Born In A Test Tube, Raised In A Cage: It's The 2025 Metal Thread

Let's open up this fuckin' pit.

https://www.youtube.com/watch?v=XBfeAnef8RQ

Just got answers back from an email interview with the vocalist from Human Barbecue, a cannibalism-obsessed brutal/slam band from Belgium. The interview will run in Burning Ambulance in February. Gotta say, his first answer made me feel pretty fucking old...

How did you first get interested in this style of metal? Can you remember the first records that inspired you to want to make this kind of music yourself?
My dad has always been listening to music at home. He used to be a punk when he was a teenager. So I have been listening to all kind of music since a very early age. I remember that he was listening to bands like Guns N’ Roses, Suicidal Tendencies, Rollins Band... I guess it just grew on me. The older I got, the harder the bands were. I discovered death metal and hardcore music during my nu-metal phase when I was 12-13. I always loved the very brutal side of death metal. Even though I started being active in the hardcore scene (still am), death metal has been by my side since those days.

Here are some upcoming releases on my radar to check out:

10-Jan
Haunted Horses (Seattle industrial metal on Three One G)

24-Jan
Mogwai
Sunrot
Wardruna

25-Jan
Clamfight (Philly Prog-adjacent Stoner Metal)

31-Jan
The Hellacopters
Jaye Jayle
Pentagram
Spesimin (Philly thrash/death/punk goodness)

7-Feb
Dream Theater
Inborn Suffering (French Death/Doom)
Jinjer
Obscura
Thundermother

21-Feb
Killswitch Engage
Mean Mistreater (Austin Trad Metal)
Sacrifice (Canadian thrashers; first new album since 2009)
The Young Mothers (Austin jazz hepcats who like grindcore)

28-Feb
Cloakroom

4-Mar
Destruction

14-Mar
Coheed and Cambria

28-Mar
Arch Enemy
Dead Meadow
Savage Master

Gotta say, his first answer made me feel pretty fucking old...

I was talking with a younger acquaintance who told me she grew up listening to the proverbial "all kinds of music." Dad liked jazz, mom liked country, little brother liked "emo." "Emo" has kind of evolved in meaning over the years, so I asked her what she meant by emo, and she said, oh, you know, stuff like Slipknot.

Definitely looking forward to new Obscura, and Destruction can always be trusted. I've heard the Mean Mistreater; it's as good as the debut, which I loved. Wardruna are actually playing near me (well, 90 minutes away, which is "near" in Montana terms) this summer:

https://fitmfest.com/

One very interesting aspect of that festival:

In partnership with the community in the Blackfeet Nation, Fire in the Mountains 2025 at the Red Eagle Campground in the Blackfeet Nation, will be an event without alcohol. This decision was made with respect to the wishes of our hosts and is a decision we align with.

Our aims have always been to build an event that places value on music, nature, and connection above all else, and to have a positive impact in the community that has welcomed us. We stand behind the decision of our Blackfeet partners that all of these aims can be obtained without the presence of alcohol.

We have no interest in passing judgments or preaching any way of life over another. All walks of life are welcome at our festival. What we do stand strongly behind is respecting the land and the wishes of those whom it belongs to.

lots of good shows coming up in London i'm looking forward to; Napalm Death/Crowbar/Full Of Hell/Brat being one, another being King Diamond/Paradise Lost/Unto Others. Incineration Fest is the one i'm most hyped for though - bearing in mind as a one dayer the clashes will be torture.... lineup so far:

Triptykon Performing Celtic Frost (UK Exclusive)
Blood Incantation (UK Exclusive)
Decapitated (UK Festival Exclusive)
Batushka (UK Exclusive)
Cryptopsy
Warbringer
Blackbraid
Spectral Wound
Lamp Of Murmuur
Undergang (UK Exclusive)
Wormwitch
Bedsore (UK Debut)
Celestial Sanctuary
Carnation
Minami Deutsch
Underdark

What does "UK Exclusive" mean? That that is the only time/place they are playing the UK in 2025? I want to start seeing stuff like this more often. Oasis at Soldier Field: Chicago exclusive! Yo La Tengo Hanukkah Shows: NYC exclusive!

yeah, I guess maybe the UK is a small enough country that promoters can pay for that sort of exclusivity and use it in marketing knowing people will travel to the show rather than miss out... probably less likely to happen in bigger countries/USA?

Old Man's Child is playing their first US live show ever this summer at an outdoor festival 90 minutes from me. Why they'd choose to make their live debut in rural Montana rather than New York or San Francisco or Los Angeles, I don't know, but they have made that choice.

There's a new German band called Axetasy, and on a purely instrumental level, they live up to the name: the guitars are pretty goddamn axetatic. But the vocals are a hoarse shout, not nearly power metal enough for the music, and they're weirdly placed in the mix. I don't love it as much as I wanted to, but others may disagree.

https://dyingvictimsproductions.bandcamp.com/album/withering-tides

This Lifeless Dark album from December is apparently stenchcore, which isn't a descriptor I'm familiar with but seems like it basically came to mean a thrashier kind of crust punk? Anyway, it's really awesome.

https://lifelessdark.bandcamp.com/album/forces-of-natures-transformation

lol at stenchcore

I'm old enough to remember when Obscura were a wild, jazz-prog-fusion-y tech-death band. Unfortunately, their new album A Sonication (out 2/7) is some Dark Tranquillity-ass melodeath bullshit, with the occasional fretless bass solo to remind you of what once was.

https://obscura.bandcamp.com/album/a-sonication

fwiw the term stenchcore is as old as crust (coming up for 40 years) but seems to be enjoying a resurgence given the number of times I've seen "wtf is stenchcore" posts recently

I've always liked the term stenchcore because of the "our band smells bad" implication.

New Pigs Pigs Pigs Pigs Pigs Pigs Pigs video.

https://www.youtube.com/watch?v=TJ1M2i-7gF4

Catchier than I might have thought. Album drops 4/4.

It's ridiculous power metal video time! Here's "Power Train" by Majestica, and yes, it's about a train.

https://www.youtube.com/watch?v=rBJ7L5LyAk4

Releases this Friday that I will be checking out:

https://www.youtube.com/watch?v=lqiYgldW5nw

Pentagram

https://www.youtube.com/watch?v=ww7iDotqQ0s

The Hellacopters

https://www.youtube.com/watch?v=IEIPPQ-5UvE

Jaye Jayle

https://www.youtube.com/watch?v=CFABZr7WPkE

Spesimin

fuck sake - i hate how much i may spend on this though also know there is little to no chance of getting tickets

https://www.instagram.com/blacksabbath/p/DFsSHb-JK-O/

yeah that lineup is pretty undeniable, even with the dubious prospects of various supergroups and Pantera playing

although somewhere Dave Mustaine is crying and i want to give him a hug?

Wonder the last time Metallica supported someone.. Maybe those Rolling Stones shows in 2005?

Out of morbid curiosity I streamed a few songs of that new Obscura and, yeah, it's terrible.

The new Century album is the first real standout for me this year. Swedish melodic heavy metal... my favourite area.

The vocal performance took me a minute to warm up to, but I like it. He has a kind of dry, stone-faced quality, which works for me, especially on short punchy tracks like "No Time For Tomorrow".

Yeah, that is good. It's an unmemorable name which is why I keep forgetting to check them out, but I've just put both their albums in my Bandcamp cart.

New Phrenelith sounding pretty great on the first go through

I interviewed Belgian brutal death metallers Human Barbecue. Plus bonus "Robert Christgau is a shithead" content!

lol at calling yourself Human Barbecue.

NEW PISSGRAVE INCOMING (finally!)

https://pissgrave.bandcamp.com/album/malignant-worthlessness

Wow, I am loving the Mean Mistreater album.

I went to see Undergang and Mephitic Corpse a week ago, and even though I caught a brutal cold at the show, it scratched a metalhead itch that was in dire need of scratching. Absolute filth.

ooh, the new Christian Mistress is up on NWOTHM Full Albums on youtube.

Atmospheric black metal cover of a Jean-Michel Jarre piece is a very specific niche, and you probably know if you're in it.

https://open.spotify.com/album/0YUsJFg8fBDSaDxLGxKvZp?si=4VoFC1y0TxOaxMWk7ZTp5A

I love that cover, I was annoyed it wasn't included as a bonus track on the copy I got of that album.

Some other good metal covers this week:
- Al-Namrood doing a black'n'roll-ish version of the Exploited's "Beat the Bastards".
- Ultrviolence's blackgazey "there is a light that never goes out".
- UMC and Anna-Lena Derer Eurevisioning Lady Gaga's "Abracadabra".
- URNE doing a basically reverent rendition of Black Sabbath's "I" (from Dehumanizer).

(And for metal covered, last week there was Rosetta Stone doing Sabbath's "N.I.B.".)

This month's Stereogum metal column has a great piece on Ragne Wahlquist and Heavy Load, the first Swedish metal band.

had a fun time at the Life After Death 2 fest this weekend in London; which is heavily associated with the great Crypt Of The Wizard record store. very good sets from Vacuous (new LP on Relapse is killer) and Jaundice (death metal from Glasgow, all looked about 18). this Friday - Napalm Death / Crowbar / Full Of Hell / Brat in brixton :D

Yeah, I'm enjoying that Vacuous record.

Me too; downloaded the promo last night after reading that post and it rips.

I like how it kinda swims against a lot of the trends in death metal right now, a little Converge energy in it.

Heck yeah--only a few songs in so far, but that new Vacuous sounds great! Artfully meat-and-potatoes to these ears, and very well-produced.

Ha! "artfully meatandpotatoes" is well-put.

New Neptunian Maximalism 3CD set in April!

https://i-voidhangerrecords.bandcamp.com/album/le-sacre-du-soleil-invaincu

Brent Hinds has left Mastodon.

I still can't get used to the new name, but The Otolith (formerly SubRosa) has a new track, and it's good:
https://www.youtube.com/watch?v=AdNDoMP3XWk

xp - thanks for the heads up on the Neptunain Maximalism! Instant pre-order. FYI, as much as I am happy to support Bandcamp Friday (which I am with other things today), follow the link on their page to the US store for much more reasonable shipping costs.

Wonder what led to Hinds leaving, wouldn't have expected that.

I really dig the first Otolith album, excited for more!

The new Ghost single is disappointing me.

I hear a good song there, but the mixing and compression on the guitars I'm having trouble with.

Hmm, granted it was a headphone listen, but I thought it was really good and the most I've been excited about a Ghost lead single in awhile now. Reminded me more of the Opus Eponymous era than much has lately.

FYI, as much as I am happy to support Bandcamp Friday (which I am with other things today), follow the link on their page to the US store for much more reasonable shipping costs.

Yeah, I saw that myself. Still deciding whether to spring for a physical copy or not. The three discs are only about 35 minutes long each, just FTR. But I understand why they want to break them out so you listen to each raga separately.

I'm posting this here and in the jazz thread, for obvious reasons: I interviewed Ray Suhy, who's simultaneously an accomplished jazz guitarist and the lead guitarist in Six Feet Under. It was a really fun conversation, even if the transcription program I use couldn't tell our voices apart (two guys from Jersey yappin').

That Jaundice is good too.
I like the lead guitar parts.
They sound like a death metal Thin Lizzy in spots...

I've always been a big fan, so take that as you will, but I really love the new Rwake - really expansive and engaging.

Also TIL, they got Jim "Dandy" Mangrum of Black Oak Arkansas to read a poem on one of the tracks.

Alcest is playing here tonight. Tempting, but I can't swing it.

Also TIL, they got Jim "Dandy" Mangrum of Black Oak Arkansas to read a poem on one of the tracks.

I liked Rwake many years ago, but this is the first thing I've read about this album that makes me want to hear it.

I love the Rwake album, but my tolerance for the poem track was about .5 of a listen. I put the other tracks on playlists, and that's how I will be expressing my love.

The track improves drastically after the poem ends, it's only a portion of the whole song.

haven't listened to rwake in, uh, a decade, maybe? but the part about magick delivered via core vox + the melodic leads made me think of pulling teeth. been a while for them too...

The burrito improves drastically after the first few bites with paint in them.

I'm happy with the other songs.

Buy a piece of Iron Maiden's 747!

teaser tracks for the new byonoisegenerator sounding very promising:
https://byonoisegenerator-label.bandcamp.com/album/subnormal-dives

seems like they've been practicing and tightening up their already pretty unique brutal death naked city sound

Album Release Stuff that some find useful...

21-Mar
Cradle of Filth
Gaytheist
Imperial Triumphant
Lordi
Young Widows

28-Mar
Amenra
Arch Enemy
Deafheaven
Savage Master

4-Apr
Benediction
Lo-Pan
Meshuggah
Pigs Pigs Pigs Pigs Pigs Pigs Pigs

11-Apr
In The Woods…
The Lord Weird Slough Feg
Tower
Týr

18-Apr
Couch Slut
Melvins 1983

25-Apr
Big|Brave
Cancer
Cirith Ungol
Ghost
Machine Head
SUMAC + Moor Mother
Wolves in the Throne Room

9-May
Behemoth
Candlemass
Ghost Bath

16-May
Grails
Pelican
Steve Von Till

23-May
Skunk Anansie
Witchcraft

30-May
Swans

I've listened to four songs from that upcoming Arch Enemy record and they're all pretty good. They blend 80s epicness with anime soundtrack epicness with their usual Swedish melodeath and shredtastic guitar solos. I'm not sure I'll need to hear the album twice, but I'm sure it'll sound good once.

Other than that, I'm looking forward to Benediction, Cancer (I have a promo of that one but haven't listened to it yet) and Witchcraft. Meshuggah... maybe. Their last one was pretty good but also extremely samey.

The first single from the Machine Head record is not good.

new Cancer single is good. also - the new GUTS album is a lot of fun.

This Scimitar album is excellent. A mix of occult rock vocals and swirly, psychedelic black metal instrumentation and some gothy, post-punk touches. The combination works really well.

https://cryptofthewizard.bandcamp.com/album/scimitarium-i

very enjoyable live split from antigama & cognizant, two grind heavy hitters -

https://selfmadegod.bandcamp.com/album/split-smg-394

New Imperial Triumphant blew a hole clean through my head

xpost love that split, thanks for sharing!

Scimitar is good, ty

xpost hell yeah

This is an amazing story about Christophe Szpajdel, who's designed logos for hundreds of metal bands (and Rihanna), and who also works part-time at a co-op in Exeter.

seriously good death/grind demo with some malignant altar overlap in the lineup

https://terrorcorpse.bandcamp.com/album/systems-of-apocalypse

Scimitar is good, ty

The closing track on this "Ophidia" is amazingly good, imo.

xxp lovely article, shame they couldn't stretch to a copy editor for it

new tietanblood!

https://teitanblood.bandcamp.com/album/from-the-visceral-abyss

haven't listened yet but this band hasn't missed yet

xp Local newspaper cutbacks, innit.

2 new EPs from Amenra today: https://amenra.bandcamp.com/

and a live show, streamed from Brussels in about 10 hours from now: https://www.youtube.com/watch?v=cRwQLjczs50

new Paranoid vinyl pressing from original master tapes via Rhino is absolutely immense, best i've heard that album sound. the limited run is already being flipped for silly prices, but when they did one of these for the debut they released an unnumbered edition a while after. well worth getting.

even the steve hoffman forum lads are happy (mostly)

oops, that Amenra link just went private. Too bad, they usually keep shows on the ABConcerts channel for a while. Anyway, if anyone was wondering who that new bass player was: Amy Tung Barrysmith from Year of the Cobra.

this new labyrinthine heirs record has an extremely unique and cool sound:

https://i-voidhangerrecords.bandcamp.com/album/labyrinthine-heirs

kinda like jesus lizard meets deatspell omega or something? but a really natural version that isn't at all gimmicky? band is super locked in here. awesome.

also, its been quite a while but theres a new AKBK record:

https://akbk.bandcamp.com/album/akbk-jikkai

frantic, twisty grind with fried, noisy production. this band deserves a bigger profile.

Fuck me, that Labyrinthine Heirs record is absolutely my thing.

yeah, it’s seriously good

There's a new Nortt album. I wrote about it.

That's great news. Excited for that.

New Austere album on June 6th : https://austere-official.bandcamp.com/album/the-stillness-of-dissolution

ohhhhhh yes, the new Epica album! Born in a test tube, raised in an astral palace.

The new Tómarúm record, Beyond Obsidian Euphoria is so good, if you like your progressive metal mixed with blackened death.

https://tomarum.bandcamp.com/album/beyond-obsidian-euphoria

Sometimes it seems like there is just so much of this stuff it's impossible to give it the attention it deserves, or even the amount of attention needed to determine if it deserves attention! Golden age, glut, the gift that keeps on giving ... phew.

Stuff like what you just posted, or at least the first track, when the bass drums are going at, like, mach 12, is that just being triggered? It doesn't seem humanly possible to play that fast.

Sorry Josh, I wish I knew more of the technicalities of how that is done. My non-drummer brain says a combination of technique, double kick drums and maybe some triggering/programming, but I'm not sure.

In other news, can confirm the previous posts - the Teitanblood rips.

I really like Amenra, but I streamed the new EPs but neither really convinced me they were worth the money.

I'm really getting into the new Messa. Lots of unique and memorable songs on this one, and vocalist Sara is fantastic.

Looking forward to digging into that one, I've loved all of their albums so far.

the new Messa is great

They made a really nice video for the track "At Races":

https://www.youtube.com/watch?v=VgJk2-ddU6M

Their best one yet, definitely. Saw Concrete Winds/Black Curse on monday in london - both worth catching live. got a cheapo ticket for Vio-lence at the underworld tomorrow, very curious how that will be - not too familiar with some of catalogue

Had no idea Divide and Dissolve had a new one imminent, out this Friday. Really looking forward to that one as well.

If anybody's in the mood for brutal slam metal so ugly and dissonant it's practically noise-rock, Trichomoniasis's Harvest Of The Killing Fields is the album for you.

https://newstandardelite.bandcamp.com/album/trichomoniasis-harvest-of-the-killing-fields

oh hell yeah, love those weirdos

caught vastum the other night. insanely fun set. even with strong competition from recent mayhem and wormrot gigs, vastum still ended up being the best metal show i’ve seen in a minute. highly recommend catching em if they’re in town.

oh hell yeah, love those weirdos

caught vastum the other night. insanely fun set. even with strong competition from recent mayhem and wormrot gigs, vastum still ended up being the best metal show i’ve seen in a minute. highly recommend catching em if they’re in town.

er, oops, bad service blip!

Speaking of metal, I was looking to see if High on Fire was going to come through town again, and indeed, they are on a bill with Weedeater opening for Acid Bath this December. Good bill, but I was still kinda shocked that the gig is already sold out 7 months in advance!

Acid Bath have been dormant for 30 years or so, they're selling every reunion show out

This review of Ancient Death's Ego Dissolution got me to listen to it (and subscribe to the newsletter where it appeared). The album is really good; somewhat proggy DM with definite late-Death/early-Atheist tendencies, but a nice dose of Necrot/Celestial Sanctuary primitivism too. Plus, the bassist's clean backing vocals, which only appear on a couple of tracks, are great and something uniquely theirs. Ethical dilemma: I want to give them money, but I don't want to give Profound Lore money.

https://ancient-death.bandcamp.com/album/ego-dissolution

Decibel's rave review got my attention, then that piece, and yep.

They are not wrong.

Extraordinary creativity, some of the gnarliest stuff I've heard in ages but also some of the prettiest solos this side of mid-'80s Malmsteen. Contains multitudes, with a guitar tone one can swim in. And those female vox that come in like The Gathering, oh my.

Cool stuff. "Journey to the Inner Soul" is a beautiful piece.

One of the world’s most iconic music venues – the Sunset Strip’s Roxy Theatre – hosted a legendary 2024 gig by one of the world’s most iconic metal bands, CIRITH UNGOL. The one-night-only performance was an album release show for the band’s 2023 Dark Parade LP. It captured the lineup at the height of its considerable powers, performing Dark Parade in its entirety, along with a set of classic songs including “Join The Legion,” “Frost And Fire,” “Black Machine,” and “Atom Smasher.” The end result is a stellar live album and DVD.

There was no choice other than the Roxy for CIRITH UNGOL to record this momentous live collection. “It’s owned by a Hollywood music legend, Lou Adler,” notes cofounding drummer Rob Garven, “and is next door to the famous Rainbow Bar And Grill. It’s a landmark Hollywood club, which includes the Whisky and The Starwood [now gone] so every time we played one of these historic venues, it was a special occasion. It was great to see many of our friends and fans from all over the world at the show.”

Adds bassist Jarvis Leatherby, “For years, there has been a live bootleg record famous in the underground from their last appearance there in 1984 titled Cirith Ungol, Live At The Roxy. I felt it fitting for the band to return there 40 years later to officially document a live performance in a way the guys would be proud of. Metal Blade Records, The Adlers, Nanotear, and Goldenvoice all came together in support to actually make it happen."

CIRITH UNGOL’s Live At The Roxy holds its own against other legendary live records. “The Who made an extremely powerful album with Live At Leeds, my favorite band of all time, Mountain, had several pretty spectacular live albums, and 1993’s Uriah Heep Live is another outstanding live album! It’s hard to accurately capture all the sound and feeling of a live concert. I think these bands achieved that, and I think our Live At The Roxy does also.”

Live At The Roxy will be released on April 25th via Metal Blade Records. The record will be available digitally and as a 2xCD/DVD set or 2xLP/DVD set in the following color variants:

Green Black Marbled (US – Ltd. 500)

180g Black (EU)

Light Blue Marbled (EU)

Green Black Marbled (EU – Ltd. 500)

Demon Blood Splatter (EU – Ltd. 300)

White / Blue Splatter (Band Exclusive – Ltd. 200 available HERE)

Find preorders at metalblade.com/cirithungol.

CIRITH UNGOL – Live At The Roxy Lineup:

Tim Baker – vocals

Greg Lindstrom – guitar

Robert Garven – drummer

Armand John Anthony – guitar

Jarvis Leatherby – bass

“The band's strong late-period form is now also documented on an impressive live album, which, with a whopping 100 minutes of playing time, includes the complete release show for the 2023 album The Dark Parade. Recorded at the legendary Roxy Club on L.A.'s Sunset Strip, CIRITH UNGOL practically offer a complete showcase of their work, culminating in the frenetically acclaimed 'Join The Legion'. The audience sound is also beautifully captured, so that Live At The Roxy can be recommended to every CIRITH UNGOL cultist to heart.” – Deaf Forever (DE)

For CIRITH UNGOL coverage contact l✧✧@earsplitcompo✧✧✧.c✧✧.

https://www.facebook.com/cirithungolofficial

https://www.instagram.com/cirithungolband

https://www.metalblade.com

https://www.facebook.com/metalbladerecords

https://www.instagram.com/metalbladerecords

https://x.com/MetalBlade

https://www.metalblade.com/museum

https://www.youtube.com/watch?v=gpoqKs3uvaE

oops, missed the contact change---here tis: liz at earsplitcompound dot com

I'm really getting into the new Messa. Lots of unique and memorable songs on this one, and vocalist Sara is fantastic.

it's fucking incredible

"Fire on the Roof" to "The Dress" is an immaculate sequence.

yeah. I listened to the album 2x in a row yesterday. I never do that. it's majestic

I'm probably one of the biggest Sumac fans around here, but even acknowledging that, the new album with Moor Mother is fantastic.

Ancient Death album is so great, hitting me in the same way the last Horrendous LP did.

yeah, i really like it too. depending how they evolve, i could see them following a mastodon-style popularity trajectory… if thats still possible anymore

That last Horrendous album might be my favourite release of like... the last five years. Still amazing.

Released today the brilliant, Opia release their debut album

I Welcome Thee, Eternal Sleep
by Opia
https://hammerheart.bandcamp.com/album/i-welcome-thee-eternal-sleep
on Hammerheart Records

riyl: Draconian

more streaming links:

https://opiadoom.lnk.to/iwelcomethee

gothic doom metal

the production on this album is glorious, rich layered atmospherics, dynamic guitars, great vocals from Tereza Rohelova - clean and growling.

a single from the album:

Opia - Fade
https://www.youtube.com/watch?v=odCQAQgf-jQ

interesting the band members come from a black metal background.

interview
Doomed Confessionary: Dan, Phoenix & Tereza (Opia)
https://doomed-nation.com/doomed-confessionary-dan-phoenix-tereza-opia/

Can you say something more about the current music scene in the UK?
Dan: This is kinda tricky since we’re all very spread out (even across countries) but I think as the band practices and records in Cardiff it’s perhaps the closest thing to a “home town” for the band generally. I would suggest that the South Wales/Bristol/Gloucestershire area all represents one doom metal scene in the UK. In that region you have some phenomenal bands like The Drowning, My Silent Wake, Pantheïst, Edenfall, Thrakian, Inver, Root Zero. There are also some atmospheric/melodic black metal bands there like Ofnus and Cistvaen who in all honesty probably have far more in common with us and the others I mentioned above than they do with the majority of the UK black metal scene.

This Science Friday radio segment on extreme metal vocals is really interesting and not pandering or sneering in any way.

big ups on the horrendous recommendation - great stuff

French post metal band Year Of No Light is back with an album length track recorded in 2015 (but their 2 planned shows are their Ausserwelt album in full?)

https://pelagic-records.com/product/year-of-no-light-les-maitres-fous-cd-digipack/

Loved the Tribunal debut, but the new one might be even better.

At the risk of turning this into live posting my listening, just finished the new Divide and Dissolve, it is astounding. It's essentially Takiaya Reed's solo project now, with some help on the drums, but this is stunningly beautiful and moving.

Didn't really expect the "new"* Cadaver to begin with a song that sounds like Voivod and Mr Bungle but idk

(*it was largely written in 1991 and never recorded...until now)

It becomes a bit more standard death by track two

Born in a testtube, raised in a cage, killed by the SFPD ...

https://www.stereogum.com/2306500/former-possessed-guitarist-shot-and-killed-by-san-francisco-police/news/

Jesus, grim. 30-minute shootout and he had three different guns.

The Ancient Death album is a real gem. The sort of album that rewards close and undistracted listening and reveals more and more.

caught Agriculture yesterday, fantastic musicianship, and basically cosign this great tshirt

https://evilgreed.net/cdn/shop/files/AGRICULTURE-TheSpiritualSound-TS-B_300x.jpg

https://www.youtube.com/watch?v=8M6dA3Z7ogM

both the t-shirt and this tune are super nice. I have to be real that death metal or go home me would have hated hard on this (because it's just indie rock but louder and with screams) but I'm a softie now and this is a lot of fun.

It might've been the venue, might've been because I was so wired for the much more punishing Chat Pile that night, but when I saw Agriculture last fall it didn't do a single thing for me. I'd like to see them again in a cozier space.

Meanwhile I saw Arch Enemy last night, and they're as great as they've ever been. So efficient, so tight, I've been a sucker for their speed metal and twin leads for 25 years now. And Alissa has grown into her role, she's now an absolute force onstage. They debuted their cover of Blaspheme's "Vivre Libre", which if you haven't heard it yet, is as great a Manowar-style metal ballad as you'll ever hear.

Though the avalanche of gigantic balloons during "Nemesis" was, erm, a surprise. It was like Ozzy and the bubbles all over again. “Come on Sharon, I'm the prince of fucking darkness."

i am beside myself in anticipation for the Acid Bath reunion shows to where I'm in a sensory deprivation tank mainlining When the Kite Strings rn

Some pretty cool ambient metal atmosphere from the guy from Evil Spirit:

https://lightbringermensch.bandcamp.com/album/der-schutz-des-feuers

I really like the new Pyramids but I’m not sure if it’s actually good or just a massive piss-take.

I sampled a few songs of that and I was definitely leaning towards the latter, and I didn't much like it either.

If you're looking for some cool atmospheric death/black/doom, the new Witherer album is very, very good. The first single is out today.

https://hypaethralrecords.bandcamp.com/album/shadow-without-a-horizon

Just discovered the Mexican thrash band Phantom via Angry Metal Guy (the writing on that site is so bad, but the music is frequently awesome). They're very much in the spirit of retro-thrash bands from 15 years ago — Fueled By Fire, Merciless Death, et al. — as well as current acts like Voltax. They have two albums, Tyrants Of Wrath and Handed To Execution, plus the four-song Transylvanian Nightmare EP and some demos, a live EP, etc. I'm gonna be giving them my money.

https://phantombandgdl.bandcamp.com/album/tyrants-of-wrath

I mean, if this album cover doesn't sell you, we have very different definitions of metal.

https://f4.bcbits.com/img/a3400073445_10.jpg

Angry Metal Guy is def good for things to listen to + comments sections sometimes also have good recommendations. writing variable.

This is their third album, but I just discovered the Spanish band Impureza today. They combine Obscura-ish prog-death with flamenco and wind up sounding like death metal Al Di Meola.

https://www.youtube.com/watch?v=k95eykxOnKw

Um, if you have a chance to see Fulci on their headlining tour, GO. They were unreal tonight, a really cool multimedia set.

anatomize full length on new standard elite really delivers the brutal goods:
https://anatomize.bandcamp.com/album/systematic-torture

Gruesome have a great knack for writing/producing in the style of Death in a way which keeps it vital (ha)--their prev album from 2018 already felt like a nice step-up IMO, and this new one in the vein of Human sounds just as good judging by the two adv singles: https://gruesomedeathmetal.bandcamp.com/album/silent-echoes

saw Amenra for first time last night at London Roundhouse as part of Desertfest; unbelievably good. as people have said a bunch of times, the records don't capture the intensity at all. extremely intense; closest i could compare it to is some of the best times i've seen Envy, but obviously more DOOM. made Pallbearer who were on before just sound pitiful really.

OK, I'm sending out the press release on Tuesday, but because I really need people to hear this incredible music now if not sooner, here's the first track from the Ava Mendoza/gabby fluke-mogul/Carolina Pérez album Mama Killa, which is coming out on Burning Ambulance Music July 11:

https://www.youtube.com/watch?v=cenaIV_JKfQ

New albums out this week from Moonlight Haze and Dalriada!

I've been looking forward to this Moonlight Haze album, and just finished the first listen, and it's fabulous: hyper-melodic, semi-symphonic, cathartically delightful.

enjoying the Unmerciful album myself

cosign that moonlight haze, it's extremely good if you go in for power metal -- I was already a fan, this one is leaner, I love it.

listening to an advance of the new gaahls wyrd, comes out 6/6...this is fucking great. flowing proggy vibes, harder than last fair deal katatonia but not unlike that...more brooding than borknagar but also kind of in that zone...very very good.

Reviewed five new albums (Ancient Death, Benediction, Phantom, Ritual Ascension and Venator) in the new BA newsletter. They all rule, but the Ancient Death is one of the best albums of the year in any genre.

https://burningambulance.substack.com/p/five-metal-albums-you-need-to-hear

great reviews, gonna have to check that Benediction record for sure, and you definitely intrigued me about a couple others there.

"You have to suspend disbelief and say, OK, I am not just listening to three dudes from Minneapolis playing guitars, bass, and drums and roaring about demons and whatnot" made me laugh

The older songs sounded like collections of parts, but the new music has depth and flow, and lead guitarist Ray Brouwer’s solos (sometimes more than one per song) are gorgeous.

Very much agreed on the Ancient Death. I LOVE the solos on this record. They never seem like digressions, they're always carrying the composition forward.

Didn't think I'd ever care about an album by The Haunted again but this latest one is surprisingly good. Marco's vocals are still the weak point but the songwriting is tighter and more memorable than they've been in a while

Heavendust

https://blabbermouth.net/news/sevendusts-clint-lowery-will-absolutely-write-about-his-journey-with-christ-on-bands-next-album

is this a meme-friendly space

https://scontent.fslc3-2.fna.fbcdn.net/v/t39.30808-6/506457317_1237654854480000_6432212802555876818_n.jpg?_nc_cat=111&ccb=1-7&_nc_sid=833d8c&_nc_ohc=hkEwgVMbBJwQ7kNvwFBAx_X&_nc_oc=AdkTe6W_dmvFISThm49QI7RsotNyuoH4rHvN78El8anI-V6CBsbYmaOp26ELHv71lmFMF93jWuRUKrrmyh4qe7EF&_nc_zt=23&_nc_ht=scontent.fslc3-2.fna&_nc_gid=4Y3GDhiBDCudRat3qV5KkA&oh=00_AfM2kSOIA8dIHKwtZmPuiTZloNLDyQquLYbDy288XZy7LA&oe=6853A0F9

Toadliquor are so back

https://toadliquorsl.bandcamp.com/album/back-in-the-hole

two grindy things i’ve been enjoying lately -

new byonoisegenerator, which is twisty-turny naked city-style jazzy cut-up grind:
https://byonoisegenerator-label.bandcamp.com/album/subnormal-dives

new sulfuric cautery comp of old material, which is last days of humanity-style gore grind with a snare that sounds like rain hitting garbage can lids, for true sickos only:
https://blastaddict.bandcamp.com/album/subsequent-torture-sessions-2019-2021

Yeah, Byonoisegenerator is great.

Really enjoyed this folky Brazilian bm from dude behind Kaatayra and Brii

https://vauruva.bandcamp.com/album/mar-da-deriva

Helms Deep's Chasing the Dragon is some pretty awesome 80s-style heavy/power metal, great guitar work, a nicely balanced and clear sound. “Red Planet” is probably the highlight for me. It gets a bit space-rock.

https://helmsdeep666.bandcamp.com/album/chasing-the-dragon

New Cryptopsy is solid. They're on a pretty good run on their last two, kinda hovering in an alternate reality where they kept making Whisper Supremacy sequels.

Despite having only one dude (Flo) from that album....it remarkably channels that era. As opposed to the very meandering Book of Suffering EPs.

I mean, it's not without bummers. McGachy is still a complete nothing vocalist. Flo's drumming these days definitely feels tighter, more triggered but less free-wheeling and crazy than in his earliest years.

But let's be real...a lot of that is that major death metal albums all sound sterile nowadays and if the rest of the band sounds tightly coiled and slick, you can't have your drummer sounding like he's playing on a Krabathor album, so it's tightly edited and sterilized.

There's a ton of very melo-death bits, but not In Flames, more like "Cold Hate Warm Blood" riffs

“cold hate warm blood” rules

haven’t listened to a new cryptopsy since… whisper supremacy, i guess? (ouch.) is this the one to start with?

Album cover of the month, without question.

https://f4.bcbits.com/img/a2850896191_10.jpg

Re Cryptopsy, Once Was Not from 2005 is good, and so is As Gomorrah Burns, the one before this one.

That album somehow already has a detailed Wikipedia article.

https://en.wikipedia.org/wiki/Cruel_World_of_Dreams_and_Fears

Re Cryptopsy, Once Was Not from 2005 is good, and so is As Gomorrah Burns, the one before this one.

thanks!

So normally djent get a big fat "nope" from me, but I listened to the new Vildhjarta today and actually really liked it? It does use a lot of the same djent plays, but I don't know, somehow it all feels actually in service to interesting music and not just for flashiness' sake? I didn't expect to dig this, but I do.

Is there any consensus on Castle Rat? I'm listening to their second album, coming out in September, and they're definitely leaning hard into a very old-school (like, Lee Aaron old-school) "sexy lady sings metal" thing, but the songs are good enough for it not to feel skeevy.

https://www.youtube.com/watch?v=iWKmiTwjjHA

I like Castle Rat a lot, and the new one is hazy stoner fantasy fun. Reminds me of Jex Thoth, but campier.

A Crypt Sermon B-sides EP, Saturnian Appendices, is coming out in August. I love this band.

https://www.youtube.com/watch?v=Y3XyvoVLdhk

Always hyped for more Crypt Sermon.

Also announced today was the third Blackbraid album, which was an instant pre-order for me.

https://blackbraid.bandcamp.com/album/blackbraid-iii

that crypt sermon track rules

new drawn and quartered out today:
https://nuclearwinterrecords.bandcamp.com/album/lord-of-two-horns

seems to be following a similar path to the last record on a cursory listen

love this band

Oh snit I love Drawn and Quartered! Didn't know there was a new one.

New Sodom strongly suggests the return of Frank Blackfire has reinvigorated the band. I really had started to sour on new Sodom prior to Genesis XIX, but they seem to be much more focused and fired up again. Blackfire's leads are great.

Complaint is that Angelripper is leaning more and more into Mark Osegueda-by-way-of-Sam-Kinison vocal tics. Can't win em all I guess.

New Putridity, otoh, is basically old Putridity. Lots of briiiiiiieeee, lots of pinched harmonics, blast beats, and little to no nuance. That's a feature...not a bug

Oh wow, this is gonna suuuuuck:

NEW SCORPIONS BIOPIC WIND OF CHANGE ROCKS LIKE A HURRICANE WITH DOMINIC WEST, ALEXANDER DREYMON, LUDWIG TREPTE, ED SPELEERS, DAVID KROSS AND LUKE BRANDON FIELD IN STARRING ROLES

FOX Entertainment Studios, ESX Entertainment and Warner Bros. Home Entertainment Partner on Project, Currently Filming in London and Set for 2025 U.S. Theatrical Debut

FOX Entertainment Global Retains Worldwide Distribution Rights Excluding U.S. and Global Transactional, which Warner Bros. Discovery Global Content Sales Will Manage

Los Angeles, CA – June 27, 2025 – Dominic West (The Crown), Alexander Dreymon (The Last Kingdom), Ludwig Trepte (Generation War), Ed Speleers (You), David Kross (The Reader) and Luke Brandon Field (Interview with the Vampire, Jojo Rabbit) have been cast in lead roles in the highly anticipated feature film, Wind of Change, which recently started production at Warner Bros. Studios Leavesden in London.

Directed by Alex Ranarivelo and produced by ESX Entertainment for FOX Entertainment Studios in association with Warner Bros. Home Entertainment, Wind of Change is a music biopic chronicling the incredible journey of the legendary rock group the Scorpions, with the longest-running and most successful line-up of the band including guitarist Rudolf Schenker (Dreymon), Klaus Meine (Trepte), Matthias Jab (Speleers) and drummer Herman Rarebell (Field). It tells the story of a band united by their passion for music, who sought to inspire change in the world through their powerful sound and meaningful lyrics. At the heart of the film is their iconic anthem "Wind of Change," which became the soundtrack to the end of the Cold War, symbolizing hope, peace and unity. Through their music, with hits ranging from “Rock You Like a Hurricane” to “Still Loving You,” the Scorpions helped bridge the divide between East and West, leaving an indelible mark on history and proving the transformative power of art. West is set to play Doc McGhee, the Scorpions famous music manager and Kross will star as Andrej, the band’s imprisoned friend on the other side of the Berlin wall.

“It’s been an unbelievable journey developing this film and bringing it to life feels surreal” says Ali Afshar, Founder and President of ESX Entertainment. “Not only did the Scorpions’ music help me get through tremendous difficulties as an Iranian immigrant in America in the early 80’s, but their message of love, peace and rock ‘n’ roll seems more relevant today than ever. This cast is an amazing ensemble of truly great talent. I can’t thank FOX Entertainment and Warner Bros. Home Entertainment enough for their support and especially the band -- Rudolf, Klaus and Matthias -- for believing in us and trusting us to tell their life story.”

The Scorpions have built a remarkable legacy as one of the most enduring rock bands of the past fifty years. With 110 million albums sold worldwide, they remain one of Germany’s most successful musical exports. Their breakout hits like “Rock You Like a Hurricane” and “Wind of Change” continue to resonate, the latter surpassing one billion streams across platforms and remaining a cultural touchstone. Even today, their music regularly appears on rock radio and streaming playlists, and they continue to tour globally. Their staying power has earned them a lasting place in rock history.

Wind of Change is produced by ESX Entertainment’s Ali Afshar, Christina Moore and Daniel Aspromonte for FOX Entertainment Studios in association with Warner Bros. Home Entertainment. The film is written by Mark Andrews and directed by Alex Ranarivelo. FOX Entertainment Global retains worldwide distribution rights excluding U.S. and Global transactional rights, which Warner Bros. Discovery Global Content Sales will manage.

Big metal week. Spent Friday at the Eddies Dive Bar popup ahead of the Iron Maiden London show tomorrow, got king diamond/paradise lost/unto others on Tuesday and then the black Sabbath megagig in Brum next week. #blessed etc

New Putridity, otoh, is basically old Putridity. Lots of briiiiiiieeee, lots of pinched harmonics, blast beats, and little to no nuance. That's a feature...not a bug

ooooh… been waiting for this to drop. its been _quite_ a while but i got very into that last one!

I appreciate that it's a brutal death album where the drums sound like drums

well, I'm listening to the putridity record and there's at least one surprise... a divine sample from pink flamingos!

Lol yea that was inspired choice

If you like variations on gothic symphonic metal, I highly recommend the new albums from both Flight of Icarus (Swedish, a little on the rock/metal edge) and Isiliel (atmospheric solo project by Himari Tsukishiro from NECRONOMIDOL).

Omg the Disembodiment album

Brutal death like I didn't think actually existed anymore

Raw but with a lot of clarity to the parts being played, vocals that aren't lame inhales and involve some midrange bellowing. Blasting thar is restrained, tremolo riffs that are hummable but pummeling

great cover too!

Yeah that was pure Neanderthal bait

Belated thanks to unperson for tipping me off to the Ritual Ascension album, really liking it. Sort of like what if Portal went death doom.

Blackbraid is the next Decibel cover story. So has it been proven that this guy is actually Indigenous? Has anyone pressed him on the issue?

He uses a Mohawk name and influence, but has stated in interviews that he is not Mohawk, but that since he lives on their lands, he was inspired by them.

the only quote I can find from him anywhere about his lineage is that he was born in the South to southern natives.

I'm hoping this cover story covers that part. Black metal is a magnet for grifters, and if this is just another whitey choosing to speak for indigenous people, yikes.

There's a new Amon Amarth video, and it is some dork-ass LARPy bullshit, and I am 100% here for it:

https://www.youtube.com/watch?v=5VLMKHikNrM

That video they made three years ago with the guns and monster trucks? Mercifully forgotten.

Re: Blackbraid, as far as I've been able to piece together, he's not a Mohawk and chose the name based on the area he lives in now, as his inspiration. But also apparently he was born in Mexico to at least one indigenous birth parent before being adopted by white parents. So sounds like he's somewhat disingenuous with his "inspiration" regarding where he grew up, but I think he does have some real indigenous background.

I too am interested in the story, I don't think it's clear cut. Kinda sounds like he lands somewhere in the middle ground between a white kid saying "look, my DNA shows I'm 1/16th native" and 100% indigenous.

Yeah I'm not buying his gimmick at all. Giving yourself a Mohawk name without ties to the actual nation is a huge red flag.

That Amon Amarth song is genuinely fun! The well is getting dry, though. Maybe they should start singing about colonizing Newfoundland and then they could morph into Newfie Metal with screech and carp and mummers.

Really digging the Floating record that came out last week on Transcending Obscurity. A post-punk/death metal hybrid that works surprisingly well (bandcamp page namedrops Adramelech and Siouxsie & the Banshees).

https://floating-label.bandcamp.com/album/hesitating-lights

new Abigail Williams is tight

oh, I LOVE adramelech! namedrop worked, i suppose, since I'm definitely gonna check that out now - thanks! (x-post)

So there was supposed to be a fest last year in Elg1n Illin0is called Met@l Thr3at F3st and it got canceled because the venue demanded they remove two bands and they refused. It's happening this year and here are the sketch acts i found

Absu (transphobic)
Inquisiti0n (fronted by pedo)
D!sma (fronted by neo-Nazi)

And...a listing for "Polish black metal legends" who, even with lineup finalized and locked in, they refuse to name. Possibly Gr@veland or some other sketch act they don't want to have their permits pulled over.

Man fuck this fest

It's obviously not Behemoth because they're booked everywhere in the US regularly and not an exciting secret to keep.

Deicide’s Legion is getting a vinyl reissue in September, if you’re into that sort of thing.

xps the floating rules eternal. mighty goodness. yeah, their namedropping game was very ilmish to me. raving about talk talk and the like. i love where they are right now

Holy shit, a metal tour is actually coming to Montana!

(It's High On Fire. And they're playing in Great Falls, which is a 3 1/2 hour drive each way. Having seen them at least five times already, I think I'll pass.)

And now I've found out that Conan and Mares Of Thrace are playing in Missoula the night before the High On Fire show. Missoula is only two hours from me. Might actually go to that one.

seen both High On Fire and Conan in last year or so; both fantastic. HOF touring with Coady from Converge on drums so may be different from when you've seen em before!

HOF touring with Coady from Converge on drums so may be different from when you've seen em before!

Yeah, Coady on drums is the biggest potential draw for me. (I saw him twice with the Melvins. He's fantastic.)

oh fuck yeah hof are coming to slc!!!!

and conan too. it's gonna be a metal fall.

total error above, its Ben from Converge replacing Coady on these ones

i don’t often go for wheedley black metal these days but this is really good:

Taking inspiration from the melody-focused Blut Aus Nord records, as well as the infinite possibility space that experimental giants such as Kayo Dot and Time of Orchids

https://beannachdleibh.bandcamp.com/album/walking-in-his-works

and tbh it isn’t really even that wheedley

Hearing reports that Erik from Cobalt and Man's Gin has died. I'm in total shock. He was a great guy.

https://i.imgur.com/OVnK84N.jpeg

Damn, RIP. Was always hoping for a Cobalt reunion. The Man's Gin stuff never fully clicked for me, but he definitely was a unique voice.

GridLink has released Perfect Amber, re-recordings (new guitar and bass tracks, drums and vocals remain the same) of their first two albums, Amber Gray and Orphan:

https://gridlink.bandcamp.com/album/perfect-amber

I love all four GridLink records but I'm not sure I need this.

Gimme a CD with all four albums and I'm in, without the "karaoke" versions they'd all easily fit on a single disc.

saw em a year or two ago and tried to buy the old amber gray/orphan disc on hydrahead. they told me they were just there as freebies to incentivize buying vinyl. merch guy said to just said to take it along with a hayaino daisuki disc. guessing they still have plenty of these things in boxes somewhere in new jersey.

not sure a new recording was necessary here but i’ll give it a listen.

Pardon me while I brag for a minute: the Ava Mendoza/gabby fluke-mogul/Carolina Pérez album Mama Killa is the top pick on Bandcamp's Best Metal column for July!

It feels like I’m getting away with something writing about Mama Killa, the first album from the trio of guitarist Ava Mendoza, violinist Gabby Fluke-Mogul, and drummer Carolina Pérez. It isn’t a metal album, not in any conventional sense. Its improvisational origins put it closer to jazz, but it’s not really a jazz album, either. Its closest relative might be the music Dave Lombardo has made with John Zorn over the years—just, you know, without any saxophone. Pérez is the anchor of Mama Killa, and the reason I’m bothering to recommend it to metalheads at all. She’s the drummer for death metal wrecking crew Castrator, and she was invited by Burning Ambulance Music curator Phil Freeman to improvise in the studio with Mendoza and Fluke-Mogul. You can hear the way Pérez’s presence warps the kinds of choices her collaborators make. Mendoza’s guitar parts often feel pointedly metallic, and when she occasionally flexes her virtuosity, she sounds more like a G3 Tour shredder than a heady jazznik. Meanwhile, Fluke-Mogul’s violin gives Pérez an unfamiliar texture to play off of, and the results of their two-person game frequently sound revelatory. For her part, Pérez sounds amazing, always in control of the music even as it pushes her to uncomfortable places. The Castrator album she has coming next month is great, but Pérez’s work on Mama Killa does even more to illustrate why she’s one of the best drummers in heavy music today.

Last night, Blood Incantation did the thing:

https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:kqdyhnklmmv34nmml6btyqv6/bafkreicchzxds6crl2yjvarr74xjfsqvwn2yjzbqunq5sbtfjyq5ujoqsq@jpeg

Highlights beyond the excellent performance itself: Paul Riedl is a master of deep voiced mellow/wry between song banter, including being amused/bemused by a blue blow-up alien doll popping up from the crowd, the last song on their playlist before taking the stage was Kraftwerk’s “Pocket Calculator” and during final soundcheck they busted out the opening riff from “Symptom Of The Universe.”

Grr, this week there were dubious new songs credited to both The Dark Element and Diabulus in Musica that were plainly not by those bands, and sounded to me like they were probably from the same source (as each other).

https://blabbermouth.net/news/watch-dark-angel-performs-two-new-songs-extinction-level-event-and-circular-firing-squad-at-chiles-metal-beer-festival

Megadeth to release final album in 2026, tour for several years thereafter

Tomas Lindberg is apparently very ill; a statement from At The Gates was released this morning:

We want to take a moment to update you on what’s been happening with At the Gates, and to do so, we need to take you back about a year and a half.

Below, you’ll find a message from Tomas, written this past March 2025, where he reflects on the past 15 months and the reasons for the radio silence.

However, in early May, Tomas experienced a health setback. Since then, he has been hospitalised and has been receiving dedicated care in a specialized ward where he is being closely monitored around the clock.

While this is a challenging time, we’re staying positive but, even in a best-case-scenario we know the recovery will take a long time.

We kindly ask that you respect Tomas’ and his family’s privacy during this period.

We know how much the band and the music mean to him — Tomas is incredibly proud of the new At the Gates album we've been working on, and we will try to get you more details on this upcoming release very soon.

Thank you for your ongoing support, patience, and understanding.

At the Gates
August 15, 2025

Tomas:

“Hello everyone. I guess some of you may have been wondering why it has been so silent on the At the Gates front lately.

Well, in December 2023, I was diagnosed with Adenoid Cystic Carcinoma (a cancer in the mouth and pallet) and have since then gone through a lot, it has been a very tough year.

First there was a major surgery, where they took away a big part of the roof of the mouth. This was followed by radiation therapy for two months, and ever since it has been a long hard path towards recovery.

Now, in the beginning of 2025, they have found some remains of the cancer, and it is inaccessible by surgery or radiation.

So, we will see what the next step is, but probably some form of chemo therapy, to keep the cancer in check.

Luckily, we recorded vocals for the demos for the new album before all of this happened. The last version of the vocals, the ones that will end up on the album, were recorded in ONE day, mostly one takes, the DAY before the surgery, just to make sure we HAD the album, so to speak. So the vocals were actually recorded BEFORE the rest of the album.... a bit different, but it felt good to have it done.

We have now decided to not wait any longer to release this new album. We had first planned to wait with the release until we knew if/when I would be able to sing again, and we were able to support the release with shows.

Now when everything about the future is a bit more unsure it feels good to deliver this album.

It is an album that we all are very proud of, and it's the first time in 10 years that Jonas and I have worked together with Anders writing an albums’ worth of music.

It is a bit more of a return to the "roots", probably best described as a mix between the two last albums we did with Anders (Slaughter of the Soul and At War with Reality).

Hope you all will enjoy it!

Please respect that we don't want to make a big thing about all this, and that I won't be answering interviews concerning the cancer, the treatment or the recovery. We just wanted this to be out in the open, as we wanted to explain to our fans why we have been quiet for such a long time.

I hope you all are well. Take care of yourself, your loved ones and the time you have on this earth.

Tomas Lindberg / Gothenburg / March 2025”

Oh snit I love Drawn and Quartered! Didn't know there was a new one.

― Neanderthal, Friday, June 27, 2025 2:30 PM (one month ago) bookmarkflaglink

it’s out and it rips. it’s in that “avalanche of drums” like the last one.

*style

thinking of doing Desertfest Antwerp; anyone got recommendations aside from the obvious? mainly hyped for Yob / Orange Goblin / Oransi Pazuzu and drinking some excellent beers
https://www.desertfest.be/antwerp/lineup/

Bongripper, Bongripper, Bongripper.

RIP Brent Hinds

Yeah, shit. Wow. I just bumped the Mastodon thread. Sad ending for a troubled guy, for sure.

sad story, esp after they bucked the odds and got so huge. rip.

in better news, evoken is back!

https://evokenofficial.bandcamp.com/album/mendacium

German World War 1-themed band Kanonenfieber have a new single out

https://www.youtube.com/watch?v=M355O3YomHM

keep going back to the new one from finnish death metal heads proscription

https://darkdescentrecords.bandcamp.com/album/desolate-divine

at times i’m reminded of immolation, ulcerate, and other things that are good

Not really metal per se, but the new Arcadea (Brann Dailor's side project) is lots of fun! The lyrics are whatever, but the fun is hearing Brann go to town on the drums with some really great synths.

https://arcadea.bandcamp.com/album/the-exodus-of-gravity

A very interesting looking series is premiering on Hulu on 9/22:

https://www.youtube.com/watch?v=rRHrfcNirSg

I know things are awful now, and I feel really bad for my American buds, but if I may, on a lighter note I saw Castle Rat six nights ago and it was so incredibly fun. The new album is very strong, some tasty swords & sorcery doom produced by James Plotkin, but as a live band they're even better. But then there's the show itself. It reminds me so much of bands like W.A.S.P. and Lizzy Borden around '84-'85, who brought theatricality, choreography, psychodrama to small venues. Castle Rat go all in on the fantasy/horror stuff, and the approach is more burlesque and drag, every band member knowing their marks. An absolute blast, and Riley Pinkerton is the real deal, a total showman. Showperson. This tour has been selling out, and the Montreal show was packed to overflowing. Try to catch them!

I love their whole vibe and presentation. She's got a really good voice, and their total commitment to the bit is admirable. I can definitely see them being a blast live.

Conan and Mares of Thrace are playing about two hours' drive from me a week from tonight. I'm probably not gonna go, but I am seriously thinking about it.

Mares of Thrace just keep getting better and better. This tour has been selling super well, too.

It's kind of incredible how careerist the new Sanguisugabogg album is. Kurt Ballou production, a slew of guest vocalists, big-ass Cannibal Corpse riffs... we get it, guys, you want to be on the main stage. (It's a good album, mind you. But the only thing missing is a song with a clean chorus.)

I utterly love that a band who chose the name Sanguisugabogg has had a band meeting and decided "we're goin for it"

yes. altho im not a huge fan i am very much here for the glorious rise of the ‘bogg

yep - Feb UK tour is with Fulci, Gates to Hell, and Celestial Sanctuary so that'll be a fun night! on another filthy death note, the new Hedonist out on Southern Lord rules

I know things are awful now, and I feel really bad for my American buds, but if I may, on a lighter note I saw Castle Rat six nights ago and it was so incredibly fun. The new album is very strong, some tasty swords & sorcery doom produced by James Plotkin, but as a live band they're even better. But then there's the show itself. It reminds me so much of bands like W.A.S.P. and Lizzy Borden around '84-'85, who brought theatricality, choreography, psychodrama to small venues. Castle Rat go all in on the fantasy/horror stuff, and the approach is more burlesque and drag, every band member knowing their marks. An absolute blast, and Riley Pinkerton is the real deal, a total showman. Showperson. This tour has been selling out, and the Montreal show was packed to overflowing. Try to catch them!

― A. Begrand, Saturday, September 13, 2025 8:43 PM (two days ago) bookmarkflaglink

i just read this and then checked the date - they're here tonight! but it's a school night and i'm busy growing rust on the couch. i thought about seeing conan and mares of thrace but that's also on like a monday. my show quota will be filled by high on fire on a friday night in two weeks and then i won't go out again for another three months.

I skipped Agriculture last week (school night), Helms Alee and Torche on Saturday (illness) and I'm missing Portal and Impetuous Ritual this week (again, school night). Ah well.

RIP Tomas Lindberg. Turn Disfear's Live The Storm all the way up.

sad news RIP

tonight in London - i am a tired old boy with tired legs; which of these supports should I catch?

6:30 PM Infested Angel
7:15 PM Death Rattle
8:00 PM Gorgatron
8:45 PM Origin
9:45 PM Atheist

Athiest the headliner... so not a support... obviously

nice! Speaking of London gigs, Castle Rat are supporting High on Fire athe Electric Ballroom in November, should be a good night!

you missed out that the mighty NECROT are also on that bill, gonna be a great night despite how shitty that venue can be when its packed out

The new Castle Rat is really great

fav metally thing so far this year

https://www.youtube.com/watch?v=IEmwu1jDYI0

Love some of the comments to that.

NEW ANAL STABWOUND

https://newstandardelite.bandcamp.com/album/anal-stabwound-enshrining-the-many-fingered-grasp

Great Suffocation set from Summer Breeze 2025. Worth it for the occasional pit shots of dudes walking around very quickly in circles.

https://www.youtube.com/watch?v=vXHLFjbDc-o

caught beherit the other night on a little mini tour of the US they’re doing, and well, that was one of the most fun metal sets i’ve ever seen, probably. incredibly good and the crowd was so hyped that it made it even better.

So I've been increasingly interested in Castle Rat since seeing them earlier this month, and the new album is WAY better than I expected. They've found a cozy little niche between early Sabbath, NWOBHM, and Sleep, Riley has a much more versatile voice than I expected, and Randall Dunn is always so good at capturing the warm tones of classic heavy rock/metal. Kind of like the first Ghost album, this too has its own thing going on, its own weird little retro vibe. I have zero idea what my AOTY will be, but this is a dark horse for sure.

the new paradise lost is a masterpiece

have i said that about the last 4-5 paradise lost albums? probably. but this is the best one yet. so inspired

New Paradise Lost is terrific. I've not paid attention for the best part of 30 years. Amazed at how instantly recognisable Gregor Mackintosh's guitar tone* is. The production is spot on.

*From Gothic onwards, ofc. I was a big fan of the first album, which has its own gloriously diseased Peaceville thing going on. Saw them support Sepultura in 1993. Magnificent gig.

new voidceremony incoming:
https://20buckspin.bandcamp.com/album/abditum

in a crowded field, the last one was probably the one death metal record from the last few years that I've gone back to most - stoked!

A lot of new metal to ponder this week, but my first enthusiasms as I start listening are for the crashing new Elder EP, the new Juliet Ruin song, and the whole majestic new Amorphis album.

new elder gah this sounds so good

I caught the Dark Angel show in Reading, PA a couple days ago.

First of all, I had a great time! The openers Void had frilly shirts and white high-tops nd sounded like they just got done opening for Annihilator in 1987. Fun 'Frash!

I never caught Hirax and they were phenomenal! Katon is seriously one of the best thrash metal frontmen around and he can really belt them out!

Sacred Reich I have been seeing live since 1988 and they are always solid.

Now, Dark Angel put on a good show as well. It was great hearing "Merciless Death" and "Darkness Descends" live. I liked one of the new songs, the title track; the rest were just kind of there.

I know that a lot of people are slagging the album and the band made a big deal out of not streaming it. But they had no copies at the merch booth either!

There is a conspiracy theory going around that the band realizes the album is not so hot so they are burying it. I even heard that people who preordered it are still waiting.

Has anyone heard the album? Does anyone own it? Is it as bad as I have heard?

Apparently there's a new Kreator album coming out in January - no PR announcement yet, but it's up on Bandcamp:

https://kreator.bandcamp.com/album/krushers-of-the-world

yep Kreator UK tour just announced with Exodos, Carcass and Nails

And now there's a video, stuffed full of AI animation:

https://www.youtube.com/watch?v=xPRvLYHKD-I

AI Producer: Hannah O’Malley
AI Artist: Timo Fritsche and Luthi Luan