A Rap-Disliking Douchebag

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Maybe this is just unnecessary antagonization. But I can't fight the feeling that writing like this should be stopped. It's not even the fact that this dude doesn't listen to rap. What does he add to any discussion of the year in music that isn't covered by a year-end list. This guy and his editor: full-strength douchebags!!

"I Am An Asshole Who Doesn't Like Rap Music"

The Year I Didn't Discover Rap
by Alan Baban

==

I’ve been spurred on by various acquaintances, who, after years of enduring my “‘holier-than-thou’ indie rock posturing” (aka one frickin’ mixtape) and having discovered a relatively meager point of musical vulnerability, conspired to plug in their light guns and shoot me down quicker than you can say "Clap Your Hands Say Backlash Yeah."

So, I don’t listen to that much rap. Okay, I don’t really listen to any rap, but that Cadence Weapon album a couple of weeks back kept me from indulging in a Destroyer itch for a couple of hours. My friends keep on reminding me what I’m missing, but for every reference to an affable lyric (“I’m not a businessman / I’m a business, man” sticks), the same douche recounts to me some stale backstory. Just this last month, I’ve heard some this one about Cam’Ron contorting his being a victim of gun crime into a spiked act of self-promotion at least five times. But even with all this extraneous critic-speak junk, I’d hate feeling that my only solid exposure to rap has been an ill-fated stint as a young Marshall Mathers fan and The Blueprint. I came to the conclusion, amid the non-frenzy that predictably precedes the final minutes of each year that 2005 would be the year I would "discover rap." As with most New Year’s Resolutions, the idealism got lobotomized, and I was left with the gradually less palatable substituents of "2005 is the year I will discover rap starting tomorrow," "2005 is the year I might discover rap starting next week," and, finally, "2005 is the year I will decide whether I want to discover rap next year."

So, what was the problem? Well, I never anticipated 2005 to actually yield this many resoundingly great records. Between the New Pornographers, Sufjan, Sleater-Kinney, Malkmus and Wolf Parade you had an indie rock banquet. Did I mention Bloc Party? Amazing. How could I expect myself to "discover rap" when I had yet to fully suss out the fluctuating subtleties of a treasure trove of my favourite acts? And who the hell expected Face the Truth to be, well, good? 2005, for me at least, held an embarrassing abundance of surprises, the greatest and, yes, most infamous blindside being CYHSY. But what about Ryan Adams turning in one and half albums only marginally less impressive than Heartbreaker? And that damn Kelly Clarkson song that made me want to listen past the first 20 seconds? Her fault, not mine.

But if anything hindered my attempts to bring rap into the fold this year, then it was Spoon. They nailed it. What always gets me is how intrinsically perfect those eleven songs must have been before being fed into the Eno’s meatgrinder and skewered up into some tasty morsels, with just about the right amount of rubber to chew the fat with. For a record entrenched in studio wizardry, Gimme Fiction still sounds inspired and exciting, the way the George Harrison-esque frayed bizarro asides on "The Beast and the Dragon, Adored" eventually give in to the chopped clap’n’board, every unruly additive exterminated, reveals a band as much in love with the development of its craft as its song writing.

If next year is anything like 2005, then I might just have to give up on rap once and for all, unless we get some weird Chuck D / Iron & Wine collaborations. The thing is, I love indie rock, even if the indie rock that gets bandied about these days as "indie rock," isn’t particularly independent, nor does it petulantly anchor itself to rock’s medulla as if our cerebral hemispheres were nothing more than bruised crash helmets. The way Alec Ounsworth’s voice languishes rhythmically around his final incantation of “child stars” or the colossal weight of Brownstein’s guitar around the 2 minute mark of "Rollercoaster" – this is not such fuel for clinical exercises in critical parsing, this is, first and foremost, liberating music, and not some candy floss metronome jig for my feet. Every year will have its fair share of new order Franzalikes and assorted trailblazers, but 2005 seemed to be a year of unprecedented fruition if you sifted long enough through the corporate quagmire. It also kept Natalie Portman’s effusive “this band will change your life,” surely the stuff of nightmares, out of your head long enough to say "I’m vibin’ wit’ this." Ok, I’m sorry, that was pretty lame.

regular roundups (Dave M), Tuesday, 27 December 2005 06:06 (twenty years ago)

Yes, Alan, it truly was.

regular roundups (Dave M), Tuesday, 27 December 2005 06:12 (twenty years ago)

at least he's honest.

Eisbär (llamasfur), Tuesday, 27 December 2005 06:20 (twenty years ago)

and PEEEEEEEEE-YUUUUUUUUUUU does his taste in indie STIIIIIINK!!

Eisbär (llamasfur), Tuesday, 27 December 2005 06:21 (twenty years ago)

I wish the internet would finally eat its own asshole and die already.

Whiney G. Weingarten (whineyg), Tuesday, 27 December 2005 06:32 (twenty years ago)

the worst sentence ever written, ladies and gentlemen:

But if anything hindered my attempts to bring rap into the fold this year, then it was Spoon. They nailed it.

gear (gear), Tuesday, 27 December 2005 06:32 (twenty years ago)

here's your guy:

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=26665884

gear (gear), Tuesday, 27 December 2005 06:34 (twenty years ago)

Well, he has the writing chops and underdeveloped opinions of any other 17-year-old I've met, so I certainly can't make fun of the guy.

But this "everyone's a music writer" shit makes "everyone's a DJ" seem like a swell idea.

Whiney G. Weingarten (whineyg), Tuesday, 27 December 2005 06:41 (twenty years ago)

Holy shit! His myspace page is just... wow! I wish I could point this kind of thing out to my 18/19 year old self to get rid of the anxieties about agreeing with so-called music "authorities" on matters of taste much much sooner.

regular roundups (Dave M), Tuesday, 27 December 2005 06:56 (twenty years ago)

The only thing I'll say to play devil's advocate is that I didn't think 2005 was a very strong year for rap.

But this guy blows.

Abbadavid Berman (Hurting), Tuesday, 27 December 2005 06:57 (twenty years ago)

Haha!! Hurting, I can count on you for support. Agreed about 2005, from what I heard at least. Still, it's not like he only has to listen to '05 rap, I barely did. In fact, I would call this the year I "discovered" rap, and new stuff was definitely in the minority. I had too much catching up to do, between Biggie and Rakim and the entire Wu-Tang Clan.

regular roundups (Dave M), Tuesday, 27 December 2005 07:02 (twenty years ago)

conspired to plug in their light guns and shoot me down quicker than you can say "Clap Your Hands Say Backlash Yeah."

PLEASE SIR, MAKE THE LAUGHING STOP

NoTimeBeforeTime (Barry Bruner), Tuesday, 27 December 2005 07:05 (twenty years ago)

What's even weirder about that line is why not just "Clap Your Hands Say Backlash"? The "Backlash Yeah" doesn't even make sense.

Abbadavid Berman (Hurting), Tuesday, 27 December 2005 07:07 (twenty years ago)

Yeugh -- picking apart C- blog writing at 2am on a work night is really scraping the bottom.

Abbadavid Berman (Hurting), Tuesday, 27 December 2005 07:07 (twenty years ago)

Anyone who refers to indie's "eat its young" proclivity in the first line of an article should just be shot. The backlash -- thar she blows! Fuck.

Yeugh -- picking apart C- blog writing at 2am on a work night is really scraping the bottom.

I was reviewing some literature for work a few minutes ago and I needed to vent :)

NoTimeBeforeTime (Barry Bruner), Tuesday, 27 December 2005 07:10 (twenty years ago)

Don't sweat it, that was more a shot at myself than at you.

Abbadavid Berman (Hurting), Tuesday, 27 December 2005 07:14 (twenty years ago)

That's exactly how I interpreted your comment, but the OTM'ness of it made me question what I was doing on this thread too.

NoTimeBeforeTime (Barry Bruner), Tuesday, 27 December 2005 07:30 (twenty years ago)

Wait! Don't lose the faith! This is work that needs to be done! Remember, we're not the pathetic ones. Right?

regular roundups (Dave M), Tuesday, 27 December 2005 07:44 (twenty years ago)

SingingSaw has 2 friends.

Dom Passantino (Dom Passantino), Tuesday, 27 December 2005 11:25 (twenty years ago)

They're Tom and The Breeders.

Dom Passantino (Dom Passantino), Tuesday, 27 December 2005 11:31 (twenty years ago)

No, no - everyone on ILM needs to read this thread.

But this "everyone's a music writer" shit makes "everyone's a DJ" seem like a swell idea.

-- Whiney G. Weingarten (christopher...), December 27th, 2005.

LOL, OTM, etc.

Dr. Frankenstein- we've found the monster.

Etc.

jsoulja (jsoulja), Tuesday, 27 December 2005 11:32 (twenty years ago)

Been listening to rap for longer than this guy's been alive. And even if I hadn't been, who cares what he thinks? Although Spoon did make a pretty good record.

Austin Still (Austin, Still), Tuesday, 27 December 2005 11:34 (twenty years ago)

i hope this guy dies!

tommy, Tuesday, 27 December 2005 11:38 (twenty years ago)

i don't understand this at all. why would an indie guy feel compelled to write about rap on any level? or defend the fact that they're not into it? how many rap fan's are writing guiltily about the fact that they "just can't get into indie", it's baffling.

jed_ (jed), Tuesday, 27 December 2005 11:55 (twenty years ago)

And what about folks like me who go the whole year without listening to new rap or new indie rock?

pdf (Phil Freeman), Tuesday, 27 December 2005 13:33 (twenty years ago)

I don't think this guy should "die" (XPOST) for being an idiot. He should simply be ignored.

50 Cent should die, though. Right now. Please.

(This not being a comment on hip-hop in a larger sense- I'm just talking about 50 Cent.)

jsoulja (jsoulja), Tuesday, 27 December 2005 13:42 (twenty years ago)

please can we make the barrel a little smaller I am afraid I won't be able to hit the fish

Mr Straight Toxic (ghostface), Tuesday, 27 December 2005 14:12 (twenty years ago)

The big fish is ruining the pond for all the little fish....

jsoulja (jsoulja), Tuesday, 27 December 2005 14:42 (twenty years ago)

I don't get it

Mr Straight Toxic (ghostface), Tuesday, 27 December 2005 15:53 (twenty years ago)

oh wait now I do! I wasnae talkin' about 50 Cent, I was referring to the thread's original target

Mr Straight Toxic (ghostface), Tuesday, 27 December 2005 15:53 (twenty years ago)

oh. yeah I'm not really paying any attention to that guy. I'm more interested in discussing issues like quality control, in both hip-hop and music crit blogs....

jsoulja (jsoulja), Tuesday, 27 December 2005 16:16 (twenty years ago)

Hold on...I recognise this guy...likes indie music...wears glasses...trying to write a novel...likes Annie Hall - holy shit - it's me 25 years ago. I wouldn't call me an asshole then - I was pompous and pretentious though - and if I had access to the internet (instead of just the school magazine) I would probably have written this kind of thing. It ain't so bad.

I think the weird thing is why he seems bothered. You don't like rap? Why should you? You don't have to like everything. I .m not keen on operetta. Having said that the Dangerdoom album is one of my favourites of the year. I wonder if he heard that?

Ned T.Rifle (nedtrifle), Tuesday, 27 December 2005 16:19 (twenty years ago)

these threads always make more sympathetic to the target of abuse than towards the clowns on parade.

keith m (keithmcl), Tuesday, 27 December 2005 16:46 (twenty years ago)

oh. yeah I'm not really paying any attention to that guy. I'm more interested in discussing issues like quality control, in both hip-hop and music crit blogs....

I'm always baffled by the blogs/sites that rise to the top.

The music sites and blogs that people talk about the most (esp. on ilx) don't have the best writing or best opinions.

They either:
a) Have been around the longest
b) Are run by people who have the time/initiative to update them every day.

As bad as you think Rolling Stone and Spin are, at least they have some of the best music writers on the planet. They don't pick their staff by who can write the most reviews in a day.

I've heard people talk about CokeMachineGlow. And the writing on there is sub-zine. Why aren't people talking about Keith Hariss's blog? Or MelissaMaerz? Or [insert any other quality magazine writer with, cleary, better things to do than write for free all day]?

Whiney G. Weingarten (whineyg), Tuesday, 27 December 2005 16:56 (twenty years ago)

the most pernicious aspect of the blog thing has been people feeling like they have to share their opinion about music they don't really care one whit about. i don't care about your illinformed opinions about a whole genre you discovered yesterday, holmes. (it's times like this i am glad no one in the "blogosphere" gives a flying fuck about dnb.)

u saved me (dubplatestyle), Tuesday, 27 December 2005 17:00 (twenty years ago)

Fish in the barrel comments OTM, and I'm sorry for being the instigator of that. As has been said, though, this isn't all about this kid. It is about the quality issue and proliferation of a ridiculous amount of opinions on the internet. Jess, you like DMB? Just kidding.

regular roundups (Dave M), Tuesday, 27 December 2005 17:34 (twenty years ago)

I'm sorry guys, I know it was a great year for bluegrass, but I'm too busy listening to tejano right now.

mike h. (mike h.), Tuesday, 27 December 2005 17:57 (twenty years ago)

Ha ha ha!

regular roundups (Dave M), Tuesday, 27 December 2005 18:36 (twenty years ago)

Did I mention Bloc Party? Amazing.

ROFFLE

latebloomer (latebloomer), Tuesday, 27 December 2005 18:40 (twenty years ago)

Dude, he's 17.

The question isn't "Why are his opinions bad?" It's "Why are his opinions suddenly valid?"

~C

Whiney G. Weingarten (whineyg), Tuesday, 27 December 2005 18:41 (twenty years ago)

I'd like to shoot this rap-hating scumbag in the genitals, then forcefeed the entire Ghostface catalog down his racist, rockist throat. The fucker.

The King of Flop Threads, Tuesday, 27 December 2005 19:13 (twenty years ago)

Seems about as bad as any music writing I've ever read.

Desperate Assbitches, Tuesday, 27 December 2005 19:21 (twenty years ago)

http://www.heathenangel.co.uk/d12howcome.html

$#@!!, Tuesday, 27 December 2005 19:23 (twenty years ago)

It's not that he hates rap, it's just that indie rock is SO BLINDINGLY AWESOME OMG PINNACLE OF ALL CREATIVE ENDEAVOURS AND POSSIBILITIES IN MUSIC.

You seriously expect The WU to compare to The BLOC? Why even compare?

It certainly proves that internet access doesn't automatically broaden young peoples horizons after all :/

Merry Christmas (fandango), Tuesday, 27 December 2005 19:27 (twenty years ago)

Razorlight follow up previous hit single “Stumble and Fall” with this upbeat slice of guitar led pop as a precursor to forthcoming album “Up All Night”. Although it’s an absolutely fantastic tune to dance to and there’s some great harmonising on it, I can’t help feeling that it’s not the best song to advertise their album with. You constantly expect it to speed up and really get going but it never does. Plus it doesn’t even begin to compare with their previous offerings. However, if the audience at their recent Leeds gig is anything to judge by, I doubt it’s really going to matter, it’s going to sell by the bucket load anyway!

Dom Passantino (Dom Passantino), Tuesday, 27 December 2005 19:29 (twenty years ago)

Man, there was me missing The Vibe, and someone has managed to encapsulate its spirit perfectly in webzine form!

Dom Passantino (Dom Passantino), Tuesday, 27 December 2005 19:29 (twenty years ago)

"I Am An Asshole..."

2005: The Year I Didn't Discover There Are More Genres In Existence Apart From The Rap/Rock/Dance Axis Than Time To Even Be Able To Listen To Them All.

[write some bullshit in this space later about the advantages of not ever looking beyond your nose, bookmarked weblogs or immediate class/race/cultural boundaries]

Merry Christmas (fandango), Tuesday, 27 December 2005 19:42 (twenty years ago)

To be fair, I know lots of douchebags with great taste in music.

Huk-L (Huk-L), Tuesday, 27 December 2005 19:47 (twenty years ago)

the most pernicious aspect of the blog thing has been people feeling like they have to share their opinion about music they don't really care one whit about.

blog thing -> ILM (or at the very least, every thread about Arcade Fire and MIA)

NoTimeBeforeTime (Barry Bruner), Tuesday, 27 December 2005 20:14 (twenty years ago)

i didn't realize this guy was 17. now this thread feels a bit mean and icky.

latebloomer (latebloomer), Tuesday, 27 December 2005 20:21 (twenty years ago)

i don't care about your illinformed opinions about a whole genre you discovered yesterday, holmes.

=how I feel when the P-fork runs their "metal" reviews

Mr Straight Toxic (ghostface), Tuesday, 27 December 2005 20:41 (twenty years ago)

latebloomer, we already covered the age thing upthread. And Huk, you're right. In the spirit of the great Douchebags, I should have revoked his douchebag status instead of bestowing it. I hope it's not too late now.

De-Douched!

regular roundups (Dave M), Wednesday, 28 December 2005 00:17 (twenty years ago)

Can I just ask; if his indie/obscure/wtf ever tastes had been really fuckin great and varied and backed up with good opinion, would you lot still dogpile on him for not liking rap?

WTF is with ILM and THOU MUST LIKETH THE RAP/HIPHOP OR ELSE YOU ARE A TUNNEL VISIONED RACIST PROBABLY thing anyway.

Trayce (trayce), Wednesday, 28 December 2005 00:47 (twenty years ago)

Actually, ignore what I said, I didnt even read Dave's first post carefully. Still.

Trayce (trayce), Wednesday, 28 December 2005 00:50 (twenty years ago)

no you were "right on" the first time

m coleman (lovebug starski), Wednesday, 28 December 2005 00:54 (twenty years ago)

Why is is so important to discover rap exactly, when the world is crowded with ragas, chamber music, operas, Gregorian chant, free jazz and electronical avant garde that he has yet to discover too. Why is rap more important than all other genres?

Geir Hongro (GeirHong), Wednesday, 28 December 2005 01:01 (twenty years ago)

I hate to say this but I agree with Geir!

Trayce (trayce), Wednesday, 28 December 2005 01:05 (twenty years ago)

all three of you need to be shot into the sun.

u saved me (dubplatestyle), Wednesday, 28 December 2005 01:14 (twenty years ago)

I wub you Jess.

Trayce (trayce), Wednesday, 28 December 2005 01:15 (twenty years ago)

http://img.timeinc.net/popsci/images/science/sci1203sun_A.jpg

m coleman (lovebug starski), Wednesday, 28 December 2005 01:25 (twenty years ago)

Trayce, every day I heart you more and more.

edward o (edwardo), Wednesday, 28 December 2005 01:27 (twenty years ago)

http://www.transdiffusion.org/emc/visionon/images/family.jpg

gear (gear), Wednesday, 28 December 2005 01:28 (twenty years ago)

ooh electronical avant garde

jim p. irrelevant (electricsound), Wednesday, 28 December 2005 01:57 (twenty years ago)

Wot like fischerspooner? ;P

Trayce (trayce), Wednesday, 28 December 2005 02:01 (twenty years ago)

Why should people discover rap when they have yet to discover Fischerspooner? :)

Geir Hongro (GeirHong), Wednesday, 28 December 2005 02:48 (twenty years ago)

Ur, well, I was joking but hey :)

Trayce (trayce), Wednesday, 28 December 2005 02:49 (twenty years ago)

A cancer has been unleashed up American Society, in the form of what some people call entertainment, and it is destroying the youth culture. The cancer that I am talking about is called RAP MUSIC. It is shocking lyrics performed by thugs, gangsters, thieves, junkies, dopers, dope pushers, perverts, cop killers and baby killers. The leader of this pack of low-life’s that record this garbage, is a street thug punk white boy who goes by the name of Enimen. He encourages young people to kill, commit suicide, and do drugs among several other sins. In one song, “Slim Shady” he becomes bisexually obsessed with his favorite singer and keeps sending him email telling him they should be together. The letters go unanswered, so he locks his pregnant girlfriend in the trunk of his car, and drives off a bridge killing himself, the girlfriend, and the unborn baby. You can hear the girl screaming and pounding on the trunk hood, as the car crashes over a bridge and into the water. Real edifying for today’s youth huh?

On another CD, Eminem starts it off by saying, “If you don’t like my music I will F**king kill you!” Now I am sure that is what each and every parent want their child to listen to isn’t it? I can just hear the freaks who love this type of music calling the WHAAAAAAAAAMBULANCE and saying, “Yo Dude! That is what the explicit lyrics warning labels on the CD’s are all about, so just chill out homie and if you’re not down with that don’t buy them.” Sorry kid. Those don’t work anymore. Most people download music off the internet these days and those teenagers who still buy CD’s almost never have their parents accompanying them when they shop at the CD stores, so warning labels do no good.

In ’97 Bonnie and Clyde, Eminen sings to his daughter of why her mommy’s body is in the trunk of the car with a stab wound in her throat and tells the kid to watch mommy float as he puts her body in the water. Just what a kid should be listening to huh?

In Eminem’s song “Kill You” he rapes his own mother.

Shut up slut, you're causin too much chaos
Just bend over and take it like a slut, okay Ma?
"Oh, now he's raping his own mother, abusing a whore,
snorting coke, and we gave him the Rolling Stone cover?"

Anyone who would buy this CD with this song, or download it, is a sick perverted freak just like Eminen and needs to be institutionalized at the funny farm.

Let’s look at a few others of his same ilk.

There is Snoop Dog, and NWA (Niggers With Attitude) for starters. Here are a few explicit lyrics of NWA. I hate printing these but people need to know what their kids are listening to.

Snoop Dog glorifies drug dealing and murder in his songs. Here is just one example:

And Snoop Dogg pass tha mother f**king dolja
I know you mother f**king feel me
C-murder aint gonna die, till a bitch nigga kill me

[Chorus x2]
Kill-kill-kill
Murda-murda-murda
Ain't nut'in personal tru
See it's all about respect
Kill-kill-kill
Murda-murda-murda
Im never got slippin
Keep my heat on the dash

Then there is NWA (Niggers With Attitude):

Yo, every bitch I know they wanna get with me
The mothaf**kin’ notorious d-r-e
Spit game at a bitch while a nigger’s around
And you know most ho’s knows not to clown
’cause if a bitch tries to diss me
What the f*ck I lick her
I smack the bitch up and shoot the nigger that’s with her
That’s the kind of nigger that you’re listenin’ to
Talk to you for a minute get my d*ck in you .. yo
Now every single bitch got a price to pay
Up on the d*cks of n.w.a

This filthy disgusting group of street trash thugs refers to women as ho’s (whore’s) and bitches. They even sing about “smack the bitch up!” Where are the Women’s libbers of NOW when it comes to these guys and guys like them? Why aren’t they filing lawsuits against them? I guess NOW only wants to target White Conservative Republicans and leave the “Bad Boy Rapper’s” alone! I promise you that if Arnold Schwarzenegger said “smack your bitch up” they would be filing lawsuit after lawsuit! He would pay dearly! So where are these women when it comes to Rappers who say these things? Hypocrites!

In that one verse alone, the word “nigger” was used three times and even appears in the group name. Black people do not want to be referred to as “niggers” by White people, yet they make CD’s using that word an untold number of times and market the CD to be sold to White kids who put the headphones on and listen to the word “nigger” being drummed into their head over and over and then the Black rappers and people who use that word get all hot under the collar when a White person uses it! Tell me again how White kids should never use racist words? Black rappers and fans of that music who are Black will say “It’s OK for us to call each other that but we better not catch a honky cracker kid using that word!” No, it is NOT OK for anyone to use that word. Great Black heroes such as Rosa Parks, Rev. Wade Watts, Rev. James Bevels, and Dr. Martin Luther King worked hard and made great sacrifices to overcome being referred to as a “nigger.” Martin Luther King would be rolling over in his grave if he could see how some of these rappers who claim to represent the African American community behave!

These Rap artists are all hypocrites anyway. They sing about how hard life is in the ghettos and projects, but yet they all live in million dollar houses and drive gold plated BMW’s and Mercedes Benzes. Yes they are really suffering aren’t they? If you are a young person in the ghetto, do you really think Eminen or Snoop Dog cares about you? If your father or mother loses their job and can’t pay the rent, go ask Eminen or Snoop Dog to help and see what they tell you! They will tell you they are NOT giving you “jack,” but they make millions a year off kids like you who think they’re so cool with what they are saying, yet they couldn’t care less about you. You are just a mark to them to help gather money for their next dope deal or Mercedes.

NWA also encourages killing police officers. Here are the lyrics where they do this:

Ice cube will swarm
On any muthaf*cka in a blue uniform
Just cuz I’m from the cpt, punk police are afraid of me
A young nigger on a warpath
And when I’m finished, it’s gonna be a bloodbath
Of cops, dyin in L.A
Yo dre, I got somethin to say

F**k the police

Smoke any muthaf**ka that sweats me
Or any a**ho that threatens me
I’m a sniper with a hell of a scope
Takin out a cop or two, they can’t cope with me

The muthaf**kin villian that’s mad
With potential to get bad as f**k
So I’m a turn it around
Put in my clip, yo, and this is the sound
Ya, somethin like that, but it all depends on the size of the gat

Takin out a police would make my day
But a nigga like ren don’t give a f**k to say

F**k the police

Music has a very powerful influence on our emotions, moods, and behavior. Rap music influences teenagers negatively by increasing violent attitudes and promoting sexual aggression, rape, and physical abuse against women. Rappers have been killing each other such as in the case of Tupac Shakur, Notorious Big and several others. The example this sets for kids is that if they don’t like someone, go shoot them. Could you even imagine in your wildest dreams, country singers Johnny Cash getting a gun and shooting Buck Owens, or even Alan Jackson gunning down Toby Keith? I think not!

Parents you have a responsibility to help your children clean up their music collection and get that filth out of your children’s room, if your children won’t do it themselves. Rap music is a cancer on the youth, because their lyrics are about drugs, killing cops, acts of perversion, rape, carjacking, party, sex, murders, and abuse of women.

Every day, whether I am traveling in Australia, New Zealand, or here at home in the USA, I am seeing more and more young people imitating their favorite Rap stars and making idols out of them. Young people are using them for role models. We are seeing more and more people, who think they are gangsters, dress in baggy clothing with fake bling-blings. I see more and more kids using that slang ghetto-garbage talk and disrespecting their elders. Their ghetto Ebonics talk makes one look like they are illiterate, stupid, and just plain dumb. Is that how you really want people to view you young people? I should think you would have a little more pride then that! And parents! Do you really want society to view your child that way? And listen up young people! Do you really think you are going to get a decent job anywhere when you talk that trash and wear those stupid looking baggy clothes and fake bling- bling?

I care about the youth because the youth of today will decide what kind of world we live in tomorrow. I will shoot straight with the youth and tell them the truth, whereas the Rappers will not. The truth is, the Rappers are not only destroying each other, but many police officers, innocent bystanders, and young children have lost their lives at the hands of those who are influenced by rap music. Many women have been raped and killed because of those who fell under the influence of rap music. Get rid of this poison before it kills you too! If you want to listen to something, download this song by the West Texas Rednecks!

Rap is Crap.

I like country music
I love country girls
I like Willie Nelson
and don't forget about Merle

There's only one thing that I hate
Cuz it's a bunch of crap
I, I, I hate rap

I like NASCAR racing
Richard Petty's still the king
Yeah, they call me a redneck
But you know, that's a beautiful thing!

There's only one thing that I hate
Cuz it's a bunch of crap
I, I, I hate rap

There's only one thing that I hate
Cuz it's a bunch of crap
I, I, I hate rap

Raaaaaaap is crap
Raaaaaaap is crap

ESTEBAN BUTTEZ~!!! (ESTEBAN BUTTEZ~!!!), Wednesday, 28 December 2005 03:05 (twenty years ago)

Curt Hennig is dead, so there

disco violence (disco violence), Wednesday, 28 December 2005 03:07 (twenty years ago)

yeah I'm with Trayce though, ilm for about three years now has been kinda "if you don't like rap, say so & that's fine, but any explication of your position beyond 'I don't dig it' will be greeted with Rock Around the Clock-style 'Check out the square!' derision, only way more hostile"

Anybody: "Can I say what I don't like about rap?"
ILM: "LA LA LA LA NOT LISTENING YOU RACIST CUNT"

Mr Straight Toxic (ghostface), Wednesday, 28 December 2005 03:10 (twenty years ago)

Curt Hennig is dead, so there

This one goes out to my real close friend and buddy
Curt Hennig A.K.A. Mr. Perfect just want to
let you know that you're missed but you'll never be forgotten
You've always been an incredible friend and we just want
you to know that we've got your back buddy
system style from Macho Man Randy Savage

Hey Curt we miss you but we know you're in a better place
It's kinda hard as time goes on and I don't see your face
So I'm clinchin' and I'm holdin' on to memories
Remember the times rollin' strong just you and me
It's real hard sometimes to keep it goin' day to day
But I know you wouldn't want it any other way
So I keep it movin' doin' what I gotta do
And as a tribute I'm dedicating this song to you

You were my perfect friend
Right there until the end
I'm forever missin' you
Until we meet again
Can't explain this pain
Never felt like this
Mr. Perfect don't you know
That you'll be truly missed

You were my perfect friend
Right there until the end
I'm forever missin' you
Until we meet again
Can't explain this pain
Never felt like this
Mr. Perfect don't you know
That you'll be truly missed

Mr. Perfect's the name it'll never be forgotten
As long as Macho's around I'm a keep ya spot in
Wrestling history cuz you were all about perfection
It's not a mystery that wrestling was the right selection
Cuz you were one of the best very high on my list
Not just in the ring but outta the ring you're dearly missed
But your name lives on we carry on your legacy
Cuz the passion that you left with us lives on in me

You were my perfect friend
Right there until the end
I'm forever missin' you
Until we meet again
Can't explain this pain
Never felt like this
Mr. Perfect don't you know
That you'll be truly missed

You were my perfect friend
Right there until the end
I'm forever missin' you
Until we meet again
Can't explain this pain
Never felt like this
Mr. Perfect don't you know
That you'll be truly missed

You were my perfect friend
Right there until the end
I'm forever missin' you
Until we meet again
Can't explain this pain
Never felt like this
Mr. Perfect don't you know
That you'll be truly missed

We remember Mr. Perfect (you know you'll be truly missed)
He was always in command (you know you'll be truly missed) 3x
His greatness was so obvious
That all could understand

He brightened up a locker room (you know I'm missin' you (missin' you)
He made the time go by (how much you'll never know (never know)
He had personality (deep in our hearts we'll never ever forget you)
Gregarious, not shy

He really was perfection
But now he's gone away
We're lucky to have known him
And we'll miss him everyday
Mr. Perfect

You were my perfect friend
Right there until the end
I'm forever missin' you
Until we meet again
Can't explain this pain
Never felt like this
Mr. Perfect don't you know
That you'll be truly missed

You were my perfect friend
Right there until the end
I'm forever missin' you
Until we meet again
Can't explain this pain
Never felt like this
Mr. Perfect don't you know
That you'll be truly missed

You were my perfect friend
Right there until the end
I'm forever missin' you
Until we meet again
Can't explain this pain
Never felt like this
Mr. Perfect don't you know
That you'll be truly missed

ESTEBAN BUTTEZ~!!! (ESTEBAN BUTTEZ~!!!), Wednesday, 28 December 2005 03:13 (twenty years ago)

Summary of thread/summary of indie rock dweebs who hate rap for no good reason/summary of people who freak out because someone correctly points out that rap today sucks/summary of reasons why rap today sucks/summary of people who post lyrics as responses:

Now this may sound disgusting an’ like very gross
But it’s sure to have your trippin’
So y’all listen close
It’s not bright as the sun or sweet like sugar
But it’s rather on the bug tip and it’s called pickin’ boogers
Now what I’m emceein’ might not seem kosher to you
But it’s still somethin’ we all have to do
So go up your nose with a finger or two
And pull out one or a crusty crew
Yo, don’t try to front like it’s so gloomy and gray
’cause we all pick our boogers sometime every day
Whether out in the open or on a sneak tip
With a finger, tissue, or even a q-tip
Take it from the biz markie because I’m jokin’
And also, remember this slogan
Hey, ma, what’s for dinner?
Go up your nose and pick a winner
Pickin’ boogers
Pickin’ boogers

Let me tell you what happened on the train, man

I was coolin’ one day with my partner kane
Headed up to the rooftop, ridin’ the d train
When the man sittin’ next to me was so profane
He’d stick his finger up his nose, then do a drain
(you should ’a moved)
I was just about, but all of a sudden, homeboy just pulled out
A big green slimey, not even gonna say it
But it weighed a good pound if you tried to weigh it
He sat there for a while with it in his hand
So I tried to play cool and like ignore the man
So I laid my head back to catch a quick nap
All of sudden, he plucked it dead in my lap
Now kane sat there laughing like it was all a joke
But a brother like biz markie had almost choked
So I dug up my nose and pulled out about 5
And plucked every last one of them dead in his eye
Then the man jumped up and said
"What's wrong with you?"
and wiped them off his face and said
"I can't mess with you"
Like if I did something that was so full of shame
But yo you got to know the name of the game
Pickin’ boogers
Pickin’ boogers
Pickin’ boogers (Mmmm)

Now let me take a trip down memory lane
Back in public school with my partner kane
When I was class clown and he was my brother
Sittin’ at the desk pluckin’ boogers at each other
Never do our work as we were suppose
’cause we was too busy diggin’ up our nose
and in the lunchroom we would talk about rude
gossip at the person that all leave his food
No matter who you are we didn't give a damn
We even put teachers down with the program
Well if you was a woman or if you're a man
We'd put boogers on our fingers then shake your hand
Catch anyone from anywhere, but the best fun about it
catchin’ kane out there
Especially when we playing ball at the gym
I put boogers on the basketball and pass it to him
Now we're grown up and think that's changed
But we're still playin’ the pick your boogers game
Just last night when kane was gettin’ ready
I slipped a little green one inside his spaghetti
Pickin’ boogers
Pickin’ boogers
Pickin’ boogers
Pickin’ boogers

Let me tell you what happened to me with this girl

One night in Latin Quarters I was standin’ there easy
I saw a gorgeous young lady that I wanted to squeeze
I knew sure enough that I really did want it
so no half-steppin’ I pushed the bonnet
Well I'm a go-able and enough that was phat
Had a spotlight beamin’ on my bismal cap
But when she stepped in the light and she got real close
I saw a teeny weeny booger on the tip of her nose
She was dressed real dep and and her body was hooked
But that brought-up booger just ruined the look
I wanted to tell her about it but I couldn't be bold
So I played it off and said "That's a cute green mole"
I was hopin’ from that she would wipe it away
But she didn't do nothin’ , I guess she wanted it to stay
I said "Before you get my number, I don't mean to diss you,
but write it in the handbook ’cause you're gonna need the tissue"

jsoulja (jsoulja), Wednesday, 28 December 2005 03:17 (twenty years ago)

Me = OTM

jsoulja (jsoulja), Wednesday, 28 December 2005 03:18 (twenty years ago)

soulja I gotta give you much respect for that

now admit that you hate rap you racist bastard

Mr Straight Toxic (ghostface), Wednesday, 28 December 2005 03:20 (twenty years ago)

I havent even read yr lyrics, but may I say this: I dont "hate rap". Hell, lest I bring the fire on m'head, I gotta say theres plenty I do like when I hear it. Obvious stuff, sure: Public Enemy, Missy, De La Soul, wtf ever. Point is, it doesn't get me. Neither does most country or reggae or Really Twee Indie or emo, but wtf I'd be praised for hating on emo, come on.

Let people like what they like ffs. I rarely post on ILM even though I've been here 3 years now, but I know if I ramble on about certain bands I'll get slammed or laughed at, and while that don't bother me in the slightest, it IS very BORING.

xpost hahahaha

Trayce (trayce), Wednesday, 28 December 2005 03:22 (twenty years ago)

If only all rap lyrics were like this:

Just last night when kane was gettin’ ready
I slipped a little green one inside his spaghetti
Pickin’ boogers

jsoulja (jsoulja), Wednesday, 28 December 2005 03:37 (twenty years ago)

I don't like rap. I don't like indie too much either, but I like it better than rap. Am I a douchebag?

Curt1s St3ph3ns, Wednesday, 28 December 2005 03:52 (twenty years ago)

Why yes, curtis. Yes you are. King Jess and Prince Ethan hath spake on high. RELENT!

Trayce (trayce), Wednesday, 28 December 2005 03:53 (twenty years ago)

(I'm sorry. Its all Edwards fault.)

Trayce (trayce), Wednesday, 28 December 2005 03:54 (twenty years ago)

i don't understand this at all. why would an indie guy feel compelled to write about rap on any level? or defend the fact that they're not into it? how many rap fan's are writing guiltily about the fact that they "just can't get into indie", it's baffling.

it's not baffling, it's race

wanting to be inclusive, expansive, put tastes where mouth is, etc.

i.e.

[write some bullshit in this space later about the advantages of not ever looking beyond your nose, bookmarked weblogs or immediate class/race/cultural boundaries]

marc h. (marc h.), Wednesday, 28 December 2005 04:31 (twenty years ago)

see also:

marc h. (marc h.), Wednesday, 28 December 2005 04:38 (twenty years ago)

/ILX/ThreadSelectedControllerServlet?thread.php?msgid=6561481#unread

or that

marc h. (marc h.), Wednesday, 28 December 2005 04:39 (twenty years ago)

OK, what? Do you have to be into EVERY FUCKING GENRE EVER to be on the ball?

Trayce (trayce), Wednesday, 28 December 2005 04:42 (twenty years ago)

Why you frontin' on Bulgarian acapella free-improv, Trayce?

Austin Still (Austin, Still), Wednesday, 28 December 2005 04:45 (twenty years ago)

pickin' bulgars

waldo jeffers scenario (haitch), Wednesday, 28 December 2005 04:50 (twenty years ago)

Dude Austin. Don't you know that Eastern European naif-rap is where it is AT NOW?! Man.

Trayce (trayce), Wednesday, 28 December 2005 04:51 (twenty years ago)

Trayce, I'm just pleased that you know my name. :) xpost

I'm not gonna lie to people and say that if 17yo bro had written really well about his indie choices I wouldn't still be a little peeved that he played those off as obstacles to the appreciation of rap. I mean, the point is that all those genres (free jazz, Gregorian chants, etc.) DO exist, and none of them have to compete with each other.

Obviously no one has an unlimited amount of time on their hands, but we can all still listen to quite a lot if we choose to do so. My point was more that genres are not opposed to each other. There is no such thing as the opposite of indie in the same way that there is no such thing as the opposite of a ladybug, too many different aspects to each. So if this kid is so stoked on music, why isn't he devouring more of it?

And I think rap gets harped upon so much as opposed to reggaeton/free jazz/whatever is that rap is such a big part of pop music in general right now. I mean, there is rock-based music, there is more "pure" pop music (i.e. Britney Spears, Girls Aloud, etc.), and there is hip hop. Those are the three biggest genres of music that exist as really essential to the pop music landscape at the moment, IMO (not that any of them are completely pure or uninfluenced by each other or other genres). Sure, it'd be great for Alan to get into metal or house or soul or reggae or son, but it's much easier to point out that he's not into hip hop because it is so ubiquitous at the moment.

I was going to make an analogy to living in Montana and not interacting with black people and living in New York without interacting with black people, i.e. the latter is much harder because of the landscape and greater population of black people in New York as opposed to Montana, but I think it's a really bad way to think about things so forget I even thought it, much less wrote it down to tell you not to think about it.

regular roundups (Dave M), Wednesday, 28 December 2005 04:52 (twenty years ago)

Yeah, it's akin to when someone says "I like ALL kinds of music. Of course, rap isn't really music, so that doesn't count. And I can't stand that whiney country crap. Oh, and classical is so boring. Jazz doesn't make any sense. Punk rock is just stupid noise and metal is for dumbasses. Techno is just fag shit, too. But I like ALL kinds of music!"

Austin Still (Austin, Still), Wednesday, 28 December 2005 04:57 (twenty years ago)

Yeah this is what is problematic for me personally. I have my tastes, as we all do. And come on - I'm a whitey girl living in AU: rap is everywhere on TV/media here and maybe THATS why I dont like it; to me, it is overkill like chart pop is. Certainly not because I will be kneejerk and say "I hate rap" though. Its just thats what I'm ... bored with?

There's music that means a lot to me though, makes me happy, and it happens in my case to be well err... indie. I hate using that phrase NOW though because it meant *something* 15 years ago but it certainly doesn't anymore.

Trayce (trayce), Wednesday, 28 December 2005 05:07 (twenty years ago)

I mean FFS I'm listening to Scritti Politti right now, and they're whiteboy funk. Pls pls put me in a pigeonhole, oh i SO want to be margianalised.

Trayce (trayce), Wednesday, 28 December 2005 05:08 (twenty years ago)

Oh god. I am Lisa Simpson.

Trayce (trayce), Wednesday, 28 December 2005 05:09 (twenty years ago)

I was just thinking of a review i wrote when I was 17.

And my horror if I knew a bunch of people would be doing this to it.

Luckily I lived in a time when not everyone's opinions mattered

Whiney G. Weingarten (whineyg), Wednesday, 28 December 2005 05:16 (twenty years ago)

Rap IS a form that describes a lot of chart pop, it's not separat from it.

It is true that if you say you hate a slew of artists who constitute "black" chart pop (i.e. the biggest rap and R&B and such hits of the year) around somewhere like this, it IS possible some idiots will call you racist. But that's all they would be, idiots.

edward o (edwardo), Wednesday, 28 December 2005 05:20 (twenty years ago)

Edward, I was talking about rap as a genre in the way that pop is a genre. In your sense, rap is pop, but I was basing it on more than the fact that the genre is a great deal of the Top 40.

Whiney, OTM. Now EVERYONE'S opinion matters! Man, everyone is making me feel really bad about starting this thread, like I need to go give Alan a hug or something.

regular roundups (Dave M), Wednesday, 28 December 2005 05:30 (twenty years ago)

Fair enough, but I don't consider pop a genre. If it is, where does it end and begin for you?

edward o (edwardo), Wednesday, 28 December 2005 05:36 (twenty years ago)

Hey hey Dave dont feel bad for having a go at the guy: as I said in m'first post his indie supporting argument was a bit crap. Its tricky though, because no matter how much you learn and love, someone always gonna come along and diss you: "Oh man, how can you say that and ignore X and Y bands/songs!?" It is unavoidable really. I always prided myself on my obscure 90s indie but then I got old and gave up and now, I'm one of them out of the loop people what says "Bright Eyes? Who they?".

Trayce (trayce), Wednesday, 28 December 2005 05:39 (twenty years ago)

(nb this is possibly a good thing)

Trayce (trayce), Wednesday, 28 December 2005 05:40 (twenty years ago)

i guess that means that you won't be bringing over any samples of aussie rap when you visit the states, trayce?!? :-(

Eisbär (llamasfur), Wednesday, 28 December 2005 06:16 (twenty years ago)

Oh christ Aussie rap is terrible. 1200 techniques? No thanks.

Trayce (trayce), Wednesday, 28 December 2005 06:17 (twenty years ago)

(thats a whole nother thread wots possibly been done, but aussie accents rapping is just weird)

Trayce (trayce), Wednesday, 28 December 2005 06:18 (twenty years ago)

At least y'all don't come from the suburb that gave the world the Hilltop Hoods. YES I KNOW THEY'RE LOCAL BUT THEY'RE A LOCAL PIECE OF SHITE.

ESTEBAN BUTTEZ~!!! (ESTEBAN BUTTEZ~!!!), Wednesday, 28 December 2005 06:33 (twenty years ago)

Thanks, Trayce, for having my back.

xpost Edward I consider "pop" to be the most liquid genre of the rock/pop/rap trifecta, and in my mental approximations it usually comes down to "feel" in areas of question. But I think a couple of attributes include synthesized as opposed to live instrumentation, recognizable hooks/catchiness, and slick production standards. Also, in my approximation it just happens to be that more women fall into the genre than men. Not that they must, but I could probably tell by the "look" of an artist what her/his music would sound like. Of course these are very bad, external judgments on which to base music, and they are only in the most general sense. It is possible to have music I would call "pop" (the genre) made by a man, with live instrumentation, mid-range production standards, and... well, the catchiness is still a criterion, for GOOD "pop" at least.

R&B/"pop" crossover is much trickier. I think I'm basically saying "pop"=dance(able) music with vocals. Except in the case of the ballads, but I guess you can slow dance to those.

I'm not saying this is a good way to think about it, but when I think of pop as a genre (i.e. pop as "pop," haha), this is usually the kind of thing I think about. Maybe I should work on it.

regular roundups (Dave M), Wednesday, 28 December 2005 07:17 (twenty years ago)

synthesized as opposed to live instrumentation, recognizable hooks/catchiness, and slick production standards.

This describes lots of rap. As does "danceable music with vocals".

edward o (edwardo), Wednesday, 28 December 2005 07:19 (twenty years ago)

(Sorry, I'm just on a crusade against people who misuse the word "pop" for the specific purpose of shoe-horhing things THEY like into it, which you're not actually doing, so never mind)

edward o (edwardo), Wednesday, 28 December 2005 07:19 (twenty years ago)

I like Curse Ov Dialect. And Meta Bass.

Whiney G. Weingarten (whineyg), Wednesday, 28 December 2005 07:34 (twenty years ago)

xpost I could also see people misusing the word for the purpose of shoe-horning things they DON'T like into it, depending on the temperament. I think I am misusing it, though, although not for nefarious purposes. More out of ignorance caused by assumed intuitive knowledge of what the word means.

regular roundups (Dave M), Wednesday, 28 December 2005 07:37 (twenty years ago)

I agree. I think rap is like anything else: people shoehorn shit into a genre and when you say "I dont like BLAH" you really are cutting yourself off. I mean for example: I dont like country. But would you call early Throwing Muses country? I would. And I like it! There's always some exception.

Trayce (trayce), Wednesday, 28 December 2005 07:57 (twenty years ago)

I mean, there is rock-based music, there is more "pure" pop music (i.e. Britney Spears, Girls Aloud, etc.), and there is hip hop. Those are the three biggest genres of music that exist as really essential to the pop music landscape at the moment, IMO

I am not too big on current chart music in general, and not on any of those genres (at least not of "pure" pop means "manufactured pop" in a way where the artist has little power over the songwriting, production or even selection of songs). If you take your time to check the album lists, there are other dominant genres that I do indeed like though, like the melancholy melodic pop/rock of acts such as Coldplay and Keane which doesn't fit into any of the three main categories you listed, and which is still obviously very popular right now (although maybe not among the same agegroup that makes sure hip-hop and mainstream pop are in the hitlists).

And still, there is a lot of great music out there. Being a pop fan, I sort of expect the hitlists to contain something of value, but I have still learnt that it usually hasn't for the past 20 years or so.

Geir Hongro (GeirHong), Wednesday, 28 December 2005 14:00 (twenty years ago)

This is increasingly reminding me of a bar conversation where my friend's girlfriend was at first amazed that I did not own any Jack Johnson records, then flat out refused to believe me when I said I didn't believe I'd ever heard one of his songs.

The right thing would have been to say that I'd heard a few artists she was comparing him to and had no interest, but instead made the point that she had no idea who Ghostface was despite having heard of the Wu-Tang Clan. I might have been drunk, too.

mike h. (mike h.), Wednesday, 28 December 2005 14:46 (twenty years ago)

Tangent alert: Aside from desiring to be properly eclectic, another reason a rap-disliking douchebag might wish to "discover" rap is many critics' (not guilty, I think) identification of the genre as where EVERYTHING new/exciting is happening.

When the Voice's C@r@m@nic@ said of Cam, "The avant-garde need not be moral," he pulled a neat rhetorical trick: simultaneously labeling Cam's music avant-garde and making it possible to dismiss anyone who disagrees as either a puritanical fuddy-duddy or someone who just doesn't get it (i.e., isn't hip to the avant-garde). Of course, the phrase "avant-garde" itself has always been a convenient critical bludgeon.

Poor Alan just wants the cool kids to like him, ya see?

marc h. (marc h.), Wednesday, 28 December 2005 14:46 (twenty years ago)

Good point about his motivations, although I disagree that rap is where EVERYTHING new/exciting is happening.

Also, xpost Mike, your story makes me laugh. I can imagine that.

xxpost Geir, I'm really intrigued by your classification of Coldplay/Keane as outside of the genre "trifecta." Initially, I would not have considered either of them to be as such. I would probably have considered them both to be examples of "pop," exceptions to a couple of the qualifications I laid out earlier. But I think you might be right. Hmm...

regular roundups (Dave M), Wednesday, 28 December 2005 16:29 (twenty years ago)

I think it all boils down to this: a majority of people who feel they're "in touch" with pop culture will have at least a passing knowledge of rap trends and a few artists because that's what is out there right now. Anyone who is actually into hip hop is going to know more and have a more nuanced opinion (either pro or con). The people who don't really care about what's popular and have their own opinions will go about their merry way. That's fine, not everyone has to broaden their horizons -- let alone their musical horizons.

Then there's the people who make a point not to know anything because they have inherently better taste and they're not afraid to confront others about it. The writer is, in fact, being that guy. Spoon nailed it! Great, I've heard some Spoon and think they're pretty cool, but I don't own any albums! Why do I care that you've got your interests and don't really feel like expanding because you're comfortable. There's no shame. He could have written about how it was a great year for listening to all the albums on his shelf so he didn't really get into anything new. As it is, this reads like INDIE GUILT.

mike h. (mike h.), Wednesday, 28 December 2005 17:07 (twenty years ago)

INDIE GUILT

thanks for summing up all my rambling posts upthread in two words of OTMness

marc h. (marc h.), Wednesday, 28 December 2005 17:14 (twenty years ago)

while I agreed with the "where everything new & exciting" is happening thing a couple of years ago, I do wish that the critics who presently want to make that case would point fingers directly at what they're calling "new and exciting": specific soft patches? specific rhyming techniques? specific subjects, dramatic stances, rhetorical flourishes? specific beats, and if so, is somebody actually arguing that this or that permutation of 4/4 is actually a "new beat"? (if so on this last one: umm, no.)

Mr Straight Toxic (ghostface), Wednesday, 28 December 2005 17:17 (twenty years ago)

(I won't be holding my breath waiting for zeitgeist-critics to learn specific musical, technical or metrical language to describe things that're "new and exciting" tho 'cause it's so much more punchy to just say that something sounds "new and exciting" and leave it at that)

Mr Straight Toxic (ghostface), Wednesday, 28 December 2005 17:19 (twenty years ago)

typically i seem to hear about clever wordplay, cf. clipse.

but then i also hear about cadence, which still has yet to excite me, though that doesn't mean it won't

marc h. (marc h.), Wednesday, 28 December 2005 17:39 (twenty years ago)

sure I mean clever wordplay, really interesting latitude with line-lengths - but none of this is "new," the alliterative long-line thing 1) was a hallmark of pre-Norman invasion poetry and 2) was dear to the decidedly non-street Gerard Manley Hopkins!

I don't know, I just get a bug up my ass about words like "innovative" being used to mean "I really like it a lot so I'm gonna drape it in protective superlatives"

Mr Straight Toxic (ghostface), Wednesday, 28 December 2005 17:43 (twenty years ago)

the main innovative angle hip-hop can currently claim has nothing to do with music - its all about narrative. Hip-hop has completely reshaped lyrical content, form, and structure of popular song - you can say *so much* more via hip-hop then was ever possible with older lyrical forms. Its just so dense, it wins on sheer amount of information. But as far as formal music innovation goes, its been treading water since the death of sampling pretty much - I don't think there there's really anything happening musically in hip-hop anymore that can't be found in electronic dance music or various other subgenres. Musically hip-hop has become more like rock, an absorber, an expert hybridizer of other styles.

Shakey Mo Collier (Shakey Mo Collier), Wednesday, 28 December 2005 17:47 (twenty years ago)

those are just pictures

marc h. (marc h.), Wednesday, 28 December 2005 17:57 (twenty years ago)

Ethan saying "this right here" is a little different from i.d.'ing what I'm asking for, though I appreciate the tips

I agree with Mo about the radical new turf made available by rap - so much more room to play once the structure's opened up. What I think is a little ripe, though, is the level of innovation being ascribed to rap at present/over the past ten years: rap opened up the poetic barriers about twenty-odd years ago, no?

xpost

Mr Straight Toxic (ghostface), Wednesday, 28 December 2005 17:58 (twenty years ago)

also T.I.'s rhymes & cadences may be quite good, but they're hardly 'OMG HE IS INVENTING NEW STYLES!'

Mr Straight Toxic (ghostface), Wednesday, 28 December 2005 17:59 (twenty years ago)

I dunno, I think hip-hop's expansion of lyrical narrative really flew under the radar in a lot of ways. I remember it seeming to get dismissed a LOT on the grounds that it was "just talking", songs were either about "nothing" or about "the same old shit" (hos, money, guns, etc.) - but sometime in the 90s rap styles started to get REALLY dense and complicated, just the number of words in any given rap song seemed to double or triple exponentially (just in this thread, compare "Pickin Boogers" to any of, say, Killer Mike's tunes). And this continued to the point where you can now rap about everything - no matter how bizarre or obtuse - and include dozens and dozens (if not hundreds) of specific and detailed cross-references, make up new slang, etc. You just couldn't do this before with standard lyrical song structures, you couldn't cram that much stuff in there - it was freeing vocals and lyrics from melodic forms that did it.

Shakey Mo Collier (Shakey Mo Collier), Wednesday, 28 December 2005 18:04 (twenty years ago)

It does seem like we're in one of those periodic lulls right now where people are kind of waiting for something new, hip-hop-wise. The 'big new sound' of '05 was Houston, which was really the 'big new sound' of...what, 1999 or something? 1993? The South's still producing plenty of good stuff, but it's naturally become more predictable and pro forma -- it's kind of in the position that West Coast rap was in the late '90s. But Timbaland was already coming up at that point, with the Neptunes right behind him. If there's a Timba on the horizon at the moment I'm ignunt of him. (But then, I would be.)

xpost: as for narrative possibility, yeah, but how much or often is that really exploited? Look at the rap singles showing up on year-end lists, they're great songs but not so much because of their narratives. ("Stay Fly" = how many different ways can we say we're driving around town getting high; "Still Tippin'" = well, more or less the same thing; "Hate It or Love It" has more going on, but not much that hasn't been done lots of times before.) Of course plenty of undie rappers play more explicitly and creatively w/narrative, but most of them aren't as much fun to listen to (i.e. don't see many of them on the year-end lists). I think claims for narrative innovation get dicey, because while it's true, it's not the whole -- or even main -- reason that most of us love hip-hop.

gypsy mothra (gypsy mothra), Wednesday, 28 December 2005 18:20 (twenty years ago)

The 'big new sound' of '05 was Houston, which was really the 'big new sound' of...what, 1999 or something?

It was more about the new generation of Houston rappers, Lil Flip first, then the whole Swishahouse camp, and they sound different from what came before although obv very dependent on Houston's history/mythology.

Re: shakey's But as far as formal music innovation goes, its been treading water since the death of sampling pretty much

And I don't mean to sound like boring ILM lemming #2,076 here but dude TIMBALAND. Haha. I mean, fuck forget about Timbaland there are so many guys who've done new and DIFFERENT things since the Biz Markie trial - Swizz, Rick Rock, Mannie Fresh, Hypnotized Minds, whoever does Trick Daddy and Trina bass-influenced beats, Just Blaze, Lil Jon, Neptunes, Beats by the Pound, Puffy's crew, Trackmasters, Kanye, DJ Quik, Dre. And like dance music its v. cannibalistic, but that's how rap has ALWAYS been - Dre copping George Clinton, Lil Jon using novation synths, Mannie's interpolation of bounce via hip-hop, etc.

I knew it was Ethan posting pictures as soon as I saw Canibus.

deej.. (deej..), Wednesday, 28 December 2005 23:57 (twenty years ago)

I think the thing that confuses me most about this is the idea that people 'should' listen to rap because its INNOVATIVE. The result is Timbaland/Neptunes fetishes that ignore most of what makes rap exciting.

deej.. (deej..), Wednesday, 28 December 2005 23:59 (twenty years ago)

(to me)

deej.. (deej..), Wednesday, 28 December 2005 23:59 (twenty years ago)

all fair points - and not to take anything away from the quality of the producers deej lists, I like a lot of those guys. I'm just saying that to my ears when hip-hop started to move away from sampling/pastiche as the dominant production method, it began to move in other directions that brought it closer to dance music, rock, etc. I like Timbaland A LOT, but I have a very clear memory of the first time I listened to any of his stuff and my first reaction was "dude's been listening to jungle" (which I know with hindsight Timba has since denied - but the sonic similarity, the stuttered beats, the minimal synths - a similarity is still definitely audible). When hip-hop moved into being made exclusively via the combo of live instrumentation and computer sequencing, it was going where dance music and rock were already going - it still retains its own rhythmic and melodic tropes (uber-basic blues chord changes, 4/4 rhythyms, etc.) - but nothing about the way its made is unique anymore. In the sampling-heavy era, there was NOTHING being made the way hip-hop was being made, and you could HEAR it in the records.

Shakey Mo Collier (Shakey Mo Collier), Thursday, 29 December 2005 00:09 (twenty years ago)

(and btw no I don't think people should listen to anything because its "innovative", quality /= innovation. I don't think people "should" listen to anything they don't have an interest in. Tho there is plenty of quality hip-hop.)

x-post

Shakey Mo Collier (Shakey Mo Collier), Thursday, 29 December 2005 00:11 (twenty years ago)

Guys. He likes black people. Didn't you see the bloc party mention?

Stephen C (ihope), Thursday, 29 December 2005 00:15 (twenty years ago)

The title of this thread is misleading and inaccurate. Young Baban's piece was blog-like, yeah, but a lot of these year-end essays are (See Derek Miller's stylus piece about his divorce, hi). There's no racial or anti-rap overtones present, the guy basically says he's been meaning to finally check out rap all year, but there was too much other music that he liked this year to allow him the time. That's actually presenting the opposite of "rap-disliking douchebag". It's a young indie rock kid stating his desire to expand his tastes, the "17 year old" bit should have tipped off any detractors about that. Given his age, the fact that he hasn't opened up to rap yet doesn't indicate anything, at all. "This year I meant to get into Nirvana, but there were too many new Coltrane releases."

If it takes a willfully shit-disturbing misinterpretation of an online article to generate a meaningful discourse about rap and 17 year old kids then job well done. Try: "I hate metal and am too busy to care about that." Way thicker.

aaron newell, Thursday, 29 December 2005 02:56 (twenty years ago)

I must say that I'm not a fan of hip hop/rap. Proponents of the aforementioned, upon hearing the declaration, usually lead in with the "You just don't UNDERSTAND" or "You're ignorant of the 'real' underground hip hop scene" defenses. Both acertions are laughably innacurate. I would go so far as to say that my knowledge of the depths of what one would call "underground" hip hop is what cemented my overall lack of interest. These same people are absolutely stunned when I recall variouse Def Jux recording acts (Mhz, Hangar 18, Cage, Canniabal Ox,etc.), individuals like MF Doom, Quasimoto, Lyrics Born, Diverse, and the more experimental acts of said genre (Telephone Jim Jesus, Dalek, Sage Francis). Musicaly and lyrically I just find it rather bland listening. Especially compared with the vast array of music that I listen to and to to which I am always in the process of scouring the literal World (via the internet) for lesser know music that I find interesing and awe-inspiring. At this time I will say that AM a fan of Prefuse 73 (though not SORROUNDED BY SILENCE - too many rappers, the music suffers for it). He has deftly fused such elements as glitch electronnica, jazz and Ambient into a Hip hop idiom that more resembles Autechre, Mouse on Mars, or a more beat-heavy Nobukazu Takemura that anything else.

Indie. That sounds more like a business model (DIY principles and all) than a genre of music. The term "indie" as applied to Rock and Pop usually means less-than-competant musicianship unfocused songwriting and amateurish vocals. No doublt, thoug there may be a few exceptions. I was rather underwhelmed by THe New Pornographers, The Wilderness, Architecture in Helsinki and The Decemberists this year. I'm as far away from the Mainstream as one human can possibly get while still inhabiting Earth, but Indie as a genre I find rather lacking.

Cliftonb, Thursday, 29 December 2005 06:43 (twenty years ago)

xpost

Aaron, no disrespect to you. I have really enjoyed your writing on CMG, and I would like to take back any disrespect I have already shown to Alan. However, a couple of things about the points you bring up.

1) Most memoirs are interesting because they are about already famous/fascinating people or because the writer writes in such a way that she almost transcends the genre of memoir. Baban's essay is neither of these things. Excusing overly solipsistic (or "blog-like") writing by saying "a lot of these year end essays are" that way is mildly irresponsible. When we did something wrong as kids, my parents taught me not to worry about the punishment my brother and sister got and just to concentrate on my own punishment. Point being, poor behavior on Stylus' part doesn't excuse it for everyone.

2) I never meant to imply that Baban was racist, and given his age, it's not a big deal that he hasn't "discovered" rap. In fact, I agree with most of the people on this thread who have said that if he doesn't like it, he doesn't like it. I understand that he wants to be open to rap, but this only makes his essay read like a document of a failed New Year's resolution. The whole act of writing the essay does read like INDIE GUILT. I was/am basically questioning the reasoning for the existence of the essay at all.

3) The Coltrane/Nirvana analogy is misleading in its choice of subjects, although I understand your point. I think.

4) Tangent: I've read some of Baban's reviews. He is a poor writer amidst an interesting staff with a sense of humor. Why was he hired on? I mean, doesn't the fact that someone is only 17 mean something? Maybe people should have a certain amount of life/music experience before they are hired on to write even vaguely "authoritative" opinions on a music website with a desire to expand and, I imagine, get paid for its reviews.

regular roundups (Dave M), Thursday, 29 December 2005 07:28 (twenty years ago)

Also, regarding the thread title, I admit the semi-inaccuracy of the "rap-disliking" portion, but the "douchebag" comes merely from my desire to make the word an ubiquitous ILX trope, a la the "Jazz Douchebag" threads.

regular roundups (Dave M), Thursday, 29 December 2005 07:30 (twenty years ago)

ILM (I keep to it) has been way overdouched as it is. I only see one fundamental problem with this 17 year old music writer/reviewer : he doesn't drink (nor does he smoke).

duccio blunt (blunt), Thursday, 29 December 2005 12:13 (twenty years ago)

So we're all saying we all drummed for Gay Dad, then.

Ned Raggett (Ned), Thursday, 29 December 2005 14:15 (twenty years ago)

Ned OTM as usual.

I don't think anyone is calling him out as a racist. It's more entertaining that he assigns some importance to checking out rap, but hasn't. It really reminds me about how I talked about joining the fitness program at work or getting off my ass occasionally, but here I am at the end of the year with a beer gut. In other words, I was paying lip service to it because of some internal guilt -- which is exactly what the article sounds like! The only difference is that it's fine to not listen to any particular type of music and it's really easy to start if you want to. A lot easier to remedy than manboobs, I tell you what.

mike h. (mike h.), Thursday, 29 December 2005 14:40 (twenty years ago)

Why yes, curtis. Yes you are. King Jess and Prince Ethan hath spake on high. RELENT!

-- Trayce (spamspanke...), December 28th, 2005.

ur an asshat SLICE

sprite, Thursday, 29 December 2005 15:05 (twenty years ago)

ok, what is "indie guilt"?

aaron newell, Thursday, 29 December 2005 16:36 (twenty years ago)

"Indie guilt" is the prevalence of excuses in the indie music scene that seems to appear whenever other music is mentioned. I can't think of any other music-listening group that is so introspective about what they're not listening to. It's the guilt that causes writers to draw weird comparisons between pop hooks and supposedly transcendent qualities of music to explain why they like some Britney single. It's the occasional fear that indie is some sort of "alternative" or a farm league for the big labels -- and there's something wrong with it. And, fleetingly, it's somehow tied into the "scene cred" crap that I hear thrown around, although I have no clue how since I likely have none.

Someone else can likely define this better, and I hope they try.

mike h. (mike h.), Thursday, 29 December 2005 16:50 (twenty years ago)

Indie Guilt: C/D

jaymc (jaymc), Thursday, 29 December 2005 16:55 (twenty years ago)

I can't think of any other music-listening group that is so introspective about what they're not listening to.

haha try reading ilm

Mr Straight Toxic (ghostface), Thursday, 29 December 2005 17:15 (twenty years ago)

bunch of music critic-wannabes we are, though

mike h. (mike h.), Thursday, 29 December 2005 17:16 (twenty years ago)

you all need new hobbies.

u saved me (dubplatestyle), Thursday, 29 December 2005 17:17 (twenty years ago)

But I live for stamp collecting. YOU CAN'T TAKE THAT AWAY FROM ME.

Ned Raggett (Ned), Thursday, 29 December 2005 17:19 (twenty years ago)

when did ILM get taken over by MORONS?

u saved me (dubplatestyle), Thursday, 29 December 2005 17:19 (twenty years ago)

http://www.staticmultimedia.org/

GET EQUIPPED WITH BUBBLE LEAD (ex machina), Thursday, 29 December 2005 17:20 (twenty years ago)

there are still 2 days until everyone makes good on their resolution to QUIT ILX FOREVER.

jed_ (jed), Thursday, 29 December 2005 17:21 (twenty years ago)

when did ILM get taken over by MORONS?

-- u saved me (wt...), Today. (tracklink) (later)

*Yawn!*

regular roundups (Dave M), Thursday, 29 December 2005 17:23 (twenty years ago)

*Yawn!*

-- regular roundups (daphima@g(amma)mail.com), December 29th, 2005 12:23 PM. (Dave M)

pffft

(c - . -) zZzzZZzzzzZz

DR. O. RLY? (eman), Thursday, 29 December 2005 17:30 (twenty years ago)

?

Yawn (Wintermute), Thursday, 29 December 2005 17:31 (twenty years ago)

you all need new hobbies.
-- u saved me (wt...), December 29th, 2005. (later)

says the guy who seems to have actually read, and for all I know participated in,

when did ILM get taken over by MORONS?
-- u saved me (wt...), December 29th, 2005. (tracklink) (later)

Mr Straight Toxic (ghostface), Thursday, 29 December 2005 17:35 (twenty years ago)

^____^ - xpost

DR. O. RLY? (eman), Thursday, 29 December 2005 17:36 (twenty years ago)

let's not fight, john. it's the holidays.

u saved me (dubplatestyle), Thursday, 29 December 2005 17:36 (twenty years ago)

haha jess I was just pokin you in the ribs man

Mr Straight Toxic (ghostface), Thursday, 29 December 2005 17:37 (twenty years ago)


/:=0-=
/

xxpost

Yawn (Wintermute), Thursday, 29 December 2005 17:39 (twenty years ago)

i do think the title of the next mountain goats album should be a rap-disliking douchebag, however.

u saved me (dubplatestyle), Thursday, 29 December 2005 17:39 (twenty years ago)

";-)"

u saved me (dubplatestyle), Thursday, 29 December 2005 17:39 (twenty years ago)

is that the title of the first song?

s1ocki (slutsky), Thursday, 29 December 2005 17:41 (twenty years ago)

also known by fans as "the smiley suite"

s1ocki (slutsky), Thursday, 29 December 2005 17:41 (twenty years ago)

it's john's kiss-off to his fanbase.

u saved me (dubplatestyle), Thursday, 29 December 2005 17:41 (twenty years ago)

Uh...

Thanks Jess or whoever for killing this thread. Sorry we're not all as bored with ILM as you are. I know rule #1 is not to take things here too seriously, but I have a hard time seeing the difference between trolls and the "old" ILM-ers who shit on threads like this because they themselves have already heard/been through this argument and think everyone should be where they are with the whole thing. It's like a senile grandfather who's a total prick to his grandkids and makes them listen to his asinine ramblings because even after all his experience he's still somehow deeply unhappy with himself. The fact that those of you I'm talking to will like that description just makes it worse.

regular roundups (Dave M), Thursday, 29 December 2005 17:43 (twenty years ago)

hahaha!

s1ocki (slutsky), Thursday, 29 December 2005 17:44 (twenty years ago)

no one is shutting down yr ability to make obvious observations, duder.

u saved me (dubplatestyle), Thursday, 29 December 2005 17:44 (twenty years ago)

my delete finger weighs a ton.

u saved me (dubplatestyle), Thursday, 29 December 2005 17:45 (twenty years ago)

Oh yeah, I forgot! The South Korrean hip hop group Drunken Tiger is sorta decent.

Cliftonb, Thursday, 29 December 2005 17:48 (twenty years ago)

c/mon you started this thread to zing pn some dipshit teenager

"seriously"

mr nu ilm (lovebug starski), Thursday, 29 December 2005 17:48 (twenty years ago)

A Rap-Disliking Douchebag

1. Alpha Tired Of Guys Who Say Bitch At Least Once Per Song
2. Going Someplace Quiet
3. Quis Custodiet Custodies Ipsos
4. I Probably Misremembered That Latin, My Bad Yo
5. Hast Thou Considered The Merch Table
6. Still Tippin'
7. Long Spoken Word Polemic About The Sorry State Of The Discourse Around Rap
8. Skit: Sound of Toilet Flushing
9. Long Spoken Word Bet-Hedging Polemic About How the Rock Discourse Is Little Better
10-13. Beehoven, Symphony No. 5

Mr Straight Toxic (ghostface), Thursday, 29 December 2005 17:50 (twenty years ago)

also available on cassette

Mr Straight Toxic (ghostface), Thursday, 29 December 2005 17:51 (twenty years ago)

< 3 < 3 < 3 < 3 < 3 < 3 < 3 < 3 < 3 < 3 < 3

u saved me (dubplatestyle), Thursday, 29 December 2005 17:51 (twenty years ago)

Yeah, okay.

regular roundups (Dave M), Thursday, 29 December 2005 17:57 (twenty years ago)


Is he really seventeen? Well, a big part of music writing is trying to work out why you like what you like, so give him credit for getting the 'indie guilt' thing out of his system at an age when you should be getting it out of your system (as opposed to mid-to-late twenties, when you really ought to have a better sense of self). He probably just didn't grow up listening to r+b / hip-hop, so at his age, it's harder to just suddenly pick it up. Unlike some others he makes no claims to objectivity, he's just trying to work out where he's coming from. Big whoop.

patrick bateman (mickeygraft), Thursday, 29 December 2005 18:15 (twenty years ago)

But why does he have to do it in public?

regular roundups (Dave M), Thursday, 29 December 2005 21:19 (twenty years ago)

xxpost Geir, I'm really intrigued by your classification of Coldplay/Keane as outside of the genre "trifecta." Initially, I would not have considered either of them to be as such. I would probably have considered them both to be examples of "pop," exceptions to a couple of the qualifications I laid out earlier. But I think you might be right. Hmm...

Depends on your definition of pop. If you share my genre definition (which is based on certain musical elements rather than popularity), then Coldplay and Keane are way more pop than Britney Spears is. :)

(At least Keane I would classify as pure classic melodic pop, whereas Coldplay do have some rock/indie elements in addition)

Geir Hongro (GeirHong), Thursday, 29 December 2005 23:55 (twenty years ago)

I suddenly have a vision of the subject of this thread coming here and meeting Geir.

Ned Raggett (Ned), Thursday, 29 December 2005 23:56 (twenty years ago)

"Dad!"

gypsy mothra (gypsy mothra), Friday, 30 December 2005 00:00 (twenty years ago)

Ha ha ha, I like it.

regular roundups (Dave M), Friday, 30 December 2005 00:48 (twenty years ago)

"Gayer Dad" ?

blunt (blunt), Friday, 30 December 2005 01:03 (twenty years ago)

Tom, take a good look at the links at right of your article. More than half are Pitchfork staffers and superfans like Stylus and Chris Nelson. Who let you all into the Village Voice? I find myself asking, "Could this once-relevant bastion of literate music criticism matter less in 2005/6?" It's a shocking and disheartening thing, seeing scenester flakes play with its reputation, writing about the reaction to Pitchforkmedia.com's ridiculous "Top 50."

It may pain you to consider it, but the fact is many literate people consider bullsh*t like Clipse to be embarrassing and false. And while they may not be expressing this in terms florid enough for your approval, the dope, guns and f***ing in the streets arm of hip-hop reeks of the worst unsubstantiated bravado and meaningless "rebel" cool, things only a thirteen year-old could find intimidating or impressive.

[And Tom, what are even saying in that penultimate paragraph? "If you don't have anything overeducated to say, don't say anything at all?" You don't have to take "simple" criticism seriously? Wake up from the liberal-arts dream, dude. This is New York City. And your list sucks.]

That you and your gaggle of well-fed pals are so incapable of calling a duck a duck is only evidence of a sad, totally unexamined (and frankly racist) effort to prop up laughable hip-hop loudmouths as poets, to transitively transcend your sheltered insecurity by basking in their (completely phony) overconfidence and "hard" image. Cocaine! Holy s***!

You can't king-make a jester like Jeezy. Yours and so many of your peers' fantasies of and condescension toward nonsense like "trap-hop" absolutely jumps from the page. And apparently you don't even know it, can't see it, and will continue to make fools of yourselves, a la Nick Sylvester's increasingly-used and outrageously racist Amos n' Andy voice (see Pitchfork singles list entry #16).

Posted by: Chris Ott at December 29, 2005 10:36 AM

jaymc (jaymc), Friday, 30 December 2005 21:19 (twenty years ago)

ott is an imbecile obv, but that blog post is pretty embarassing

cancer prone fat guy (dubplatestyle), Friday, 30 December 2005 21:23 (twenty years ago)

these are the treacherous waters we now navigate in the brave new world of paid blogs, i guess

cancer prone fat guy (dubplatestyle), Friday, 30 December 2005 21:24 (twenty years ago)

There's nothing embarrassing about the content of Tom's post, but as you say, it maybe wasn't the best place for him to host his rant.

jaymc (jaymc), Friday, 30 December 2005 21:30 (twenty years ago)

that blog post, the comments, and Ott's response = the blind shooting the blind.

Shakey Mo Collier (Shakey Mo Collier), Friday, 30 December 2005 21:30 (twenty years ago)

oh there's plenty embarassing about the content of that post. the biggest thing being is that tom is smart enough to find both a location and a way to express his (muddled) thoughts more appropriate than the ones he chose.

cancer prone fat guy (dubplatestyle), Friday, 30 December 2005 21:33 (twenty years ago)

its just lame that neither side seems able to engage the music on their own, individual merits - they both drag in all this non-essential baggage re: genres, racism, "indie guilt", posturing, etc. That shit does not matter. Appreciating hip-hop or indie (or more specifically popular rap vs. "undie"/backpacker stuff) is not an either/or proposition.

Shakey Mo Collier (Shakey Mo Collier), Friday, 30 December 2005 21:50 (twenty years ago)

I learned that too late, tell you that much.

disco violence (disco violence), Friday, 30 December 2005 22:19 (twenty years ago)

OTM Shakey.

xpost

regular roundups (Dave M), Friday, 30 December 2005 22:20 (twenty years ago)

"you mean you like Goodfellas AND Brazil? WTF man"

disco violence (disco violence), Friday, 30 December 2005 22:22 (twenty years ago)

Hah, this is incredibly funny! I know this guy, and I'm the one that started talking to him about the intricacies of rap, which he's never been into. I thought that perhaps by recommending some good records I'd open his mind, but he just used the 'affable' lines to write an article. Oh well.

B, Sunday, 8 January 2006 18:56 (twenty years ago)


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