RIP Jaki Liebezeit

https://www.facebook.com/RajiSusime/posts/10155135925184448?hc_location=ufi

ffffffffffuuuuuuuuuck

rip my favourite drummer ever

what a drummer he was, RIP Jaki.

Gahhhhh

(Who's the source?)

oh jeez, RIP

Say it ain't so. Waiting for definitive confirmation.

Still "is" on Wikipedia

:(

jaki was absolutely amazing. one of my favorite drummers.

RIP

hoping its not true but dont see why anybody would create a hoax

Glad I did at least get to see him play live. Shame it wasn't a full blown Can gig though do have footage of tehm.

Went to the Dublin night of various ex-Can members playing solo stuff.

& do love him on the Can material. May have to bung on the Waldbeuhne thing from '72 now

RIP

I'll wait until there's more concrete news on this from a reliable source.

the link came from a reliable source

damn he was incredible. RIP

No.

That sucks.

RIP you funky human drum machine

Still holding out hope this isn't true until confirmed. Until then listen to Jaki + Holger in full effect:

https://www.youtube.com/watch?v=ZHdSY391tIc

RIP

Still no other source?

RIP, what an absolute legend.

I had the opportunity to chat with him after a show 12 years ago in a very faraway land and he was very kind and gracious.

I listen to Vitamin C at least once a week and every single time I'm constantly amazed by everything Jaki is doing throughout that entire track.

... listening to it right now!

xxpost:

Not as far as I can see.

This source is rather vague.

Carla Diratz Raji do you have any details of what happened please...?
1 · 10 mins
Raji Susimé Carla Diratz no, not yet, it will take a while.
2 · 7 mins

well, according to wikipedia just now

Born 26 May 1938 (age 78)
Dresden, Germany
Died 22 January 2017 (aged Expression error: Unexpected < operator–Expression error: Unrecognized punctuation character "{".Expression error: Unrecognized punctuation character "{".)Expression error: Unexpected > operator
Genres Krautrock, electronic, European free jazz

well this sucks

Confirmed

https://www.facebook.com/officialCan

only saw him once about a dozen years ago with jah wobble's solaris ensemble - jaki, jah, harold budd, bill laswell, graham haynes. jaki was the reason we went and the real star of this show. a man who could bend time at will, always assumed he would thus never die

Saw him play last year. Shook his hand. RIP Jaki, a master musician.

https://www.youtube.com/watch?v=9FaydRUQ42Q

the best !
i love to play cannibalism ii just to hear him across the eras, doing a thousand different things
rip

RIP :(

Rest of the band seem a bit tentative and nervy at first, but not Jaki, he just steamrollers along all but drowning everyone else eventually!

https://www.youtube.com/watch?v=8QLL2j8ZtxE

Looking dashing from some 90s SPIN, one of my first non black/white low-res, pre-internet glimpses at the CAN:
http://i.imgur.com/T9h3ioq.jpg

RIP, a true legend. I listen and hear music differently (and better) because of Jake Liebezeit

RIP

Went to the Dublin night of various ex-Can members playing solo stuff.

― Stevolende, Sunday, 22 January 2017 21:29 (yesterday) Bookmark Flag Post Permalink

1999 or so? I was at that too, fond memories of dragging some schoolmates along.

Can were always a group of outstanding individual players, but it is inconceivable to think what they have sounded like without Jaki.

RIP. Probably my favorite drummer. Just the pure sound of his drums were something else. His sense of rhythm still knocks me out.

xp agreed, he was their binding agent/catalyst

Love his drumming here (also there and everywhere)
RIP Jaki

https://www.youtube.com/watch?v=QAhTMkXAPUk

search the first two Pluramon records, he is all over those and sounds so good

^^ yes.

aw man, RIP human metronome

Oh god, no, that man spoke directly to my soul. The best ever.

I read about Can for years before I ever actually heard them, and I don't know what I expected them to sound like -- "weird," I guess, influential in some way. I was totally unprepared for them to be a funky groove band, and Jaki was totally the soul of the band's sound. They might have still been a good band with a different drummer, I don't know, but he made them great.

Fuck. Probably my favourite drummer, and getting to hang out when I supported him and Hans Joachim Irmler in 2015 was a fucking dream come true. He was super lovely, too.

RIP. I'm off to play Halleluwah on an infinite loop.

When will we be home, be at home, a line, no questions
Now I don't know what I feel, "be easy", Jaki said that
I just saw her, could say another colour, I don't know if that's good or bad
"For five colours will make the ears blind", Jaki said that
Actually here's the sound, I hear that

i can probably do without most rhythms if i can just have jaki and autechre ca. 1994.

have spent past 10 years or so commuting to/from work and being one of those people finger-drumming on the steering wheel to kill time. there are only two instances i've gone into work with blood on my hands from smashing my fingers so hard on the steering wheel to a song i was on listening to and one of them was "halleluwah." rip jaki

xxp heresy, Ae have become more and more interesting rhythmically as they've gone on. Jaki, well he's just a fundamental constant of the universe.

fuck everything

So underrated I've been bummed about this and noone knows who I'm talking about, he deserves better he was the best rock drummer for me no contest. I need new friends.

i always forget that holger, irmin and jaki were older when can started, so i was surprised to realise jaki was 78. still too young, obviously

i was reading david stubbs' book on krautrock recently and i enjoyed the story about someone (i forget exactly who) getting annoyed in the studio by the sound of a drum loop that someone had left running for hours upstairs. their patience wearing thin, they went to investigate and found jaki at his kit, hammering out the same metronomic rhythm he'd been playing all morning, and getting annoyed by the interruption

It's possible to overstate the metronomic minimalistic aspects of Jaki's drumming with Can, he could extremely maximal live!

I think the metronome is the unshakeable pulse running through everything he did - delicate cymbal patterns, straight 4 or head-down explosive freakouts, he was permanently locked to the cosmic timebase.

Very true.

and maximal on record when required too - the multiple overlapping drum parts on halleluwah, for example

When you listen to CAN for the drums, as I usually do, the edits on the long pieces really jump out because the drum pattern shifts abruptly instead of the steady evolution he would have done in between.

:( RIP

in the 90s everyone talked about how amazing Can were but everything was v out of print so all I could find was their later work (Rite Time and later an Out of Reach+s/t twofer), which left me going "I don't really get it but they do have an amazing drummer"

finally Napster came along and CDs were reissued and I could appreciate the canonical good stuff, and also that they had a really, really amazing drummer

The only things that seemed to be around was the "I want more" single, and the album with all the mice on it. (I got the single)

Many years later, got the 2CD "Anthology", heard "Father Cannot Yell" and was away.,.

fuck me - RIP legend

RIP jaki hero
One of the most important musicians in recorded history IMO

jammed Tago Mago this morning. One of the top 5 rock drummers ever. Almost seems limiting to just call him a "drummer."

totally

not to insult drummers!

but totally

Weeeeelllll, it is insulting drummers a bit. Jaki played other instruments but was a drummer through and through.

Can were always a group of outstanding individual players, but it is inconceivable to think what they have sounded like without Jaki.

Pink Floyd? Joking... but not outrageously.

He was a drummer! He was the drummer I most want to be and he inspired me to start playing. I can't believe he's gone.

My only consolation is that his spirit lives on in the playing of so many other drummers who he has inspired. I continue to believe that my dreams of being The Jaki in someone's band will come true. RIP, teacher.

ha, yeah, no offense to drummers! i guess i just meant that his parts always seemed more like fully-fledged compositions than backbeats. something like that, anyway.

Also seems like Jaki and Malcolm steered the direction of the band early on, away from arty noodlings to something with considerably more oomph.

I think what I was trying to say is that he was 100% a drummer, and could only have arrived where he arrived by drumming, but like a few other players of miserable physical contraptions he reached a place where drumming becomes idk pure source code or something

Tyler - what you describe is part of being an excellent drummer imo. Not a cog in the machine but the engine itself.

^otm.

there's a reason prince always did the drum track first

yes, you're right LL!

i like this

"Jaki was always proud of being able to make certain people in the audience vomit," claims Karoli. "He could focus on one person in the crowd, and this person would start vomiting. We had a very medical approach to music."

"It would have been a healing for the guy; he needed it," explains Schmidt.

We had a very medical approach to music.

this is incredible

that's amazing

been in my head all day

Shit news, but lord what a force of nature he was.

https://youtu.be/5a_XVM7LGnk

I mean, hell of a run, that's the key thing -- compared to some of the losses last year, 78 years is a long time. It feels more like Cohen's passing than anything else -- someone who kept busy for decades who could have simply rested on laurels. In strict Can terms, Karoli passing at 53 was the real tragedy.

(xp) He said he never did drum solos, what happened at that gig was there was a power cut and Jaki kept playing, even though the entire venue was in darkness, until the power came on. I had that gig on a bootleg cassette years and years ago, Brussels, 1976.

i can probably do without most rhythms if i can just have jaki and autechre ca. 1994.

+1
If Jaki Liebezeit would still be alive, most other drummers could shut up.

damn that is only a single character too long for a display name if u take out the comma and space

That's bc you don't really mean it ;)

In strict Can terms, Karoli passing at 53 was the real tragedy.

v true

Seconded

for a band which played so incredibly fluidly together it's also pretty amazing that can had two super-distinctive players in karoli and leibezeit

Underrated piece of Liebezeit drumming: his appearance on 'The Bottom Line' on Depeche Mode's Ultra. Apparently he tracked each drum separately, too.

I always thought late period, great drumming from Liebezeit was on the Cyclopean mini-album from a few years back. VERY Can sounding (also w/Irmin Schmidt), and a great example of how he could be super minimal, and still provide a rich, organically unfolding rhythmic bed for everyone else to swim on top of. Someone mentioned how Can without Liebezeit becomes Pink Floyd above -- I'd actually argue they become something like early Cluster. Masses of nuanced noise and tape edits minus Jaki's spacetime grid.

recommendations of underappreciated jaki tracks v welcome on this thread - dunno how underappreciated this is tbh but here's jaki and holger underpinning the eurythmics on their conny plank-produced debut

https://www.youtube.com/watch?v=5rpbwsZQtAI

here's one from the Cyclopean record, sort of a Soon Over Babaluma vibe:
https://www.youtube.com/watch?v=sLZIQnHpp8c

The Cyclopean record is excellent. I listened to it this morning while I wondered how he could sound so alive & bubbly in 2013 and be gone today.
I really like the Oblique Sessions with Pascal Comelade, this song esp
https://youtu.be/FvWq2UfrTh8

Here is Jaki & friends covering a Can sing from the same album <3
https://m.youtube.com/watch?v=XJYqwHssduo

Oops song not sing
At least it didn't say dong (lol)

Can't really add anything of worth to what the rest of you have said. Just a fantastic drummer. Rest in peace.

hell, can _with_ jaki is pretty close to pink floyd. there's a great off-air audio recording from a 1974 ogwt performance (the video seems to be missing) where they do a piece called "untitled (for pink floyd)" and it's great. some days i think early 1974 can, just post-damo, was their pinnacle as a band.

here's a complete live show from that era.

https://www.youtube.com/watch?v=fvpDPmqYxMo

Just put on the Cyclopean record – I really like this.

I was also into some of his Secret Rhythms work with Burnt Friedman. This one from those records, sporting a David Sylvian vocal, was particularly nice:

https://www.youtube.com/watch?v=IIF2qO_kYhY&feature=share

for a band which played so incredibly fluidly together it's also pretty amazing that can had two super-distinctive players in karoli and leibezeit

I don't know why you're singling out just those two, they are all super-distinctive, I mean who the fuck ever sounded like Holger Czukay?!??!? Talking of which, coming home tonight, listening to "Quantum Physics", what Jaki and Holger are doing on that track is pure magic, it's almost beyond telepathy, aaaarggh, I love those guys so much! Please don't die for a long time yet, Holger!

^i came here to post 'Quantum Physics'—Jaki's playing on this is otherworldly. poetic:
https://www.youtube.com/watch?v=MSxRmU8CofE

and my favorite record w/ Burnt Friedman is this ep; sadly not on YT.

When I was a kid it was a c-90 of Soon Over Babaluma that got me into Can. At the the time the Chain Reaction/Quantum Physics run-out just sounded so rad. I was was so into it I walked at least a 10 mile round trip when I couldn't afford the full train fare to Leeds to buy Future Days from Jumbo Records.

That was the first Can album I bought, as I'm sure I've recounted ad nauseum on ILX before, Chain Reaction/Quantum Physics is like my favourite 19 and half minutes ever.

it is so good

thanks for the Burnt Friedman tip, I forgot JL played with those folks!

played "Halleluwah", "Mother Sky", "Bel Air" and Pluramon's "Tel. Bell" on the radio this afternoon

That's awesome you played those songs. Someone will hear them for the first time! I'm still sad about his death. I just wasn't anticipating it at all. I wanted more
and more
and more
and more
and more
and more

and more

The thing about Jaki and the whole "Human Metronome" thing is that for the last 25 years he's been anything but. Certainly he traded on it a bit on the Rother records (tho I think he sounds more like he's doing a Klaus Dinger on those records than anything there). But as the Friedman stuff and a bunch of his other stuff show in the years since, Jaki became an increasingly supple percussionist on the back nine of his career. It was always there but increasingly much more "Quantum Physics" than "Hallelujah." And he was every bit as good as ever.

Thank you Jaki. What a musician.

xxp: again, the "metronome" aspect has nothing to do with boring regularity in the actual rhythm played. It's the pulse which anchors all his fluidity and adventurousness. It's exactly like the best Autechre, there are rhythm patterns bordering on chaos but the pulse is implied so strongly it's visceral.
Klaus Dinger played much more straight "motorik" beats for Neu! et al., but Jaki's metronome was like an atomic clock by comparison.

they are all super-distinctive

Who ever sounded like Irmin Schmidt either? The ferocious solos toward the end of "Halleluhwah?"

I feel like the metronome thing is insufficient. He didn't play on time or in time, he played with time. The beats were all in the right places, but there was a huge amount of elasticity between them.

Human metronome makes him sound super boring and he was so NOT boring.

He was powerful. And clever.

And had super chops.

We were lucky to have him.

He didn't play on time or in time, he played with time.

It's almost like he was in liebe with ziet

Human metronome makes him sound super boring and he was so NOT boring.

About to come here to post this, more or less. Several of the obits I've seen complimented Jaki along the lines of "human metronome," but that is so inaccurate. He swung like a motherfucker, and just as no one would describe Elvin Jones as a human metronome, or John Bonham, for that matter, the phrase makes no sense describing what Jaki did. Now, Klaus Dinger, sure, human metronome. But Jaki? No way.

i think it's because of those quotes from his bandmates saying he *wanted* to play like a machine.

"His deepest desire was to become a human machine," explains Czukay, "and he found the right guys to enforce that. He was The Can, he was the central figure; we all played around him."

"I didn't understand his aims in those days," adds Karoli, "because I still thought music was very much a human thing. But a drum machine could never play like Jaki: I know no other drummer who has such a sense of dosage for every single beat, how strong to hit it. The regularity of his snare drum work triggered off hallucinations."

What a fucked up metronome. I'm going to have my daughter practice her piano to Can and then blow her teacher's mind.

xxp: again, the "metronome" aspect has nothing to do with boring regularity in the actual rhythm played. It's the pulse which anchors all his fluidity and adventurousness. It's exactly like the best Autechre, there are rhythm patterns bordering on chaos but the pulse is implied so strongly it's visceral.
Klaus Dinger played much more straight "motorik" beats for Neu! et al., but Jaki's metronome was like an atomic clock by comparison.

― attention vampire (MatthewK), Tuesday, 24 January 2017 03:34 (twelve hours ago) Bookmark Flag Post Permalink

^^^^

I think that's crazy, too, re: Autechre. I love Autechre beats, but "metronomic" is absolutely not the word I'd choose.

So I take it no one has listened to his playing on the Michael Rother records then? He is absolutely not swinging at all on those or deviating much from the set pattern. As noted above, he is almost doing a Klaus Dinger impression on those four records (all of which I love in part because of his Jaki's minimalist playing).

Just to be clear, my point was not that he was a human metronome – or that he was similar to Dinger. Rather, it was 1) that his reputation was perhaps influenced by those Rother records and, more importantly, 2) that his style and sound changed considerably in the second half of his career.

As amazing as something like "Hallelujah" was, there is a metric ton of James Brown in that performance that I haven't come across in any of his post-80s work. When I came across his performances on Nicky Skopelitis's Ecstasis, his sound had become much more Caribbean- and African-based, with tighter snares, more toms and odder time signatures. He continued that approach through much of the next two-plus decades.

That's all I was saying.

he is almost doing a Klaus Dinger impression on those four records

Not much almost about it tbh. I don't think they had much of an impact on his reputation one way or the other, his style had changed on Can records by then anyway.

yeah i think i assumed that the drummer on flammende herzen was dinger at first. seem to recall that Rother said Liebezeit was a genius, while Dinger was just "crazy."

Nicky Skopelitis's Ecstasis

wow I totally forgot about this album (and Jaki being on it). I bought so many of those Axiom records at the time.

Would someone be able to attempt a Jaki playlist? Realising how little of his post-Can work I'm aware of.

here's a good primer on his non-Can action: http://pitchfork.com/thepitch/1422-jaki-liebezeits-best-drumming-outside-of-can/

He's on every Holger Czukay album - except the ones that don't have drums. Plus, I keep mentioning this album in the hope that someone listens to it, the album "Alex" by, er, Alex.

Cheers for the primer link, Tyler. How have I never heard that Wobble track? Magnificent.

xxxxxp Josh - all I can say is playing Autechre in the car, my daughter observed "dad you are tapping to a beat which is not in the music". Maybe it's just me.

Search out the recent Can poll results thread, also includes extra-Canicular activity.

The Alex album is certainly notable for being Holger & Jaki in Can studio in 1973 rehearsing or reprising Future Days type stuff. One track has a rhythm section that's basically a version of Spray.

Also check an uncredited Jaki on a Samba-Trip / Samba-Session & Hello Beach-Girls on Richard Schneider Jr.'s Dreamlike Land album.

As amazing as something like "Hallelujah" was,

Someone should get their plunderphonic on and do a Handel halleluwah chorus

NP pluramon render bandits
This is delicious and I am excited that I've never over-listened to it despite having it awhile

it is so good!

I've seen it spelled both ways, Halleluwah/jah

Halleluwhuh?

Been listening all week to all five volumes of the Secret Rhythms records on Spotify. Not sure which I like best (5 is pretty great) but this goes down very well as I mourn the guy.

Been listening all week to all five volumes of the Secret Rhythms records on Spotify. Not sure which I like best (5 is pretty great) but this goes down very well as I mourn the guy.

I know no other drummer who has such a sense of dosage for every single beat,

so rad to read this, amid the other medically-inflected can lexicon picks; dosage

Trying to get a drummer friend into Jaki. Can you give me a POX of highlights?

Halleluwah and Pinch are my first options.

Live version of Yoo Doo Right
Mother Sky
This person should not need a lot of convincing imo!

Live version of Yoo Doo Right
Mother Sky
This person should not need a lot of convincing imo!

Those are overdubs not duplicate posts btw ;)

Played Can for the first time to an older friend of mine who is mostly into jazz and more obvious rock, but who has been receptively (at the least from an academic stance) to weirder, more experimental stuff, and he was fascinated.

I put back up a mix I did in 2009 of post-Can music by Can folks from 1979-1984, as 17 out the 22 tracks feature Jaki. Somebody should do a further volume from 1985-2016. . .

Can – ‘The Church of Latter-Day Can, Book Two’
(Beyond Can, 1977-1984)

01 Michael Rother (with Liebezeit & Plank) – “Karussell” (Edit) – [‘Flammende Herzen,’ 1977] (3:22)
02 Michael Rother (with Liebezeit & Plank) – “Zeni” (Edit) – [‘Flammende Herzen,’ 1977] (3:38)
03 Czukay (with Liebezeit & Rebop Baah) – Cool in the Pool” – [‘Movies,’ 1979] (5:03)
04 Phantom Band (with Liebezeit) – “Without Desire” – [‘Phantom Band,’ 1980] (2:38)
05 Phantom Band (with Liebezeit & Rosko Gee) – “You Inspired Me” – [‘Phantom Band,’ 1980] (4:00)
06 Eurythmics (with Liebezeit) – “Take Me To Your Heart” – [‘In The Garden,’ 1981] (3:35)
07 Eurythmics (with Czukay & Liebezeit) – “Never Gonna Cry Again” – [‘In The Garden,’ 1981] (3:05)
08 Les Vampyrettes (Czukay & Plank) – “Biomutanten” (Edit) – [‘Biomutanten‘ EP, 1981] (3:32)
09 Phantom Band (with Liebezeit) – “Experiments” – [‘Freedom of Speech,’ 1981] (3:34)
10 Liebezeit, Czukay & Jah Wobble – Trench Warfare” – [‘How Much Are They?‘ EP, 1981] (4:50)
11 Czukay (with Liebezeit) – “Fragrance” – [‘On the Way to the Peak of Normal,’ 1981] (4:13)
12 Phew (with Liebezeit & Czukay) – “Fragment” – [‘Phew,’ 1981] (3:59)
13 Schmidt (with Bruno Spoerri) – “Toy Planet” – [‘Toy Planet,’ 1981] (3:04)
14 Schmidt (with Liebezeit, Karoli & Gee) – “Endstation Freiheit” – [‘Filmmuzik Vol. 2,’ 1981] (3:37)
15 Dunkelziffer (with Liebezeit) – “Strom” (Edit) – [‘Stil Der Neuen Zeit’ EP, 1982] (3:03)
16 Czukay, Jah Wobble, The Edge & Francois Kevorkian – “Snake Charmer” – [‘Snake Charmer’ EP, 1983] (4:07)
17 Gabi Delgado (with Liebezeit) – “Victim” – [‘Mistress,’ 1983] (3:30)
18 Phantom Band (with Liebezeit) – “The Party” – [‘Nowhere,’ 1984] (1:31)
19 Phantom Band (with Liebezeit) – “Loading Zone” – [‘Nowhere,’ 1984] (3:50)
20 Dunkelziffer (with Suzuki) – “Watch On My Head” – [‘In The Night,’ 1984] (2:52)
21 Karoli & Polly Eltes (with Liebezeit) – “Yours & Mine” – [‘Deluge,’ 1984] (4:28)
22 Karoli & Polly Eltes – “Watch On My Head” (Edit) – [‘Deluge,’ 1984] (3:47)

[Total Time: 78:37]

https://musicophilia.wordpress.com/2009/06/16/one-off-can-the-church-of-latter-day-can-book-two-beyond-can-1977-1984/

thanks, looks great

https://soundcloud.com/kumo/sets/jaki-cassette-excerpts

please someone please help put this book project up to goal so we can hear more of these
i could listen to this all day tbh

"Jaki used cassettes as a notepad – a rehearsal tool, recording not just himself for reference but also the groups who would play together in his room.
He enjoyed the simplicity of one button each for record and playback and that there was no complex set up with microphones.
He also experimented with the auto record levelling system of cheap recorders."

Update:

Manuscript received!
Tuesday, 7 August 2018
Hi Everyone
Just a quick note to let you know that the manuscript for the book has been submitted and received by Unbound; which means the painstaking but now irrevocable process of publishing now begins!
The book will slowly become a reality over the next 12 months and I'll keep you updated at various milestones along the way. It was a very exciting moment when we pieced a ll the chapters from the various contributors together and got a feel for what a wonderful thing we're creating here.
More soon.... and thanks again for your support over the last 12 months
Jono

yaaaay finally it is going to happen!

https://www.youtube.com/watch?v=PNrV_pnamQ4

That's a good jam.

My it is a good jam

the rhythm goes on!

https://unbound.com/books/jaki-liebezeit/

https://www.eventbrite.ie/e/prog-rock-grooves-jaki-liebezeit-the-nature-of-rhythm-tickets-119431766629
a tribute toi Jaki as part of the Culture NIght celebration tonight.
not sure what status is on tickets and how limited tehy are so best to try to book one as soon as you see this if you can.

I just got one at 9:30 am Pacific Time. Starts at 11:00.

not sue thsi si going to work, but the youtube showing is here
https://www.youtube.com/watch?v=zNkWUDCZ6QA
may remain there, not sure

or if that doesn't embed the URL is
www.youtube.com/watch?v=zNkWUDCZ6QA

Working for me!

I was not able to attend via my reg because I used my work email rather than my home one to get the link here at work, so Eventbrite doesn't recognize me.

ok, that link appears to start at about the right place. I noticed the one i had on Facebook started 3hrs and 9 minutes into a longer recording. Looks like that's bookmarked at the right point though

Thought this revive might be about an album he did with Kevin coynes son that I read a positive review about today

NO, quite good little improvisation thing done byu some musician fans in Dublin. I quite enjoyed that. Nott sure how frequently I'd revisit but did enjoy it.

Saw jaki i a 2 piece thing inn Dublin in the late 90s. wonder if that was the Coyne son thing

This continues to be one of my favorite things on YouTube:

https://youtu.be/h6w7JiWRpvA

Are there more of these videos?

Currently reading the Jaki book mentioned upthread, finished the bio section and getting into the theory portion.

Shamefully I've never been a huge Canhead, although I've dipped into the records over the years and love his playing (and recently got obsessed with the two recent Drums Off Chaos records that are available on streaming). Curious about the Club Off Chaos records, listening to some stuff on youtube that's totally sick.

Anyone heard this one?
https://www.discogs.com/release/26242415-Various-Instant-Music-Club-2007-2022

I have not, but I love his drumming on the Pluramon albums

I'm amazed there still exist ILXors who aren't into Can, I thought that was like, our band

Lol, I mean it's not like I don't like them, they just never clicked for me as an obsession. Neu was the one that captured my imagination in the early ILM days.

That Instant Club Music live compilation rips btw, feels like a cool documentation of a scene too? Lots of rhythmic percussion ensemble stuff (using Jaki's systems even when he's not on a track) along with electronics, piano, some great vocals, etc on some pieces.