fake one for Ride A Wild Bronc that Rick is reading in the movie) and one for the film adaptation of Serpico.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Thursday, 1 July 2021 19:51 (three years ago)
counterpoint: the essays from the next book are so coherent, while still being written in his voice with the occasional oddity of grammar, that I assume he pays someone to edit his blogs, let alone his first novel
― bobo honkin' slobo babe (sic), Thursday, 1 July 2021 19:52 (three years ago)
fair enough, hopefully thats the case. although i guess sloppy editing would make it a more accurate pulp artifact, so he wins either way.
― nobody like my rap (One Eye Open), Thursday, 1 July 2021 20:14 (three years ago)
it’s not a zine ffs its a published novel! released through an irl publisher! editing is DEF a thing i mean the joke was always that stephen king / george rr martin / jk rowling “needed an editor” but that doesnt mean they literally were not edited publishing company is not going to back the novel & just push out unedited scrawl because author is a recognized movie director. it’s their name as much as his! sorry to pile on but it is a v weird argument to make whether you like him or not
― terminators of endearment (VegemiteGrrl), Thursday, 1 July 2021 21:10 (three years ago)
Yeah I almost pushed back on the "4th-grade level writing" comment, but I know dunking on QT is a well-established ilx hobbyhorse. I mean, his writing is not going to be mistaken for anyone else, but I've enjoyed a lot of the essays he did at the New Bev site and really all I ask from this book is some trashy fun extension of the movie's universe.
Also, fwiw, he essentially debunked the "retiring from film" thing on Maron's podcast this week.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Thursday, 1 July 2021 21:15 (three years ago)
He is a better director than he is a writer and this has been true from day one.
― i carry the torch for disco inauthenticity (Eric H.), Thursday, 1 July 2021 21:19 (three years ago)
I don't think anyone's arguing the opposite?
I was just responding to the "4th-grade writing level" comment.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Thursday, 1 July 2021 21:28 (three years ago)
his filmmaking is not two distinct disciplines, it's the same thing.
(his inelegant prose grammar, and regular mispronunciations and nigh-malapropisms in speech, do not reflect on the former)
― bobo honkin' slobo babe (sic), Thursday, 1 July 2021 21:29 (three years ago)
Then again, it would be pretty impossible to improve the dialogue in the first 10 minutes of Basterds or Reservoir Dogs et al.
― too cool for zen talk (Eazy), Thursday, 1 July 2021 21:44 (three years ago)
are we discussing the quality of Quentin Jerome Tarantino's prose
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Thursday, 1 July 2021 21:48 (three years ago)
One of the few directors who I can imagine might write a decent novel was Orson Welles.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Thursday, 1 July 2021 21:49 (three years ago)
for a recent example of a celeb having a debut novel put out by a major publisher who obviously gave it little to no serious editing see Morrissey, whose amateurish and error-filled debut novel came out via irl publisher Penguin. to whatever extent the reputation of HarperCollins is on the line re:Tarantino's novel, its not based on the quality of the prose. i get that its not going to be literal scrawl but if you think it got the full Gordon Lish treatment before Harper deigned to put their illustrious logo on it, idk. i hope it did! but yes i'm skeptical that someone so famously precious about never letting anyone change even a comma of their screenwriting ("my poetry", as he calls it) would ink a book deal where he would have to listen to editing quibbles about word choice, or that HC would have a problem with that especially in the 2021 publishing climate for celebrity books.
here is a representative sentence from one of the excerpts: He tried Truffaut twice, but he didn't respond to him. Not because the films were boring (they were), but that wasn't the only reason Cliff didn't respond.
its a sentence written by someone who knows how to write things that make sense out loud but is very poor at writing for the page. im not even trying to massively dunk on the guy - i'm looking forward to the essay book! but i honestly thought this was like a generally known thing about tarantino that even he has discussed at various points?
― nobody like my rap (One Eye Open), Friday, 2 July 2021 01:34 (three years ago)
The excerpts that are around seem radically different from his online writing to me, you can say they've been badly edited sure.
― Daniel_Rf, Friday, 2 July 2021 09:29 (three years ago)
“The SUN did it!”
― Legalize Suburban Benches (Raymond Cummings), Monday, 2 August 2021 13:43 (three years ago)
Was gifted the book last week. Finished it earlier today. Quite enjoyable for what it is, a companion piece where a fair amount of the movie is partially retold through different angles of the prism alongside further wading in its world. Seems like QT had enough Lancer material to write his own book or, better yet, a film based on his version of the pilot.
Probably goes without saying that if you weren't about the film, this book also isn't for you.
Expected/Unexpected spoiler lolz: QT inserts himself into the text not once but twice: First in a quick flash-forward as the director of one of Trudi Frazer's (the girl from Lancer) three Oscar-nominated performances, and second & most wildly near the end as James Stacy, Cliff, and Rick go drinkin' the first day on Lancer and hang out with QT's irl musician stepdad, who gets the latter's autograph for "my boy".
― “Heroin” (ft. Bobby Gillespie) (C. Grisso/McCain), Monday, 16 August 2021 23:39 (three years ago)
https://www.harpercollins.com/products/once-upon-a-time-in-hollywood-the-deluxe-hardcover-quentin-tarantino?variant=39706586284066
^^Hardcover edition gets you a Bounty Law script, the Mad parody, and loads of other Rick Daltoniana, but the novel itself is the same.
― Precious, Grace, Hill & Beard LTD. (C. Grisso/McCain), Tuesday, 5 October 2021 01:12 (three years ago)
Mad Magazine was still going when this movie came out? Is it still going?
― Tracer Hand, Tuesday, 5 October 2021 12:01 (three years ago)
Yes, no.
― bobo honkin' slobo babe (sic), Tuesday, 5 October 2021 13:05 (three years ago)
Aw it's the actual Mad parody of the film? Boo, I was hoping he'd commissioned some Mad style parodies of Rick Dalton films.
― Daniel_Rf, Tuesday, 5 October 2021 13:08 (three years ago)
According to the link it's a parody of Bounty Law.
― Tracer Hand, Tuesday, 5 October 2021 13:11 (three years ago)
probably upthread already but https://www.tomrichmond.com/the-tarantino-story-part-3-bounty-law/06/08/2019/
― bobo honkin' slobo babe (sic), Tuesday, 5 October 2021 13:21 (three years ago)
Actually Mad is still going, sort of:
After AT&T acquired Time Warner in June 2018, Mad ended newsstand distribution, continuing in comic-book stores and via subscription, and slashed its new content in standard issues (save for end-of-year specials), with the regular magazine almost entirely utilising curated reprints with new covers, although minimal amounts of new content exist in each issue.
I only know this because I saw a newish issue at a local comic book store the other day.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Tuesday, 5 October 2021 13:29 (three years ago)
The issue after the Bounty Law one was the last issue of new material. (#10, because in a move typically measured and thoughtful of the Nelson / Didio era, AT&T made the entire staff redundant, abandoned the Manhattan office with iirc years left on their lease, and restarted the numbering from scratch with new Burbank hires a year before being surprised that this had somehow cost money.)
― bobo honkin' slobo babe (sic), Tuesday, 5 October 2021 13:45 (three years ago)
I had a dream last night about seeing clips and a trailer for a new Tarantino movie set in L.A. in the early '80s that was sort of a teensploitation/Pulp Fiction mash-up that was trying to be a link between the Once Upon a Time and Pulp Fiction eras. The framing device was Harvey Keitel as a shady, two-bit con man trying to lure kids at a mall into a theater in the middle of the day with a showing of an "exclusive" Tom Petty & The Heartbreakers concert film. From there it descends into a bloody nightmare for them, but exactly how wasn't clear from the trailer. The other plotline was bumbling drug dealers building up to some sort of Wonderland murders style bloodbath. DiCaprio was back as an older, fatter star in decline that owns the theater attached to the mall. Samuel L Jackson, despite now being much older, was somehow playing a slightly younger version of Jules. It wasn't clear that Keitel was Wolfe, but he was the connecting link between the two plots. There was a lot of shots of blood in the mall and a bloody shootout at the Whisky a Go Go during a Motley Crue show.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Wednesday, 10 November 2021 14:50 (three years ago)
left out that "DiCaprio was back as an older, fatter star in decline Rick Dalton"
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Wednesday, 10 November 2021 14:59 (three years ago)
There was a lot of shots of blood in the mall and a bloody shootout at the Whisky a Go Go during a Motley Crue show.
Death involving Motley Crue? So a documentary, then.
― Ned Raggett, Wednesday, 10 November 2021 15:11 (three years ago)
Also works as part of the extended other MCU (Motley Cinematic Universe), indeed.
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Wednesday, 10 November 2021 15:14 (three years ago)
this movie sounds eerily plausible jon!
― Tracer Hand, Wednesday, 10 November 2021 17:16 (three years ago)
I feel like he'd pick a more obscure hair metal band than the Crue for the concert scene, but yeah it felt very plausible!
― a superficial sheeb of intelligence (jon /via/ chi 2.0), Wednesday, 10 November 2021 17:23 (three years ago)
I saw the hardcover , looks nice. Bunch of fake movie posters in the back with leo’s face painted in
― calstars, Saturday, 27 November 2021 19:50 (three years ago)
Since he started going on podcasts, he's said that if he'd had them when he was 20 he'd never have made his own films.
― bobo honkin' slobo babe (sic), Sunday, June 6, 2021 3:33 PM (six months ago)
now starting a podcast with the dude he hung out and talked about movies with when he was 20. four-hour warm-up
Quentin Tarantino returns again to join Brian and Elric in this episode and this time, he is joined by his old pal Roger Avary as all of them discuss their favorite film discoveries of 2021 ... Also please note that Quentin and Roger will be launching their own show soon called The Video Archives Podcast
― bobo honkin' slobo babe (sic), Thursday, 9 December 2021 09:09 (three years ago)
https://arc-anglerfish-arc2-prod-pmn.s3.amazonaws.com/public/QO7MCBDGRVBGXAY4FG55GR64KA.jpg
― coombination gazza hut & scampo bell (wins), Thursday, 9 December 2021 09:16 (three years ago)
― Daniel_Rf, Thursday, 9 December 2021 10:25 (three years ago)
I don't suggest listening to every episode of Pure Cinema, but the July episode with Tarantino talking about public domain movies and what's available to watch for free on YouTube is very, very good:https://thenewbev.com/blog/2021/07/pure-cinema-podcast-public-domain-movies-with-quentin-tarantino/
― Elvis Telecom, Thursday, 9 December 2021 21:41 (three years ago)
listened to the first five minutes of the one I posted: the QT/Avary show will be a stitch preems sclusie, not a podcast.
― bobo honkin' slobo babe (sic), Friday, 10 December 2021 01:35 (three years ago)
tarantino/avary pod is launching july 18 final para in link below says it will be on major platforms as well as stitcher - ie not just stitcher premium ie hoorayhttps://variety.com/2022/digital/news/quentin-tarantino-roger-avary-video-archives-podcast-1235283963/
― terminators of endearment (VegemiteGrrl), Friday, 3 June 2022 02:00 (three years ago)
rewatched today, still great, no notes, ending still makes me cryalso w/r/t Tarantino & Avary’s podcast, highly recommend their episode on “Star 80” - QT talks v sincerely & passionately (and v emotionally at the very end) abt Stratten & how much he disliked what Fosse did w her portrayal in Star 80, how a movie about her death barely even centerered her, let alone showed a realistic version of her he never says it outright but it’s clear that that was def working behind the scenes in his motivation for this portrayal of Tate, and how important it was to himto show her inner life & the brighter aspects of personality
― werewolves of laudanum (VegemiteGrrl), Tuesday, 27 December 2022 06:54 (two years ago)
You should read his book, VG.
I thought Mariel Hemingway did okay in Star 80--it's been a while since I saw it. One thing the two films have in common is their outdated portrayal of Playboy and that world. In Hollywood, the Mansion is this exciting place where Mama Cass grabs Tate and Michelle Phillips and ushers them onto the dance floor; in Star 80 (if I'm remembering it right), Hefner is a father figure to Stratten who cares for her welfare and hates Paul Snider.
― clemenza, Tuesday, 27 December 2022 16:11 (two years ago)
I'm really enjoying his book right now. It's like a cross between Roger Ebert and his own Madonna rant from "Reservoir Dogs."
― Josh in Chicago, Tuesday, 11 April 2023 18:54 (two years ago)
Try to watch the two John Flynn movies, if you haven't already.
― clemenza, Tuesday, 11 April 2023 21:36 (two years ago)
I was intrigued by Rolling Thunder, maybe less by The Outfit, but both have been added to the proverbial list.
― Josh in Chicago, Tuesday, 11 April 2023 23:16 (two years ago)
The Outfit is great. Hard to fuck up Westlake/Stark tbf. Robert Ryan looks positively ancient in it.
Josh, are you using Ebert as a stand-in for "writes like a movie critic" or is there something that strikes you as particularly Ebertesque about Tarantino's writing?
― Daniel_Rf, Wednesday, 12 April 2023 09:33 (two years ago)
Something between the two. Partly the legit consideration of b-movies, partly this occasional kind of ... casual contrarianism? I'm thinking the way Ebert would often love a film for the very same reason he absolutely hated another, or dismiss a masterpiece for some very particular or personal reason. Or elevate another the same way; I'm thinking of Tarantino, by way of Kevin Thomas, praising "Malibu High" to the hills, but mostly for Jill Lansing, say, or saying of the dialogue in Daisy Miller, "But Peter had a facility with overlapping (non-improvised) comedic dialogue like none of his peers (it wouldn’t be till Bob Clark, in his Porky’s movies, showed such a similar talent)."
Also very conversational and unpretentious, especially the way Ebert ropes in the actual personal experience of watching a movie, the same way Tarantino often does in the book. Talking about the theatre or the people in it and their importance to the viewing experience. And an ability to drill down on particular aspects of a film that others maybe haven't had the platform or courage to discuss, like Tarantino's "Taxi Driver" dialectic, is it a racist film or a film about a racist (and does that matter?). Ebert would sometimes do that, too, just get to the heart or essence of the film, skipping all the dancing around and small talk, like his infamous review of "Blue Velvet" (probably the most prominent masterpiece he panned, on dubious grounds).
I dunno, just a similar vibe, to my eyes.
― Josh in Chicago, Wednesday, 12 April 2023 12:02 (two years ago)
Makes sense.
His podcast is often a trying listen but I think he was at his best when discussing cheapo monster movie Slithis. He and Avery really zeroed in on how this is a cheapo creature feature that nonetheless insists on giving every minor character a detail of backstory that makes them memorable. Like at one point they discuss a vet character saying "prostitutes are always the same, whether it's in Vietnam or Australia" and Tarantino points out that if the line had just been about Vietnam it'd be whatever, ok he's a vet, but the fact that they throw in Australia immediately makes it about a character who's had a life, even if they never develop this and you don't get any info on how this dude ever went to Australia.
A really good analysis but also telling because lol OF COURSE that's what Tarantino would value in a film.
― Daniel_Rf, Wednesday, 12 April 2023 12:13 (two years ago)
Also very conversational and unpretentious, especially the way Ebert ropes in the actual personal experience of watching a movie, the same way Tarantino often does in the book. Talking about the theatre or the people in it and their importance to the viewing experience.
I've got just the critic for you.
― clemenza, Wednesday, 12 April 2023 12:24 (two years ago)
LightsCameraJackson?
― Daniel_Rf, Wednesday, 12 April 2023 12:29 (two years ago)
Ha, I have no idea who you might mean!
But yeah, I like how in the "Taxi Driver" essay he calls out Schrader and Scorsese for being kind of full of shit (he's not afraid to say bad things about films he loves), for (for example) implying that Travis is a vet (which in the abstract gives his behavior an out), when, as Tarantino concludes, the dude clearly most likely just bought his jacket at the Army/Navy surplus store, or how Scorsese claimed to have been *shocked* at the reaction to the film's violent conclusion, when, as Tarantino points out, that sort of expected reaction was not only *exactly" why the movie ends like that, but what connects it to a string of revenge movies that recently preceded it. Just cutting through some of the lazy discourse. I also like how Tarantino drills down on casting decisions, like in the essay about "The Getaway," how there can be several perfect choices for a role but how the best actor for the role isn't necessarily the *best actor* for the role. Just lots of stuff clicking with me. At one point I almost started taking notes, but then I remembered, it's a book, Tarantino already did that for me. Or, as he says, "So, if you’re reading this cinema book, hopefully to learn a little something about cinema, and your head is swimming from all the names you don’t recognize, congratulations, you’re learning something."
― Josh in Chicago, Wednesday, 12 April 2023 13:35 (two years ago)
I'm not the biggest QT stan, but this book sounds like something I might like.
― Beatles in My Passway (James Redd and the Blecchs), Wednesday, 12 April 2023 13:51 (two years ago)
One thing I appreciate about QT - and fear it will get lost or already has in the hailstorm of negative criticisms about the man, past and present - is his appreciation and passion for the gut level experience of films as experienced in crowds, particularly b-movie level stuff. Hate him if you want but *someone* needs to stan for these things.
― The Triumphant Return of Bernard & Stubbs (Raymond Cummings), Wednesday, 12 April 2023 14:17 (two years ago)
(Not saying that’s what people are doing here, but it’s not uncommon.)
― The Triumphant Return of Bernard & Stubbs (Raymond Cummings), Wednesday, 12 April 2023 14:18 (two years ago)
If QT is really going to stop making films (I still highly doubt he'll actually retire), I'm fine with him focusing on writing and podcasting. His novelization of this flick was lots of fun and filled in some backstory, nice and pulpy. His podcast finds him, very true to form, alternately endearing and annoying. I think it was a wise move to team him up with Avary and especially Gala, who acts as a decent audience fill-in as someone (mostly) discovering these films for the first time.
― Maxmillion D. Boosted (jon /via/ chi 2.0), Wednesday, 12 April 2023 14:31 (two years ago)
There's another great example of him distilling the discourse in his chapter on "New Hollywood in the '70s":
But the Movie Brats were young enough to be the audiences that American-International Pictures were aiming for. They were young enough to see the films in actual drive-ins. They were the first generation of leading Hollywood filmmakers who watched Gordon Douglas’ science fiction classic Them! *because* it was about giant ants.In a way that was the reason that the Movie Brats wrestled the zeitgeist away from the Post-Sixties Anti-Establishment Auteurs that had started the New Hollywood era that the youngsters were thriving in; the hippy directors couldn’t understand, or didn’t want to understand, that some people watch movies about giant ants and take Them! seriously.
In a way that was the reason that the Movie Brats wrestled the zeitgeist away from the Post-Sixties Anti-Establishment Auteurs that had started the New Hollywood era that the youngsters were thriving in; the hippy directors couldn’t understand, or didn’t want to understand, that some people watch movies about giant ants and take Them! seriously.
Anyway, book is a lot of fun, not least because it doesn't take itself so seriously but also because it presents an authority built on lived, relatable experience rather.
― Josh in Chicago, Wednesday, 12 April 2023 15:22 (two years ago)
Raymond Cummings otm. In my own case, I am neither a stan nor an anti-stan. I just have some caveats but in general appreciate the QT contribution and outlook, such as what JiC just posted.
― Beatles in My Passway (James Redd and the Blecchs), Wednesday, 12 April 2023 15:37 (two years ago)
I love his takedown of the end of "Hardcore," which ends with this:
Schrader’s "Melnick made me" excuse is not backed up by the film’s executive producer John Milius. Three years after Hardcore’s original release, I asked Milius about the production. He described it then as “A wonderful script turned into a lousy movie,” and he laid the blame on Schrader’s direction. When I asked Milius about Schrader’s studio interference excuse, Big John told me, “Nobody made him change anything, he did exactly what he wanted.”Then, I believed Milius. But today I believe Schrader. I do believe that the head of the studio made him turn his “wonderful script” into “a lousy movie.”But I still blame Schrader.I blame him for giving the same spineless excuse a lot of directors of fiascos claim after the fact, the big bad studio made me.As if they couldn’t say no.Well, then they wouldn’t have made it.Good.Who wants to spend three months making a fucked-up version of their movie? Then spend the rest of their lives making excuses for it, or cringing whenever they watch it, like Schrader does on the DVD commentary?When I reached out to Schrader, I warned him that, while I liked the film’s first half, I’m very rough on it and him in the second half.He wrote back, “I don’t think you could be harsher than I am on the second half of the film.”
Then, I believed Milius. But today I believe Schrader. I do believe that the head of the studio made him turn his “wonderful script” into “a lousy movie.”
But I still blame Schrader.
I blame him for giving the same spineless excuse a lot of directors of fiascos claim after the fact, the big bad studio made me.
As if they couldn’t say no.
Well, then they wouldn’t have made it.
Good.
Who wants to spend three months making a fucked-up version of their movie? Then spend the rest of their lives making excuses for it, or cringing whenever they watch it, like Schrader does on the DVD commentary?
When I reached out to Schrader, I warned him that, while I liked the film’s first half, I’m very rough on it and him in the second half.
He wrote back, “I don’t think you could be harsher than I am on the second half of the film.”
― Josh in Chicago, Friday, 14 April 2023 18:30 (two years ago)
Both vmic there
― fair but so uncool beliefs here (Eric H.), Friday, 14 April 2023 18:35 (two years ago)
Hehe true.I’ve never seen all of Hardcore. Bailed somewhere around midpoint, which sounds like not a bad choice. Enjoyed the first half though! The opening credits are particularly great.
― circa1916, Friday, 14 April 2023 22:05 (two years ago)
Tarantino coming from a pretty privileged filmmaking place and I honestly want to tell him Oh STFU about the “just tell them No” take though.
― circa1916, Friday, 14 April 2023 22:12 (two years ago)
But I do see where he's coming from. If you are a writer/director that has a story to tell (Tarantino posits "Hardcore" as, along with "Taxi Driver," Schrader exploring/exorcising his love of "The Searchers"), it's kind of a paradox to have a story you want to tell so badly that you are willing to tell a *different* story. I guess the question would be, what price are you willing to pay to stick to your guns? Probably from Tarantino's perspective, after "Taxi Driver" and "Rolling Thunder" delivered the fearless goods, "Hardcore" is a cop-out, though for sure, he comes from a different era; I wonder how often or even if he has ever had to tell anyone no.
― Josh in Chicago, Saturday, 15 April 2023 12:18 (two years ago)
Well you might have a story to tell but also bills to pay? And you might fool yourself that you'll be able to wrangle things so that your story gets told nonetheless (as has happened many a time within he studio system) until it becomes too late and your washing your hands off the project might guarantee you won't be allowed to tell any more stories at all.
― Daniel_Rf, Saturday, 15 April 2023 12:29 (two years ago)
I'm not sure how y'all will greet this question, but I'll ask anyway: do you think Tarantino wrote the novelization or did he use a ghost writer?
― the dreaded dependent claus (Alfred, Lord Sotosyn), Saturday, 15 April 2023 12:40 (two years ago)
I don't think a ghost writer would have left all those typos in.
― Daniel_Rf, Saturday, 15 April 2023 13:02 (two years ago)
lol fair!
― the dreaded dependent claus (Alfred, Lord Sotosyn), Saturday, 15 April 2023 13:03 (two years ago)
I think he wrote the novelization himself.
― The Triumphant Return of Bernard & Stubbs (Raymond Cummings), Saturday, 15 April 2023 13:24 (two years ago)
I remain bemused by readers angry that the novelization wasn’t as novelistic (or as leashed to the structure of the movie as anticipated), but then, I’m someone who has heard the man on many podcasts. OF COURSE the book is what it is
― The Triumphant Return of Bernard & Stubbs (Raymond Cummings), Saturday, 15 April 2023 13:28 (two years ago)
(And I don’t say that pejoratively!)
― The Triumphant Return of Bernard & Stubbs (Raymond Cummings), Saturday, 15 April 2023 13:29 (two years ago)
yeah, for sure his recognizable voice comes through in the book I read.
― Josh in Chicago, Saturday, 15 April 2023 13:34 (two years ago)
I caught up with a few movies from his book.
Rolling Thunder: John Flynn directs this from a Paul Schrader script. It's not particularly good, but pretty intense, especially the leads (Devane and Tommy Lee Jones). In classic '70s fashion, ends with a soft rock song over a freeze frame, which is among the traits it shares with "First Blood" a few years later. Shades of "Taxi Driver" in here, too.
The Outfit: Another John Flynn joint. Slightly better made, but I dunno, mostly feels like Robert Duvall and Joe Don Baker goofing around in a dull crime tale that doesn't feel particularly thrilling. I could imagine the same story being told better with a zippier sense of direction.
Dirty Harry: Definitely good discussion fodder, but not that great of a film (iconic bits and pieces aside). Coasts on Clint and the weird charisma of the baddie, though perhaps better remembered/regarded for the trends it set in motion than for what it actually achieved. There's a scene in here with the AG lecturing Harry about Miranda and stuff, which is I think meant to infuriate audiences but in fact reminded me of the pedantic doctor speech at the end of "Psycho."
Malibu High: This movie is pretty bonkers, at least on paper, and might have made for a good satire had any of its satirical elements a) been intentional (which I doubt) and b) handled with any degree of skill. It's filmed and acted like an educational film that was made over a weekend. Half the scenes feature ample traffic noise. But there is something interesting about it: a bit of score used for the world's most boring foot chase was repurposed for "The People's Court"!
Gonna watch "Deliverance" tomorrow. It's another one I only know by way of reputation and individual bits.
― Josh in Chicago, Wednesday, 10 May 2023 22:04 (two years ago)
I just confused Rolling Thunder with Blue Thunder and could not compute.
― Cosmo’s Hacienda (James Redd and the Blecchs), Wednesday, 10 May 2023 22:15 (two years ago)
"Blue Thunder" is John Badham, right? I used to watch that movie a lot on cable as a kid (at a friend's house). And the TV show, too! Which, until watching this trailer, I had no idea co-starred Dana Carvey!
https://www.youtube.com/watch?v=ROZpwD7kQys
― Josh in Chicago, Wednesday, 10 May 2023 22:19 (two years ago)
Hell I saw the movie way back when and forgot Daniel Stern was in it!
― Ned Raggett, Thursday, 11 May 2023 01:54 (two years ago)
I saw it as some kind of bonus screening for a film class a week before it premiered, which is why I was so sure of the release date.
― Cosmo’s Hacienda (James Redd and the Blecchs), Thursday, 11 May 2023 06:11 (two years ago)
OK, now "Deliverance," that's a movie. I guess I kinda agree with Ebert's contemporaneous review, in that there's not really as much going on as the movie perhaps thinks it has going on, but like fellow violent fantasy "Dirty Harry," there's still enough to talk and think about. Also like "Dirty Harry," I see echoes of it in tons of stuff that came after, right up to the present, both good and bad, and cross-genre (though especially horror). The big difference is that unlike that aforementioned list, including "Dirty Harry," this one is extremely well made by a director that really knows what he's doing and a DP that really knows how to make it look great, though I suppose "Dirty Harry" gets nearly as much out of its urban setting as this one gets out of rural Appalachia. And more importantly, no annoyingly omnipresent folly work. Boorman is smart enough to frequently let the relative silence speak volumes.
― Josh in Chicago, Friday, 12 May 2023 21:24 (two years ago)
assuming folly=foley
― Cosmo’s Hacienda (James Redd and the Blecchs), Saturday, 13 May 2023 23:38 (two years ago)
Ha, yeah. The other more inept movies had more folly work.
― Josh in Chicago, Saturday, 13 May 2023 23:40 (two years ago)
Rolling Thunder is particularly good imo. Weirdly sensitive and soulful piece of work for what should have been a basic piece of revenge exploitation. Fantastic performances in it too. Some talk about it in a Paul Schrader thread here recently.
― circa1916, Sunday, 14 May 2023 00:20 (two years ago)
https://deadline.com/2023/05/once-upon-a-time-in-hollywood-star-rick-dalton-dead-quentin-tarantino-declares-1235373860/
Rick Dalton, 1933-2023
― Infanta Terrible (j.lu), Saturday, 20 May 2023 13:54 (two years ago)
Is he alright?
― fair but so uncool beliefs here (Eric H.), Saturday, 20 May 2023 13:58 (two years ago)
no, he’s dead
― rick semper moranis (bizarro gazzara), Saturday, 20 May 2023 14:17 (two years ago)
For how long?
― the manwich horror (Neanderthal), Saturday, 20 May 2023 15:12 (two years ago)
As someone who liked this film a lot the idea that we need to be filled in on Rick dalton lore feels depressingly wrongheaded Both QT books look unreadable — he’s a bad writer — but I agree that it’s silly to expect different even if I’m not familiar with his podcast work (just the fact that his career finds its rightful place there is perfect, it’s his destiny on the radio)
― michel goindry (wins), Saturday, 20 May 2023 15:35 (two years ago)
I was surprised to enjoy almost all of Cinema Speculations and not surprised to find Once Upon a Time in Hollywood intolerable after two chapters
― Brad C., Saturday, 20 May 2023 16:34 (two years ago)
I agree he is often a poor writer--particularly when he's trying extra hard to play Quentin Tarantino--but Cinema Speculations is very readable because just as often he has interesting things to say.
― clemenza, Saturday, 20 May 2023 16:50 (two years ago)
"dirty harry isnt well made, the director doesn't know what he's doing" is a shockingly terrible take and if it's not a knowing attempt at challops should really see repercussions like you shouldnt maybe be allowed watch things and state things afterwards about them
― Ár an broc a mhic (darraghmac), Saturday, 20 May 2023 17:38 (two years ago)
His worst take is that he doesn't rate Hitchcock but likes movies that are Hitchcockian
― Saxophone Of Futility (Michael B), Sunday, 21 May 2023 14:01 (two years ago)
tbc im not talking about a tarantino take there
― Ár an broc a mhic (darraghmac), Sunday, 21 May 2023 16:10 (two years ago)
As someone who liked this film a lot the idea that we need to be filled in on Rick dalton lore feels depressingly wrongheaded
the kayfabe on the first episode is so good that it feels like the entire series was a long game just to get them practised up to do this
― serving bundt (sic), Wednesday, 31 May 2023 19:05 (two years ago)
i listened to a bit of it (as i check in on the podcast here and there) and couldn't hang at all. whole enterprise is corny.
― circa1916, Wednesday, 31 May 2023 19:40 (two years ago)
I haven't listened to it yet, but I think it's exactly the nerdy deep dive I'm excited to hear (then again, I was also the kid dreaming up entire fake label discographies and band histories).
― Maxmillion D. Boosted (jon /via/ chi 2.0), Wednesday, 31 May 2023 19:51 (two years ago)
As a creative exercise, it seems likely to be a warm-up for the next movie more than QT thinking it was time to respond to incessant public clamour for the Rick Dalton Chronicles
― serving bundt (sic), Thursday, 1 June 2023 00:27 (two years ago)
I’m glad Rick Dalton died. That one movie was more than enough.
― Josefa, Thursday, 1 June 2023 00:44 (two years ago)
It appears that Leslie Van Houten may finally be paroled. She's 73 years old.
― immodesty blaise (jimbeaux), Thursday, 1 June 2023 00:49 (two years ago)
“closer” insofar far as being *recommended* for parole…but it’ll prob go to supreme court & long court battles blahdy blah so she is still a long way from being irl paroled
― werewolves of laudanum (VegemiteGrrl), Thursday, 1 June 2023 01:38 (two years ago)
Watched Hollywood again the other day for something I was doing--fourth time? I won't change or even bother checking anything I posted above, but I do find Tarantino's deep attachment to pre-Manson Hollywood oddly moving. I say oddly because I have no attachment to that specific moment (Matt Helm movies, TV westerns, etc.) whatsoever--to the time period, yes, but not to that corner of it. But the film does move me, even the wildly self-indulgent conceit of the ending--loved how Sebring and Tate are improbable Rick Dalton fans at the end.
― clemenza, Friday, 26 January 2024 22:47 (one year ago)
“Hey, are *you* Rick Dalton?”
― Marten Broadcloak, mild-mannered GOP congressman (Raymond Cummings), Friday, 26 January 2024 22:49 (one year ago)
And DiCaprio plays the scene beautifully. I've been knocking him a lot recently for his Scorsese work, but I think he's really good in this.
― clemenza, Friday, 26 January 2024 22:53 (one year ago)
Fully agree, his acting is amazing throughout the film, and that final shot is one of the most haunting and beautiful things Tarantino has done.
― Muad'Doob (Moodles), Friday, 26 January 2024 23:05 (one year ago)
I really do think the what-if scenario, which purports to be some kind of shallow wish fulfillment, is actually a way to really underscore the absolute abhorrence of the real life tragedy, and the magnitude of the loss.
― omar little, Friday, 26 January 2024 23:14 (one year ago)
I kind of felt the same way about the righteous fury at the end of inglourious basterds, though i think OUATIH is definitely the better film as far as really making it something above and beyond.
― omar little, Friday, 26 January 2024 23:17 (one year ago)
The only thing I'd still change is that Manson himself gets the flamethrower instead of whichever of the two women got it. I forget what the rationales for that were earlier in the thread, but I still don't get that at all.
― clemenza, Friday, 26 January 2024 23:28 (one year ago)
it’s definitely one of my favorite movies he’s ever done, maybe because he is coming from a more sentimental place & it resonates w me
― werewolves of laudanum (VegemiteGrrl), Friday, 26 January 2024 23:31 (one year ago)
robbie is such a superstar in it. i dont think it works if shes not as incredible in it as she is.
― close encounters of the third knid (darraghmac), Saturday, 27 January 2024 00:36 (one year ago)
i dont think theres another character or performance of that type across his entire catalogue.
― close encounters of the third knid (darraghmac), Saturday, 27 January 2024 00:37 (one year ago)
yeah she’s so vibrant and joyful, definitely key to the movie & the emotional power of the endingShe does such a beautiful job of making Tate a real person, even if its only an approximation - her performance is a lovely tribute to her memory
― werewolves of laudanum (VegemiteGrrl), Saturday, 27 January 2024 00:57 (one year ago)
...the sequel?
https://www.hollywoodreporter.com/movies/movie-news/quentin-tarantino-once-upon-a-time-in-hollywood-brad-pitt-1236178785/
Fincher directing from a Tarantino script, Pitt and maybe DiCaprio back in.
― Ned Raggett, Wednesday, 2 April 2025 04:05 (two months ago)
Was just coming to post this. Very unexpected! I have no idea what to expect.
― Muad'Doob (Moodles), Wednesday, 2 April 2025 04:08 (two months ago)
whoaFincher + Pitt again? i’m in! shut up & take my money etc
― werewolves of laudanum (VegemiteGrrl), Wednesday, 2 April 2025 04:42 (two months ago)
The Benjamin Button dream team!!!
― Josh in Chicago, Wednesday, 2 April 2025 05:25 (two months ago)
not an april fools, no?
― tuah dé danann (darraghmac), Wednesday, 2 April 2025 10:24 (two months ago)
Nope, was announced at CinemaCon.
― Ned Raggett, Wednesday, 2 April 2025 10:25 (two months ago)
cinema what, ned?
― tuah dé danann (darraghmac), Wednesday, 2 April 2025 10:30 (two months ago)
"And while it is April 1, this news is not an April Fool’s joke. It is also ostensibly not a sequel to Once Upon a Time but a “derivative” that takes inspiration from it. The Playlist first reported on the film. "
― Ste, Wednesday, 2 April 2025 10:39 (two months ago)
I'll welcome it, enjoyed the first one.
404ing, must have been a joke
― I? not I! He! He! HIM! (akm), Wednesday, 2 April 2025 13:09 (two months ago)
ok well it's being reported in a bunch of other places.
― jaymc, Wednesday, 2 April 2025 13:13 (two months ago)
https://variety.com/2025/film/news/david-fincher-direct-once-upon-a-time-in-hollywood-sequel-1236354356/
― Ned Raggett, Wednesday, 2 April 2025 13:15 (two months ago)
I'm guessing it will, at least in part, probably build off of some of the non film Cliff Booth material from Tarantino's paperback version. That would seem to meet the "not really a sequel", since that's largely before the film's events with his backstory.
― better than ezra collective soul asylum (jon /via/ chi 2.0), Wednesday, 2 April 2025 17:55 (two months ago)
I mean, Fincher did great with this era in Zodiac...
― the way out of (Eazy), Wednesday, 2 April 2025 18:23 (two months ago)