Bassline/Bassline House etc

JUST SAYING

that's such a great line!! i love the sound of it

http://www.i-dj.co.uk/features/featurespage.php?ID=48

BASS HEAVEN ALL NIGHTER 24 DJs, 9 HOURS, 2 ROOMS, 1 VENUE"

pinch yerselves, its 2005, not 1997!!!! and its still the future! awesome

ok as for names, i dont know anything ,but the big cheese seems to be studiobeatz records, which has a shop in sheffield. people from studiobeatz play leeds and sheffield, and hmv here in leeds has loads fo bassline that seems to be a on a studiobeatz label. this dj from studiobeatz is caled "naughty nick" whose name i see about a lot.

but apart from names and stuff, the only thing i got so far is some mix called "bomb the b lines", off the aforementioned person. seems liek theres one coming in every month. when that guy signs on to slsk, i will check some of the dj names.

bassline is a good name, but "bassline house" seems to be the omnipresent moniker.

i am trying to yousendit this album, but my record with yousend it is not very good (i never got it to work) and the zipped album is 50 mb so....

in the meantime maybe you can gte something out of this?

bomb the b lines november 2004

Revive Revive:

T2 Heartbroken seems to be breaking big on 1extra. Is his Bassline scene still going on -- i.e is Heartbroken going to be to Bassline what Pretty Green Eyes was to Scouse House?

Any info welcome!

T2 & Jodie - Heartbroken (Remix): http://www.youtube.com/watch?v=YncTczvIhIo

Jamie Duggan & H20 - Wot We Gonna Do: http://www.youtube.com/watch?v=w3N8lTJkO3c&mode=related&search=

"Over The Heartache": http://www.youtube.com/watch?v=nHHCKG3S_4w&mode=related&search=

Love the use of YouTube as just an audio channel :)

xpost I think it's still going on, lots of mix CDs from this year on slsk.

Tons more on YouTube too but those are the best ones I found when byebyepride told me about this the other day.

i love all those songs :)

the second one is v reminiscent of livin' joy's 'dreamer', catapulted into the 2-step age

bump.

I'm hearing 'no///' from the ILX massive!

This stuff sounds like sped-up 2 step over speed garage beats. 'Heartbroken' immediately reminds me of Jaimeson's 'True' but with the added bass sound and chopped vocals. It's good altho as usual I'd prefer the bass to be just heavier - think the bass was actually deeper on 'True' as it was on stuff by 187 Lockdown and Loop Da Loop (make it more like that, remixes at least).

Don't like the term 'bassline' tho because as with 'drum n' bass' it only tells part of the story, and the basslines just aren't quite big enough.

I like! (Anyone got any dj sets they can link?)

There was a Dissensus thread (called something like UKG vs UKG) I googled yesterday with links to a couple of sets on - when I got home I found my internet had broke though so I dunno if they're working links.

no///

Tantrum, <A HREF="http://www.musicv2.com/artist/smiler___andre";>go here</A>. haven't tried 'em all out (i do love me some bassline, but after a while this stuff gets... exhausting), but i'd reccomend "Bassline Heaven 5" for starters - the first 20 or so minutes are killer.

plus here's <A HREF="http://www.speedyshare.com/424350268.html";>a treat for y'all</A>: Naughty Nick nicking the acappela from Stonebridge's "Put 'Em High" and a breakdown from a huge 90s dance tune... but i won't spoil it any more, hear for yourself!

maybe i should have payed attention to the "formatting help" bit below, eh

but i'd reccomend "Bassline Heaven 5" for starters - the first 20 or so minutes are killer.

Listening as we speak - killer stuff, but I agree, you have to be in the mood for this kind of thing (luckily, I am today).

Thanks again, Mind Taker - you certainly have a knack for finding this stuff!

Agent X mix: http://www.yousendit.com/transfer.php?action=download&ufid=5A4E346C51C6C037

I.e. this: http://www.catapult.co.uk/products/CDs/Urban/The+Official+Agent+X+Mix+CD

Thank you, jim!

what's the line between this and funky house?

or urban house or whatever they're calling it

It's made a big impression on the funky house nights and audience in my small hometown even. The music has got a fair bit more ravey and rougher, but you don't hear the grimey stuff like in the bigger cities with more dedicated nights.

Is this catching on more down South now, with the one extra play?

Funky house is more boompty-boompty, bit slower too probably, not as bassline focused. I don't know if it's gotten bigger down south but it has absolutely no penetration in Scotland as far as I can tell.

Whereas funky house is all over the shop.

wouldnt say i've the fullest grasp of bassline (can we not call it niche like everyone else tho) but i guess it's got more of a ruffer boshing 4/4 euro sugarhouse edge? thin tinny vox, plinky plonky, untz untz - not necessarily to do with any kind of glowering stripped down menace, just people off their faces. whereas urban house is much more about slinky swanky classic house vibes w/ soulful vocals, congas and bongos, generally. check the defected comp for instance, yr not gonna hear any peven everett and kerri chandler types in niche.

altho that description makes it sound like it's all a big racewar or something. there's a fair amount of x-over really.

yeah, bassline has made this stuff so much more fun because it throws in some of the toytown/stupid feeling of latterday Northern hardcore, as well as garage obviously.

latterday northern hardcore: http://www.myspace.com/hardcoreuprising

'heartbroken' isn't spearheading a scene for anyone who's not into bassline tho is it. it's instantly familiar, if not a total retro wheeze.

likewise 'the cure & the cause' appealing as an 06 'spin spin sugar' van helden rmx (with the same drum pattern as groovejet/bextor to boot)

agent x must surely have wept tears of joy when he found out about niche! he's always been too hamfisted for ukg.

I'm a bit late to 'Heartbroken' but I love it!!! Although I don't quite see what sounds 'new' here (the odd eski-synth maybe)- this years 'Babycakes'?

http://music.guardian.co.uk/urban/story/0,,2204182,00.html

Also new to Heartbroken (and Bassline House, really) but this sounds great right now.

anyone else worried it could get overhyped and get too much press and go mainstream too quickly (if you believe that something CAN go mainstream too quickly)? hopefully it wont, mainly being a northern thing and most journalists being too lazy to bother going all the way to sheffield etc.

BBC local report on Bassline club nights getting shut down: http://www.youtube.com/watch?v=e1Rw9CWw19Q

Would anyone mind posting that Agent X mix cd?

anyone else worried it could get overhyped and get too much press and go mainstream too quickly

well, it's not like it's in its infancy stage: like dubstep before it, it's been brewing for a long time under the mainstream media's radar, and comes to its attention fully-formed. and while the grimier side of bassline may get overhyped, the original northern organ-house thing will surely remain unfashionable as ever.

Would anyone mind posting that Agent X mix cd?

i don't have it, but you can try out this wicked Nev Wright mix.

been playing this stuff out around london for a couple of years..always kills.

there's a good introductory minimix on uk-flava.co.uk...will dig out the link inabit

just had a butchers at that uk flava site (or the myspace anyway) - isn't that just all the southern ukg refugees riding the wave? if any of these mixes are the ones you mean, that is.

http://img406.imageshack.us/img406/3290/flava2na5.jpg

don't get me wrong tho, i'll take ^^ this fiyah ^^ over the northern monkey bosh any day of the week. no media hype love-in for that though :(

nev wright mix is not doing all that much for me today, altho 'heartbroken' is still top 10 07 material.

ooh a dexplicit mix of 'sambucca'! gimme.

was thinking of their 'mashup' minimix more but fair point:) as far as london goes i umbrella 4x4/bassline/niche/speed garage together..bass against all the midrange-migraine electro doing the rounds

this is the same or different from "urban house"?

yeah no i suppose everyone wins at the end of the day eh. some of the more genteel mj/todd disciples certainly needed the mild poke in the ribs.

find us that mashup mix tho, can't see it anywhere.

this is the same or different from "urban house"?

urban house: funky house with a light, soca-ish feel. check out Footloose's "Just Leave".

bassline: started off as the northern speed garage revival + sped-up "Show Me Love"-type organ house, nowadays it's mostly associated with a grimier sound: big wobbling basslines are still there, but they're less housey and are often accompanied by grime's tacky martial synth strings, sometimes MC's. (ie, the Nev Wright mix i linked above)

4x4: old school UKG, basically a bunch of Todd Edwards/MJ Cole/Tuff Jam fetishists. as far as i'm concerned, this stuff peaked in the '03-'05 period, with lots of ace dubby stuff exploring the trackier house end of speed garage (Tuff Jam, New Horizons) - check out this Duncan Powell mix.

there's also some talk of "jackin' house": not UKG really, but big with old school UKG headz: for example, the Digital Villains remix of The Midnight Circus (Pete Devereux, ex Artful Dodger), who've also been remixed by Joey Youngman (scroll down on TMC's myspace player).

some of the more genteel mj/todd disciples certainly needed the mild poke in the ribs.

...but to what effect? i lurk a bit on the uptown records forum, and just about every time i check there's a "bassline is soulless chav crap"-type thread on the frontpage. and the scene itself feels knackered rather than combat-ready... i mean, when i check out ukg radio show playlists, it's always the same tunes, there's next to no variety week in week out - but when i check out bassline mixes, there's always tons of tracks i haven't heard before, there's so much of it out there that it's bewildering. (okay, a lot of it is just big dumb bassline + not much else, but still...)

that "UK Flava Volume 2" mix is alright, even though it cuts off Will Philips' gorgeous "Over with You" remix way too early... but this is the og-ukg mix that i've played the most this year:

http://img443.imageshack.us/img443/301/nuskoolvol22hz9.jpg

here's the link, if you can be bothered registering on the mixheaven forums.

thanks, mind taker!

ah, you know i keep meaning to check out footloose's show. (and dj q's for that matter. sigh, where's paul scifi these days.) based on that tune i didn't realise the scene was quite so... fruity. sounds like the sort of thing sticky and cameo think they've invented. (i ain't calling it 'dirty pop', i know that much.)

you're right though, the true skool lot haven't been shaken up a great deal. big moany moaners aside i'd say there's been a small shift, at least on the dj's side, of encouraging some of the fatter ruffer stuff, but then again only if it's made by people they know like the wideboys or agent x or whoever. like you say however, the "soulful" bomb is never very far away.

bit harsh to say the scene's knackered though. maybe that's what i like about it, to be fair; but i guess i'd better go and get myself a better awareness of bassline's ways before i say something overly honest like "i'd rather hear a thousand more hilariously predictable 3 minute long piano intros where mj thinks he's thomas newman than bother parroting on about how the kids on the bus go round and round etc" OOPSY LOOKS LIKE I JUST DID!! nah but seriously, there's a lot of good stuff still coming out of there.

haha this is pretty sick tho http://www.youtube.com/watch?v=VKRHJ_-mRo4

ISYOUUUUUISYOUUUUUISYOUUUUUISYOUUUUU

you're right, that "Is You" tune is great!

"dirty pop", haha yes! still, i love Sticky's Fantasia remix to death, it's real sexy.

while we're talking urban house: have you heard Wookie's Omarion remix? i think it's just... oooh, super funky!

also worth checking out: Jelly Beats' "City Girls".

wookie was the first person i thought of when you mentioned 'jacking house'! tbf 'entourage' was a open goal waiting to be tapped in for a house guy.

likewise there is no way someone called jelly beats could make a song called city girls and it not be great. it is some kind of law.

hmm what can i give you in return.

sunship remix of my destiny?

deesha falling in love delinquent mix is an old chestnut by now but fuck it, AHHH SO GOOD

wookie was the first person i thought of when you mentioned 'jacking house'!

tbh i don't really have a handle on the term, i've seen it applied to stuff i don't consider even remotely "jacking" - like say Will Phillips' recent proper tasteful house attempts. (i've just gone to his myspace, now he has some zzzz deep house up track there)

that Sunship remix of "My Destiny" is nice, but i'm not feeling the official '07 bassline rerub (the one that's supposed to break it into mainstream, right?)... actually, i think Delinquent's bassline stuff in general is awful! they were much better at 2step/steppers 4x4.

oh, and i see that there's also a Delio D'Cruz electrohouse remix of "My Destiny" - sounding good on first listen. loved that guy's remix of Kelly R's "Like This", even tho it was a totally shameless Bodyrox ripoff.

actually, i think Delinquent's bassline stuff in general is awful

scratch that, i was thinking of Dexplicit instead of Delinquent there... meaning it's about time i finally go to sleep, i think. ;)

(but it's not like i'm a big fan of the "What's Your Fantasy" rerub or "Colours" anyway)

strangely enough, i somehow missed/overlooked that Deesha rmx! i like it. ukgmp3 has it too.

oh balls yeah i heard 'my destiny' got signed but i didn't know that was the mix they were running with :(

am also disappointed with dexplicit's new stuff, although it's doing ok for him by the looks of it. his rng stuff made me think he was on the verge of cracking something mildly interesting, but i guess he'll always be a thwarted ragga producer trapped on an island of mugs.

oh wait he did do that rubbish mavado rmx didn't he. forget i said anything.

"4x4: old school UKG, basically a bunch of Todd Edwards/MJ Cole/Tuff Jam fetishists. as far as i'm concerned, this stuff peaked in the '03-'05 period, with lots of ace dubby stuff exploring the trackier house end of speed garage (Tuff Jam, New Horizons) - check out this Duncan Powell mix."

I don't remember or somehow missed New Horizons sounds being revived :-(

On the other hand I found their amazing (and raved about by no-one else in the world ever except me it seems) remix of Dem 2's "Destiny" on vinyl the other day. Now I know that New Horizons remixing Dem 2 sounds horribly worthy and canonical but it really is the biggest tune ever.

RTC or anyone else can you explain whethere there's a link between any of this stuff and the Boy Better Know Tropical mix??

RTC or anyone else can you explain whethere there's a link between any of this stuff and the Boy Better Know Tropical mix??

as far as i've noticed, it's a grime-contained anomaly that hasn't crossed over to other UKG strands.

btw, i've read a rumour that Delinquent will do an official remix of J Holiday's "Bed", which T2 already did but - as soon as he finished it, he gave a copy to Cameo, without giving it to the record company first. and the record company wasn't pleased with this gesture, so he got booted off the project. true or not, T2's "Bed" is still on Cameo's myspace. and it's still quite good.

in other news, "Heartbroken" haters have a lot of free time on their hands.

yeah, i believe tropical's only impact on this rotten world was kiss fm's jez welham using 'holiday' behind the traffic reports for a bit. when you consider the kind of useless toss grime watchers usually pick over ad nauseum it is quite frankly as if i dreamt the whole thing up one day.

a monstrous injustice.

great thread!

listening to it again, and you know in terms of a practical link though i might argue tropical could have represented a sort of lost southern coeval to bassline bosh; what began as a jokey todd homage for the summer emerged as something totally personal and of its time, something pounding with a nameless pell-mell rage (the smart challenge of “come ring my bell” and how it swirls into a mania of mocking voices, a hall of mirrors; then waking up into the absent-minded smile of 'mash', sat flat on its arse modelling a looney tunes tweetybird wreath; and THEN faster and faster and happeningalloveragain) but also in places with this strange sorrowing placidity, the ambivalence of an observer, and maybe a glazed syrupy tiredness too. ('flow' plainly into 'melody & voice' - because why bother naming them otherwise? "now it's machines, ines" rolling on matter of factly, the longing of 'holiday', bumping and rising away like airplanes from heathrow but really just waiting, waiting like the sun in the smog - WELHAM YOU'RE A GENIUS.) so yeah, maybe think of the album as burial for those who aren't glibly superficial spastics, i dunno; maybe even think of the denial of this album, and its descent into anonymity, as a fitting epilogue to a glimpse of grime's knotted subconscious.

btw is it really true that t2's working with madonna on her new album? she's a bit fresh, if so.

he said in a rwd mag interview that he's "been asked to collaborate with people like Madonna". i'll remain suspicious til further notice.

listening to it again, and you know in terms of a practical link though i might argue tropical could have represented a sort of lost southern coeval to bassline bosh; what began as a jokey todd homage for the summer emerged as something totally personal and of its time, something pounding with a nameless pell-mell rage (the smart challenge of “come ring my bell” and how it swirls into a mania of mocking voices, a hall of mirrors; then waking up into the absent-minded smile of 'mash', sat flat on its arse modelling a looney tunes tweetybird wreath; and THEN faster and faster and happeningalloveragain) but also in places with this strange sorrowing placidity, the ambivalence of an observer, and maybe a glazed syrupy tiredness too. ('flow' plainly into 'melody & voice' - because why bother naming them otherwise? "now it's machines, ines" rolling on matter of factly, the longing of 'holiday', bumping and rising away like airplanes from heathrow but really just waiting, waiting like the sun in the smog - WELHAM YOU'RE A GENIUS.) so yeah, maybe think of the album as burial for those who aren't glibly superficial spastics, i dunno; maybe even think of the denial of this album, and its descent into anonymity, as a fitting epilogue to a glimpse of grime's knotted subconscious.

GREAT thread!

in all seriousness, I woke up this morning with basslines in my head. Listening to this music is a bit like eating ten bags of Skittles.

Not that I've ever done that.

"so yeah, maybe think of the album as burial for those who aren't glibly superficial spastics"

RTC for prez.

prez of petty digs and vague tautologies yall.

prancehall, asking the questions that had to be asked.

If you're a teenager living in a council estate anywhere north of Grimsby, you won't be spending your weekends at home practicing WCW wrestling moves on your terrified cat, smoking weed, and listening to Ghetto's new mixtape. No, instead the chances are you'll be riding in your 1992 Ford Fiesta down to your local nightclub with your Rockport loafers, fake D&G shirt and enough diamante encrusted jewellery to choke a murder of crows to listen to some banging bassline house.

haha. i was thinking about geezers in lurid birdsnbassmobiles as well - these guys have never ever ever let speed garage go, and maybe it was a matter of time before a bigger culture sprang up around them. will dissensus kru be rolling out a 50,000 page ballardian sexghost in the machine disquisition, do you think, or is that just too easy now?

http://i18.photobucket.com/albums/b128/drdragon666/IMG_3248.jpg

WAMP WAMP, WHAT IT DO

cor, even the old boy reynolds has woken the fuck up. when was the last time he did something as simple as sticking the radio on? good piece.

like the little point about northern soul too.

it's kind of hard for simon to turn on the radio and hear any bassline. he lives in new york.

given that his piece is about him listening to 1xtra internet radio, i don't see how that's relevant. but thank you for your kneejerk apologism all the same.

man who knew that to be an apologist is as you'd expect but that apologism generally refers to some completely different metaphilosophical thing! not me!

how unfun.

what are you talking about? sorry i misunderstood you.

(am expressing surprise that http://en.wikipedia.org/wiki/Apologism is not the state of being an apologist like i thought it was, is all. can take it to the copyedit/grammar fiends thread, if it surprises you too.)

ok my point wasn't literally about the radio, just that new yorkers are not exactly down with what's happening in sheffield, no matter how actively they're seeking out new sounds. one friend of mine who lives in new york and used to be the biggest craig david fan ever, and before that the biggest dj ss fan ever, has never even heard of bassline house!

i dunno if this has been answered already but is this really offering much new from old uk garage? the tracks ive heard that do seem to be 'real bassline' have this brilliant hyper happy energy to them but ive only heard them in mixes so dont know which are just older bassline (when it still pretty much resembled UKG) or actual UKG (which seems to have been quietly ticking along all this time) and new proper bassline which seems to adopt grimey synths as well as the hyper happy vibe. just wanna make sure this isnt the emperors new clothes.

MOAR BASSLINE

less forelock-tugging + cunty refusal to read what ppl already wrote

if nothing else won't someone else weigh in on tropical?

rtc, you might be interested to know that MJ Cole has now jumped on the bassline bandwagon too, under his old Matlock alias! a clip of "Watford Gap" can be heard here, and... it's rather awful. i mean, if he's gonna do bassline he could at least stick to xeroxes of his Lamb remix from way back, nu-gen bassfarts don't suit him really.

on the other hand, "Love on the Rocks" still sounds wonderful as ever, and Midnight Circus' "MILF" is good for a chuckle or two.

lol i started listening thinking "i will forgive him this if he gets on the paino for the intro" and THERE IT IS! also that is the intro to BoC geogaddi and i claim my 5 pounds.

truce 'treat u right' sunship dub is my stuff.

I'm a total novice here--have a few mix-CDs I've bought and d/l'ed over the past couple months--so can I please ask what you mean by that mouthwatering phrase, "tropical"?

seriously mj i love u but why you're pissing around making ukg and not doing megabucks film soundtracks i'll never know.

matos, tropical was 2006 mix cd side project of, i guess, modern uk garage made apparently on a whim by jme, skepta and plastician. here's the myspace.

boy betta know! i've got tropical and maybe it's more exciting if you've been following all the internecine conflicts, victories, negotiations and defeats in and amongst various speed garage progeny.. i think it's nice, but i have to say it sounds like a less snappily delicious, sparser, more straight-ahead version of 2-step - also the mixing is somewhat shit

yes... those craving for the snappily delicious may well be disappointed.

does seem a little churlish to highlight the mixing of an album of tunes they've specially made themselves (ie not a best of, or retrospective, or anything), particularly when a good few of those tunes suggest that a straight-up partymixx was not quite the intended alpha and omega of the thing. take it on its own mysterious terms, at least.

i mean i'm really not trying to say everyone should subscribe to my take on it (god forbid), but peering through a predictable 2step pince-nez at it and ignoring what it does manage to achieve in being sparser and more driving seems unfair either way.

What's curious about Tropical is that it's simultaenously great and inscrutable - as music it kinda doesn't make sense, almost. In this I'd venture to suggest that it's closer in spirit to the early proto-grime than to 2-step, it feels malformed and unfinished and this is part of what makes it exciting.

I'm kinda fascinated by the notion of sounds that have an early window where they've yet to coalesce and cohere, and everyone's waiting for the moment when everything snaps into place, at which point all the music (including the preceding, seemingly incoherent stuff) all makes sense.

Like, with grime, I think that Nasty Crew set from the beginning of 2003 was (for me) a crucial moment when the music suddenly felt viable (as in "we can make a sixty minute set with a really solid identity"), at which point all the randomness of 2002 made sense as well.

All of which means "could there be a Nasty Crew version of Tropical and what would it look like?"

My comment in the Wiley thread about the potential belated rise of colourful 4X4 grime is partly inspired by "I'm Going Out", partly by Tropical, and partly by bassline (esp. the stuff with MCs). But when rtc brought up juke house it clinched for me the idea of what I want, which is kinda like grime/garage that has a juke structure - slow, lurchy verses, fast bouncy choruses.

Imagine a tune that was like JME & DEE's "Serious Thugs", only instead of just speeding up in the chorus it went 4X4 as well... This would be the best thing ever I think.

2step pince-nez = where can I buy one?

I’m always confused when a promoter says 3,428 DJ’s at 1 venue? Isn’t the single venue a given for a party?

there's a joke in there somewhere. new horizons? tj glasses-cases? cough.

have jammer and some bird vocalling holiday instead, for what it's worth.

also at the time of tropical's gestation i put up this radio clip of logan mixing todd edwards over roll deep's babylon burner, presumably cos i'm just nice like that innit.

most grime is boring now. getting some of that bassline/4x4 type energy is what the scene needs. tropical sounded like old garage to me, not fresh like bassline. i dont know what funky house sounds like apart from one or two songs but bassline has that energy grime has lost.

T2 is becoming a cult hero among footballers

more T2 sports action

alas the audio link doesn't work, but there's always youtube

Apropos of MC-bassline, the DJ Q remix of "Flex" is pretty great. I didn't think it improved on the original, but then I went back to the original and it suddenly sounded too slow...

A good example though of the extent to which bassline's stiff 4X4-ness is slightly over-emphasised. Yeah it's very electrohouse rigid, but like with (better) electrohouse there's lots of scope for interesting counter-rhythm programming. This reminds me a bit of early bleep 'n' bass in that regard.

Meanwhile "Holiday" is fab, thx rtc.

That's Dizzee's "Flex" I'm referring to there.

but not the Glasweigan DJ Q?

dj q's remix of flex is quite brilliant.

wut's crackin here?

Can anyone name top 10 essential bassline tracks? So far I like:

T2 - Heartbroken
Delinquent feat. Kcat - My Destiny
H Two O - What's It Gonna Be
TS & 7 - Smile

So basically I like bassline with catchy female vocal in it.

like most people here and elsewhere, i've stopped checking bassline some time ago... but i've discovered this incidentally few days ago and it's fantastic:

Love Assassins - The Boy Is Mine (Rebel Bassline Mix)

This is still some of my favourite music to dance to ever, although I still feel like I could do with a decent primer on the style's peak years.

Couldn't give a primer, but yeah this stuff is still great. I hear new tunes every so often but no idea what kind of scene there is. DJ Q and Burgaboy still produce some good stuff.

Dj beez April! Excellent mix.

I think in theory I like poppy bassline best but then often the spooky stuff is erm prettier? If you accused me of doing the classic herb listener of imposing values from other genres I'd be hardpressed to defend myself - probably there's some hallucination of hyper-on experience vs terra danjah vibes at work.

― Tim F, Monday, 16 May 2011 22:42 (52 minutes ago) Bookmark Suggest Ban Permalink

Will make people retch on principle but the bassline remix of Katy perry's "E.T" also is very pretty.

― Tim F, Monday, 16 May 2011 22:55 (39 minutes ago) Bookmark Suggest Ban Permalink

ok let's take it over here.

yeah beez april is good innit! i don't even think it's a more-than-sum-of-parts mix that especially articulates anything about bassline particularly wonderfully, it's just competently got all the tracks of the moment and THEY'RE ALL JUST REALLY QUITE GOOD.

i will say that all the lady vocal cuts are pretty much my favourite things in the world.

generally i am very glad to have anyone else cosign some bassline because it's very much like an upside down lunatic alice in wonderland rabbit hole once you get hooked in and i pretty much no longer have any idea if my ramblings on the subject are socially acceptable - meaning i don't really judge maximum sugar/maximum darkness inversions and perversions like the katy perry and ussy tracks by any other genre's standards but bassline's, and they all make the most perfect gleeful nonsense here.

haven't heard that mix in full yet but the 3 tracks off the girls love bassline ep are fab.

yes! taking advantage of the collection format that ep is probably my favourite single release of the year. shame the accompanying mix wasnt quite as good, but still of use as a refresher course i'm sure.

dj beez february mix is my favourite of his i think, it really runs with the gibbering provincial juvenile truant angle throughout (save for a big bouncy mix of gaga 'telephone' slap bang in the middle obv)

https://www.youtube.com/watch?v=UpiycgtX4Lo

like you don't question for a moment that this is the actual national anthem of the uk

and in more ~musical~ terms i really loved dj apostle's sounds of the new skool vol 30 - from january so probably a tiny bit dated now but it's just excellent

https://www.youtube.com/watch?v=c-v6LieeMY8

i mean really now how good is this!!!

Really like that. Emvee is a bit good I don't think I've heard much of his more bassline style stuff, I'm pretty impressed. Those drums are madness.

sickness.

what are some new bassline mixes?

DJ Q has done a promo mix for his set at Fabric w/ Butterz: http://www.fabriclondon.com/blog/view/butterz-dj-q-fabriclive-x-butterz-mix

doesnt look like much bassline on there tho

Its kind of all over the spot innit, it might give someone a way in though if they're feeling the grimy bits or whatever.

http://www.basslineblog.co.uk/?p=1584

thumbs up, get it down ye

pantha 32 is out as well if you like that sort of thing :)

nothing quite as good as emmerdale riddim on there though

http://soundcloud.com/dj-pantha/dj-pantha-emmerdale-dub

Wowzers:

https://www.youtube.com/watch?v=C91uemYZi60&feature=related

<3 <3 <3

https://soundcloud.com/clb_sounds/dont-walk-away-free-download

Any of you guys would happen to know if this compilation would count as bassline?

https://www.discogs.com/Various-Bassline-Classics/release/400947

Considering it was released in the year 2000 it might be too early, but it has the name for it, so I don't know.

it does not

that counts as a pretty basic selection of 2-step tunes with a bit of an emphasis on tracks with particularly heavy basslines

bassline is 4x4 music

that said, if i saw that in a charity shop for a coin i would snap it up.

yeah it's not a bad selection

https://djmag.com/features/history-bassline

Matt Anniss does a history of bassline house, nothing new in there for anyone interested in this stuff but it's nice to see it being talked about seriously.