― chap who would dare to be a nerd, not a geek (chap), Wednesday, 17 May 2006 18:19 (nineteen years ago)
― Allyzay Rofflesbot (allyzay), Wednesday, 17 May 2006 18:25 (nineteen years ago)
― Allyzay Rofflesbot (allyzay), Wednesday, 17 May 2006 18:27 (nineteen years ago)
― sleep (sleep), Wednesday, 17 May 2006 18:30 (nineteen years ago)
― Allyzay Rofflesbot (allyzay), Wednesday, 17 May 2006 18:32 (nineteen years ago)
― Deric W. Haircare (Deric W. Haircare), Wednesday, 17 May 2006 18:33 (nineteen years ago)
Nicolas Cage! Mario Bello! Stephen Dorff!
― kingfish doesn't live here anymore (kingfish 2.0), Wednesday, 17 May 2006 18:34 (nineteen years ago)
― Pleasant Plains /// (Pleasant Plains ///), Wednesday, 17 May 2006 18:37 (nineteen years ago)
― paulhw (paulhw), Wednesday, 17 May 2006 19:16 (nineteen years ago)
― Pleasant Plains /// (Pleasant Plains ///), Wednesday, 17 May 2006 19:20 (nineteen years ago)
― and there are lot's of other sites, but all of them are fake... (sanskrit), Thursday, 18 May 2006 00:00 (nineteen years ago)
― Andrew (enneff), Thursday, 18 May 2006 00:14 (nineteen years ago)
― late to the bloom to the er (latebloomer), Thursday, 18 May 2006 00:17 (nineteen years ago)
― milo z (mlp), Thursday, 18 May 2006 00:20 (nineteen years ago)
― Tracey Hand (tracerhand), Thursday, 18 May 2006 00:21 (nineteen years ago)
(while buried up to their heads like the scientists absorbed by Alien Mom in Alien: Ressurection.)
― milo z (mlp), Thursday, 18 May 2006 00:22 (nineteen years ago)
― milo z (mlp), Thursday, 18 May 2006 00:24 (nineteen years ago)
― Ned Raggett (Ned), Thursday, 18 May 2006 00:26 (nineteen years ago)
― Tracey Hand (tracerhand), Thursday, 18 May 2006 00:38 (nineteen years ago)
-- Pleasant Plains /// (pleasant.plain...), May 17th, 2006. (later)
Slyest comment on the thread so far, BTW.
― Ned Raggett (Ned), Thursday, 18 May 2006 00:40 (nineteen years ago)
That's probably more indicative of the ridiculous overblown egos those guys must have than anything else.
― Andrew (enneff), Thursday, 18 May 2006 00:48 (nineteen years ago)
― Ned Raggett (Ned), Thursday, 18 May 2006 00:49 (nineteen years ago)
― Tracey Hand (tracerhand), Thursday, 18 May 2006 01:04 (nineteen years ago)
― Andrew (enneff), Thursday, 18 May 2006 01:07 (nineteen years ago)
― tokyo nursery school: afternoon session (rosemary), Thursday, 18 May 2006 01:12 (nineteen years ago)
Let's win the war first and then make the movies. And by "the war", I ain't talking about that business in Iraq either.
― Pleasant Plains /// (Pleasant Plains ///), Thursday, 18 May 2006 01:18 (nineteen years ago)
― Tracey Hand (tracerhand), Thursday, 18 May 2006 01:22 (nineteen years ago)
― timmy tannin (pompous), Thursday, 18 May 2006 02:01 (nineteen years ago)
― -rainbow bum- (-rainbow bum-), Thursday, 18 May 2006 02:17 (nineteen years ago)
― Tracey Hand (tracerhand), Thursday, 18 May 2006 02:22 (nineteen years ago)
don't tempt us, that would have r00led
― and there are lot's of other sites, but all of them are fake... (sanskrit), Thursday, 18 May 2006 02:34 (nineteen years ago)
― theodore (herbert hebert), Thursday, 18 May 2006 02:42 (nineteen years ago)
And that the man Nicholas Cage is portraying is from the town I grew up in.
― tokyo nursery school: afternoon session (rosemary), Thursday, 18 May 2006 03:06 (nineteen years ago)
― Unlimited Toothpicker (eman), Thursday, 18 May 2006 03:25 (nineteen years ago)
― Eric H. (Eric H.), Thursday, 18 May 2006 04:16 (nineteen years ago)
― Eric H. (Eric H.), Thursday, 18 May 2006 04:21 (nineteen years ago)
!!
this is the "schindler's list" of 9/11 movies isn't it?
― Amateur(ist) (Amateur(ist)), Thursday, 18 May 2006 04:34 (nineteen years ago)
― Amateur(ist) (Amateur(ist)), Thursday, 18 May 2006 04:37 (nineteen years ago)
― Eric H. (Eric H.), Thursday, 18 May 2006 04:38 (nineteen years ago)
― Amateur(ist) (Amateur(ist)), Thursday, 18 May 2006 04:38 (nineteen years ago)
― Amateur(ist) (Amateur(ist)), Thursday, 18 May 2006 04:40 (nineteen years ago)
― kingfish doesn't live here anymore (kingfish 2.0), Thursday, 18 May 2006 04:40 (nineteen years ago)
― Eric H. (Eric H.), Thursday, 18 May 2006 04:42 (nineteen years ago)
VANGELIS
― Amateur(ist) (Amateur(ist)), Thursday, 18 May 2006 04:43 (nineteen years ago)
― kingfish doesn't live here anymore (kingfish 2.0), Thursday, 18 May 2006 04:52 (nineteen years ago)
― Trayce (trayce), Thursday, 18 May 2006 10:22 (nineteen years ago)
― Konal Doddz (blueski), Thursday, 18 May 2006 10:30 (nineteen years ago)
The question I have is, why? Who, especially in the US, is going to want to go and watch this film so soon after the real life events happened?
― mms (mms), Thursday, 18 May 2006 11:44 (nineteen years ago)
― melton mowbray's APOCALYPTO! (adr), Thursday, 18 May 2006 12:12 (nineteen years ago)
Who would go and watch this film ever? Keeping close to the actual events with it's horrific outcome - like a documentary - doesn't seem to be this film's biggest concern. To avoid people being overwhelmed and sadden like they where overwhelmed and saddened when 9/11 actually happened, it will probably be drowned in sentimental dreck, with some by-plot 'love'-twist. What for? What does this movie 'promise', what can it 'give' to both the people and the actual tragedy that went down?
― Gerard (Gerard), Thursday, 18 May 2006 12:53 (nineteen years ago)
― ken c (ken c), Thursday, 18 May 2006 13:01 (nineteen years ago)
the bit where Cage and his colleague are buried in the debris but conveniently their heads are exposed so they can talk to each other = ultra macabre...but do people really need that kind of reminder about how it may have gone down for many of the rescue party? i couldn't actually tell if Cage and co. survive in the end - do they?
― Konal Doddz (blueski), Thursday, 18 May 2006 13:03 (nineteen years ago)
― TOMBOT (TOMBOT), Thursday, 18 May 2006 13:11 (nineteen years ago)
― TOMBOT (TOMBOT), Thursday, 18 May 2006 13:13 (nineteen years ago)
― TOMBOT (TOMBOT), Thursday, 18 May 2006 13:21 (nineteen years ago)
― p@reene (Pareene), Thursday, 18 May 2006 13:25 (nineteen years ago)
― Amateur(ist) (Amateur(ist)), Thursday, 18 May 2006 15:11 (nineteen years ago)
― chap who would dare to be a nerd, not a geek (chap), Thursday, 18 May 2006 15:21 (nineteen years ago)
― Eric H. (Eric H.), Thursday, 18 May 2006 16:05 (nineteen years ago)
― Allyzay Rofflesbot (allyzay), Thursday, 18 May 2006 16:07 (nineteen years ago)
xpost
― chap who would dare to be a nerd, not a geek (chap), Thursday, 18 May 2006 16:08 (nineteen years ago)
― Eric H. (Eric H.), Thursday, 18 May 2006 16:10 (nineteen years ago)
― Eric H. (Eric H.), Thursday, 18 May 2006 16:12 (nineteen years ago)
― Konal Doddz (blueski), Thursday, 18 May 2006 16:14 (nineteen years ago)
― Deric W. Haircare (Deric W. Haircare), Thursday, 18 May 2006 16:16 (nineteen years ago)
― Deric W. Haircare (Deric W. Haircare), Thursday, 18 May 2006 16:18 (nineteen years ago)
― late to the bloom to the er (latebloomer), Thursday, 18 May 2006 16:20 (nineteen years ago)
― chap who would dare to be a nerd, not a geek (chap), Thursday, 18 May 2006 16:22 (nineteen years ago)
― gear (gear), Thursday, 18 May 2006 16:28 (nineteen years ago)
― gear (gear), Thursday, 18 May 2006 16:30 (nineteen years ago)
― jhoshea (scoopsnoodle), Thursday, 18 May 2006 16:30 (nineteen years ago)
cheney and rove dressed in gold paint, kevin bacon masturbating in the corner!
― late to the bloom to the er (latebloomer), Thursday, 18 May 2006 16:30 (nineteen years ago)
...?
― Jimmy Mod is a super idol of The MARS SPIRIT (The Famous Jimmy Mod), Thursday, 18 May 2006 16:32 (nineteen years ago)
because that's just stupid enough of a "conspiracy", not clever at all, that I can imagine a human being having it and following through
― TOMBOT (TOMBOT), Thursday, 18 May 2006 16:33 (nineteen years ago)
"bout as subtle as a cockroach crawlin cross a white rug."
― gear (gear), Thursday, 18 May 2006 16:34 (nineteen years ago)
― and what (ooo), Thursday, 18 May 2006 16:35 (nineteen years ago)
― chap who would dare to be a nerd, not a geek (chap), Thursday, 18 May 2006 16:38 (nineteen years ago)
― kephm (kephm), Thursday, 18 May 2006 16:40 (nineteen years ago)
― late to the bloom to the er (latebloomer), Thursday, 18 May 2006 16:41 (nineteen years ago)
― jhoshea (scoopsnoodle), Thursday, 18 May 2006 16:42 (nineteen years ago)
"Who is this?"
"You know know exactly who the fuck this is!"
"Zacarias?"
"THat's right!"
― gear (gear), Thursday, 18 May 2006 16:43 (nineteen years ago)
I mean, I guess you can't have your protagonist jumping out of a window halfway through your movie, right?
Even with something like Pearl Harbor. You know those bodies they found in the hub of one of the ships? There were hatch marks on the walls where the soldiers had been counting off each day. I'm sure that they held out hope until they finally perished sometime after Christmas Day, 1941. MAKE A MOVIE ABOUT THOSE GUYS.
― Pleasant Plains /// (Pleasant Plains ///), Thursday, 18 May 2006 16:44 (nineteen years ago)
― David R. (popshots75`), Thursday, 18 May 2006 16:46 (nineteen years ago)
― The Mercury Krueger (Ex Leon), Thursday, 18 May 2006 16:46 (nineteen years ago)
― Pashmina (Pashmina), Thursday, 18 May 2006 16:48 (nineteen years ago)
― Pleasant Plains /// (Pleasant Plains ///), Thursday, 18 May 2006 16:50 (nineteen years ago)
How dare you bring reality into this.
― Ned Raggett (Ned), Thursday, 18 May 2006 16:50 (nineteen years ago)
― The Mercury Krueger (Ex Leon), Thursday, 18 May 2006 16:52 (nineteen years ago)
― Eric H. (Eric H.), Thursday, 18 May 2006 16:53 (nineteen years ago)
― Ned Raggett (Ned), Thursday, 18 May 2006 16:54 (nineteen years ago)
it's funny, because I remember reading about Stone giving a crazy Stone-ian interview after September 11th in which he basically spouted off some the-government-was-behind-it-the-terrorists-aren't-evil-we're evil nonsense. maybe he's calmed down and imagines this movie as penance? not that that's going to make it watchable.
― horseshoe (horseshoe), Thursday, 18 May 2006 17:02 (nineteen years ago)
I was watching Dave a couple of Sunday afternoons ago, and I still got a kick out of Stone's cameo with Larry King.
― Pleasant Plains /// (Pleasant Plains ///), Thursday, 18 May 2006 17:13 (nineteen years ago)
The Perfect Storm was crap, though.
― TOMBOT (TOMBOT), Thursday, 18 May 2006 17:30 (nineteen years ago)
― lf (lfam), Thursday, 18 May 2006 17:36 (nineteen years ago)
― lf (lfam), Thursday, 18 May 2006 17:37 (nineteen years ago)
― JW (ex machina), Thursday, 18 May 2006 17:46 (nineteen years ago)
"Now you just up and said the first thing that popped in your cabeza, ya dig, daddy-o?"
http://www.wherehouse.com/amgcover/dvd/full/t0/54/t054094e3wr.jpg
― Alfred, Lord Sotosyn (Alfred Soto), Thursday, 18 May 2006 18:04 (nineteen years ago)
― Tracey Hand (tracerhand), Thursday, 18 May 2006 18:08 (nineteen years ago)
― elmo argonaut (allocryptic), Thursday, 18 May 2006 18:12 (nineteen years ago)
I don't know if this what you're talking about, but I remember reading this New Yorker thing when it came out and being completely dumbfounded:
http://www.newyorker.com/talk/content/articles/011022ta_talk_the_pictures
― 31g (31g), Thursday, 18 May 2006 18:14 (nineteen years ago)
― horseshoe (horseshoe), Thursday, 18 May 2006 18:19 (nineteen years ago)
― 31g (31g), Thursday, 18 May 2006 18:23 (nineteen years ago)
― Tracey Hand (tracerhand), Thursday, 18 May 2006 18:28 (nineteen years ago)
― Shakey Mo Collier (Shakey Mo Collier), Thursday, 18 May 2006 23:02 (nineteen years ago)
― Ned Raggett (Ned), Thursday, 18 May 2006 23:03 (nineteen years ago)
― LOL Thomas (Chris Barrus), Thursday, 18 May 2006 23:45 (nineteen years ago)
they should makes a movie about him.(i'm not making this up, anyone remember that?)
― and there are lot's of other sites, but all of them are fake... (sanskrit), Friday, 19 May 2006 00:32 (nineteen years ago)
― LOL Thomas (Chris Barrus), Friday, 19 May 2006 00:37 (nineteen years ago)
― Zwan (miccio), Friday, 19 May 2006 00:38 (nineteen years ago)
― Zwan (miccio), Friday, 19 May 2006 00:39 (nineteen years ago)
― Michael Daddino (epicharmus), Friday, 19 May 2006 01:28 (nineteen years ago)
There are so many things hateful and wrong with this shot it's not even funny.
― Michael Daddino (epicharmus), Friday, 19 May 2006 01:45 (nineteen years ago)
― Michael Daddino (epicharmus), Friday, 19 May 2006 01:58 (nineteen years ago)
― Michael Daddino (epicharmus), Friday, 19 May 2006 02:09 (nineteen years ago)
ANd the Zoolander ad is cute. A movie about Zoolander digitally removed the towers from its release, and a movie about the towers digitally inserts Zoolander.
(And if you've ever watched Ben Stiller get digitally inserted, well, I tells ya...)
How soon until someone makes a sci-fi time travel movie that uses 9/11 as a backdrop?
The week after September 11, 2001, was a rough one, wasn't it? Nothing on television except for those buildings falling, time and time again. I remember that Sunday night, one of our local UHF stations finally started playing "regular" programming again. It was late at night, and an episode of "Outer Limits" was on. Now, I'm not really a science-fiction fan, but after too much reality for a week, I was watching it.
Anyway. The episode centered around this group in the future who are huddled in this underground bunker. Outside, there's a virus killing millions and billions of people. Someone's got a time machine and a mission to go back in time and find the person who started the virus.
The guy goes back in time from the future, and his past is our present. Except when he walks out of the time machine, there's a shot of the World Trade Center behind him, a visual clue to the viewer that it's the "present day". Except now (then), it was obviously the past. One of those weird flukes that some director decided upon in 1999 that would later symbolize much more.
― Pleasant Plains /// (Pleasant Plains ///), Friday, 19 May 2006 10:58 (nineteen years ago)
TWO MEN SAW SOMETHING ELSE
http://www.onedigitallife.com/images/brokeback-mountain.jpg
― Dan (Is It Just Me?) Perry (Dan Perry), Friday, 19 May 2006 11:05 (nineteen years ago)
― Raw Patrick (Raw Patrick), Friday, 19 May 2006 11:47 (nineteen years ago)
As I recall, wasn't Ben Stiller supposed to host the second episode of SNL after 9/11 but he cancelled out because he didn't think it was appropriate?
― LOL Thomas (Chris Barrus), Friday, 19 May 2006 13:05 (nineteen years ago)
sweet, they completely copped La Jetee..
― kingfish doesn't live here anymore (kingfish 2.0), Friday, 19 May 2006 13:13 (nineteen years ago)
― Pleasant Plains /// (Pleasant Plains ///), Friday, 19 May 2006 13:29 (nineteen years ago)
when will they ever appreciate you, Oliver?
― Zwan (miccio), Friday, 19 May 2006 13:33 (nineteen years ago)
― Zwan (miccio), Friday, 19 May 2006 13:35 (nineteen years ago)
next up, Oliver Stone presents The Passion of the Sujfan
― kingfish doesn't live here anymore (kingfish 2.0), Friday, 19 May 2006 14:17 (nineteen years ago)
― richardk (Richard K), Friday, 19 May 2006 14:18 (nineteen years ago)
― dave's good arm (facsimile) (dave225.3), Friday, 19 May 2006 14:22 (nineteen years ago)
No wai.
― Ned Raggett (Ned), Friday, 19 May 2006 14:27 (nineteen years ago)
― TOMBOT (TOMBOT), Friday, 19 May 2006 14:32 (nineteen years ago)
I'll tell you this, in any fight it's the guy whose willing to die whose gonna win that inch. And I know, if I'm gonna have any life any more it's because I'm still willing to fight and die for that inch, because that's what living is, the six inches in front of your face. Now I can't make you do it. You've got to look at the guy next to you, look into his eyes. Now I think ya going to see a guy who will go that inch with you. Your gonna see a guy who will sacrifice himself for this team, because he knows when it comes down to it your gonna do the same for him. That's a team gentlemen, and either, we heal as a team, or we will die as individuals. That's football guys, that's all it is. Now what are you gonna do?
― Enrique IX: The Mediator (Enrique), Friday, 19 May 2006 14:34 (nineteen years ago)
http://www.apple.com/trailers/dreamworks/flushedaway/
― chap who would dare to be a nerd, not a geek (chap), Friday, 19 May 2006 18:29 (nineteen years ago)
http://www.aintitcool.com/display.cgi?id=23408
― chap who would dare to be a nerd, not a geek (chap), Tuesday, 23 May 2006 14:30 (nineteen years ago)
― Ned Raggett (Ned), Thursday, 20 July 2006 18:49 (nineteen years ago)
― gear (gear), Thursday, 20 July 2006 19:04 (nineteen years ago)
― Ned Raggett (Ned), Thursday, 20 July 2006 19:05 (nineteen years ago)
http://members.aol.com/JesusImages/ImagesJun06/jogger.jpg
XPOST
― Machibuse '80 (ex machina), Thursday, 20 July 2006 19:06 (nineteen years ago)
― latebloomer (latebloomer), Thursday, 20 July 2006 19:12 (nineteen years ago)
― Alex in SF (Alex in SF), Thursday, 20 July 2006 19:13 (nineteen years ago)
― Alex in SF (Alex in SF), Thursday, 20 July 2006 19:14 (nineteen years ago)
― chap who would dare to start Raaatpackin (chap), Thursday, 20 July 2006 19:32 (nineteen years ago)
― Shakey Mo Collier (Shakey Mo Collier), Thursday, 20 July 2006 19:47 (nineteen years ago)
― Fluffy Bear, Perpetual 12-Year-Old (Fluffy Bear Hearts Rainbows), Thursday, 20 July 2006 19:48 (nineteen years ago)
― Alex in SF (Alex in SF), Thursday, 20 July 2006 19:48 (nineteen years ago)
It's not weird at all!
― Ned Raggett (Ned), Thursday, 20 July 2006 19:50 (nineteen years ago)
― Alex in SF (Alex in SF), Thursday, 20 July 2006 19:53 (nineteen years ago)
― Ned Raggett (Ned), Thursday, 20 July 2006 19:54 (nineteen years ago)
― Shakey Mo Collier (Shakey Mo Collier), Thursday, 20 July 2006 19:54 (nineteen years ago)
― Alex in SF (Alex in SF), Thursday, 20 July 2006 19:55 (nineteen years ago)
I need to unleash the raw power of my heart.
― Fluffy Bear, Perpetual 12-Year-Old (Fluffy Bear Hearts Rainbows), Thursday, 20 July 2006 20:00 (nineteen years ago)
Sea monkeys have greater critical faculties than this circus freak.
― GILLY'S BAGG'EAR VANCE OF COUPARI (Ex Leon), Thursday, 20 July 2006 20:21 (nineteen years ago)
― gear (gear), Thursday, 20 July 2006 20:30 (nineteen years ago)
World Trade Center: A Paramount Pictures Film by Oliver Stone
Director Oliver Stone Flirted with Controversy Past: Ground Zero's Future?By Steve Lee
The World Trade Center, 1,368 foot-tall Twin Towers, to be brought down by America's generosity. The United States of America, the land of millions of immigrants dreams. New York City, the target of nineteen immigrants nightmare scenario.
In the harbor, on Ellis Island, Lady Liberty heard the explosions on the day the sirens wailed.
World Trade Center, a film directed by Oliver Stone and starring Nicolas Cage New York and New Jersey Port Authority Police Officer John McLoughlin and Michael Pena as fellow Police Officer Will Jimeno. Maria Bello beautifully plays Donna McLoughlin and Maggie Gyllenhal portrays Allison Jimeno as the families reactions to the events of September eleventh, 2001are narrated in this Paramount Pictures film, the first major motion picture to address the attack on the World Trade Center's Twin Towers.
The World Saw Evil That Day. Two Men Saw Something Else, New York citizens helping each other after the cataclysmic collapse of the skyscrapers.
Historical movies create problems for the writer of the initial script treatment. Events must sequenced and the time compressed so that the story moves along, after all this is a film and it must be entertaining. OfficerJohn McLoughlin wrote the original treatment, so the audience can be assured that the events that occured on September eleventh and the effects on the families will be dipicted as he remembers.
Director Oliver Stone at the Cannes Film Festival in May of 2006: "It is the true story of two New York Port Authority policemen trapped in the rubble and their incredible, improbable rescue. History is shaped by collective memory, what I hope one day will be seen as truth. The truth must exist in some way to confront power and extremism. World Trade Center is the story of the humanity of 9-11, it's not about the terrorists ,it's not about the major part of the event itself. It's about the families and loved ones and what they were going through that day.
― gear (gear), Thursday, 20 July 2006 20:43 (nineteen years ago)
― Ned Raggett (Ned), Thursday, 20 July 2006 20:44 (nineteen years ago)
― gear (gear), Thursday, 20 July 2006 20:44 (nineteen years ago)
― Ned Raggett (Ned), Thursday, 20 July 2006 20:45 (nineteen years ago)
― latebloomer (latebloomer), Thursday, 20 July 2006 20:56 (nineteen years ago)
― Ned Raggett (Ned), Friday, 21 July 2006 11:58 (nineteen years ago)
― Tracey Hand (tracerhand), Friday, 21 July 2006 12:09 (nineteen years ago)
― Tracey Hand (tracerhand), Friday, 21 July 2006 12:17 (nineteen years ago)
― Tracey Hand (tracerhand), Friday, 21 July 2006 12:18 (nineteen years ago)
11% Antinostalgia for Reagan/Weinberger times17% Paraprosdokian gags at the expense of hacks who watch movies for a living17% Juvenalian satire at the expense of hacks who watch movies for a living27% Exoamerican Weltanschauung as it relates to this phenomenon28% The Jeremiad of Tracey Hand
― TOMBOT (TOMBOT), Friday, 21 July 2006 13:02 (nineteen years ago)
― Ned Raggett (Ned), Friday, 21 July 2006 13:13 (nineteen years ago)
― TOMBOT (TOMBOT), Friday, 21 July 2006 13:21 (nineteen years ago)
― TOMBOT (TOMBOT), Friday, 21 July 2006 13:25 (nineteen years ago)
― Ned Raggett (Ned), Friday, 21 July 2006 13:27 (nineteen years ago)
― Allyzay will never stop making pancakes (allyzay), Friday, 21 July 2006 13:34 (nineteen years ago)
John, you’re correct that Stone makes no attempt to explore the motives and psychology of the enemy. But he has made it clear that we Americans have an enemy and that he is a barbarian. He is evil. He loves death.
By contrast, we treasure life. Our enemy sees that as our weakness. We believe that in the long run it will prove to be our strength. We are, literally, betting our lives on it.
― Fluffy Bear, Perpetual 12-Year-Old (Fluffy Bear Hearts Rainbows), Friday, 21 July 2006 13:37 (nineteen years ago)
― Fluffy Bear, Perpetual 12-Year-Old (Fluffy Bear Hearts Rainbows), Friday, 21 July 2006 13:38 (nineteen years ago)
In retrospect it was an ill-chosen phrasing.
― Ned Raggett (Ned), Friday, 21 July 2006 13:40 (nineteen years ago)
― Allyzay will never stop making pancakes (allyzay), Friday, 21 July 2006 13:42 (nineteen years ago)
Oh god, they were showing that on the train trip between Seattle and Portland. I resolutely enjoyed the scenery by looking out the window instead. My occasional glimpses towards the screen revealed scenes that made it seem more like an international spy caper, oddly enough -- swooping shots of yachts, tense scenes in hospitals and Matthew M. tied up and abused by the rest of the cast.
― Ned Raggett (Ned), Friday, 21 July 2006 13:47 (nineteen years ago)
― Allyzay will never stop making pancakes (allyzay), Friday, 21 July 2006 13:52 (nineteen years ago)
It is one of the greatest pro-American, pro-family, pro-faith, anti-female, flag-waving, God Bless America films you will ever see.-- a name means a lot just by itself (lfamula...), Today.
Yeah, I did a double-take too when I read "pro-male." Like, what?-- Tracey Hand (tracerhan...), Today.
wow wrong thread sorry-- a name means a lot just by itself (lfamula...), Today.
but, yeah, isn't that nuts?!-- a name means a lot just by itself (lfamula...), Today.
― a name means a lot just by itself (lfam), Friday, 21 July 2006 14:01 (nineteen years ago)
"Ebert and Ally" - this could work!
― Thermo Thinwall (Thermo Thinwall), Friday, 21 July 2006 14:06 (nineteen years ago)
― TOMBOT (TOMBOT), Friday, 21 July 2006 14:07 (nineteen years ago)
I want to believe.
― Eric H. (Eric H.), Tuesday, 25 July 2006 05:15 (nineteen years ago)
― Eric H. (Eric H.), Tuesday, 25 July 2006 05:17 (nineteen years ago)
just above
http://c5.zedo.com/OzoDB/0/2/183770/V1/coulter_voteREG_300x250.gif
― kingfish cyclopean ice cream (kingfish 2.0), Tuesday, 25 July 2006 05:27 (nineteen years ago)
― Tracey Hand (tracerhand), Tuesday, 25 July 2006 09:10 (nineteen years ago)
― TOMBOT (TOMBOT), Tuesday, 25 July 2006 12:15 (nineteen years ago)
― TOMBOT (TOMBOT), Tuesday, 25 July 2006 12:19 (nineteen years ago)
― Allyzay will never stop making pancakes (allyzay), Tuesday, 25 July 2006 13:03 (nineteen years ago)
― DAVE's secret to fortu-Oh look! Shiny! (dave225.3), Tuesday, 25 July 2006 13:06 (nineteen years ago)
That's going to be Dreamworks' follow-up to Over the Hedge. (Voice talent by Vin Diesel, Haley Joel Osment and That One Voiceover Guy; theme song by John Mayer.)
― Ned Raggett (Ned), Tuesday, 25 July 2006 13:08 (nineteen years ago)
― Konal Doddz (blueski), Tuesday, 25 July 2006 13:10 (nineteen years ago)
― Jessie the Monster (scarymonsterrr), Tuesday, 25 July 2006 13:11 (nineteen years ago)
You might remember there was a miniFAP to see Good Ol' Mr. Stone's previous epic Alexander upon release. The problem was that while we were all appropriately semi-soused and ready for camp, the audience were mostly a bunch of stoic fans. This film will be like that but worse.
― Ned Raggett (Ned), Tuesday, 25 July 2006 13:14 (nineteen years ago)
― Alfred, Lord Sotosyn (Alfred Soto), Tuesday, 25 July 2006 13:15 (nineteen years ago)
http://www.subwaywebnews.com/wtc/WTC%20Jesus.jpg
― kingfish cyclopean ice cream (kingfish 2.0), Tuesday, 25 July 2006 13:17 (nineteen years ago)
― Ned Raggett (Ned), Tuesday, 25 July 2006 13:21 (nineteen years ago)
― kingfish cyclopean ice cream (kingfish 2.0), Tuesday, 25 July 2006 14:09 (nineteen years ago)
― oh, wrinklepaws! (Wrinklepaws), Tuesday, 25 July 2006 14:15 (nineteen years ago)
― Fluffy Bear, Perpetual 12-Year-Old (Fluffy Bear Hearts Rainbows), Tuesday, 25 July 2006 14:16 (nineteen years ago)
― Squirrel_Police (Squirrel_Police), Tuesday, 25 July 2006 23:00 (nineteen years ago)
― Jessie the Monster (scarymonsterrr), Tuesday, 25 July 2006 23:02 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 13:50 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 13:52 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 13:53 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 13:55 (nineteen years ago)
― Allyzay knows where the interfacing goes. (allyzay), Friday, 4 August 2006 13:56 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 14:00 (nineteen years ago)
― Ned Raggett (Ned), Friday, 4 August 2006 14:01 (nineteen years ago)
― Ned Raggett (Ned), Friday, 4 August 2006 14:03 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 14:04 (nineteen years ago)
― David R. (popshots75`), Friday, 4 August 2006 14:11 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 14:17 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 14:23 (nineteen years ago)
-- s1ocki (slytus...), August 4th, 2006.
Effective emotional manipulation does not equal good movie. I mean, I'll put a cute kid in danger on the screen and you'll feel something, so what?
At least Snakes on a Plane wears its crassness like an idiot badge of honor...
― Edward III (edward iii), Friday, 4 August 2006 14:41 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 14:48 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 14:50 (nineteen years ago)
Hawthorne Heights to thread!
― David R. (popshots75`), Friday, 4 August 2006 17:24 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 17:26 (nineteen years ago)
the advance word has actually got me curious about this movie.
― ryan (ryan), Friday, 4 August 2006 17:29 (nineteen years ago)
I dunno, I don't mind sap per se, but this isn't Steel Magnolias we're talking about here. I think I'm still recoiling in horror from the Stone-does-9/11 concept. I can impassively discuss the emotional manipulation in a well-oiled beartrap like Kramer vs. Kramer, but for some reason I find this film repulsive.
Crass piece of shit trumps crass piece of craftsmanship?
If the piece of shit doesn't have any pretensions that it's something other than what it is, yeah, I find that less grating aesthetically. Personally I'd rather watch The Road Warrior than Saving Private Ryan.
― Edward III (edward iii), Friday, 4 August 2006 17:41 (nineteen years ago)
― PARTYMAN (dubplatestyle), Friday, 4 August 2006 17:45 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 17:49 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 17:50 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 17:52 (nineteen years ago)
― Amateur(ist) (Amateur(ist)), Friday, 4 August 2006 17:54 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 17:54 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 17:54 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 17:55 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 17:56 (nineteen years ago)
― Damn, Atreyu! (x Jeremy), Friday, 4 August 2006 17:57 (nineteen years ago)
― Damn, Atreyu! (x Jeremy), Friday, 4 August 2006 17:58 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 17:58 (nineteen years ago)
― Amateur(ist) (Amateur(ist)), Friday, 4 August 2006 17:59 (nineteen years ago)
― Amateur(ist) (Amateur(ist)), Friday, 4 August 2006 18:00 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 18:00 (nineteen years ago)
(also i think ppl are pre-judging this based on stone's other work which is understandable but you should put that aside when you actually watch the movie)
― s1ocki (slutsky), Friday, 4 August 2006 18:00 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 18:01 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 18:01 (nineteen years ago)
so you've never read the thread about it then?
― gabbneb (gabbneb), Friday, 4 August 2006 18:02 (nineteen years ago)
b-b-but this happens all the time! Re. Columbine, f'rinstance, Zero Day, Elephant, Home Room, Zero Day, Bowling for Columbine. Why should Stone have to prove his case? I'm sure there's a huge market for this film.
Creating art based on significant political happenings is important in allowing us to contextualize (yadda yadda yadda, we all know this argument...) and the film isn't made, marketed, or portrayed in an exploitatative and crass way. at least as far as I can tell.
― Damn, Atreyu! (x Jeremy), Friday, 4 August 2006 18:08 (nineteen years ago)
-- gear (speed.to.roa...) (webmail), Today 12:01 PM. (gear) (link)
"On nine eleven... at nine eleven... a man whose first name has nine letters and last name eleven... dialed nine one one."
― Damn, Atreyu! (x Jeremy), Friday, 4 August 2006 18:09 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 18:10 (nineteen years ago)
― Dr Morbius (Dr Morbius), Friday, 4 August 2006 18:11 (nineteen years ago)
kind of, yeah. i also hated "elephant"
― Amateur(ist) (Amateur(ist)), Friday, 4 August 2006 18:14 (nineteen years ago)
― Damn, Atreyu! (x Jeremy), Friday, 4 August 2006 18:15 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 18:17 (nineteen years ago)
Just FYI.
― Allyzay knows where the interfacing goes. (allyzay), Friday, 4 August 2006 18:18 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 18:22 (nineteen years ago)
― Damn, Atreyu! (x Jeremy), Friday, 4 August 2006 18:25 (nineteen years ago)
― Allyzay knows where the interfacing goes. (allyzay), Friday, 4 August 2006 18:28 (nineteen years ago)
― Dr Morbius (Dr Morbius), Friday, 4 August 2006 18:29 (nineteen years ago)
― Allyzay knows where the interfacing goes. (allyzay), Friday, 4 August 2006 18:29 (nineteen years ago)
― Damn, Atreyu! (x Jeremy), Friday, 4 August 2006 18:31 (nineteen years ago)
― Allyzay knows where the interfacing goes. (allyzay), Friday, 4 August 2006 18:32 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 18:33 (nineteen years ago)
i'm sympathetic to that argument for sure... although i guess you could level it against grand illusion if you really wanted to
― s1ocki (slutsky), Friday, 4 August 2006 18:37 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 18:42 (nineteen years ago)
Haha, touche!
Yes, all films are manipulative - but some allow me to reflect on how they're manipulating me without affecting my enjoyment of them. Sounds like you had that type of reaction to World Trade Center.
But I don't usually enjoy Stone's films, not even in a take-em-or-leave-em way. Platoon infuriates me with its mawkishness and cartoon characterizations - all in the noble goal of bringing us a sensitive, transcendent commentary on the Vietnam experience™. If that's craftmanship, then give me crap! Imagining the same thing being done with 9/11 - I don't think I could stay in my seat. Perhaps World Trade Center is the great film Stone had in him that tragic events shook loose - but based on what I've seen I'm gonna go out on a limb and say not bloody likely.
Question: Does the marketing campaign provide an accurate or inaccurate sense of the film?
― Edward III (edward iii), Friday, 4 August 2006 18:43 (nineteen years ago)
― Zwan (miccio), Friday, 4 August 2006 19:45 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 19:56 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 19:57 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 19:58 (nineteen years ago)
Btw, Steel Magnolias is great.
― polyphonic (polyphonic), Friday, 4 August 2006 20:12 (nineteen years ago)
How does this improve upon the "9/11" documentary that CBS aired with the French(?) cameramen that ended up tagging along with the NYFD. That was pretty harrowing in itself and I can't see how it can be "improved" upon with a dramatic score and Oliver Stone.
― Elvis Telecom (Chris Barrus), Friday, 4 August 2006 22:09 (nineteen years ago)
― Shakey Mo Collier (Shakey Mo Collier), Friday, 4 August 2006 22:16 (nineteen years ago)
― polyphonic (polyphonic), Friday, 4 August 2006 22:23 (nineteen years ago)
i didn't see it! and you used the word "improved" first so i'm not sure why you put in quotes!
― s1ocki (slutsky), Friday, 4 August 2006 22:25 (nineteen years ago)
― ryan (ryan), Friday, 4 August 2006 22:31 (nineteen years ago)
― polyphonic (polyphonic), Friday, 4 August 2006 22:33 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 22:33 (nineteen years ago)
― Shakey Mo Collier (Shakey Mo Collier), Friday, 4 August 2006 22:35 (nineteen years ago)
― ryan (ryan), Friday, 4 August 2006 22:36 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 22:39 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 22:40 (nineteen years ago)
― polyphonic (polyphonic), Friday, 4 August 2006 22:40 (nineteen years ago)
― Shakey Mo Collier (Shakey Mo Collier), Friday, 4 August 2006 22:40 (nineteen years ago)
― s1ocki (slutsky), Friday, 4 August 2006 22:41 (nineteen years ago)
― Shakey Mo Collier (Shakey Mo Collier), Friday, 4 August 2006 22:42 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 22:43 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 22:44 (nineteen years ago)
― Alfred, Lord Sotosyn (Alfred Soto), Friday, 4 August 2006 22:52 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 22:59 (nineteen years ago)
― Alfred, Lord Sotosyn (Alfred Soto), Friday, 4 August 2006 23:02 (nineteen years ago)
It's worth tracking down...
I just don't see the reason why the story needs to be retold with soundtrack music and special effects.
― Elvis Telecom (Chris Barrus), Friday, 4 August 2006 23:12 (nineteen years ago)
― Elvis Telecom (Chris Barrus), Friday, 4 August 2006 23:14 (nineteen years ago)
Only if I can quote from Nixon (which is just as tasty)
― Elvis Telecom (Chris Barrus), Friday, 4 August 2006 23:17 (nineteen years ago)
― gear (gear), Friday, 4 August 2006 23:20 (nineteen years ago)
― Alfred, Lord Sotosyn (Alfred Soto), Friday, 4 August 2006 23:21 (nineteen years ago)
i heard there's a deleted scene where mel gibson plays a dude who notices all the jews leaving the towers 10 minutes before the first plane strikes.
― timmy tannin (pompous), Saturday, 5 August 2006 01:18 (nineteen years ago)
― de latebloomer's 2015 youth crew revival (latebloomer), Saturday, 5 August 2006 01:54 (nineteen years ago)
― Sterling Clover (s_clover), Saturday, 5 August 2006 01:55 (nineteen years ago)
yes armond white will love this film. during the review he'll rail against hipster critics who rip stone, compare it to united 93 which he will probably rip into, name-drop spielberg and mention 'war of the worlds' as a comparably great post-9/11 film, etc etc.
-- gear (speed.to.roa...) (webmail), July 20th, 2006 2:30 PM.
THE AMERICAN CHARACTER Instead of fueling fear, WTC inspires with personal stories
By Armond White
World Trade Center
Directed by Oliver Stone
Oliver Stone does just about everything right in his 9/11 movie World Trade Center, a dramatic recreation of what happened to two Port Authority policemen on that unforgettable day. John McLoughlin (Nicolas Cage) and Will Jimeno (Michael Peña) were among the first-responders when the twin towers were struck. Helping to evacuate Tower One, their squad was trapped when the edifice collapsed. As McLoughlin and Jimeno lay buried in the rubble, Stone envisions the men’s desperate survival, the efforts by rescue teams determined to dig out any casualties, and the frantic anxiety of the men’s wives, Donna McLoughlin (Maria Bello) and Allison Jimeno (Maggie Gyllenhaal).
It is through Andrea Berloff’s screenplay that World Trade Center presents a well-thought-out view of the calamity. Berloff clarifies the event’s individual, social and domestic aspects. And Stone, with his practiced elucidation of Americans from various social strata caught up in political turmoil (war, big business, crime), recognizes how those different levels intertwine. This approach, rejecting United 93’s bogus docu-realism, never condescends to stroking our fears.
After 9/11, hucksters have had a huge opportunity to trick filmgoers who are unable to distinguish the solemnity of recent history from tacky Hollywood manipulation. During United 93, when I laughed at its preponderance of action-movie cliches, a middle-class woman chided me to “Be respectful!” Respectful of what? Clumsy exploitation-film mechanics! United 93 became an occasion for the nation’s media—and only a few, gullible ticket-buyers—to display self-righteous self-piety. Thankfully, Oliver Stone doesn’t go there. World Trade Center could really be about any public disaster, but Stone dignifies it by not over dramatizing its significance. He chooses to enlighten us about American character. Avoiding action-movie exploitation and specious docu-drama engenders absolute respect.
As film fiction, World Trade Center offers an interpretation of history. So it must operate just as Spielberg’s War of the Worlds did—turning real-life experience into symbol and metaphor. This is the proof of Stone’s intelligence and artistry.
The introductory sequence of different citizens preparing to work is a personalizing montage—it’s not anonymous-making like United 93, which turned characters into ciphers. (Director Paul Greengrass was clueless about the American quotidian and indifferent to his actors.) Stone gets it right that 9/11 was a blue-sky day but also a mundane, blue-collar day. His focus is on the diversity of the Port Authority’s public servants. This is not the all-white fraternity Mayor Giuliani posed with on the 9/15 episode of “Saturday Night Live”—propaganda that immediately re-wrote history in a homogeneous, jingoistic image. Stone shows one Port Authority officer receiving word of the terrorist attack from his wife who heard the news on hip-hop radio station HOT 97—a pluralizing, socially-credible correction to Giuliani’s political canard.
Stone refuses the class and race biases that pander to Patriotism. Instead, he commemorates McLoughlin and Jimeno’s unforeseeable trial as a shared social experience. Each scene in the rubble, on the streets and in the suburban homes may trigger your own, personal, isolating dread, yet Stone pushes for connection. Bypassing facile, demagogic homilies, he insists that the separate dramas compliment each other: Italian and Latino officers suffer and bond; both civilian and military volunteers join the rescue effort; and the two officers’ Catholic families, whether patriarchies or matriarchies, panic and pray in an ethnically distinct hubbub. These specifics are recognizable and necessary. Their freshness reveals how Hollywood customarily falsifies our social makeup or trivializes our common tragedies. Emboldened by the urgency of 9/11, Stone achieves a more honest sense of America’s urban mix than any from those New York-movie icons Martin Scorsese, Woody Allen and Spike Lee.
War of the Worlds set the high water mark for 9/11 movies through its similar depiction of community. Like Spielberg, Stone understands how catastrophe interrupts the conflicts of daily living. Separating 9/11 events from the quotidian would be misleading and a betrayal of the ultimate purpose of pop art. Stone recapitulates Spielberg’s wartime metaphor, turning World Trade Center into a hometown crusade. It’s not simply that the director of Platoon and Born on the Fourth of July prefers war narratives; Stone knows that we need the ritual of familiar myth. It reorients us to life suddenly gone beyond our ken, or turned stupefying.
Those core scenes of McLoughlin and Jimeno crushed under debris are ingenious. Recalling battle sequences in trenches or jungles, the men communicate through family stories, pop bromides and—when all else fails—sheer masculine camaraderie. (The salutation “brother” is coin of the realm.) Visually, the grim, collapsing dungeon—a pit within a pit—recalls the war tableau of Joseph Losey’s For King and Country, an exploration of the intricacies of political heroism. But here, Stone shows unexpected depth: knowing that 9/11 is not the moment to question patriotism (a pitfall for both the Right and Left), Stone turns to McLoughlin and Jimeno’s spiritual sustenance.
Both men’s marriages further reveal personality through intimacy and responsibility. These flashbacks are luminous and exacting, similar to Malick’s in The Thin Red Line, but here the women move fiercely—muses made real. In a corresponding gesture—but very bold for this politically correct era—Stone honors McLoughlin and Jimeno’s Catholic faith. He doesn’t let religion become a source of discord. In fact, there’s an extraordinary awareness of religious and political prerogative as germane to American individualism. This comes through in the subplot of Marine veteran Dave Karnes (played by Michael Shannon, his rectitude evoking Tom Berenger’s recruiting-poster GI image in Born on the Fourth of July). Karnes responds to the terrorist attack as a literal call to arms. He travels from his far-off town to the Towers site, following Semper Fi duty, to lend his hand. Like those lonely eccentrics in an Altman film, Karnes moves from narrative periphery to center and back. Solitary, and perhaps unknowable, he haunts our American pride. So Stone interweaves Karnes into Jimeno’s vision of Jesus—a salvation image that connects to McLoughlin remembering his wife. This multiplane sense of the spiritual life Americans hold in common is nearly miraculous—something only Griffith, Ford, Borzage, Clarence Brown and Spielberg would dare.
Each storyline in World Trade Center converges on the hellhole where McLoughlin and Jimeno lie imprisoned. (The wives obsess on that pit and at one audacious point, there’s even an intergalactic P.O.V.) As Stone thinks through 9/11, World Trade Center downplays tragic terrorism. Instead, he touches on existential despair, especially in a montage of empty commuter and subway trains followed by handmade posters of missing loved-ones. It’s the intellectual extension of McLoughlin and Jimeno being cast into “Hell” where one sees one’s mistakes (sins) and regrets; then longs for redemption.
Contemporary Hollywood typically uses horror scenarios that teach how to be shocked rather than to feel—stories that balk at the possibility of movies interpreting life. But World Trade Center profoundly summarizes America’s 9/11 experience—as when McLoughlin comes out of his torturous would-be grave. Faith then provides ecumenical deliverance: A symbolic congregation of hands reach down, pulling McLoughlin up, and he touches each one. That’s better than a mere memorial, better than any “official” Hollywood history editorial writers might call for. It’s an illustration of what we desperately need movies to provide.
― gear (gear), Wednesday, 9 August 2006 18:36 (nineteen years ago)
― jaymc (jaymc), Monday, 21 August 2006 15:03 (nineteen years ago)
― latebloomer (latebloomer), Monday, 21 August 2006 15:06 (nineteen years ago)
Each storyline in World Trade Center converges on the hellhole where McLoughlin and Jimeno lie imprisoned. (The wives obsess on that pit and at one audacious point, there’s even an intergalactic P.O.V.)
wait waht?
― on in the b.g. while you're grouting (stevie), Monday, 22 February 2010 10:18 (sixteen years ago)