Same principle as Mordy's Metal Listening Club Volume #2: April 19 thru 25, 2010 - Fates Warning, Cradle of Filth and HIM... All ILXors and Lurkers welcome!
It's like a book club except for funk albums obviously.Each wednesday 3 albums will be posted (no illegal d/l links, you will have to find albums yourself if you want to do it that way *cough*
You may be able to find albums on Spotify,lala.com,grooveshark etc or you can buy from itunes or those 2nd hand record shops or bargain bins or from your own collection,slsk, whatever suits you.
Everyone is free to post their thoughts on those albums in whatever way you want to, liveblogging is fine if you wish. Just discuss away!Even when that week ends it doesn't mean discussion has to stop on those albums. ilx0rs can join in anytime.
Everyone can have a turn choosing their albums if they so wish, if noone wants a shot, shakey mo & I can do it.
Week one - Wednesday 21/4.Album #1Funkadelic - Standing On The Verge Of Getting It Onhttp://soulfunkjazz.files.wordpress.com/2009/03/front3.jpgSpotify link
Album #2Ohio Players - Pleasurehttp://images.uulyrics.com/cover/t/the-ohio-players/album-pleasure.jpgSpotify link
Album #3Mandrill - Ishttp://g-ecx.images-amazon.com/images/G/01/ciu/04/bc/28ea228348a09cc06b948110.L.jpgNo spotify link unfortunately, but please do try finding it somewhere!
Went for a Funkadelic classic that's not quite the obvious choice. Chose a Westbound era Ohio Players album just to please shakey..And Mandrill are awesome.
So listen away and post your thoughts!
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 21:43 (fifteen years ago)
Shakey is doing next weeks choices, any volunteers for after that?
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 21:48 (fifteen years ago)
pleasure is one of the greatest albums ever. it's kinda perfect. so is IS actually.
― scott seward, Wednesday, 21 April 2010 21:49 (fifteen years ago)
https://www.youtube.com/watch?v=kr55GRDYpkg
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 21:51 (fifteen years ago)
i haven't played standing on the verge in years. um, it's great too. i should play it. if i can find it at home.
― scott seward, Wednesday, 21 April 2010 21:51 (fifteen years ago)
(the whole Mandrill album is on youtube)
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 21:52 (fifteen years ago)
yay the skot seal of approval!(ps skot when are you choosing your albums for the metal club?)
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 21:53 (fifteen years ago)
Awesome, great work, will listen and compare to footballers.
― Ismael Klata, Wednesday, 21 April 2010 21:58 (fifteen years ago)
i... i CAN'T free my ass... I CAN'T FREE MY ASS...
― I Smell Xasthur Williams (Jon Lewis), Wednesday, 21 April 2010 21:58 (fifteen years ago)
don't think I've ever heard that particular Mandrill album before in its entirety, will obtain shortly...
― the first circus ringleader in space (Shakey Mo Collier), Wednesday, 21 April 2010 22:00 (fifteen years ago)
It's not hard to find .
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 22:02 (fifteen years ago)
i was just playing pleasure last week and it is like some sort of ideal for me as far as music goes. or music in album form anyway. album as art form. it is right up there with any of my fave p-funk records. it is definitely an album that lives up to its title.
― scott seward, Wednesday, 21 April 2010 22:07 (fifteen years ago)
thread bookmarked. :)
― tart w/ a heart (a hoy hoy), Wednesday, 21 April 2010 22:09 (fifteen years ago)
Turangalila says he will do a classical listening club.
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 22:28 (fifteen years ago)
jon lewis free your ass!
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 22:35 (fifteen years ago)
imho "Pleasure" is probably the best Ohio Players album. It synthesizes a lot of the then-current funk hallmarks really well: the tight, punchy horn section that you just know is composed of guys who would rather be ripping their way through complex jazz standards but instead are gettin down and dirty for the paycheck/girls/good drugs (the arrangements here are particularly reminiscent of their contemporaries Kool & the Gang); forward-thinking (for the time) adoption of new technologies (i.e., synthesizers) to of often sleazy or comical ends; Sly & The Family Stone-ish vocal tics; an amazing rhythm section. I don't think they ever topped "Funky Worm", which is definitive funk cartoon silliness wedded to some very creative synths and a super-heavy beat (the single and album versions differ significantly fwiw, not sure which I prefer, really).
Also, this album is just DIRTY. A lot of funk made sly allusions to sexuality and its rhythms were deliberately constructed to facilitate bumpin and grindin but you have to hand it to the Players' for being just a little more ballsy and up-front about it than others. the covers of these albums tell you exactly what yr getting, and the music never really takes any detours into more "serious" territory. entire discography is more or less exclusively about fucking.
― the first circus ringleader in space (Shakey Mo Collier), Wednesday, 21 April 2010 22:38 (fifteen years ago)
the filthy bastards
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 23:08 (fifteen years ago)
Walter "Junie" Morrison is on the Westbound albums before he jumped ship to join Parliament/Funkadelic.
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 23:09 (fifteen years ago)
the ohio players album on Spotify has loads of bonus tracks btw
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 23:57 (fifteen years ago)
step one, not going to make it through tonight.
sold right off the bat on funkadelic album thx to red hot momma. sooooooo tight, wish they still recorded albums this way, dense and spacious at the same time, guitar is fucking burning it up.
feeling stupid for never digging further than the core p/funk albums (maggot brain etc.) its late, so im going to get a little loose in my reactions here, but there is legit heavyness here, and there was a point in alice in my fantasies where i KNEW that the bad brains had spent some time with this song. complete w/a little taste of proto-H.R. insano vocal psycho.
yeah this shit is incredible. dumb me for not already owning it.
― HOT DISH THYME MACHINE (jjjusten), Thursday, 22 April 2010 06:49 (fifteen years ago)
not really coming up with the words to describe how thick and soupy this album is, even wrt old tech recording. can def see the crossover potential between doom and some of this kerm!
ok prob just going to sit back and listen, because my only real live blogging at this point would be OH YES YES YES.
― HOT DISH THYME MACHINE (jjjusten), Thursday, 22 April 2010 06:55 (fifteen years ago)
This sounds like a cool idea, I'll definitely join in!
If we can have a special jazz-funk theme week, I'll volunteer to do that.
― Tuomas, Thursday, 22 April 2010 06:56 (fifteen years ago)
density less prevalent on trk 6 (jimmy etc) but this song is all zappa-ey (and yeah i get that this is the origin, and his is the interpretation). guitar on 7 is just fucking perfect. buying this as we speak, thx dudes, will be listening to this in constant loop for a while!
― HOT DISH THYME MACHINE (jjjusten), Thursday, 22 April 2010 07:03 (fifteen years ago)
eMusic has the Funkadelic and Ohio Players albums...maybe I'll get them when my new downloads roll over this weekend.
― some dude, Thursday, 22 April 2010 07:19 (fifteen years ago)
I've got a few albums I'm desperate to acquire, I'll do the noms one week and we can get it down together
― Ismael Klata, Thursday, 22 April 2010 07:29 (fifteen years ago)
i'd like to join. can someone send me a spotify invite? email : 09001✧✧✧@studentm✧✧✧.u✧.i✧
― Michael B, Thursday, 22 April 2010 12:19 (fifteen years ago)
― pfunkboy (Herman G. Neuname), Wednesday, 21 April 2010 22:48 (Yesterday) Bookmark Suggest Ban Permalink
i can if you want.
Standing On The Verge Of Getting It On - Went through this on Best 70s FUNK Album aka ilx helps Sam discover funk but I think this may be my fav Funkadelic. In terms of P-Funk alone, this is a Freddie Ljungberg (gives me a goofy fucking smile when its/hes ON even if you know there isn't any real substance most of the time, I am still :DDDDDDDDDDDDDDDDDDD)
― tart w/ a heart (a hoy hoy), Thursday, 22 April 2010 12:26 (fifteen years ago)
Standing On The Verge Of Getting It On is the Eddie Hazel pfunk album, he co-wrote or wrote all of it. It's many fans fave funkadelic album. It should not be ignored.Tuomas sure you can do jazz funk, just make sure the funk outweighs the jazz as I believe there may be a jazz club in the future. (perhaps you want to start that instead of me?)
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 12:44 (fifteen years ago)
Great idea, I'm in. Just queued up the two Spotifiable albums...
― seandalai, Thursday, 22 April 2010 13:44 (fifteen years ago)
the mandrill is on youtube https://www.youtube.com/watch?v=kr55GRDYpkghttps://www.youtube.com/watch?v=sSXutf3Pm_Q&feature=relatedhttps://www.youtube.com/watch?v=h9FI_ZoGFAQ
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 13:50 (fifteen years ago)
https://www.youtube.com/watch?v=axU7I01UDNA&feature=relatedhttps://www.youtube.com/watch?v=l2f3TesOQmIhttps://www.youtube.com/watch?v=tugbouTNc7g&feature=related
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 13:51 (fifteen years ago)
^ one of those is unavaiable in the UK so its posted twice
https://www.youtube.com/watch?v=HcJPjCm-GZI&feature=PlayList&p=BDC3639A36845F62&playnext_from=PL&playnext=1&index=2
https://www.youtube.com/watch?v=p4PU1cg1DV0
https://www.youtube.com/watch?v=ike-PYmESKs
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 13:53 (fifteen years ago)
I think thats almost all of it
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 13:54 (fifteen years ago)
Sam's Funk's Great Samples Week 1-
Standing On The Verge Of Getting It On
https://www.youtube.com/watch?v=3Fg2NRCB9Schttps://www.youtube.com/watch?v=cztHw1QD6_E (actually full of great funk samples)
― tart w/ a heart (a hoy hoy), Thursday, 22 April 2010 14:01 (fifteen years ago)
sam just tell us what you think of the albums
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 14:35 (fifteen years ago)
i <3 the album. listening to one record a day so will check the other 2 out fri&sat.
― tart w/ a heart (a hoy hoy), Thursday, 22 April 2010 14:55 (fifteen years ago)
Tuomas sure you can do jazz funk, just make sure the funk outweighs the jazz as I believe there may be a jazz club in the future. (perhaps you want to start that instead of me?)
Yeah, I have a few jazz-funk albums in mind that lean heavy on the funk side, and it looks like they're all available on Spotify. So I can do the week after Shakey, if no one else wants it?
As for the jazz club, I think it's better if someone else starts it, at the moment I don't have enough time to be responsible for a long-running thing like that.
― Tuomas, Thursday, 22 April 2010 14:56 (fifteen years ago)
oh ok these are going to be the kinds of threads that murder my browser with a billion youtubes? nevermind.
― some dude, Thursday, 22 April 2010 15:04 (fifteen years ago)
like 'Witch Doctor' or 'They're Coming to Take Me Away, Ha-Haaa!', Ohio Players 'Funky Worm' is one of those songs that busted my little brain wide open as a kid. one of my friend's sisters had the 45 and we listened to it over and over and over and...
― solid yet bouncy (herb albert), Thursday, 22 April 2010 15:09 (fifteen years ago)
some dude, no they wont be, it's just that the Mandrill album wasn't available elsewhere and I was worried no one would check it out.
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 15:14 (fifteen years ago)
Someone's started a jazz club, hurrahILX0RS - JAZZ IS THE TEACHER . YEAH IT'S A JAZZ THING >> THE ILM JAZZ LISTENING CLUB!
28/4 - Shakey Mo5/5 - Tuomas
Anyone else want to book a week?
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 15:17 (fifteen years ago)
Is "Standing on the Verge of Getting It on" really a 'funk album'?
― Is that your Ayrshire bacon? (Tom D.), Thursday, 22 April 2010 15:22 (fifteen years ago)
of course
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 15:27 (fifteen years ago)
there's many facets of funk . it rocks, it kicks ass, it makes your ass move, you dance, you get down and dirty, you feel it.
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 15:28 (fifteen years ago)
Hmmmmm, I've obviously got a narrower definition of funk than you. I wouldn't call it a funk album per se.
― Is that your Ayrshire bacon? (Tom D.), Thursday, 22 April 2010 15:30 (fifteen years ago)
I think a pretty good definition of funk is THAT IT IS BY FUNKADELIC. Also, it contains funk music.
― T Bone Streep (Cave17Matt), Thursday, 22 April 2010 15:36 (fifteen years ago)
Some funk music. Funkadelic did a lot of stuff that wasn't funk.
― Is that your Ayrshire bacon? (Tom D.), Thursday, 22 April 2010 15:37 (fifteen years ago)
"Who Says a Funk Band Can't Play Rock?!"
― solid yet bouncy (herb albert), Thursday, 22 April 2010 15:37 (fifteen years ago)
oh its definitely a funk album. but this was always the "problem" with Funkadelic - they always went a little too far in a bunch of different directions (be it rock/heavy metal or fried doo-wop or whatever). The Mandrill album goes in a lot of different directions too, but Funkadelic always went FARTHER than other bands. That being said, the rhythms/beats in Red Hot Momma, the title track, Sexy Ways (omg this song, my favorite of the batch definitely) are funk standards.
rest assured I will be posting more stuff that blurs the line between acid rock and blues and funk
― the first circus ringleader in space (Shakey Mo Collier), Thursday, 22 April 2010 15:38 (fifteen years ago)
Can't beat "I'll Stay"!
― Is that your Ayrshire bacon? (Tom D.), Thursday, 22 April 2010 15:39 (fifteen years ago)
^^^yes!though listening to this earlier today for the first time in a while, i can't believe I forgot how great Hazel is on the last track.
― elephant rob, Thursday, 22 April 2010 15:45 (fifteen years ago)
Can't think of a track where he isn't great... on like, anything, ever
― Is that your Ayrshire bacon? (Tom D.), Thursday, 22 April 2010 15:46 (fifteen years ago)
take, for example, the Universal Rhythms track on Mandrill Is - I love it cuz I have a soft-spot for proto-hippie mystic goofiness but the track itself isn't FUNKY per se. However, tons of funk bands (including Funkadelic, who, again, took this kind of track to extremes with stuff like Eulogy and Light or the intro to Clones of Dr. Funkenstein) had these kind of interludes on their albums, enough that you could say it's something of a hallmark of the genre. So having a track that isn't funky in and of itself doesn't really disqualify an album from being a "funk" album, because funk as a genre was actually really ridiculously wide-ranging, especially when you look at it from the album level like we are here.
I mentioned this on the thread that inspired this one, but this is part of the problem with taking an album approach to funk. Invariably we're gonna be hearing a lot of stuff that isn't particularly funky - albums by funk bands were often filled with all kinds of digressions - into jazz solos, or syrupy ballads, or spoken word bits, or straight-up rock tracks, or silly covers of standards. You're gonna see this a lot on this thread, I imagine. If you wanna cut straight to nothing but dancefloor filling FUNK tracks then we would need to take more of a singles/45s approach to the genre, cuz that's where that kind of stuff was heavily concentrated. When it came time to release albums, funk bands tended to let things sprawl (there are exceptions to this, but they're pretty rare - Mothership Connection, for example, was highly distinctive at the time for being the first r&b album to contain NO ballads, which was unheard of at the time).
― the first circus ringleader in space (Shakey Mo Collier), Thursday, 22 April 2010 15:46 (fifteen years ago)
Ron Bykowski's also on Standing iirc...?
― the first circus ringleader in space (Shakey Mo Collier), Thursday, 22 April 2010 15:47 (fifteen years ago)
Token White Devil?
― Is that your Ayrshire bacon? (Tom D.), Thursday, 22 April 2010 15:49 (fifteen years ago)
I'll take a week, but it'll have to be at the end of May. Say 26/5?
― Ismael Klata, Thursday, 22 April 2010 16:07 (fifteen years ago)
me too
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 16:18 (fifteen years ago)
much to my surprise I'm enjoying the ballads on Pleasure more than the other tracks. I really like the falsetto singing.
― elephant rob, Thursday, 22 April 2010 16:31 (fifteen years ago)
Ohio Players "Pleasure" is great, also agree with the ballads comment xpost - like "Pride & Vanity" a lot.
― De que estas hablando? (Tannenbaum Schmidt), Thursday, 22 April 2010 16:33 (fifteen years ago)
remember the version of Pleasure on Spotify is a 2cd set with bonus tracks the original lp only had 9 tracks I think.
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 16:34 (fifteen years ago)
yuphttp://www.discogs.com/Ohio-Players-Pleasure/release/2233227
"Walt's First Trip" is a fuckin' jam
ohio players play on play on!
― De que estas hablando? (Tannenbaum Schmidt), Thursday, 22 April 2010 16:35 (fifteen years ago)
I generally hate ballads yet I like Ohio Players ballads. The post-Westbound/Junie era has a lot of harder rocking songs btw. There was no end to their talents.
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 16:36 (fifteen years ago)
The Ohio Players Best 1970's Album (Album Covers pics contained maybe NSFW)
the original lp only had 9 tracks
ah, that makes sense, ending w/Our Love Has Died. Allmusic led me astray.
― elephant rob, Thursday, 22 April 2010 16:38 (fifteen years ago)
Im guessing the other tracks are outtakes. I only have the old cds so I cant check.
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 16:39 (fifteen years ago)
for what it's worth, a list of samples used from these albums:
Mandrill "Children of the Sun": Shawty Lo "Dey Know"Mandrill "Universal Rhythms": Beck "Hot Wax"Ohio Players "Funky Worm": NWA "Dopeman", "Gangsta Gangsta", De La Soul "Me, Myself and I", Kriss Kross "Jump", Ice Cube "Wicked", AMG "Vertical Joyride", MC Breed "No Future in Ya Frontin", Dr. Dre "Chronic Intro", Snoop "Serial Killer", DJ Jazzy Jeff & Fresh Prince "Boom Shake the Room", Masta Ace "Born to Roll", Too $hort "Sample the Funk", Above the Law "Black Superman", X-Clan "Xodus", Beastie Boys "Funky Boss", Masta Ace "Born to Roll", Redman "Cosmic Sloop"Funkadelic "I'll Stay": De La Soul "Millie Pulled a Pistol on Santa", Crucial Conflict "Hay"Funkadelic "Standing on the Verge of Getting It On": Ice Cube "Endangered Species"
― the first circus ringleader in space (Shakey Mo Collier), Thursday, 22 April 2010 17:34 (fifteen years ago)
Ohio Players "Funky Worm": NWA "Dopeman", "Gangsta Gangsta", De La Soul "Me, Myself and I", Kriss Kross "Jump", Ice Cube "Wicked", AMG "Vertical Joyride", MC Breed "No
classic sample
The Funkadelic album reminds me of this: http://www.discogs.com/Tranquility-Bass-Let-The-Freak-Flag-Fly/release/30239
― De que estas hablando? (Tannenbaum Schmidt), Thursday, 22 April 2010 17:45 (fifteen years ago)
good excuse to to revisit that funkadelic; "jimmy's got a little bit of bitch in him" is the jam
― forksclovetofu, Thursday, 22 April 2010 17:53 (fifteen years ago)
^^^^love pretty much every line in that song too
― elephant rob, Thursday, 22 April 2010 18:00 (fifteen years ago)
Listening to Standing on the Verge of Getting It On, I agree with whoever said that this sounds kinda more "rock" than "funk", but it's really nice anyway (and I say this is a person who hates 99% of rock, so it's a big compliment). Could've done with some horns and more synths though - the guitar dominates it a bit too much for my taste. On the positive side, the vocals sound more versatile and deep than on some other Funkadelic stuff I've heard.
Can someone explain wtf the intro of "Red Hot Momma" is about?
― Tuomas, Thursday, 22 April 2010 18:04 (fifteen years ago)
read the liner notes
― the first circus ringleader in space (Shakey Mo Collier), Thursday, 22 April 2010 18:05 (fifteen years ago)
(honestly I'm surprised there are not high-quality scans of the various Funkadelic LP sleeves on the internets anywhere, because they are awesome and really frame what the albums are about)
― the first circus ringleader in space (Shakey Mo Collier), Thursday, 22 April 2010 18:06 (fifteen years ago)
It's definitely the most funkrock Funkadelic album, but there's more to it than just rock.
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 18:08 (fifteen years ago)
Whoa, I'm just listening "Jimmy's Got a Little Bit of Bitch in Him", it's pretty deep! Didn't expect to hear sentiments like these in a song made in 1974! Awesome!
― Tuomas, Thursday, 22 April 2010 18:09 (fifteen years ago)
in short - intro is about humanity being the greedy, egotistical, ungrateful spawn of mother nature
xp
― the first circus ringleader in space (Shakey Mo Collier), Thursday, 22 April 2010 18:10 (fifteen years ago)
even the sun goes down = lolz
― the first circus ringleader in space (Shakey Mo Collier), Thursday, 22 April 2010 18:11 (fifteen years ago)
I never understood why parliament/funkadelic got dismissed as a novelty band by some. They have always tackled awkward subjects in their lyrics as well as the funny stuff. Pfunk could do it all.
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 18:11 (fifteen years ago)
they dressed silly.
― scott seward, Thursday, 22 April 2010 18:16 (fifteen years ago)
I never understood why parliament/funkadelic got dismissed as a novelty band by some.
I agree with you, but have you ever seen the movie PCU? see also 90s college-age hippies in general
― elephant rob, Thursday, 22 April 2010 18:18 (fifteen years ago)
Nope, i havent.
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 18:30 (fifteen years ago)
P-Funk is Super Stupid. it's a pearls before swine thang
― solid yet bouncy (herb albert), Thursday, 22 April 2010 18:32 (fifteen years ago)
Someone (not me) made a playlist of all the tracks of the original Pleasure album (no bonus tracks) on Youtube:
http://www.youtube.com/view_play_list?p=ACE351A24AC085D5
― Beer me a Lagavulin (KMS), Thursday, 22 April 2010 18:39 (fifteen years ago)
nice.
― forksclovetofu, Thursday, 22 April 2010 18:56 (fifteen years ago)
Unfortunately, the sound on Youtube is little too tinny for my tastes. Obviously, this album would sound tons better with may more bass to it.
― Beer me a Lagavulin (KMS), Thursday, 22 April 2010 19:14 (fifteen years ago)
yup
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 21:53 (fifteen years ago)
I really hope everyone will make the effort to listen to the Mandrill. If you check the cough in the 1st post you might get a nice surprise..
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 21:55 (fifteen years ago)
you might find your way to somewhere that has goodies on the menu on the right hand side
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 21:56 (fifteen years ago)
It's quite easy. If you know what you're doing.
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 22:02 (fifteen years ago)
listened to the Mandrill this morning. Pretty good, altho I can't say anything leapt out at me (well, apart from the nuttiness of Universal Rhythms). The songs are almost proggy in terms of how restless the arrangements are - they rarely settle into a groove for long, and they eagerly hop around from fuzz-rock to latin percussion breakdown to horn-centered jazz riffing to slippery soul. Even so, the playing is pretty insane, especially the bass and gutiar work, and you can hear them getting fairly loose here and there which is nice.
― the first circus ringleader in space (Shakey Mo Collier), Thursday, 22 April 2010 22:03 (fifteen years ago)
but I dunno, hooks are not their strong suit. or something.
you cant say that about Ape Is High
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 22:15 (fifteen years ago)
I hope the mandrill youtubes didn't scare some dude off
― pfunkboy (Herman G. Neuname), Thursday, 22 April 2010 22:17 (fifteen years ago)
"Golden Baboon" of the Mandrill album sounds like theme music to a Kung-Fu actioner.
Found the Mandrill to be Wuite jazz-fusion in places, and a couple tracks heavy with rock/psych-rock guitar, and in between some spirituality vibes and flutes ish.
'salrigt but def glad to have come across The Ohio Players.
Gonna listen to Funkadelic again tomorrow.
― De que estas hablando? (Tannenbaum Schmidt), Thursday, 22 April 2010 23:33 (fifteen years ago)
By "wuite" I mean "quite"
(Honkey on the Baboon) Tannenbaum Schmidt | 00:36 23 April 2010
― De que estas hablando? (Tannenbaum Schmidt), Thursday, 22 April 2010 23:36 (fifteen years ago)
Ape is High is probably the best track on there (no wonder they lead off with it), just saying that catchiness/hooks was not what this band was about.
― the first circus ringleader in space (Shakey Mo Collier), Thursday, 22 April 2010 23:41 (fifteen years ago)
The Funkadelic album flies all over the shop, it's awesome! More varied than the other Funkadelic albums I've heard "Jimmy's..." sounds exactly like Zappa, "Sexy Ways" is somewhere between Stax and Al Green on lots of acid, Alice in my Fantasies is all garage punk funk. Only a couple of tracks have the typical "like early RHCP, but funky and good" sound I associate with Funkadelic - "Standing...", "Red Hot Momma"...
It confirms this feeling I've had for a while that Funkadelic was more *interesting* than Parliament, which is not entirely the same thing as "better".
― seandalai, Friday, 23 April 2010 00:31 (fifteen years ago)
I wouldn't mind participating - hopefully I can think of something halfway interesting to say. Listening to Mandrill right now (and watching hockey with the sound off)...
― extremely low expectations (which, yes, were "met"). (Myonga Vön Bontee), Friday, 23 April 2010 01:10 (fifteen years ago)
in short - "Red Hot Momma" intro is about humanity being the greedy, egotistical, ungrateful spawn of mother nature
Weird thing: that spoken bit was also used in "America Eats Its Young" 2 years earlier, slowed wa-a-a-y down
― extremely low expectations (which, yes, were "met"). (Myonga Vön Bontee), Friday, 23 April 2010 02:00 (fifteen years ago)
remember that red hot mama is an old Parliament song from the Osmium days before Clinton lost the rights to the name Parliament so had to form Funkadelic. Clinton re-used old tracks many times for Funkadelic & Parliament.
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 02:04 (fifteen years ago)
the parliament version is much rawer
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 02:05 (fifteen years ago)
Indeed. Actually I think Parliament may have recorded two versions themselves - one version with a noisy feedback intro, the other without.
― extremely low expectations (which, yes, were "met"). (Myonga Vön Bontee), Friday, 23 April 2010 04:48 (fifteen years ago)
There's probably other versions somewhere in the vaults.
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 12:08 (fifteen years ago)
I think many of you might be interested in Sam's Hi dere welcome to Planet Rock, this is the real hip-hop (listening club.)
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 14:42 (fifteen years ago)
Anyone else want to book a week? Otherwise Its back to myself and shakey.
Any kind of funk is ok. That includes the borderline jazz-funk/black acid rock,funk-disco etc. If its funky its in!
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 15:05 (fifteen years ago)
You can put me on the list
― tart w/ a heart (a hoy hoy), Friday, 23 April 2010 15:15 (fifteen years ago)
i'll do a week, altough my funk choices would be mainly 80's electro-slap-bass stuff
― De que estas hablando? (Tannenbaum Schmidt), Friday, 23 April 2010 15:17 (fifteen years ago)
I'll take a week.
― Ismael Klata, Friday, 23 April 2010 16:00 (fifteen years ago)
raises hand
― forksclovetofu, Friday, 23 April 2010 16:04 (fifteen years ago)
28/4 - Shakey Mo5/5 - Tuomas12/5 - a hoy hoy19/5 - Tannenbaum Schmidt26/5 - Ismael Klata2/6 - forksclovetu9/6 - pfunkboy
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 16:05 (fifteen years ago)
it's in my google calendar
― forksclovetofu, Friday, 23 April 2010 16:13 (fifteen years ago)
The Mandrills youtubes were pretty much the most perfect way I could have spent the past hour. I heartily recommend. (Alex Song.)
― tart w/ a heart (a hoy hoy), Friday, 23 April 2010 16:50 (fifteen years ago)
You could have heard it via the cough
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 16:51 (fifteen years ago)
or ILX0RS - FREE YOUR MIND AND YOUR ASS WILL FOLLOW.... TO THE ILM FUNK LISTENING CLUB! (This Weeks Albums are Funkadelic , Ohio Players and Mandrill.)
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 16:52 (fifteen years ago)
did you have any fave tracks on it sam?
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 16:57 (fifteen years ago)
i dunno, i wasn't really paying attention to individual tracks. will def. listen again later in the week and report back but for now i just want a pre-work nap. :D
― tart w/ a heart (a hoy hoy), Friday, 23 April 2010 16:58 (fifteen years ago)
you working the streets again?
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 17:01 (fifteen years ago)
I want in too! Can I can I?
― Moka, Friday, 23 April 2010 17:34 (fifteen years ago)
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 17:34 (fifteen years ago)
28/4 - Shakey Mo5/5 - Tuomas12/5 - a hoy hoy19/5 - Tannenbaum Schmidt26/5 - Ismael Klata2/6 - forksclovetu9/6 - pfunkboy16/6 - moka
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 17:35 (fifteen years ago)
I don't like to listen to stuff via Yotube, but I finally managed to find a 320kb version of the Mandrill album, will report back once I've listened to it.
― Tuomas, Friday, 23 April 2010 17:42 (fifteen years ago)
lol, sometimes ppl dont notice things under their nose
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 17:50 (fifteen years ago)
the *cough* led me to things that had file extensions that I don't have time to figure out what to do with (.bad, .flp). I need some good old-fashioned mp3s.
― Nom Nom Nom Chomsky (WmC), Friday, 23 April 2010 18:22 (fifteen years ago)
FAQQ: What is a BAD file?
A: I rename my files to BAD. Change the extension from .bad to .rar.
Q: How do I change the file extension?
A: Go to Tools, then Folder Options, then click the View tab, and lastly uncheck the "hide all file extensions" box.
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 18:26 (fifteen years ago)
Okay, I've listened to the Ohio Players maybe six times and Mandrill not quite once - initial impression is that these guys cover a hell of a lot of bases! The veering between genres takes a bit of getting used to - there's rock, funk, jazz, Crosby Stills & Nash or Chicago-style harmonies, even some straight G-Funk, in very short order. It's a bit like listening to a compilation.
They're both really good though. I like the straighter song structures best, probably just because that makes them more memorable to me, whereas the others seem to spiral off a bit too easily, maybe because they lacked the hooks to start with. All of Mandrill has been like that so far, except that it just hangs together a bit better somehow - it's really lovely.
The individual tracks haven't really jumped out at me either, except the closer on Pleasure, which is one of the most gorgeous things I've ever heard.
― Ismael Klata, Friday, 23 April 2010 18:29 (fifteen years ago)
the 9 track album closer? or the spotigy 16 track closer?
btw the 1st mandrill album is more experimental and, dare i even say it, prog funk, than is they did get more poppier as they went on, always a very underrated band though. getting a bunch of their albums from FOPP in about 1996/1997 is one of the best things i ever did. FOPP used to get licenses to reissue vinyl so brand new pressings of funk albums were really easy to find in Glasgow. Dont think they do it now sadly.
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 20:55 (fifteen years ago)
speaking of first albums, i still need a copy of observations in time, the first ohio players album. don't really want to pay ebay prices though.
― scott seward, Friday, 23 April 2010 21:06 (fifteen years ago)
though i haven't looked on ebay in a long time. maybe the prices aren't that bad.
― scott seward, Friday, 23 April 2010 21:07 (fifteen years ago)
Mandrill is my favorite of these three first albums. Love the latin vibe on some songs. Kind of cheesy... something I could imagine playing in some sort of tiki lounge... not necessarily a bad kind of cheesy.
― Moka, Friday, 23 April 2010 21:08 (fifteen years ago)
The nine-track closer xp, the slow one with the long horn phrase - beautiful. That's another thing, the arrangements are all over the place - other than the horns, which are fairly constant, it could quite easily be nine different bands.
― Ismael Klata, Friday, 23 April 2010 21:10 (fifteen years ago)
I just love how so many of the funk bands that were more than accomplished at doing other styles within the same albums. Going from jazz to heavy acid rock to soulful to dance-y all within a few songs. Mandrill is what Santana should have sounded like.
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 21:15 (fifteen years ago)
santana sounded fine!
― scott seward, Friday, 23 April 2010 21:17 (fifteen years ago)
i only care for his 1st 2 albums myself
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 21:18 (fifteen years ago)
if you don't think that santana could get crazy then you don't own enough santana albums. one thing santana didn't really have were good songwriters.
― scott seward, Friday, 23 April 2010 21:19 (fifteen years ago)
the 70's is where santana goes nuts!
http://upload.wikimedia.org/wikipedia/en/f/fc/SantanaLotusAlbum.jpg
http://upload.wikimedia.org/wikipedia/en/f/f9/Borboletta.jpg
http://upload.wikimedia.org/wikipedia/en/f/fe/MoonflowerAlbum.jpg
all worth hearing. (along with other albums, but i ain't got all day.)
― scott seward, Friday, 23 April 2010 21:23 (fifteen years ago)
one thing santana didn't really have were good songwriters.
^^^yeah this was the real problem.
could say the same about Mandrill haw
― the first circus ringleader in space (Shakey Mo Collier), Friday, 23 April 2010 21:24 (fifteen years ago)
I suppose writing 3 min pop songs wasn't either of their things
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 21:50 (fifteen years ago)
I wonder if geir wants to do a week
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 22:14 (fifteen years ago)
28/4 - Shakey Mo5/5 - Tuomas12/5 - a hoy hoy19/5 - Tannenbaum Schmidt26/5 - Ismael Klata2/6 - forksclovetu9/6 - pfunkboy16/6 - moka23/6 - the rev
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 22:37 (fifteen years ago)
Anyone can have a week. All welcome.
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 23:03 (fifteen years ago)
28/4 - Shakey Mo5/5 - Tuomas12/5 - a hoy hoy19/5 - Tannenbaum Schmidt26/5 - Ismael Klata2/6 - forksclovetu9/6 - pfunkboy16/6 - moka23/6 - Abbott30/6 - The Rev
― pfunkboy (Herman G. Neuname), Friday, 23 April 2010 23:42 (fifteen years ago)
I'm amazed so many want a week, but this is great!
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 00:21 (fifteen years ago)
I'll do a week but can't commit to any time in July. Anyone want to swap an earlier slot?
― seandalai, Saturday, 24 April 2010 01:17 (fifteen years ago)
yeah no problem, I can swap my 2nd go. If anyone earlier wants to swap I can change it.
28/4 - Shakey Mo5/5 - Tuomas12/5 - a hoy hoy19/5 - Tannenbaum Schmidt26/5 - Ismael Klata2/6 - forksclovetu9/6 - Seandalai16/6 - moka23/6 - Abbott30/6 - The Rev7/7 - pfunkboy
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 01:53 (fifteen years ago)
Geir do you want a week?
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 02:17 (fifteen years ago)
Turangalila wants week 14/7
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 13:05 (fifteen years ago)
Anyone else checked out the Mandrill? Sam?
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 13:40 (fifteen years ago)
I listened to the Mandrill yessirday, was slammin'. May even look at an *illegal download* if prices are too steep, because Mandrill records seem worth having in some capacity.
― tart w/ a heart (a hoy hoy), Saturday, 24 April 2010 14:05 (fifteen years ago)
they are
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 14:24 (fifteen years ago)
Sam if you live near a FOPP, then they might carry some Mandrill.
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 19:52 (fifteen years ago)
closest fopp closed. will be london over the weekend though, if anyone wants to point me in the direction of a decent one.
― tart w/ a heart (a hoy hoy), Saturday, 24 April 2010 19:58 (fifteen years ago)
I thought you lived in London, heh.
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 20:04 (fifteen years ago)
Nah, had to move back in with parents due to poverty.
― tart w/ a heart (a hoy hoy), Saturday, 24 April 2010 20:05 (fifteen years ago)
sounds like you need a cough remedy then
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 20:13 (fifteen years ago)
could this cough remedy make me rich?
― tart w/ a heart (a hoy hoy), Saturday, 24 April 2010 20:15 (fifteen years ago)
No but it could funkify you
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 20:19 (fifteen years ago)
follow the yellow brick cough
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 20:27 (fifteen years ago)
What the Motherpage has to say about Standing On The Verge Of Getting It On
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 20:40 (fifteen years ago)
this thread inspired me to inhale and play cosmic slop for the first time in a long time. jeez louise did that ever sound good to me. not hearing it for a long time was a bonus, actually. i had new ears. still makes my jaw drop. that SOUND! (pristine early vinyl pressing, of course) man, you could write a book simply about the production of that one album. or any of their albums, i suppose, but....oh i could go on.
― scott seward, Saturday, 24 April 2010 20:47 (fifteen years ago)
late 80's/early 90's i almost p-funked myself to death. i was rabid. so i had to go away from the records for awhile. well, it wasn't like a conscious thing, i just did it. same thing happened with me and the lovely Can. not their fault, of course! i just played their records to death and beyond. now i hear a can record and it's like holy moly all over again! like a new band or something.
― scott seward, Saturday, 24 April 2010 20:52 (fifteen years ago)
I've spent many an hour and pound in the Fopp at the corner of Charing Cross Road and Shaftesbury Avenue. Can't think of any others off the top of my head - used to be one in Chiswick but I doubt it's survived.
― Ismael Klata, Saturday, 24 April 2010 21:12 (fifteen years ago)
FOPP of course named after the Ohio Players song!
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 23:09 (fifteen years ago)
Scott are you wanting a week curating this?
― pfunkboy (Herman G. Neuname), Saturday, 24 April 2010 23:53 (fifteen years ago)
am gonna try to follow this one as know lamentably little about funk.
ohio players - there's a version of this album w/7 bonus tracks, are they particularly necessary?
― لوووووووووووووووووووول (lex pretend), Sunday, 25 April 2010 07:04 (fifteen years ago)
not really. 1st 9 tracks are the proper album.
― pfunkboy (Herman G. Neuname), Sunday, 25 April 2010 14:29 (fifteen years ago)
Been listening to the Funkadelic this afternoon. It feels very bitty again - there are lovely moments but I'll just be settling into one when it changes into something else entirely. The vocals are taking some getting used to, any beauty in the harmony parts is not immediately obvious.
― Ismael Klata, Sunday, 25 April 2010 15:20 (fifteen years ago)
So far, I like The Ohio Players album best - can see myself coming back to that often.
The Mandrill was great but like some one said upthread, there's often so much going on but often no big hook. Highlight for me was "Git It All" - especially the second half of the track, from when the harmonica comes in.
Need to listen to that Funkadelic some more.
― De que estas hablando? (Tannenbaum Schmidt), Sunday, 25 April 2010 16:01 (fifteen years ago)
It's funny seeing comments that the Funkadelic album covers too many styles as this is the most stylistically consistent of the Funkadelic albums!
― pfunkboy (Herman G. Neuname), Sunday, 25 April 2010 16:41 (fifteen years ago)
28/4 - Shakey Mo5/5 - Tuomas12/5 - a hoy hoy19/5 - Tannenbaum Schmidt26/5 - Ismael Klata2/6 - forksclovetu9/6 - Seandalai16/6 - moka23/6 - Abbott30/6 - The Rev7/7 - pfunkboy14/7 - Turangalila
― pfunkboy (Herman G. Neuname), Sunday, 25 April 2010 23:32 (fifteen years ago)
Anyone else listened to any of the albums?
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 12:43 (fifteen years ago)
listening to the Funkadelic now, will liveblog RONG first impressions
Red Hot Momma: fun skit, then Jane's AddictionAlice In My Fantasies : Led Zep meets the Sweet
― tomofthenest, Monday, 26 April 2010 12:56 (fifteen years ago)
I'll Stay : (intro) Death Of a Disco Dancer vs While My guitar gently weeps.
― tomofthenest, Monday, 26 April 2010 12:58 (fifteen years ago)
also there was a 90's trip-hop song - underwater love?? - did it sample this?
― tomofthenest, Monday, 26 April 2010 13:00 (fifteen years ago)
or maybe sneaker pimps or morcheeba, I can't remember.
― tomofthenest, Monday, 26 April 2010 13:01 (fifteen years ago)
Standing on the Verge of Getting it On: (Westbound 1974)* “Standing on the Verge of Getting it On” Ice Cube’s “Endangered Species” Sons of Bazerk’s “Part One”* “I'll Stay” Atmosphere’s “Millie Fell off the Fire Escape” M.O.P. ft Busta Rhymes’s “Brooklyn” Crucial Conflict’s “Hay” De la Soul’s “Millie Pulled a Pistol on Santa” K-Solo’s “Long Live the Fugitive”* “Jimmy's Got a Little Bit of Bitch in Him” Rays’s “I Don't Want to Be Alone”* “Sexy Ways” Fu-Schnickens’s “Props”
― tart w/ a heart (a hoy hoy), Monday, 26 April 2010 13:03 (fifteen years ago)
still need to check ohio players, spent all of last night jamming to this while at work on my earphones
http://www.plong.com/MusicCatalog%5CP%5CParliament%20-%20Gold%5CParliament%20-%20Gold.jpg
― tart w/ a heart (a hoy hoy), Monday, 26 April 2010 13:04 (fifteen years ago)
sexy ways: ford capri jam
― tomofthenest, Monday, 26 April 2010 13:06 (fifteen years ago)
Standing On The Verge : THIS is what I was expecting the whole album to sound like.
― tomofthenest, Monday, 26 April 2010 13:07 (fifteen years ago)
Jimmy's got a bit... : Electric Ladyland doo-wop
― tomofthenest, Monday, 26 April 2010 13:14 (fifteen years ago)
Good Thoughts - proto-Purple Rain guitar, more Ladyland, hypnotism tape
― tomofthenest, Monday, 26 April 2010 13:19 (fifteen years ago)
Listened to Mandrill the other day...I'm going to write a long post on the Jazz Listening Club thread and then I'll get back to the funk.
― Nom Nom Nom Chomsky (WmC), Monday, 26 April 2010 13:28 (fifteen years ago)
OK, here's a half-baked analogy: Mandrill are to War what Funkadelic was to Ohio Players
― extremely low expectations (which, yes, were "met"). (Myonga Vön Bontee), Monday, 26 April 2010 15:05 (fifteen years ago)
that's short-selling War imho
― the first circus ringleader in space (Shakey Mo Collier), Monday, 26 April 2010 15:13 (fifteen years ago)
War were really good, but they're not in the same league as Mandrill IMO, but they are far more well known than Mandrill. It's so sad they get ignored by the music press.
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 15:20 (fifteen years ago)
I wonder if any of these funk bands got coverage in Rolling Stone at the time. Other than a token 3 star review.
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 15:22 (fifteen years ago)
dunno, but I kinda doubt RS had much love for/understanding of funk (outside of Sly, obviously). xhuxh probably knows.
the Mandrill's good, I just don't hear anything there as strong as the best stuff in War's catalog like "Low Rider" or "Spill the Wine" or "Me and Baby Brother". There's a ton of filler on War's albums, but they knew how to make a single.
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 26 April 2010 15:25 (fifteen years ago)
listening to the war double live album last week. man, that thing is all kinds of cool.
― scott seward, Monday, 26 April 2010 15:27 (fifteen years ago)
i need this. don't have one. i never see it anywhere. i should look harder.
http://upload.wikimedia.org/wikipedia/en/7/72/War_album.jpg
― scott seward, Monday, 26 April 2010 15:29 (fifteen years ago)
I've never heard that one either
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 26 April 2010 15:32 (fifteen years ago)
I've been listening to Mandrill Is, and I'm not quite sure what to think of it... On the one hand it has some inspired grooves, the sound is nice, and I like how they're doing a variety of styles on one record, from straight funk to latin jazz to blues rock to hippie freakout moments. But on the other hand the arrangements are often too busy, and at times it feels like the band are overplaying just to show off their skills. Like, is it really necessary to do so many drum rolls on "Here Today Gone Tomorrow"? With tighter arrangements and less showmanship this might've been a really good album. But I agree that "Ape Is High" a banger, and "Central Park" is a lovely piece of breezy 60s pop in the middle of a funk album - it's the one song here that actually benefits from the "full" arrangement.
― Tuomas, Monday, 26 April 2010 16:56 (fifteen years ago)
shakey did you send a webmail? You have my email! I'll reply to the email i have for you ok?
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 19:32 (fifteen years ago)
sent to the email i have for you that you never check
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 19:38 (fifteen years ago)
lol gotcha
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 26 April 2010 19:39 (fifteen years ago)
Tuesday will now be the day new albums are posted on funk club. So shakey you can post the weeks albums in an hour or 2 if you want.
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 21:28 (fifteen years ago)
Of course, anyone can still talk about previous weeks albums anytime they want to.
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 21:29 (fifteen years ago)
Shakey's picks are awesome btw. So I hope you all enjoy them once he's posted them!
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 21:31 (fifteen years ago)
excited and hoping that Shakey, Tumoas and A Hoy don't choose what I have lined up, else I'm gonna have to pass on my week!
― De que estas hablando? (Tannenbaum Schmidt), Monday, 26 April 2010 21:32 (fifteen years ago)
if they are agreeable to to swap with you it's fine by me.
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 21:33 (fifteen years ago)
wait what I thought new albums went up Wednesday (it's still Monday here!)
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 26 April 2010 21:42 (fifteen years ago)
I'm pretty sure my choices are not gonna overlap with anyone else's
fwiwi
Naw Tuesdays now, gives everyone an extra work day to post about it. Plus all the other clubs are at the end of the week so more might give this one a shot. It will be tuesday in 75 mins here!
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 21:43 (fifteen years ago)
One of the shakey picks is an album that most of you have never heard (by a band you know hit singles by) but i can tell you, it's one of the greatest albums ever made. A stone cold 10/10 classic.
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 21:44 (fifteen years ago)
So you can post it anytime after an hour from now
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 21:57 (fifteen years ago)
Tannenbaum, send me an email via ILX usermail and tell me what albums you had lined up, if we happen to have chosen the same album(s) I can always change my picks.
― Tuomas, Monday, 26 April 2010 21:59 (fifteen years ago)
I'll just post this now...
Chairmen of the Board - Skin I'm In (1974)http://www.akuma.de/images/ccover/dri000/i012/i01282zo58z.jpghttp://open.spotify.com/album/5zKiTlGl3QQBZZWowNwN5I
The Chairmen's final LP is a lost gem that's light years away from their previous smooth r&b crooning. Arranged by Jeffrey Bowen, who, from what I can tell, is the common link between Parliament-Funkadelic, Sly & the Family Stone, and several projects that drew on members of both bands to provide backing material for other artists (including the Temptations' LPs "Wings of Love" and "A Song For You"). I am not sure who all from P-Funk shows up on this record, apart from Bill "Bass" Nelson and Bernie Worrell, whose contributions are both readily identifiable. I am also unclear as to how the trilogy that closes side A (Life and Death in G &A Pt 1/White Rose (Freedom Flower)/Life and Death Pt 2) and is credited to Sly Stone made it from Sly's hands into those of P-Funk and the Chairmen of the Board, but I would guess that Bowen was involved. George and Sly both being absent here, this album is proof that the lesser-known guys in both the Family Stone and P-Funk were capable of some seriously amazing and hard-hitting stuff. I love this record.
James Brown - The Payback (1973)http://upload.wikimedia.org/wikipedia/en/thumb/4/40/Jb-the-payback.jpg/200px-Jb-the-payback.jpghttp://open.spotify.com/album/7mMYTdDQ1UOw9j4vG3tCPs
The rejected soundtrack for the blaxploitation film Hell Up in Harlem (because it wasn't "being James Brown enough" o_0). I consider this the apex of James Brown's studio LP output. Prior to the early 70s the majority of James Brown's LPs are an incoherent mess, slapped together affairs often taken from different sessions with entirely different bands, with no consideration given to consistency of tone or content, but nevertheless containing tons of amazing material. But around about 1970, Brown began something of a melodramatic 180, and proceeded to issue a series of "concept" records that were built around specific themes, complete with interludes, monologues, and long, seemingly endless grooves. The Payback is the best of these by a wide margin - even the two ballads are good - and the band (under the direction of Fred Wesley) was on fire throughout. Everybody knows the opening track and can quote favorite lines ("I don't know karate/but I know ka-razy!") but the real standout here to me is the final song, "Mind Power", which synthesizes everything that was ever great about James Brown into a delirious, hypnotic, zen-buddhist-by-way-of-the-Deep-South meditation on the nature of consciousness and reality.
Dr. John - Desitively Bonaroo (1974)http://upload.wikimedia.org/wikipedia/en/thumb/6/64/Doctorjohn.jpg/200px-Doctorjohn.jpghttp://open.spotify.com/album/4sdOFqfNcL5ge657ScJDXn
The lesser known "sequel" to his huge hit "In the Right Place" album and using pretty much the same exact formula and band, except that this time around I think the songs are actually better. No funk thread would be complete without acknowledging the contributions of New Orleans and specifically the axis of the Meters/Allen Toussaint, who provide most of the tunes and backing here, perfectly complimented by Dr. John's bizarro croak-n-drawl. This is pretty far from the way out sonics of "Dr. John the Night Tripper", but it marks the end of his "golden age" transition from psych-swamp-blues guru to Rolling Stones-confidante to party-funk frontman. After this his music gradually became more and more alternately conservative and jazzy, as he came to be a kind of standard-bearer for preserving New Orleans' musical heritage.
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 26 April 2010 22:47 (fifteen years ago)
Chairmen Of The Board were the band I was talking about earlier btw
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 22:53 (fifteen years ago)
Got your mail, Tannenbaum, we haven't picked any of the same albums. Both of your choices are albums I've been meaning to check out for a long time though, so it'll be nice if you'll introduce them here, as it'll give me an excuse to listen to them.
― Tuomas, Monday, 26 April 2010 22:54 (fifteen years ago)
And yes i know all 3. Classics all of them.
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 22:54 (fifteen years ago)
and the trilogy shakey talks about is the greatest trilogy in all music
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 22:56 (fifteen years ago)
dude I think you broke my hyperbolemeter
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 26 April 2010 22:57 (fifteen years ago)
skin i'm in is a fabulous record
― went ham in a bad way (stevie), Monday, 26 April 2010 22:57 (fifteen years ago)
I have the 2xCD with Bittersweet on it (its also on Spotify) and its desert island discs stuff. I recommend you listen to both.
― pfunkboy (Herman G. Neuname), Monday, 26 April 2010 23:06 (fifteen years ago)
may I suggest editing the title of this thread to make it more generic...
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 26 April 2010 23:07 (fifteen years ago)
i like the payback a lot.
― forksclovetofu, Tuesday, 27 April 2010 01:09 (fifteen years ago)
Wasn't my intention at all: I think "War's Greatest Hits" is one of the most enjoyable LPs imaginable! And War are probably the band most similar to Mandrill that i can think of. But Mandrill were a bit more eccentric/eclectic/experimental/erratic/whatever than War. Similar to Funkadelic doing weird experiments while the Ohio Players achieved actual hit singles.
― extremely low expectations (which, yes, were "met"). (Myonga Vön Bontee), Tuesday, 27 April 2010 01:27 (fifteen years ago)
I have a fair bit of James Brown, but had assumed he'd gone off the boil by '73. NOT SO, THIS IS AWESOME! A+ album, dancing around my spreadsheets of a Tuesday morning.
― tomofthenest, Tuesday, 27 April 2010 08:06 (fifteen years ago)
the payback is all-time classic
― went ham in a bad way (stevie), Tuesday, 27 April 2010 08:49 (fifteen years ago)
Indeed, most people would say it is his best album.
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 12:43 (fifteen years ago)
best studio album perhaps, though part of me prefers hot pants - certainly the cd reissue with the full take of 'escape-ism'
― went ham in a bad way (stevie), Tuesday, 27 April 2010 13:00 (fifteen years ago)
Yep, it's a good'un. All-original too, unlike a lot of his '70s doubles.
― extremely low expectations (which, yes, were "met"). (Myonga Vön Bontee), Tuesday, 27 April 2010 13:28 (fifteen years ago)
"I don't know karate but I know ka-raaaaazy!"
Klassik
― Tonight, the Looming Moment of Crunch (Tom D.), Tuesday, 27 April 2010 14:24 (fifteen years ago)
Desitively Bonnaroo is dope, my go-to/most-played Dr. John.
― are we human or are we dancer (m coleman), Tuesday, 27 April 2010 14:29 (fifteen years ago)
certainly the cd reissue with the full take of 'escape-ism'
haha I was listening to this last night and marvelling at my inability to grasp like 90% of what James Brown is talking/rambling about on that song. would love to see a transcription
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 15:26 (fifteen years ago)
Trying to get down, yeah, yeahwell, you knowlook here, we can't help itthat's right[incomprehensible], yeahIt ain't no alocohol, man I don't dig itwhat you say Jason?I say, don't be soe meanyou know I'm cleanyeah[incomprehensible]
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 15:28 (fifteen years ago)
It's about the birth of a norwegian dude
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 15:31 (fifteen years ago)
don't think I'm gonna bother trying to compile a list of songs sampling "The Payback". I'm unaware of any Chairmen of the Board samples... there are some interesting Dr. John ones though (Marley Marl's "Cheatin' Days Are Over" samples "Stealin'" iirc)
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 16:46 (fifteen years ago)
Sam is in charge of samples
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 17:29 (fifteen years ago)
War are probably the band most similar to Mandrill that i can think of. But Mandrill were a bit more eccentric/eclectic/experimental/erratic/whatever than War. Similar to Funkadelic doing weird experiments while the Ohio Players achieved actual hit singles.
ah yeah I can see that. War and Mandrill do both favor those latin/jazz shadings, it was just that War had the hits.
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 18:00 (fifteen years ago)
Chairmen of the Board - it's alright. I like the ?electric organ (i think)? sound on a couple of the songs but nothing is really standing out.
― tart w/ a heart (a hoy hoy), Tuesday, 27 April 2010 18:10 (fifteen years ago)
not sure what yr thinking of specifically - Bernie plays a lot of Mellotron on this album iirc
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 18:19 (fifteen years ago)
Maybe thats what I'm thinking of, sorry. I'm not very good at picking out instruments, even kinda loathed specific instrument pieces (hi dere maggot brain) so it all just kinda blends in for me until i should actually think about whatever.
The complaint people were making about Mandrills - i.e. no hooks - I would apply here. I v. much enjoyed it while listening to it but I don't really remember it and nothing really hooked me to go back. Slowburner.gif I guess.
― tart w/ a heart (a hoy hoy), Tuesday, 27 April 2010 18:26 (fifteen years ago)
have always wondered what those 'steel drum'-sounding melodic percussion parts in 'life & death pt 2', around the 1 minute mark, actually were...
― went ham in a bad way (stevie), Tuesday, 27 April 2010 18:27 (fifteen years ago)
Sounds like a kalimba or a mbira or some other form of thumb piano to me.
Bt, I'm really digging the Chairmen of the Board album, thanks to Shakey for introducing it! I remember seeing that album in a local record store years ago, but the cover pic made me think it was something completely different, so I never gave it a try. I'll try to writer a lengthier analysis later on.
― Tuomas, Tuesday, 27 April 2010 18:40 (fifteen years ago)
What I'd like to know, though, is what is that odd, slightly metallic rhythmic sound playing throughout "Let's Have Some Fun"? You know what I'm talking about if you listen to the song, it really stands out. Is that just an electric guitar played through a filter, or some odd percussion instrument?
― Tuomas, Tuesday, 27 April 2010 18:47 (fifteen years ago)
^^^yep, that is definitely not a mellotron lolz
will have to listen to Let's Have Some Fun hang on a second
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 18:55 (fifteen years ago)
even kinda loathed specific instrument pieces (hi dere maggot brain)
you are dead to me
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 18:58 (fifteen years ago)
oh that's an electric gtr+wah wah for sure
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 18:58 (fifteen years ago)
he's doing a chicken scratch pattern while rapidly opening and closing the wah-wah pedal's filter
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 19:00 (fifteen years ago)
Ka-razor. JB is gonna cut you.
― Please Do Not Swagga Jack Me (Matos W.K.), Tuesday, 27 April 2010 19:01 (fifteen years ago)
Ok, I kinda thought it might be, but it sounds somewhat different than any other wah wah I've heard.
― Tuomas, Tuesday, 27 April 2010 19:02 (fifteen years ago)
(xx-post)
Ah, I see, thanks for the info Shakey!
― Tuomas, Tuesday, 27 April 2010 19:03 (fifteen years ago)
And I have to say I completely disagree with Sam - the instrumental bits are what make Skin I'm In sound so good to me. Even if there's some superficial similarity to the Mandrill album, the playing here is definitely tighter and the sound more innovative.
― Tuomas, Tuesday, 27 April 2010 19:06 (fifteen years ago)
What's the deal with the endings to the songs on The Payback? (the strings thing) Not sure if this is making sense, and I'm not opposed to their existence, just wondering what their reason for being is...?
― elephant rob, Tuesday, 27 April 2010 19:35 (fifteen years ago)
James Brown never had an idea he didn't enjoy repeating ad nauseam
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 19:40 (fifteen years ago)
on the vinyl they're just interludes between the songs on each side, like aural dividers. fairly pointless but hey when James Brown gets an idea he doesn't let go of it
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 19:41 (fifteen years ago)
thanks Shakey--the vinyl explains it. My problem is I'm listening on Lala, so they just sound kind of bizarre.
also, "Mind Power" is amazing. And I just saw the documentary "Soul Power" which I recommend to any JB fan. there's not enough footage of the performances (especially by Franco and Tabu Ley Rochereau), but it's still pretty great.
― elephant rob, Tuesday, 27 April 2010 19:45 (fifteen years ago)
Spotify doesnt have the dr john title track because the artist/label wanted it removed. wtf?
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 21:18 (fifteen years ago)
I'll just need to borrow my mates cd then
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 21:19 (fifteen years ago)
that's odd. I do know Dr. John has one of those "my manager(s) screwed me and released stuff against my will and I had to sue them" kinda debacles in his past, maybe it's related.
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 21:20 (fifteen years ago)
its quite common on Spotify though
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 21:21 (fifteen years ago)
some people dont like their most famous songs being available for free but dr john has way more known songs available on Spotify. Maybe someone collaborated with him on it and they object?
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 21:23 (fifteen years ago)
for the future on these album listening threads, can we link both spotify and lala for the amurricuns among us?
― forksclovetofu, Tuesday, 27 April 2010 21:43 (fifteen years ago)
Shakey is amurricun, And im guessing non americans cant provide links to it. Shakey only got spotify links because he asked me for them.
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 21:48 (fifteen years ago)
I'm just lazy
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 27 April 2010 21:52 (fifteen years ago)
btw Spotify has Bittersweet/Skin I'm In... Plus
2009 two CD set. This release contains the third and fourth albums by Chairmen Of The Board: Bittersweet (1972) features the hits 'Working On A Building Of Love', 'Elmo James' and 'I'm On My Way To A Better Place' while Skin I'm In (1974) features 'Finders Keepers'. The bonus album is the ultra-rare Aries (1972) by group member Danny Woods, while the bonus tracks are the Chairmen singles issued after the release of Skin I'm In. All these albums have been unavailable for many years. The booklet is fully annotated by Tony Rounce, and features many rare singles labels. Edsel.
I just have the original 2in1 cd, so im really looking forward to hear that Aries album.
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 21:53 (fifteen years ago)
Elmo James is my fave Chairmen Of The Board track btw. Bittersweet is as good as Skin I'm In, so please everyone check it out.
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 21:54 (fifteen years ago)
https://www.youtube.com/watch?v=dLTBDbsrUk4&feature=PlayList&p=1D6B783AF48C1572&playnext_from=PL&playnext=1&index=6
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 22:03 (fifteen years ago)
I upgraded to Spotify Premium because of all this listening club stuff, figured it was worth it for this month.
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 23:42 (fifteen years ago)
The Chairman of the Board album is really ace, I'm surprised I never came across it before. "Morning Glory" blows me away.
― seandalai, Tuesday, 27 April 2010 23:57 (fifteen years ago)
Can a mod change my 1st post to TUESDAY instead of Wednesday please?
― pfunkboy (Herman G. Neuname), Tuesday, 27 April 2010 23:58 (fifteen years ago)
Oh and I need to change the dates on this:
It's now
4/5 - Tuomas11/5 - a hoy hoy18/5 - Tannenbaum Schmidt25/5 - Ismael Klata1/6 - forksclovetu8/6 - Seandalai15/6 - moka22/6 - Abbott32/6 - The Rev6/7 - pfunkboy13/7 - Turangalila
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 00:00 (fifteen years ago)
xp pfunkboy - did you go Premium for the quality upgrade, or just to get rid of the ads? I remember at the beginning, they were only upping some of the library to 320kbs, have they now got everything in high quality?
I've been thinking about upgrading for a few months now, but I'm not yet convinced it's worth it.
― seandalai, Wednesday, 28 April 2010 00:01 (fifteen years ago)
partly to be adfree and partly because im using it a lot more due to the listening club. I'm sure I heard an advert the other days saying everything is 320 for premium users. But I dont know.
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 00:04 (fifteen years ago)
Following up on last week's albums: Mandrill was okay but nothing special, and I was so bored by the Ohio Players record I didn't get all the way through it. Still haven't listened to the Funkadelic yet. Maybe I should stick to the jazz listening club.
― Nom Nom Nom Chomsky (WmC), Wednesday, 28 April 2010 00:41 (fifteen years ago)
nooooo. Stick with us. You can do both! You got bored of a 9 track album or did you listen to the 2xCD version?
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 00:44 (fifteen years ago)
I didn't even make it through the first 9 tracks.
I will listen to the Funkadelic and the week 2 records.
― Nom Nom Nom Chomsky (WmC), Wednesday, 28 April 2010 00:48 (fifteen years ago)
I was gonna do a later Ohio Players album but I knew shakey would moan I didn't pick a Westbound/Junie era album.
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 01:05 (fifteen years ago)
I think you're the 1st dissenter for Pleasure though. So not bad going.
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 02:28 (fifteen years ago)
kinda like metal, this stuff really has to be listened to loud, fwiw
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Wednesday, 28 April 2010 03:39 (fifteen years ago)
I went Funkadelic > Mandrill > Ohio Players, they're all good albums though.
― seandalai, Wednesday, 28 April 2010 13:27 (fifteen years ago)
Week 1: Ohio Players > Funkadelic > Mandrill Week 2: James Brown > Chairmen Of The Board > Dr John
With Chairmen, I found most of the tracks to be more upfront with their funk conviction - like a great party album - but sometimes something was lacking, possibly too many chants. James is just potent through and through. I liked about 50% of the Dr John - but maybe listening while working is not the best place to fully appreciate it; there where times when I thought "this would be great BBQ music with beers and a baggy shirt"
Keeprs: Ohio Players, James Brown (which I already knew) and gonna give the Funkadelic one more listen.
― De que estas hablando? (Tannenbaum Schmidt), Wednesday, 28 April 2010 13:42 (fifteen years ago)
xpost: i was comparing Chairmen Of The Board "Skin I'm In" to James Brown "The Payback"
To my ears it's just as good!
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 15:12 (fifteen years ago)
I think quite a few of the posters on here have a preference for different branches of funk. Some prefer the jazzy stuff some like it hard edged and freaky and some just want to dance. I wonder if Tuomas will pick anything hard edged/freaky that rocks.
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 17:29 (fifteen years ago)
and no, Prince doesn't count ;)
Prince defies classification in a lot of ways
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Wednesday, 28 April 2010 17:31 (fifteen years ago)
Im just pre-empting someone shouting Prince
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 17:32 (fifteen years ago)
It is ILM
maybe listening while working is not the best place to fully appreciate it; there where times when I thought "this would be great BBQ music with beers and a baggy shirt"
yeah I was thinking some more about this and funk is basically best-suited to open communal environments - parties, dancefloors, cars with the windows down, etc. was blasting "Let's Take it to the Stage" the other day while driving around and just marvelling at how amazingly heavy that track is, for ex., something that wouldn't be readily apparent in a different listening situation
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Wednesday, 28 April 2010 17:36 (fifteen years ago)
Had The Payback on earlier - that band is tight. Geir must've finally worn me down - I was half-expecting an industrial funk nightmare of a record. Actually it's quite melodic, would go down well in Norway I think.
― Ismael Klata, Wednesday, 28 April 2010 17:49 (fifteen years ago)
Gotta confess I've never been particularly crazy for that Ohio Players album, even tho I've owned the vinyl for years. Limited tolerance for the ballads, which is my problem. Also, "Walt's First Trip" isn't as out-there as the title would suggest. So, I guess it's Funkadelic > Mandrill > Ohio Players for me, as far as the first week goes. On to JB and co.
(All this stuff makes a fine soundtrack for watching the NHL playoffs, thanks for asking)
― too dancy, rocking, jazzy, funky or american (Myonga Vön Bontee), Wednesday, 28 April 2010 18:38 (fifteen years ago)
I wonder if Tuomas will pick anything hard edged/freaky that rocks.
I've actually half-discarded my original idea of a jazz-funk theme, and at least one of the albums I'm gonna introduce is as hard and rocking as it gets.
― Tuomas, Wednesday, 28 April 2010 19:08 (fifteen years ago)
I checked out Dr. John album and I have to agree with whoever said that you'd have to play it loud at a barbecue or something to really appreciate the music. Listening to it on my computer via headphones, it sounds like a nice enough piece of greasy New Orleans funk, but there's nothing that stands out really.
― Tuomas, Wednesday, 28 April 2010 19:14 (fifteen years ago)
Hey tuomas you can choose as you please! But I think that funk played by jazz guys might be better on the jazz thread BUT if it's more funk than jazz then I say it's welcome here. Like, I was gonna pick donald byrd - blackbyrd, but , no matter what jazz purists say, is a jazz album, however The Blackbyrds albums should be posted here.
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 19:23 (fifteen years ago)
there's plenty of funk stuff that gets cordoned off as "jazz" for some inexplicable reason (Eugene McDaniels springs to mind)
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Wednesday, 28 April 2010 20:05 (fifteen years ago)
funk is seen as a bad word for some people, too tied in with 'fusion' maybe?
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 20:10 (fifteen years ago)
Just out of interest, how many here have heard Ohio Players or Mandrill before?
― pfunkboy (Herman G. Neuname), Wednesday, 28 April 2010 21:11 (fifteen years ago)
I'd heard of but not heard either.
― elephant rob, Wednesday, 28 April 2010 21:21 (fifteen years ago)
Had only heard Ohio Players guest on other tracks. Never even heard of Mandrill.
― Ismael Klata, Wednesday, 28 April 2010 22:16 (fifteen years ago)
had heard of, but never listened to Mandrill before - seen plenty of their LPs in second hand shops; never heard of or listened to Ohio Players before; same goes for Chairmen Of The Board.
― De que estas hablando? (Tannenbaum Schmidt), Wednesday, 28 April 2010 22:52 (fifteen years ago)
I had only heard "Skin Tight," "Fire" and "Love Rollercoaster," and liked all three. I think 4-minute bursts, blowing out a little transistor radio, without warning, in the 1970s, is how I enjoy them the best.
― Nom Nom Nom Chomsky (WmC), Thursday, 29 April 2010 00:17 (fifteen years ago)
So what you're saying is you need a time machine to enjoy them now?
― Tuomas, Thursday, 29 April 2010 00:19 (fifteen years ago)
possibly
― Nom Nom Nom Chomsky (WmC), Thursday, 29 April 2010 00:25 (fifteen years ago)
The Blackbyrds are on my shortlist, we'll see whether anyone posts them before I do (the tension!).
― seandalai, Thursday, 29 April 2010 01:11 (fifteen years ago)
Listening to the Funkadelic now, and having a NOW THAT'S WHAT I'M TALKIN ABOUT kinda time. I've loved "Alice in My Fantasies" for years from the Blind Idiot God version.
― Nom Nom Nom Chomsky (WmC), Thursday, 29 April 2010 01:50 (fifteen years ago)
Not heard that cover actually. Glad you liked something though!
― pfunkboy (Herman G. Neuname), Thursday, 29 April 2010 13:09 (fifteen years ago)
WmC what did you think of the rest of the album?How is everyone else getting on with the albums?
― pfunkboy (Herman G. Neuname), Thursday, 29 April 2010 20:00 (fifteen years ago)
Find the vocals really offputting with Funkadelic, they could've used a straight-up singer who wasn't in on the joke I reckon.
― Ismael Klata, Thursday, 29 April 2010 20:03 (fifteen years ago)
Which vocals/songs?
Personnel:
Spaced Viking; Keyboards & Vocals: Bernard (Bernie) Worrell Tenor Vocals, Congas and Suave Personality: Calvin Simon A Prototype Werewolf; Berserker Octave Vocals: Clarence 'Fuzzy' HaskinsWorld's Only Black Leprechaun; Bass & Vocals: Cordell 'Boogie' Mosson Maggoteer Lead/Solo Guitar & Vocals: Eddie 'Smedley Smorganoff' Hazel Rhythm/Lead Guitar, Doowop Vocals, Sinister Grin: Gary ShiderSupreme Maggot Minister of Funkadelia; Vocals, Maniac Froth and Spit; Behaviour Illegal In Several States: George Clinton Percussion & Vocals; Equipped with stereo armpits: Ramon 'Tiki' FulwoodRhythm/Lead Guitar; polyester soul-powered token white devil: Ron Bykowski Registered and Licensced Genie; Vocals: 'Shady' Grady Thomas Subterranean Bass Vocals, Supercool and Stinky Fingers: Ray (Stingray) Davis
Additional Personnel:
Drums: Gary BronsonBass: Jimmy CalhounPiano: Leon PatilloPercussion: Ty Lampkin
Song-Specific Personnel:
"Red Hot Mama"Lead Vocals: George Clinton, Eddie HazelGuitars: Eddie Hazel, Ron Bykowski
"Alice In My Fantasies"Lead Vocals: George Clinton
"Sexy Ways"Lead Vocals: Garry Shider
"Standing On the Verge..."Lead Vocals: Parliament, Gary ShiderGuitar: Eddie Hazel, Ron Bykowski
"Jimmy's Got A Little..."Lead Vocals: George Clinton
"Good Thoughts, Bad Thoughts"Lead Vocals: George Clinton
― pfunkboy (Herman G. Neuname), Thursday, 29 April 2010 20:06 (fifteen years ago)
Not sure I could pick anything out yet, but pretty much all of it tbh - it's kind of hard to get into it when it's hard to tell it's an album by one band rather than a compilation. Pretty sure this'd be ridiculous in reality, but my thought when I had it on last was for the band to hold back a bit and let Tina Turner loose on it
― Ismael Klata, Thursday, 29 April 2010 20:12 (fifteen years ago)
you rangers fans just cant let go of that tina turner song!
― pfunkboy (Herman G. Neuname), Thursday, 29 April 2010 20:28 (fifteen years ago)
take that back
― Ismael Klata, Thursday, 29 April 2010 20:36 (fifteen years ago)
but you are a rangers fan!
― pfunkboy (Herman G. Neuname), Thursday, 29 April 2010 20:37 (fifteen years ago)
What have I done to deserve this? I need to stop saying whatever it was I was saying.
― Ismael Klata, Thursday, 29 April 2010 20:46 (fifteen years ago)
you need to listen to more funk
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 01:33 (fifteen years ago)
also answer your webmail
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 14:18 (fifteen years ago)
and again mr klata
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 15:41 (fifteen years ago)
(i was gonna answer yr webmail but i thought it would be petty just to send you 600 c&p of roxannes revenge for a fucking kid sister article)
― tart w/ a heart (a hoy hoy), Friday, 30 April 2010 15:46 (fifteen years ago)
sam have you listened to all of shakeys picks yet?
Also you got that article for what you said about Maggot brain.
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 15:48 (fifteen years ago)
:DDDDDDDDDD
Nah, I got a couple hours to kill atm, was gonna do the JB, Pete Rock, and whatever the Brazilian one is. Maybe an R&B one as well.
― tart w/ a heart (a hoy hoy), Friday, 30 April 2010 15:50 (fifteen years ago)
and whatever the Brazilian one is
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 15:54 (fifteen years ago)
Jorge Ben's A Tabua De Eesmerelda!
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Friday, 30 April 2010 15:55 (fifteen years ago)
So I don't have to go into the 'show all messages' hellhole, what jbeezy we checking this week? also dr. john...
― tart w/ a heart (a hoy hoy), Friday, 30 April 2010 16:12 (fifteen years ago)
JB = The PaybackDr John = Desitively Bonnaroo
and the other one was Chairmen of the Board's Skin I'm In
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Friday, 30 April 2010 16:15 (fifteen years ago)
the big payback!
why i went like six months without listening to this album i have no idea.actually, why i go each day without etc.
i was thinking of doing a jb week w/ this in it, gonna have to find a 3rd record now. maybe one of his crackhead christmas albums ;)
― tart w/ a heart (a hoy hoy), Friday, 30 April 2010 16:20 (fifteen years ago)
I kinda feel we should avoid having multiple albums by the same artist week until the 1st round of shots are done. So much funk to pick until we have to go down that road.
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 16:33 (fifteen years ago)
yeah I'm in favor of some diversity
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Friday, 30 April 2010 16:35 (fifteen years ago)
I always liked to pretend that James was singing about http://alicehyatt.com/cast/images/tayback.jpg
― i never promised you a whinegarten (forksclovetofu), Friday, 30 April 2010 16:35 (fifteen years ago)
like, this genre has a lot of weird tangents, let's not get caught up in going over the canon
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Friday, 30 April 2010 16:36 (fifteen years ago)
okokokok i'll do just one jbeezy
― tart w/ a heart (a hoy hoy), Friday, 30 April 2010 16:37 (fifteen years ago)
of course there's nothing stopping you from doing a james brown,jb's, bootsy collins 3pick
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 16:37 (fifteen years ago)
Looks like you guys want be using lala.com for listening to albums since Apple are closing it.
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 18:53 (fifteen years ago)
yeah, I'm afraid that is going to seriously affect my ability to participate in these threads.
― elephant rob, Friday, 30 April 2010 18:54 (fifteen years ago)
Nowhere else you guys can use? You need to ask the north american spotify users how they do it.
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 19:00 (fifteen years ago)
I don't have any qualms about dl'ing old shit from wherever, but understand we can't post those links here...
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Friday, 30 April 2010 19:06 (fifteen years ago)
also not much of an issue for me since I already own tons of this stuff haah
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Friday, 30 April 2010 19:13 (fifteen years ago)
The problem is that I'm doing my listening at work. I know I could plan ahead, d-l anything I don't have, and bring it in on my ipod, but I'm lazy and the world needs to accommodate that imho.
― elephant rob, Friday, 30 April 2010 19:21 (fifteen years ago)
I'm lazy and the world needs to accommodate that imho.
^^^new board description
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Friday, 30 April 2010 19:22 (fifteen years ago)
last updated 2 minutes ago by i never promised you a whinegarten (forksclovetofu)] 162 new answers
yet no post. Is ilx playing tricks?
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 22:33 (fifteen years ago)
So what was everyones fave album of this weeks picks then?
― pfunkboy (Herman G. Neuname), Friday, 30 April 2010 23:07 (fifteen years ago)
anyone?
― pfunkboy (Herman G. Neuname), Saturday, 1 May 2010 20:23 (fifteen years ago)
I've only checked out The Payback - fabulous, the best thing so far. The band is tight, the frontmanning assured. Lots of little stylistic things, nice horns, a couple of terrific runs where it almost goes hard bop - but always kept in the frame of it being a James Brown album, which makes it much more coherent than the three from last week. Those string things are strange, though, but I like 'em.
I doubt this'll be an original observation, but JB's basically a preacher, isn't he? I feel like I've spent an hour-and-a-half in church.
― Ismael Klata, Saturday, 1 May 2010 22:01 (fifteen years ago)
Just a wee reminder4/5 - Tuomas11/5 - a hoy hoy18/5 - Tannenbaum Schmidt25/5 - Ismael Klata1/6 - forksclovetu8/6 - Seandalai15/6 - moka22/6 - Abbott32/6 - The Rev6/7 - pfunkboy13/7 - Turangalila
If anyone can commit to a week after Turangalila just shout out.
― pfunkboy (Herman G. Neuname), Sunday, 2 May 2010 00:26 (fifteen years ago)
i killed my post, it was just a "hey did you guys know how to find these albums easily on the internet?" dumbass thing.
― i never promised you a whinegarten (forksclovetofu), Sunday, 2 May 2010 00:38 (fifteen years ago)
Spotify, Lala.com and the cough ^
― pfunkboy (Herman G. Neuname), Sunday, 2 May 2010 00:39 (fifteen years ago)
That Chairmen of the Board album is fucking incredible. "Love at First Sight" does not stop at whatever it does to me.
― Brad Nelson (BradNelson), Sunday, 2 May 2010 01:02 (fifteen years ago)
I've made a SPOTIFY PLAYLIST with the albums of both weeks (minus the Mandrill which isn't available)
Will add to it as each week goes by.
Brad, I recommend you check out the album Bittersweet
― pfunkboy (Herman G. Neuname), Sunday, 2 May 2010 01:24 (fifteen years ago)
everybody's got something to hide except for...
http://i43.tinypic.com/i71ssz.jpg
― tart w/ a heart (a hoy hoy), Sunday, 2 May 2010 16:35 (fifteen years ago)
Nice, I have it on vinyl too along with 3 or 4 others. Where did you get it?
― pfunkboy (Herman G. Neuname), Sunday, 2 May 2010 18:33 (fifteen years ago)
brick lane.
― tart w/ a heart (a hoy hoy), Sunday, 2 May 2010 18:38 (fifteen years ago)
my hand looks fucked up in that pic.
Enjoying the Chairmen of the Board a lot more than I thought I would. Really love the Mellotron in "Life & Death part 1" and "White Rose" (should cross-ref this record with the prog listening thread maybe) and how the keyboard parts shift to more traditional soul/funk organ sounds in "Life & Death pt 2".
The keyboard parts all through this are delightfully fucked up -- super-choppy organs in "Let's Have Some Fun"...
― Nom Nom Nom Chomsky (WmC), Sunday, 2 May 2010 21:25 (fifteen years ago)
I told you all it was a fantastic record! Please check out Bittersweet too, less weird more song-y but no less great. I cant really listen to one without another.
Sam, what Arsenal players are this weeks albums?
― pfunkboy (Herman G. Neuname), Sunday, 2 May 2010 21:38 (fifteen years ago)
Payback- van PersieCotB- Diabynot yet heard the dr. john
― tart w/ a heart (a hoy hoy), Sunday, 2 May 2010 21:41 (fifteen years ago)
hmmmm. Are you familiar with any dr john?
― pfunkboy (Herman G. Neuname), Sunday, 2 May 2010 23:08 (fifteen years ago)
apart from the track cop shoot cop
btw sam subscribe to my playlists on spotify for these threads. Will make things easier for you.
― Dastardly & Müttley Crüe (Herman G. Neuname), Sunday, 2 May 2010 23:38 (fifteen years ago)
sign me up for 7/20 or 20/7 or whatever date style u wish
― all my parks got feathers and wood, in my hood we call them ducks (m bison), Monday, 3 May 2010 00:52 (fifteen years ago)
Ok!4/5 - Tuomas11/5 - a hoy hoy18/5 - Tannenbaum Schmidt25/5 - Ismael Klata1/6 - forksclovetu8/6 - Seandalai15/6 - moka22/6 - Abbott32/6 - The Rev6/7 - pfunkboy13/7 - Turangalila20/7 - mbison
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 01:23 (fifteen years ago)
Tuomas should be choosing his albums to be ready for tuesday. Look forward to seeing what he picks, but lets see what everyone else thought of last weeks albums first!
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 01:38 (fifteen years ago)
I've become very fond of "I'll Stay" off week 1's Funkadelic, and also digging the album a whole lot more than my first listen. "Good Thought, Bad Thought"'s smooth rock guitars also very lovely (reminds me of Lethal Weapon soundtrack, but im my world that's a good thing).
― De que estas hablando? (Tannenbaum Schmidt), Monday, 3 May 2010 02:36 (fifteen years ago)
Been enjoying this week's choices, though the Chairmen of the Board album was the only one that really made an big impression me. J. Brown and Dr. John both were enjoyable to listen, but they both sounded exactly as I imagined they would - solid stuff, but not much surprises there.
Is it okay if I post my choices and introduction texts tonight already? I'm kinda busy tomorrow, so I'm not sure if I have that much time to write then.
― Tuomas, Monday, 3 May 2010 12:35 (fifteen years ago)
Yeah, Im up for moving funk club to mondays, as it gives everyone a full working week to listen and post.I'll just rearrange the dates.
Post now if you want Tuomas.
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 13:55 (fifteen years ago)
Funk club is now Monday start.3/5 - Tuomas10/5 - a hoy hoy17/5 - Tannenbaum Schmidt24/5 - Ismael Klata31/5 - forksclovetu7/6 - Seandalai14/6 - moka21/6 - Abbott28/6 - The Rev5/7 - pfunkboy12/7 - Turangalila19/7 - mbison
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 13:57 (fifteen years ago)
sign me up for another date wouldja
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 3 May 2010 15:15 (fifteen years ago)
OK, done!3/5 - Tuomas10/5 - a hoy hoy17/5 - Tannenbaum Schmidt24/5 - Ismael Klata31/5 - forksclovetu7/6 - Seandalai14/6 - moka21/6 - Abbott28/6 - The Rev5/7 - pfunkboy12/7 - Turangalila19/7 - mbison26/7 - Shakey Mo Funkier
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 15:21 (fifteen years ago)
I cant help feeling that the thread runs out of steam by the end of the week.
Would people object If 1 extra album was posted (by me) on say a Friday??
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 15:26 (fifteen years ago)
Cuz I have a lot of classic funk to share
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 15:27 (fifteen years ago)
and i cant wait 2 months for another go
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 15:28 (fifteen years ago)
plus Pfunkboys Friday Funk Bonus Album has a great ring to it
No objection as such, but I can't really keep up as it is.
― Ismael Klata, Monday, 3 May 2010 15:30 (fifteen years ago)
I'm doing it anyway, funk is timeless so you can always listen later and post. But you know you want to hear Pfunkboys Friday Funk Bonus Album! It's an optional extra that will funkify your fridays!
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 15:32 (fifteen years ago)
My selection of albums coming up soon!
― Tuomas, Monday, 3 May 2010 17:47 (fifteen years ago)
Ok! Remember to ask a mod to change the title too
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 17:48 (fifteen years ago)
Should we have the person picking the albums name in the title too?
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 17:49 (fifteen years ago)
Leon Thomas - Blues and the Soulful Truth (1972)http://www.ifmusic.co.uk/images/product_images/Leon%20Thomas%20-%20Blues%20And%20The%20Soulful%20Truth%20book-1.jpg
Leon Thomas was best known for his collaboration with Pharoah Sanders, especially on the epic “The Creator Has a Master Plan”. But in the late 60s and early 70s he also released four fine solo albums, which unfortunately have gotten much less attention than the Pharoah collabs. Thomas’ first two solo albums were pretty much in the same free/soul jazz mold as his work with Pharoah, but on Blues and the Soulful Truth he took a turn to a funkier direction. The album begins with a greasy southern funk piece called “Let’s Go Down to Lucy”, and ends with a reworking of the blues classic “C.C. Rider”, and between the two you have a microcosm of what was going in funk/soul/fusion in the early 70s: from hippie psychedelia to apocalyptic political imagery to pure sex. All of Thomas’ four albums are well worth checking out, but this is probably the best (and the only one available on Spotify), a slept on masterpiece.
Spotify link
Betty Davis - Betty Davis (1973)http://www.weirdorecords.com/cpCommerce/images/products/fullimages/BETTY-DAVIS-400_3346.jpg
Betty Davis’ titular solo recording is a rarity among funk albums, in that it was lead by a woman, and all the tunes are also written and produced by her. However, as compositions the tunes here are hardly memorable - there isn’t a single catchy chorus or pop hook to be heard. Nor is Davis a good singer by any definion: her register and technical capabilities are limited. What makes her songs special, though, are the lyrics, and especially her rather unique vocal style. Pretty much all her tunes are about sex, from the point of view of a liberated woman who’s out there for pleasure, not for romance. And she doesn’t sing them like a stereotypical sex kitten, but instead bends and twists and drawls her voice in ways few other female singers have done before or after. What makes the album truly funky, besides her voice, is the brilliant backing band that includes musicians like former Sly and the Family Stone members Larry Graham and Gregg Errico. Even if the record is lacking in the songwriting department, the grooves here are undeniably deep and fat. I’m not sure whether I could call Betty Davis a great album, but it certainly is a memorable one.
Unfortunately this one isn’t available on Spotify, but it shouldn’t be too hard to find elsewhere. My copy of the album has 8 tracks and ends with “In the Meantime”, but apparently there’s also a newer reissue with some bonus tracks added to the end.
Herbie Hancock - Perfect Machine (1988)http://soulfunkjazz.files.wordpress.com/2009/01/hh-perfect-machine-del1.jpg
This is a controversial choice, as it’s by no means a pure funk album. But 80s electro-funk was obviously built on the foundation of 70s funk, and Perfect Machine is one of the funkiest examples of the genre. The first track is probably more electro than funk, and the last one (not counting the two bonus remixes on the CD reissue) is an odd experimental piece, but it’d be pretty hard not to call the tunes between them “funk”. How could you not, when you have Bootsy Collins on bass, Sugarfoot (of Ohio Players, featured here two weeks ago) on vocals and Herbie Hancock on keys? Perfect Machine is also the best among the three electronic albums by Herbie that resulted from his collaboration with Bill Laswell, even though Future Shock is better known due to the hit status of “Rockit”. Basically, I chose this album because I don’t think the listening club should limit itself only to classic 70s funk, and Perfect Machine is a good example of funk’s evolution and fusion with more electronic styles. Also, it’s lots of fun!
― Tuomas, Monday, 3 May 2010 17:51 (fifteen years ago)
One question that came to my mind when writing about Betty Davis: why are there so many well-known female soul singers but so few in funk? I guess funk is inherently a more masculine genre than soul, but what makes it so?
― Tuomas, Monday, 3 May 2010 17:56 (fifteen years ago)
those are some cool fucking album covers.
― tart w/ a heart (a hoy hoy), Monday, 3 May 2010 17:59 (fifteen years ago)
Yeah, the Leon Thomas cover especially is one of my favourites of all time.
― Tuomas, Monday, 3 May 2010 18:00 (fifteen years ago)
why are there so many well-known female soul singers but so few in funk?
There's Ruth Copeland.
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 18:08 (fifteen years ago)
Interesting choices. Tuomas. Betty White album rules, Dunno the Leon Thomas at all, and an interesting Herbie Hancock, and my friday funk bonus pick will be a companion to it!
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 18:10 (fifteen years ago)
I would call Betty Davis a great album, though I think I prefer They Say I'm Different. It's possible that the novelty of a female funk performer is a factor, but that album is simply badass. There's a real cognitive dissonance to something like "If I'm In Luck, I Might Get Picked Up" when it's clear that Davis doesn't need to wait around for some fairly limp-sounding dude to pick her up.
I'm sure most of you have heard the infamous line from Betty's former husband, Miles Davis, that "Betty was too wild for me."
― elephant rob, Monday, 3 May 2010 18:14 (fifteen years ago)
Updated funk club Spotify playlist http://open.spotify.com/user/pfunkboy/playlist/3MgBpnaCdBMRHwXbeVFMb9
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 18:16 (fifteen years ago)
Oh yeah, I guess I should warn that even though Blues and the Soulful Truth is much less jazzy than the previous two Leon Thomas albums, there is some jazz on it, especially on "Gypsy Queen". But I can't imagine anyone on this thread being afraid of jazz.
"Gypsy Queen" also has one my favourite record sleeve credits of all time: Firecrackers by Leon Thomas, Pee Wee Ellis, Lillian Seyfert and Tony May. You can actually hear the firecrackers on that track!
― Tuomas, Monday, 3 May 2010 18:18 (fifteen years ago)
I would call Betty Davis a great album, though I think I prefer They Say I'm Different. It's possible that the novelty of a female funk performer is a factor, but that album is simply badass.
Oh yeah, They Say I'm Different is nice too. I think that album has better lyrics (and more obviously feminist lyrics too, like you said "If I'm In Luck, I Might Get Picked Up" is an odd choice of phrase on the first album), and somewhat better songs too. But I think the backing band on it is weaker and kinda less funky, which is why I chose the debut album here.
― Tuomas, Monday, 3 May 2010 18:22 (fifteen years ago)
huh never even heard of the Leon Thomas, very curious. Great cover. (and Pee Wee Ellis is a JB sideman, no?)
don't know that particular Herbie album either but am in general a big fan of his electro/funk stuff.
Betty Davis is classic but agree with elephant that "They Say I'm Different" probably woulda been my pick. Lyrics are classic obviously, but yeah the grooves are monster. And this one has the Journey dude on it too, right? lolz. never heard the bonus tracks, are they on a par with the rest of the album...?
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 3 May 2010 18:24 (fifteen years ago)
as far as women in funk goes there are some greats, but most of them were ensemble/groups (Labelle, Parlet, the Brides of Funkenstein) or fronting other people's bands (Lynn Collins) - Betty stands out as a bandleader/songwriter/producer, which is a fairly unique combo in the genre.
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 3 May 2010 18:25 (fifteen years ago)
funk wasn't nearly as retrograde sexist as reggae, for example
Also, They Say I'm Different has pretty awesome title/cover image combination:
http://lamortdudisque.files.wordpress.com/2008/06/betty-theysay.jpg
― Tuomas, Monday, 3 May 2010 18:27 (fifteen years ago)
Cant beat a bit of Parlet or Brides Of Funkenstein.
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 18:27 (fifteen years ago)
Tuomas you can change your album pick if you want
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 18:28 (fifteen years ago)
I think it makes sense to hear her albums in order, so I think starting with Betty Davis is wise (and my wording was unclear: I actually meant "Betty Davis" is badass--I kind of enjoy that cognitive dissonance). "They Say" is definitely less tight than BD, but "They Say"'s title track is my favorite song of hers.
IIRC, the bonus tracks on BD are superb, maybe even rivaling the album proper (the reissue is on Lala btw).
― elephant rob, Monday, 3 May 2010 18:30 (fifteen years ago)
(and Pee Wee Ellis is a JB sideman, no?)
I think so, yeah. The album features some other well-known instrumentalists too: "Pretty" Purdie, Stanley Clarke, Airto Moreira, Cornell Dupree, Larry Coryell...
― Tuomas, Monday, 3 May 2010 18:31 (fifteen years ago)
betty's 'dedicated to the press' off Nasty Gal is immense
― went ham in a bad way (stevie), Monday, 3 May 2010 19:10 (fifteen years ago)
hey funkateers ILX R&B LISTENING CLUB week two: The Isley Brothers, Mary J. Blige, Robin Thicke has the isley brothers classic funk album 3+3 this week.
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 19:42 (fifteen years ago)
Pretty interesting that everyone here seems to know Betty Davis, but no one is familiar with the Leon Thomas - I kinda expected it to be the other way around. Has there been some sort of rise in her profile recently? When I came across her first two albums years ago in a local record store, I had no idea who she was, I just liked the album covers and song titles, and decided to give them a listen. I had read the Miles Davis autobiography in my youth, but I had no idea it was the same Betty who was married to Miles. Does Miles even mention Betty's funk career in the book? It's been so long since I read it that I can't remember.
― Tuomas, Monday, 3 May 2010 20:19 (fifteen years ago)
her records have been rereleased several times of late, and am sure i've read pieces in MOJO on her. love leon's stuff w/pharoah sanders, must check out his solo stuff.
― went ham in a bad way (stevie), Monday, 3 May 2010 20:25 (fifteen years ago)
^^^exactly what I was about to say
― elephant rob, Monday, 3 May 2010 20:27 (fifteen years ago)
wasn't she on the biggest record of the past 5 years or was it betty *somethingelse* on the carter iii?
― tart w/ a heart (a hoy hoy), Monday, 3 May 2010 20:30 (fifteen years ago)
betty swallocks?
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 20:31 (fifteen years ago)
xpThat was Betty Wright.
― elephant rob, Monday, 3 May 2010 20:46 (fifteen years ago)
Speaking of rap and Betty Davis, there's a nice rap version of "Anti Love Song" called "The Anti-Love Movement" (featuring Talib Kweli) on this album.
― Tuomas, Monday, 3 May 2010 20:52 (fifteen years ago)
In September 2009 Light in the Attic Records reissued Nasty Gal and her unreleased 4th studio album recorded in 1976, re-titled as Is It Love or Desire? (the original title was Crashin' From Passion). Both reissues contained extensive liner notes and shed some light on the mystery of why her 4th album, considered possibly to be her best work by many members of her band, was shelved by the record label and remained unreleased for 33 years.
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 22:30 (fifteen years ago)
Great picks - I think! I don't know the Leon Thomas and Herbie Hancock albums but I'm looking forward to checking them out.
― seandalai, Monday, 3 May 2010 22:35 (fifteen years ago)
the HH felt more electro to me. Felt very late 80s too.
― Dastardly & Müttley Crüe (Herman G. Neuname), Monday, 3 May 2010 23:19 (fifteen years ago)
Leon Thomas was very good, but it did feel more jazzy. I did enjoy it though, thanks for turning me on to such a good album , Tuomas!
― Dastardly & Müttley Crüe (Herman G. Neuname), Tuesday, 4 May 2010 00:20 (fifteen years ago)
Has anyone heard that previously unreleased 4th betty davis album?
― pfunkboy (Herman G. Neuname), Tuesday, 4 May 2010 00:33 (fifteen years ago)
http://ecx.images-amazon.com/images/I/419mZK-oTAL._SL500_AA300_.jpg
― pfunkboy (Herman G. Neuname), Tuesday, 4 May 2010 01:51 (fifteen years ago)
I think it's great!
― This is four-dimensional art; the 4th dimension is incredibly powerful. (Abbott), Tuesday, 4 May 2010 02:16 (fifteen years ago)
wtf that's not her on the cover (is it?)
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, 4 May 2010 02:56 (fifteen years ago)
Yeah, I know it's kind of a borderline case, but I felt that Bootsy's basslines and Sugarfoot's vocals made it more funk than some other electro records with synth bass and fully vocoderized vocals. At least it should raise some questions about the definition of "funk"... Should an album be played with "proper" instruments (drums, guitar, bass, keyboards + optional horns) for it to count as funk, or is enough if it sounds "funky"? (Of course, even if you find the latter definition better, it can't be stretched too far, otherwise you'd have to count lots of rap/house/breakbeat/etc records as "funk" too.) With Perfect Machine, you have Bootsy on "proper" bass, a combination of "proper" funk vocals and vocoders, and Herbie playing some "proper" keyboards, but everything else is done with synths, drum machines, and turntables. Is that enough for funk?
― Tuomas, Tuesday, 4 May 2010 07:36 (fifteen years ago)
No prob! BatST is such a little known gem (as is Leon Thomas' whole solo career) that it's always nice to introduce it to new people. I did consider choosing Full Circle, Thomas' next studio album which is a straight soul/funk with little jazz on it, rather than BatST... But Full Circle is the weakest of his studio albums (though it's still pretty good), and it isn't on Spotify, plus it's kinda hard to find even a physical copy of it. That said, I think the only real jazz piece on BatST is "Gypsy Queen". All the other tunes fall into a funk/soul/blues continuum, at least according to my ears.
― Tuomas, Tuesday, 4 May 2010 11:41 (fifteen years ago)
Yeah, a lot of blues on it too (not surprising considering there's covers of 2 very well known blues tracks)
― pfunkboy (Herman G. Neuname), Tuesday, 4 May 2010 13:41 (fifteen years ago)
Really not a fan of Betty Davis' voice
― Football's Flocking Home (Tom D.), Tuesday, 4 May 2010 13:46 (fifteen years ago)
What about the music?
― pfunkboy (Herman G. Neuname), Tuesday, 4 May 2010 14:08 (fifteen years ago)
It's fine, I'm surprised at Tuomas liking it as it's very rock in places, more so even than Funkadelic in some ways
― Football's Flocking Home (Tom D.), Tuesday, 4 May 2010 15:06 (fifteen years ago)
Maybe cuz it's a female singer? That makes a difference round here to some.
― pfunkboy (Herman G. Neuname), Tuesday, 4 May 2010 15:28 (fifteen years ago)
okay, I'm sold on Funkadelic /Standing On The Verge Of Getting It On - offically essential in my book now!
― De que estas hablando? (Tannenbaum Schmidt), Tuesday, 4 May 2010 15:31 (fifteen years ago)
yes!! It's many pfunk fans fave Funkadelic. Definitely the Eddie Hazel fans fave.
― pfunkboy (Herman G. Neuname), Tuesday, 4 May 2010 15:37 (fifteen years ago)
Doesn't Tuomas like early Funkadelic though? it's just that he prefers Parliament more.
― pfunkboy (Herman G. Neuname), Tuesday, 4 May 2010 18:04 (fifteen years ago)
http://img704.imageshack.us/img704/7610/bdfront.jpg
...the woman too wild for Miles!
― De que estas hablando? (Tannenbaum Schmidt), Tuesday, 4 May 2010 19:07 (fifteen years ago)
TBH, in my blurb I specifically didn't want to make any references to Miles, as I thought Betty should be judged by her own merits. When I first heard the first two Betty Davis albums I had no idea she was Miles' ex, in fact I knew nothing of her backstory, I just liked the music. I think it's pretty crass that at this day and age an album by a female musician needs to be marketed by referencing her famous boyfriend, and by quoting another famous male musician about her looks on the album cover. Can you imagine a similar marketing strategy with any male singer?
― Tuomas, Tuesday, 4 May 2010 19:33 (fifteen years ago)
Checking out Chairmen Of The Board just now - some nice bits, especially early on, but it's not sticking as anything special
― Ismael Klata, Tuesday, 4 May 2010 19:34 (fifteen years ago)
You dont even like the trilogy??
― pfunkboy (Herman G. Neuname), Tuesday, 4 May 2010 23:44 (fifteen years ago)
I just find the trilogy as exciting as anything in music
― pfunkboy (Herman G. Neuname), Wednesday, 5 May 2010 13:31 (fifteen years ago)
Tuomas, I hear you; I thought the blurbs were amusing as they don't even reference the musical strengths of the album.
I've listened to all 3 of your choices now.
I like quite a bit of Herbie's stuff from his lates 70s/early 80s period, but imo Perfect Machine has 3 pretty good tracks - which largely fail to transcend the period in which they were made (they sound less appealing as time passes) and the rest is interesting but not successful. Those 3 tracks being the title track, Vibe Alive and Maiden Voyage/P.Bop.
Herbie was the only one that I had heard before.
Listened to Betty Davis on my lunch hour - enjoyed it! ansd gonna listen to it again - there was a run of great tracks towards the end but I didn't look at the track titles when they came on - basically everything after the "I. Miller Shoes" song made me prick up my ears. So, I think a second listen to the album will be even more rewarding/enjoyable.
One listen yesterday afternoon of Leon - was a bit bored tbh - didn't excite me.
― De que estas hablando? (Tannenbaum Schmidt), Wednesday, 5 May 2010 14:25 (fifteen years ago)
This date suit you , tom?10/5 - a hoy hoy Winston17/5 - Tannenbaum Schmidt24/5 - Ismael Klata (Not a rangers fan honestly)31/5 - funksclovetu7/6 - Seandalai Funkify14/6 - moka Funka21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - pfunkboy12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D
― pfunkboy (Herman G. Neuname), Wednesday, 5 May 2010 14:35 (fifteen years ago)
If there are any funk albums left for me to recommend, yes!
― Football's Flocking Home (Tom D.), Wednesday, 5 May 2010 14:40 (fifteen years ago)
I think the weirdest thing in the cover sticker is "first official reissue". I checked my CD copy of Betty Davis and it was published in 2000, I guess it it isn't official then? But the sound quality on it is fine, it doesn't sound like it was mastered from vinyl or anything. And according to Discogs there was an even earlier reissue by another label that came out in 1993.
― Tuomas, Wednesday, 5 May 2010 14:50 (fifteen years ago)
Betty sounding super seductive on the last track, "I will take that ride" - makes me wish more of this album was like this.
― De que estas hablando? (Tannenbaum Schmidt), Wednesday, 5 May 2010 15:21 (fifteen years ago)
Pfunk, wish you'd funkafied my name in that schedule reminder up above
― De que estas hablando? (Tannenbaum Schmidt), Wednesday, 5 May 2010 15:23 (fifteen years ago)
i couldnt think of one other than Tannenfunkybum Schmidt.
― pfunkboy (Herman G. Neuname), Wednesday, 5 May 2010 15:28 (fifteen years ago)
Yo! Tannenbaum more apt for the Hip Hop thread
― Football's Flocking Home (Tom D.), Wednesday, 5 May 2010 15:31 (fifteen years ago)
he doesnt need a krautrock name either, tom does though.
― pfunkboy (Herman G. Neuname), Wednesday, 5 May 2010 15:35 (fifteen years ago)
I'm trying find a source for this, but I remember when the Light in the Attic reissues came out reading that all previous reissues had been bootlegs and Davis hadn't seen a dime from them. In fact, iirc, she was living in very poor circumstances in Philly.
Oh, and I agree on the objectification stuff--I only brought up that Miles quote because it relates to the frankness of her lyrics. Her shows were picketed by Christian groups for advocating S&M, I heard.
― elephant rob, Wednesday, 5 May 2010 16:08 (fifteen years ago)
FWIW: http://www.xlr8r.com/news/2007/04/betty-davis-gets-reissued
― elephant rob, Wednesday, 5 May 2010 16:13 (fifteen years ago)
did the same Christian groups picket the ohio players?
― pfunkboy (Herman G. Neuname), Wednesday, 5 May 2010 16:45 (fifteen years ago)
I have no idea! I'm sure they weren't pleased about the OP, but the fact that a woman was singing about S&M was surely worse in their eyes.
― elephant rob, Wednesday, 5 May 2010 18:54 (fifteen years ago)
those covers were S&M pervtastic too though!
― pfunkboy (Herman G. Neuname), Wednesday, 5 May 2010 21:25 (fifteen years ago)
have you seen the fold out for Honey? Pure filth.The Ohio Players Best 1970's Album (Album Covers pics contained maybe NSFW)
and
nsfw btw
― pfunkboy (Herman G. Neuname), Wednesday, 5 May 2010 21:26 (fifteen years ago)
maybe elephant rob is waiting until he gets home to look?
― pfunkboy (Herman G. Neuname), Wednesday, 5 May 2010 23:11 (fifteen years ago)
I listened to the newly released Betty Davis and I'm liking it. One of the tracks really stood out but I forgot to take note of the title. I dont think anyone who likes the 1st 3 albums will be disappointed.
― pfunkboy (Herman G. Neuname), Wednesday, 5 May 2010 23:56 (fifteen years ago)
Sam put it on while you drink your beers!
― pfunkboy (Herman G. Neuname), Thursday, 6 May 2010 00:03 (fifteen years ago)
ha maybe. let me drop a gem on 'em first.
― tart w/ a heart (a hoy hoy), Thursday, 6 May 2010 00:06 (fifteen years ago)
a what?
― pfunkboy (Herman G. Neuname), Thursday, 6 May 2010 02:47 (fifteen years ago)
OK, I guess I'll volunteer to do the week after Tom, if these are still going in August. Can't provide Spotify links but I won't choose anything impossibly rare. Pfunkboy can call me Von Bootee!
Throwing on Leon Thomas now, looking forward to the yodeling...
― too dancy, rocking, jazzy, funky or american (Myonga Vön Bontee), Thursday, 6 May 2010 04:04 (fifteen years ago)
Unfortunately the fact that BatST is a more straightforward funk/soul effort means that there's yodeling only on one or two tracks. If yodeling is what you want, check out the first two Leon Thomas albums (Spirits Known and Unknown and The Leon Thomas Album).
― Tuomas, Thursday, 6 May 2010 06:17 (fifteen years ago)
10/5 - a hoy hoy Winston17/5 - Tannenbaum Schmidt24/5 - Ismael Klata (Not a rangers fan honestly)31/5 - funksclovetu7/6 - Seandalai Funkify14/6 - moka Funka21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - pfunkboy12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!
there we go. At this point we have more volunteers for picking albums than listeners/posters!Post your thoughts on the albums folks!
― pfunkboy (Herman G. Neuname), Thursday, 6 May 2010 14:26 (fifteen years ago)
I'll be posting my friday bonus funk pick at midnight.
― pfunkboy (Herman G. Neuname), Thursday, 6 May 2010 15:28 (fifteen years ago)
finally settled on my three choices for when I'm due to choose.
pfunk, what should I listen to next by Funkadelic/Parliment after seriously getting into "Standing On The Verge...." - shamefully know little by them
― De que estas hablando? (Tannenbaum Schmidt), Thursday, 6 May 2010 15:48 (fifteen years ago)
Prob. "Maggot Brain" for Eddie Hazel in full effect. "Let's Take It to the Stage" is quite similar to "Standing On The Verge" in some ways.
― Am I Re-elected Yet? (Tom D.), Thursday, 6 May 2010 15:54 (fifteen years ago)
yeah the 1st 3 probably. Standing... is from the classic middle period.
― pfunkboy (Herman G. Neuname), Thursday, 6 May 2010 15:59 (fifteen years ago)
dude be patient these guys are bound to take up a fair chunk of recommendations on this thread
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Thursday, 6 May 2010 16:01 (fifteen years ago)
have a read at
http://www.duke.edu/~tmc/motherpage/discog-funkadelic.html
then http://www.duke.edu/~tmc/motherpage/discog-top.html
― pfunkboy (Herman G. Neuname), Thursday, 6 May 2010 16:01 (fifteen years ago)
the thing is their catalog is deep AND wide - there's a lot in there, and not all of it is of a piece. the first couple Funkadelic albums bear little to no resemblance to, say, late-period Parliament.
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Thursday, 6 May 2010 16:26 (fifteen years ago)
xpost: yeah, I've heard Maggot Brain and didn't like/understand it. But those links, pfunk, help in placing their mid-period so I'll check albums immediately before and after "Standing On The Verge"
― De que estas hablando? (Tannenbaum Schmidt), Thursday, 6 May 2010 16:39 (fifteen years ago)
So, anybody have anything more to say about this week's albums? I thought they would raise a little more discussion.
― Tuomas, Thursday, 6 May 2010 16:44 (fifteen years ago)
I think the mid-period stuff is wildly underrated - the run from Cosmic Slop through Tales of Kidd Funkadelic is remarkably consistent and probably the most deeply rewarding. The period often gets overlooked by the rock fans on the one hand who prefer the earliest, fuzzed out/prot-metal material and also by the dance fans who like the later bubbly, synth-heavy, hit-laden stuff (i.e., One Nation Under a Groove and on). But the middle period stuff is FULL of amazing sounds, its where Clinton hit his stride as a producer, and where Bernie Worrell comes to the for, but there's still plenty of guitar heroics, great riffs, Temptations-style group vocals, and loopy concepts. Honestly this is the stuff I pull out most often.
My recommendation for where to go after Standing would be Cosmic Slop, tbh.
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Thursday, 6 May 2010 16:48 (fifteen years ago)
sorry Tuomas I haven't gotten to the Herbie yet, been a busy week for me!
Unfortunately the fact that BatST is a more straightforward funk/soul effort means that there's yodeling only on one or two tracks.
Oh don't worry, I know where to find the yodeling if I need it, thanks! Pretty enjoyable LP overall, nice variety in vocal approaches and instrumentation. Didn't care much for the two blues standards, I've heard enough cover versions over the years.
― too dancy, rocking, jazzy, funky or american (Myonga Vön Bontee), Thursday, 6 May 2010 16:53 (fifteen years ago)
The Betty Davis album slams hard - all her albums do - and the woman herself makes for stunning album cover art. But yeah, her screech can be a little hard to take after listening awhile. (Approaches sheer white noise at times, practically!) Still, I'm glad these records were made, and glad that they're all available again.
― too dancy, rocking, jazzy, funky or american (Myonga Vön Bontee), Thursday, 6 May 2010 17:14 (fifteen years ago)
thread full of lols + me defending Betty's catalog against some jerks
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Thursday, 6 May 2010 17:29 (fifteen years ago)
the mid period is a lot of pfunk fans fave because its the funk-rock period where eddie hazel writes most of it, after that he was incarcerated I think.
― pfunkboy (Herman G. Neuname), Thursday, 6 May 2010 17:47 (fifteen years ago)
Drunk rather than incarcerated, I fear
― Am I Re-elected Yet? (Tom D.), Thursday, 6 May 2010 17:49 (fifteen years ago)
no, i believe he was in and out of jail, possibly due to addiction
― pfunkboy (Herman G. Neuname), Thursday, 6 May 2010 17:52 (fifteen years ago)
It was the booze that killed him though
― Am I Re-elected Yet? (Tom D.), Thursday, 6 May 2010 17:53 (fifteen years ago)
20 years later!
― pfunkboy (Herman G. Neuname), Thursday, 6 May 2010 17:54 (fifteen years ago)
smoking angel dust on a plane, is the legend
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Thursday, 6 May 2010 18:10 (fifteen years ago)
Sorry pfunkboy! I did indeed leave work for the day right after posting (though there actually isn't a lot that isn't safe where I work...now you probably all think I work in pr0n, ha). Those OP covers are pretty shocking and I'm sure they pissed somebody off here in the land of the free. I wish I could find a credible source for these stories I dimly recal, but my understanding is some Xtian group actually got Davis's tour canceled/shut down?
― elephant rob, Thursday, 6 May 2010 18:15 (fifteen years ago)
They shock now, so just imagine how shocking they were then. So you're the 2nd ilxor to work in pr0n then? ;)
― pfunkboy (Herman G. Neuname), Thursday, 6 May 2010 18:16 (fifteen years ago)
Well, I do work in (book) publishing...
God, that old Betty Davis thread is not a fun read. I have a shitty ear, and I don't want to reopen this "debate" but I always thought she had a pretty nice voice. I can't think of anyone else who could sing "They Say I'm Different" the way she does.
― elephant rob, Thursday, 6 May 2010 18:47 (fifteen years ago)
Heh, I made a coupla fairly obnoxious (intentionally) full-o-shit remarks on that thread! (Didn't say anything bad about Betty, mind.)
― too dancy, rocking, jazzy, funky or american (Myonga Vön Bontee), Thursday, 6 May 2010 21:17 (fifteen years ago)
Pfunkboy's Friday Funk Bonus Pick
This one will compliment Tuomas' picks.
Herbie Hancock - Manchildhttp://www.dustygroove.com/images/products/h/hancoc_herb_manchild~_101b.jpgSpotify Link
Herbie's funkiest album IMO. Hope you all enjoy it as much as I do.
AMG review
Perhaps the funkiest album of Herbie Hancock's early- to mid-'70s jazz/funk/fusion era, Man-Child starts off with the unforgettable "Hang Up Your Hang Ups," and the beat just keeps coming until the album's end. "Sun Touch" and "Bubbles" are slower, but funky nonetheless. Hancock is the star on his arsenal of keyboards, but guitarist Wah Wah Watson's presence is what puts a new sheen on this recording, distinguishing it from its predecessors, Head Hunters and Thrust. Others among the all-star cast of soloists and accompanists include Wayne Shorter on soprano sax, Stevie Wonder on chromatic harmonica, and longtime Hancock cohort Bennie Maupin on an arsenal of woodwinds.
Please still discuss the other album, this is just a bonus pick, which I think compliments the album Tuomas picked, which you can also discuss.
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 00:57 (fifteen years ago)
And if a mod is reading this , could they please perhaps add the bonus to the thread title, it might entice in others who had already finished with the weeks pics.
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 01:13 (fifteen years ago)
friday funk bonus bump
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 10:08 (fifteen years ago)
I'm sure Tuomas will approve of this album
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 14:26 (fifteen years ago)
late pass but that dr. john is... well it reminds me of that 30 rock joke- (kenneth: do you not remember your wedding vows? tracy: to be honest I could barely understand a word rick james was saying.) funky but my mind ain't clear enough and my booty not in the mood for shaking.
― tart w/ a heart (a hoy hoy), Friday, 7 May 2010 14:35 (fifteen years ago)
Hungover?
Today, sam is tony adams
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 15:43 (fifteen years ago)
nah, tory hate instead of booze.
― tart w/ a heart (a hoy hoy), Friday, 7 May 2010 15:48 (fifteen years ago)
Go listen to Chocolate City then
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 15:50 (fifteen years ago)
Tuomas are you a fan of this Herbie Hancock album?
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 17:54 (fifteen years ago)
I am. dl'd it recently but I'd heard bits of it before. definitely peak prot-electro funk period for him.
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Friday, 7 May 2010 18:03 (fifteen years ago)
I bought it in a 3cd box I think it was back in the 90s. Loved it from the moment I heard it. It is really funky.
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 18:08 (fifteen years ago)
And funnily enough, it doesnt sound dated at all unlike the 80s stuff.
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 18:09 (fifteen years ago)
Yup, its a 3xCD box of Headhunters,Man-Child and Future Shock. It's even on Spotify in this form.
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 18:10 (fifteen years ago)
that's an odd combo - Thrust seems like a more logical match for the others than Future Shock
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Friday, 7 May 2010 18:20 (fifteen years ago)
Probably 2 well known albums in with a less well known one so it still sells.
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 18:40 (fifteen years ago)
me hungover earlier today with my signed! copy of HH; also enjoyed listening to Man-Child again this afternoon.
http://img263.imageshack.us/i/herbie.jpg/
― De que estas hablando? (Tannenbaum Schmidt), Friday, 7 May 2010 19:02 (fifteen years ago)
http://www.chromogenik.com/misc/herbie.jpg
― De que estas hablando? (Tannenbaum Schmidt), Friday, 7 May 2010 19:04 (fifteen years ago)
I blame Sam for this trend
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 20:04 (fifteen years ago)
cheers jj
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 21:23 (fifteen years ago)
Hmm, for some reason I've never acquired a copy of Man-Child, even though I like it and I own all the other Herbie albums between Mwandhishi and Sunlight. I agree with Herman that it is very good, but I'm not sure if it's Herbie's funkiest... I'd say that title goes to Secrets ("Spider" off that album sounds like a theme to some lost blaxploitation flick), though Man-Child isn't far, and it's probably better as a whole than Secrets.
― Tuomas, Friday, 7 May 2010 22:10 (fifteen years ago)
Secrets is that the disco one? or is that feets dont fail me now? I have both (got very cheap) but cant say I've played them in over 10 years
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 22:14 (fifteen years ago)
i dont have sunlight
heh
Feets Don't Fail Me Now (1979)
Herbie Hancock's electric records up until this point were marked by intelligence and adventure, even at their most earthy. But no, this one doesn't have an ounce of either. Herbie falls hook, line and sinker for the disco fad and submerges his personality underneath the plastic vocals and four-on-the-floor disco beat. Hancock's own gauzy vocals through a Sennheiser vocoder are embarrassing, and even his synthesizer work sounds coarse and gimmicky. This time, even the purists were right; this is of no interest to jazz listeners and it isn't even good disco. ~ Richard S. Ginell, All Music Guide
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 22:16 (fifteen years ago)
Yeah, Feets Don't Fail Me is the disco one. It has a couple of awesome stompers on it. The reason I feel Secrets is the funkiest Herbie album is cause it puts so much weigth on the bass and rhythm guitar - basically it's a showcase for Wah Wah Watson.
Sunlight, alongside Lite Me Up and a couple of others, has been reissued by the French branch of Columbia, they're not part of Columbia/Sony's "Legends" series, that's why they're harder to find than most Herbie reissues. You should definitely check it out though, it has some lovely pieces of breezy vocoder disco, plus a weird, angular fusion piece with Tony Williams and Jaco Pastorius.
― Tuomas, Friday, 7 May 2010 22:25 (fifteen years ago)
wah wah watson is on manchild though!
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 22:27 (fifteen years ago)
Yeah, but he's more prominent on Secrets.
― Tuomas, Friday, 7 May 2010 22:28 (fifteen years ago)
They're all on Spotify, Tuomas. I might give them a go but I cant see me liking it. Not a big disco fan, it killed off a lot of funk, and I find that unforgivable! (i do like some early stuff, and next weeks bonus pick will be one of those, its smoking hot, funky as shit and an all-time classic, but that's all i'm gonna say)
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 22:30 (fifteen years ago)
Well, Sunlight is less disco than Feets, it's not that far from Man-Child except that it has a softer, sweeter sound and vocoder vocals.
― Tuomas, Friday, 7 May 2010 22:33 (fifteen years ago)
xpost: Really? I've seen "Sunlight" around quite often over the last few years. I guess Sony's last bunch of CDs pressed went.
I love "I Thought It Was You" offa Sunlight. Agree with Tumoas, its worth checking (its on Spotfiy) - the disco/electro/vocoder/funk of "I Thought It Was You" and the closing "Good Question" which is like a improv-jazz jam on all the cool new funk and electro instruments Herbie was toying with. Basically everyone goes crazy and its great.
― De que estas hablando? (Tannenbaum Schmidt), Friday, 7 May 2010 22:36 (fifteen years ago)
yeah I'm giving Sunlight a listen now, but I'm not a fan of vocoder really.
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 22:37 (fifteen years ago)
Not a big disco fan, it killed off a lot of funk, and I find that unforgivable! (i do like some early stuff, and next weeks bonus pick will be one of those, its smoking hot, funky as shit and an all-time classic, but that's all i'm gonna say)
hmmmm.... hope it's not something that 2 Live Crew sampled from.... I got that lined up.
― De que estas hablando? (Tannenbaum Schmidt), Friday, 7 May 2010 22:39 (fifteen years ago)
but I'm not a fan of vocoder really.― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 22:37 (2 minutes ago) Bookmark
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 22:37 (2 minutes ago) Bookmark
you're probably not gonna like my picks for when I'm due!
― De que estas hablando? (Tannenbaum Schmidt), Friday, 7 May 2010 22:40 (fifteen years ago)
pm me with your picks funkybum! I'll let you know.
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 22:42 (fifteen years ago)
or email me at my username @ g mail (not herman)
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 22:43 (fifteen years ago)
argh you didnt include email to reply to
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 22:56 (fifteen years ago)
oh i'll pm you that now!
― De que estas hablando? (Tannenbaum Schmidt), Friday, 7 May 2010 22:59 (fifteen years ago)
got it (but i already had pm'd you here but i emailed you it too)
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 23:03 (fifteen years ago)
yeah got it. will think include the one I wasn't gonna if I can get a Friday bonus for the other one.
― De que estas hablando? (Tannenbaum Schmidt), Friday, 7 May 2010 23:07 (fifteen years ago)
agree, the one I wasn't should be here!
friday bonus is all me me me! (its cuz i cant wait 2 months for another shot haha)
but feel free to email me suggestions for friday bonus, i might agree with you.
anyway email me back with what you plan.
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 23:09 (fifteen years ago)
Sunlight just washed all over me..
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 23:22 (fifteen years ago)
tannenbaum email me
― pfunkboy (Herman G. Neuname), Friday, 7 May 2010 23:38 (fifteen years ago)
gotcha, a swap is on
― pfunkboy (Herman G. Neuname), Saturday, 8 May 2010 00:57 (fifteen years ago)
Sunlight didn't really do anything for me, i didn't hate it or anything, it just wasnt as good as what preceded it. It's no man-child.
― pfunkboy (Herman G. Neuname), Saturday, 8 May 2010 03:11 (fifteen years ago)
Dare I listen to Feets again?
― pfunkboy (Herman G. Neuname), Saturday, 8 May 2010 13:31 (fifteen years ago)
Sam you need to say which player Man-Child is.
― pfunkboy (Herman G. Neuname), Saturday, 8 May 2010 19:26 (fifteen years ago)
What's Man Child again? Sorry, I'm running behind on all these polls this week. I blame ilx's own Clint Dempsey.
― tart w/ a heart (a hoy hoy), Saturday, 8 May 2010 19:29 (fifteen years ago)
ew also called it a poll instead of a lc.
― tart w/ a heart (a hoy hoy), Saturday, 8 May 2010 19:31 (fifteen years ago)
It's THE ILM FUNK LISTENING CLUB! Vol #3: May 3 - May 9 with Leon Thomas, Betty Davis and Herbie Hancock... (NOW WITH BONUS FRIDAY HERBIE HANCOCK - MANCHILD CONTENT) All ILXors and lurkers welcome.
― pfunkboy (Herman G. Neuname), Saturday, 8 May 2010 20:00 (fifteen years ago)
What age Herbie is it? Because I've not really liked anything post-Sextant that I've heard so far.
― tart w/ a heart (a hoy hoy), Saturday, 8 May 2010 20:03 (fifteen years ago)
you dont like Headhunters??
― pfunkboy (Herman G. Neuname), Saturday, 8 May 2010 20:04 (fifteen years ago)
Man-Child is from 75
We've gone through this before- not really, no. It's all a bit too wanky souljazzcompilation for me.
― tart w/ a heart (a hoy hoy), Saturday, 8 May 2010 20:05 (fifteen years ago)
you mentalist. You are fabianski
― pfunkboy (Herman G. Neuname), Saturday, 8 May 2010 20:54 (fifteen years ago)
Not even denying it!
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 01:07 (fifteen years ago)
Anyway Man-Child is thoroughly funky and if you dont like it you are Sir Winston D'Voidoffunk
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 14:34 (fifteen years ago)
And be ready to post your albums at midnight10/5 - a hoy hoy Winston17/5 - Tannenbaum Schmidt24/5 - Ismael Klata (Not a rangers fan honestly)31/5 - funksclovetu7/6 - Seandalai Funkify14/6 - moka Funka21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - pfunkboy12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 17:09 (fifteen years ago)
ha, i'm at work at midnight. can i email you my picks and you post them?
― tart w/ a heart (a hoy hoy), Sunday, 9 May 2010 19:43 (fifteen years ago)
sure, I would imagine you will be sleeping all day and not exactly wanting to post them when you get home.
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 19:46 (fifteen years ago)
username@ g mail dot com
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 19:48 (fifteen years ago)
i just did it over the ilx webmail
― tart w/ a heart (a hoy hoy), Sunday, 9 May 2010 19:49 (fifteen years ago)
you get it?
― tart w/ a heart (a hoy hoy), Sunday, 9 May 2010 19:53 (fifteen years ago)
yup. cant reply to you though as you didnt give me a reply address
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 20:09 (fifteen years ago)
if you want you can just post them just now along with any blurbs you provide. Makes more sense really.
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 20:13 (fifteen years ago)
samuel pooley @ gmail . com
― tart w/ a heart (a hoy hoy), Sunday, 9 May 2010 20:15 (fifteen years ago)
nah, too busy loving the yooouuutuuube vid thread.
― tart w/ a heart (a hoy hoy), Sunday, 9 May 2010 20:16 (fifteen years ago)
lol you lazy you you you (tell me who a lazy arsenal player is quick)
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 20:18 (fifteen years ago)
hah, I just realised i have your email anyway
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 20:19 (fifteen years ago)
I'm surprised you went for a modern pick, but I dont think a 90s RHCP album will go down well.
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 20:56 (fifteen years ago)
Sir Winston Samuel A-Hoy-D'Voidoffunk's picks (as emailed to me, but with added amg reviews)
#1Parliament - Motor Booty Affairhttp://newmind666.files.wordpress.com/2008/09/parliament-motor-booty-affair1.jpgAMG Review:
By this point Parliament was one of the most accomplished and intelligent bands in music. With albums like Mothership Connection and The Clones of Dr. Funkenstein, George Clinton's druggy and patently eccentric humor often obscured the enviable musicianship throughout. Motor Booty Affair is no doubt another classic album and the perfect follow-up to 1977's Funkentelechy Vs. the Placebo Syndrome. On Motor Booty Affair, Clinton decides to yuck it up more with a great underwater concept and a few of his stronger alter egos, including the rhythmically challenged Sir Nose D' Void of Funk and his friend Rumpofsteelskin. The deft and airy "Mr. Wiggles" has Clinton taking on the persona of Wiggles, the "DJ of the affair" as he says: "Mr. Wiggles here on roller skates and a yo-yo/Acting a fool." The hypnotic "Rumpofsteelskin" has a great bassline and inventive and infectious background vocals. The closest thing to a ballad here is the astrologically savvy "(You're a Fish and I'm A) Water Sign." The well-produced "Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)" with its handclaps and high-pitched basslines basically set the standards for the sound of R&B in the coming decade. The sleeper of the album, "One of Those Funky Things," is filled with timbales, congas, and Bernie Worrell's great synth signatures. The last track, "Deep," has great, understated riffs from the Horny Horns. Although many Parliament efforts can't be fully appreciated unless the whole catalogue is nearby, Motor Booty Affair stands on its own merits and sustains the laugh throughout.
#2 James Brown - Hellhttp://www.thefunkstore.com/CurrentCDs/StartUp/JamesBrown-Hell-CD-Cover.jpg
AMG Review:
Brown's early-'70s run of classic singles and good-to-great albums is still impressive. Hell was the double album released a year after the gold selling The Payback. To some, the title might put this effort in the realm of kitsch, but in many ways Hell was one of Brown's strongest albums. The album was the pinnacle of his work as the Minister of the Super New New Heavy Funk. From the tough and nimble Latin rhythms of "Coldblooded," and "Sayin' It and Doin' It" to the title track, all are prime pre-disco Brown. "My Thang" is probably as hard and unrelenting as he got without spontaneously combusting. The biggest surprise of Hell is that no matter how odd the song choices seemed, practically everything worked, excluding a few key songs of course. Both "When the Saints Go Marching In" and "Stormy Monday" don't belong in James Brown's catalogue, let alone the same album. Ballad-wise, Brown fares better. "These Foolish Things Remind Me of You" has him getting all warm and fuzzy as he inexplicably throws in an "I'm hurt, I'm hurt" for good measure. That song, as well as the weepers "A Man Has to Go to the Cross Road Before He Finds Himself" and "Sometime," were produced by David Matthews who could always get good ragged yet poised vocals from Brown. Although Brown did roll snake eyes on all of side three, he did leave Hell on a good note. "Papa Don't Take No Mess" is laid-back, funky jazz that's worth each of its 13-plus minutes. Despite a few detours, Hell is worth listening to.
Spotify Link
#3E.S.G.- Come Away With ESGhttp://2.bp.blogspot.com/_DA6F63mYW-Y/SmZqZqXbf_I/AAAAAAAAAYs/WGimKtVLeJA/s400/esg~~~~~~~~_comeawayw_101b.jpg
Dustygroove said
The only reall full length album that ESG ever cut back in the day -- and a great little set that's filled with tightly-snapping funk all the way through! The vibe here is one that strongly continues the groove laid down by the first ESG EP -- a hypnotic blend of simple basslines, vocal chants, and punchy percussion -- often produced with a bit of darkness in the mix, so that the music comes off sounding a lot colder than typical small combo funk! There's almost an arty post-punk sensibility to the music here -- a sound that got ESG an audience in places most other funk groups could never reach, and which still stands up tremendously over the years! Titles include "Moody (Spaced Out)", "The Beat", "Tiny Sticks", "Parking Lot Blues", "You Make No Sense", "My Love For You", "Chistelle", "Dance", "Come Away", and "It's Alright".
― pfunkboy (Herman G. Neuname), Sunday, 9 May 2010 23:07 (fifteen years ago)
Sam will tell us what Arsenal players they are when he gets home
― pfunkboy (Herman G. Neuname), Monday, 10 May 2010 01:57 (fifteen years ago)
Henry; Lehmann; that one season Wiltord was awesome, honest, I remember seeing it.
― tart w/ a heart (a hoy hoy), Monday, 10 May 2010 04:06 (fifteen years ago)
Naw, that was a dream.
― pfunkboy (Herman G. Neuname), Monday, 10 May 2010 13:51 (fifteen years ago)
off the cuff thoughts:
- Classic Parliament, was actually just listening to it yesterday in the car on the way to the park. Title track's bassline is probably my favorite moment, altho the whole album never lets up and is packed to the gills (sorry) with great bits. Wish I had the comic book that came with this originally. Inner photo of Clinton riding two dolphins in a cowboy suit with a boombox is such a great WTF image.- Don't think I've ever listened to the entirety of Hell, altho I know some of the tunes (including Papa Don't Take No Mess, which is prime stuff). will listen. Think I've always been suspicious of this one because of the weird-o song selection- Been aware of ESG for years (thx to back-in-the-day shoutouts from Luscious Jackson, lol) but never heard anything. this stuff used to be impossible to find. will dig in
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Monday, 10 May 2010 15:34 (fifteen years ago)
I love the souljazz ESG comp, so I'm looking forward to that one. Definitely more of a Funkadelic fan than Parliament, but I do like Funkentelechy.
― elephant rob, Monday, 10 May 2010 15:49 (fifteen years ago)
Funkentelechy is awesome. No doubt that will be picked by someone soon enough.
― pfunkboy (Herman G. Neuname), Monday, 10 May 2010 18:27 (fifteen years ago)
I'm weeks behind on these, but I'll chime in on the ESG -- excellent choice! I actually own that one already (in digital form, but still).
― wronger than 100 geir posts (MacDara), Monday, 10 May 2010 19:54 (fifteen years ago)
well you can comment on any of the albums at any time.
― pfunkboy (Herman G. Neuname), Monday, 10 May 2010 23:03 (fifteen years ago)
ESG album is awesome! Deserves to place in all essential album lists - there is NOTHING to find fault with about it. heard a bunch of the tracks before, and seen them live at least twice - so, so great and fun live with their daughters in tow.
Not yet heard the other two. Distracted by Ambient and HipHop club at the mo'
― De que estas hablando? (Tannenbaum Schmidt), Monday, 10 May 2010 23:09 (fifteen years ago)
the ambient club has brilliant albums this week so I cant really blame you i suppose but you gotta play the Parliament.
― pfunkboy (Herman G. Neuname), Tuesday, 11 May 2010 03:03 (fifteen years ago)
Sam, got anything to say to tempt people reading this, to listen to your choices?
― pfunkboy (Herman G. Neuname), Tuesday, 11 May 2010 13:21 (fifteen years ago)
funk music is awesome and made by awesome musicians.
also you suck if you dont like these records.
― tart w/ a heart (a hoy hoy), Tuesday, 11 May 2010 13:23 (fifteen years ago)
The ESG is great and while a lot of it is on that souljazz comp, I actually preferred the brevity and focus of this. I'm struggling in some of these clubs to find anything worth saying about stuff like James Brown (he's pretty good?). Not that I'm saying people shouldn't pick major albums or anything, just explaining my own lack of commenting.
― elephant rob, Tuesday, 11 May 2010 15:38 (fifteen years ago)
what ESG album is "Six Pack" off?
― De que estas hablando? (Tannenbaum Schmidt), Tuesday, 11 May 2010 16:43 (fifteen years ago)
I think that was just a single? Though it's on souljazz's sequel comp A South Bronx Story 2.
― elephant rob, Tuesday, 11 May 2010 19:29 (fifteen years ago)
Tannenbaum has traded me a friday bonus jazz pick for a funk one, so it will be interesting to see what he chooses, will find out in a few days! But please keep commenting on Sam's picks!
― pfunkboy (Herman G. Neuname), Tuesday, 11 May 2010 23:32 (fifteen years ago)
motor booty affair is for real og's only
― heartbreakin' 2: electric boohoohoo ;_; (m bison), Wednesday, 12 May 2010 02:02 (fifteen years ago)
James Brown never had an idea he didn't enjoy repeating ad nauseam― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, April 27, 2010 3:40 PM (2 weeks ago)
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Tuesday, April 27, 2010 3:40 PM (2 weeks ago)
Heh, was gonna answer "Yeah, howbout JB's Hell album, on which every single track is preceded by the sound of a gong?" And there it is! JB trying for a piece of the Kung Fu/Bruce Lee zeitgeist of '73-4, probably.
― Anything at all about Vikings (Myonga Vön Bontee), Wednesday, 12 May 2010 07:18 (fifteen years ago)
Haha, I need to check that out
― Ismael Klata, Wednesday, 12 May 2010 08:01 (fifteen years ago)
It's a bit patchy, but you just know that everyone has different favourite tracks they wouldn't leave out to make a single cd.
― pfunkboy (Herman G. Neuname), Wednesday, 12 May 2010 14:35 (fifteen years ago)
listening now - lol this version of Cold Blooded is totally different from the original
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Wednesday, 12 May 2010 15:35 (fifteen years ago)
also, who's the band on this...? I'm guessing that this is post-Maceo/Fred Wesley departure, the arrangements seem a little busier than what they would do. Drumming doesn't really sound like Jabo or Clyde either.
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Wednesday, 12 May 2010 15:40 (fifteen years ago)
speaking of which, jesus christ how many versions of Please Please Please did this guy record?!?
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Wednesday, 12 May 2010 15:50 (fifteen years ago)
lol wait I think I was mixing up Coldblooded with Cold Sweat before
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Wednesday, 12 May 2010 15:51 (fifteen years ago)
about 3 million?
― pfunkboy (Herman G. Neuname), Wednesday, 12 May 2010 16:18 (fifteen years ago)
That's a lot of Pleases
― "The Nail on the Bannister" by R. Stornoway (Tom D.), Wednesday, 12 May 2010 16:18 (fifteen years ago)
i wonder if anyone got any royalties they were due from it
― pfunkboy (Herman G. Neuname), Wednesday, 12 May 2010 17:06 (fifteen years ago)
oh please
― ₣õ®₭§©₤¤∵釰ƒü (forksclovetofu), Wednesday, 12 May 2010 17:12 (fifteen years ago)
naw, just bullshittin.Douglas is the right guy to ask JB q's to; I think he's the board expert.
― ₣õ®₭§©₤¤∵釰ƒü (forksclovetofu), Wednesday, 12 May 2010 17:13 (fifteen years ago)
It wasn't really a serious question..
― pfunkboy (Herman G. Neuname), Wednesday, 12 May 2010 18:22 (fifteen years ago)
who is in the band on Hell was a serious question!
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Wednesday, 12 May 2010 18:27 (fifteen years ago)
hmm Wesley left in '75 so he's probably on this, not sure about Maceo or the drummers though
― the sound of a norwegian guy being wrong (Shakey Mo Collier), Wednesday, 12 May 2010 18:29 (fifteen years ago)
I dont own the cd so i cant check
― pfunkboy (Herman G. Neuname), Wednesday, 12 May 2010 23:38 (fifteen years ago)
in general I'd say the album's uneven - I'm partial to the trance-inducing epics so obviously my favorite here is Papa Don't Take No Mess, and there's plenty of other nice, muscular workouts on it but on the whole it's a little too busy. JB works best as a minimalist in a lot of ways, the showier the arrangements, the less interesting he becomes.
― Limp Bizkit Virtual Raping Teddy Bear (Shakey Mo Collier), Wednesday, 12 May 2010 23:42 (fifteen years ago)
My James Brown jam is 'Lost Someone.' It's one of his rare moments of going into deep soul. I wish he had explored that kind of soul more.
― Jacob Sanders, Wednesday, 12 May 2010 23:46 (fifteen years ago)
Sorry pfunk to come late to this listening party, Thanks for making me listening to The Ohio Players again. I love the slow jam on that album. They still had moments of a soul vocal group on that album. By far my favorite of theirs. The Parliament and Funkadelic on this thread was fun listening to, but for me they start treading close to jamming land. I know that's my fault as a listening and not their fault. I love the Dr John Album! There needs to be more louisiana on this funk thread. Some Of the songs on that record remind me of Willie Tee.
― Jacob Sanders, Thursday, 13 May 2010 01:10 (fifteen years ago)
Echoing a thanks for the Dr. John mention on this thread. I got 'Destively Bonaroo' because of this thread and wound up getting a bunch of other Dr. John albums as a result. So good! I was put off because it seems he has worked to become, like Wynton Marsalis, a conservative guardian of NO music and has been pilloried for it (whenever I hear him it reminds me of Patton Oswalt's crack about Dr. John wearing a hat made of meat!) But listening to his early stuff and knowing he had worked with Spiritualized made me think that getting these early albums would be worth it and they have.
I have a lot of funk stuff, but when I see you guys dropping obscure stuff like Mandrill, Chairmen of the Board, or letting me know that, yes, before they picked up one of his songs for that stupid Helen Hunt/Paul Reiser sitcom, Dr. John was funky -- all I have to say is thank you for this thread!
― righteousmaelstrom, Thursday, 13 May 2010 06:59 (fifteen years ago)
heh, that stuff isnt obscure, we went for established classics first! you wait until we go obscure on your funky butt!
― pfunkboy (Herman G. Neuname), Thursday, 13 May 2010 12:49 (fifteen years ago)
everything Dr. John did between like 1968 and 1975 is pretty awesome btw
― Limp Bizkit Virtual Raping Teddy Bear (Shakey Mo Collier), Thursday, 13 May 2010 15:43 (fifteen years ago)
ESG is definitely my fave this week, I'm going to listen to it again now and try to come up with something interesting to say about it. The Parliament and JB are fine, but they just kind of sound like yet another Parliament or JB album (though admittedly WITH GONGS).
― seandalai, Thursday, 13 May 2010 15:47 (fifteen years ago)
It's not the best Parliament album by any means I'd rank about 5 ahead of it, but it's still great, Parliament just set very high standards!
― pfunkboy (Herman G. Neuname), Thursday, 13 May 2010 17:40 (fifteen years ago)
I'd rank about 5 ahead of it
?? really? that seems like a lot
― Limp Bizkit Virtual Raping Teddy Bear (Shakey Mo Collier), Thursday, 13 May 2010 17:42 (fifteen years ago)
I mean Mothership Connection is obviously THE Parliament album, but I'd put Chocolate City, Funkentelechy and Motorbooty Affair right behind it
― Limp Bizkit Virtual Raping Teddy Bear (Shakey Mo Collier), Thursday, 13 May 2010 17:43 (fifteen years ago)
Osmium, Mothership Collection,Funkentelechy vs the placebo syndrome,The Clones of Dr. Funkenstein, Chocolate City.
― pfunkboy (Herman G. Neuname), Thursday, 13 May 2010 17:46 (fifteen years ago)
In fact up for the down stroke I prefer too
― pfunkboy (Herman G. Neuname), Thursday, 13 May 2010 17:47 (fifteen years ago)
Like I said, Parliament had high standards (til the final 2 albums)
And many people have a different favourite. Always going to happen when a band has such an amazing catalog
― pfunkboy (Herman G. Neuname), Thursday, 13 May 2010 17:51 (fifteen years ago)
yeah I dunno I don't rate Clones and Up for the Down Stroke as highly (the production on Clones is oddly thin to my ears, and UFTDS is just inconsistent). I always feel weird considering Osmium as part of Parliament's main catalog - I know it was released under that name, but everything else released as Parliament is almost an entirely different band. I know there's overlapping personnel and a lot of times who released what under which name was kinda arbitrary, I just associate Osmium more as a Funkadelic thing. It has the original Funkadelic line-up on it, and it bears way more resemblance to, like, America Eats Its Young than anything else released with the Parliament moniker.
― Limp Bizkit Virtual Raping Teddy Bear (Shakey Mo Collier), Thursday, 13 May 2010 17:54 (fifteen years ago)
As I said, we all have different favourites. But Osmium IS Parliament.
― pfunkboy (Herman G. Neuname), Thursday, 13 May 2010 20:05 (fifteen years ago)
Friday Funk Bonus Album will be chosen by funkybum schmidt this week after the swap.
― pfunkboy (Herman G. Neuname), Thursday, 13 May 2010 23:50 (fifteen years ago)
and here it is!
Friday Funk Bonus
Eugene McDaniels: Headless Heros Of The Apocalypse (1971)http://ecx.images-amazon.com/images/I/41mdkT1niqL._SS500_.jpg
Spotfiy
When this album was first released in 1971, so the legend goes, Nixon's vice-president Spiro Agnew himself called Atlantic Records to complain about the album's incendiary lyrics. Once again available on CD, McDaniels' funky social critique is wrapped up in an appealing stew that draws from rock, R&B, folk, soul, and even free jazz.
Dustygroove: A monster album that's gone onto influence a generation - but which was barely recognized at the time! Singer Eugene McDaniels had scored big with some pop hits in the 60s under the name Gene McDaniels - but here, he steps out in a righteous batch of offbeat funk tunes - filled with politics, offbeat rhythms, and some very weird instrumentation. The whole thing's awash in moody, jazzy changes - of the style that showed up often in samples by Tribe Called Quest, Beastie Boys, and other artists who drew keen inspiration from this record.
Here's a detailed blog entry that could also help non-Spotify , from which:
Depending on which story you read, either the (then) supremely despicable (Nixon administration) Vice President Spiro Agnew or the equally contemptible Chief of Staff Harry Haldeman contacted Atlantic Records and demanded that the label stop recording the singer after the album was released in 1971.
AMG review: http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:3vfpxqekld6e
Seriously, you NEED to hear this record
― De que estas hablando? (Tannenbaum Schmidt), Friday, 14 May 2010 00:01 (fifteen years ago)
ah shit, mispelt Heroes
― De que estas hablando? (Tannenbaum Schmidt), Friday, 14 May 2010 00:02 (fifteen years ago)
Excellent choice!
― pfunkboy (Herman G. Neuname), Friday, 14 May 2010 01:04 (fifteen years ago)
That's a super album indeed. And about time too - all this happy funk was making me happy.
― seandalai, Friday, 14 May 2010 01:40 (fifteen years ago)
lol
― pfunkboy (Herman G. Neuname), Friday, 14 May 2010 12:19 (fifteen years ago)
Sam has to give you an Arsenal player verdict too
― pfunkboy (Herman G. Neuname), Friday, 14 May 2010 14:45 (fifteen years ago)
great album - was on my prospective list of things for this thread btw
― Limp Bizkit Virtual Raping Teddy Bear (Shakey Mo Collier), Friday, 14 May 2010 15:23 (fifteen years ago)
A good bit of listening down today:
1. I tracked down a thing I'd read about and planned on nominating myself - pretty good, but obviously I can't reveal what it is now.
2. ESG - really excellent, I want to know more about it, where it came from, what's the lineage, etc. I wouldn't actually have put this down as funk had it not come up in the club. Not sure what i'd've called it, maybe big beat or some kind of punk house. It kept reminding me of 'Pump Up The Volume' more than anything else.
3. I had Betty Davis on briefly too. Really like it. I took a bit of abuse upthread for suggesting that Funkadelic should scrub the vocal tracks and get someone like Tina Turner in - this is the kind of thing I had in mind.
― Ismael Klata, Friday, 14 May 2010 15:38 (fifteen years ago)
ESG - really excellent, I want to know more about it, where it came from, what's the lineage, etc. I wouldn't actually have put this down as funk had it not come up in the club. Not sure what i'd've called it, maybe big beat or some kind of punk house.
"Punk house" isn't far off; they're usually considered part of the Mutant Disco/post-punk/dance-punk scene like Konk and Liquid Liquid. The AMG bio is good on a lot of your questions; if you don't know their origin story, it's quite charming: http://allmusic.com/cg/amg.dll?p=amg&sql=11:39fwxqr5ld6e~T1.
― elephant rob, Friday, 14 May 2010 16:00 (fifteen years ago)
it's ilm's idea of funk
― pfunkboy (Herman G. Neuname), Friday, 14 May 2010 21:52 (fifteen years ago)
That sounded disparaging , I meant the kind ILM in general would like. You know what I mean anyway.
― pfunkboy (Herman G. Neuname), Saturday, 15 May 2010 01:09 (fifteen years ago)
I like the way ESG (apparently) came up with their sound on their own and had no idea what was going on in the whole post-punk/No Wave scene.
They remind me of a minimalist Tom Tom Club quite a bit.
― seandalai, Saturday, 15 May 2010 01:27 (fifteen years ago)
i can believe it since most people had no idea that was going on.
― pfunkboy (Herman G. Neuname), Saturday, 15 May 2010 15:43 (fifteen years ago)
no one got any thoughts on tannenbaums friday funk bonus?
― pfunkboy (Herman G. Neuname), Saturday, 15 May 2010 17:24 (fifteen years ago)
xp - Yeah, but compare to clued-in art school kids like the Bush Tetras who ended up in kind of the same musical place...
― seandalai, Saturday, 15 May 2010 18:00 (fifteen years ago)
17/5 - Tannenbaum Schmidt24/5 - Ismael Klata (Not a rangers fan honestly)31/5 - funksclovetu7/6 - Seandalai Funkify14/6 - moka Funka21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - pfunkboy12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!
ready to go funkybaum schmidt?
― pfunkboy (Herman G. Neuname), Sunday, 16 May 2010 21:56 (fifteen years ago)
This week, we look back at the Titans of Talkbox Electro Funk: ZAPP AND ROGER!! (pay attention, Chromeo fans!)
Zapp was formed in 1978 by brothers Roger Troutman, Larry Troutman, Lester Troutman, Tony Troutman and Terry "Zapp" Troutman. Known for hits such as "More Bounce to the Ounce", "Dance Floor" and "Computer Love", the group was a partial source of inspiration to West Coast hip-hop and G-funk, which came out of the hand clapped-drum beat styled funk of Zapp's records, with Roger's use of the talk box becoming another reason for the group's impact and its success.
All Music Guide artist bio
Zapp - Zapp I(1980) http://ecx.images-amazon.com/images/I/51J5NPZM0RL._SL500_AA300_.jpgSpotify
Released in 1980 just as George Clinton's P-funk empire had reached the brink of its existence, Bootsy protégé Roger Troutman proved himself a worthy successor with Zapp's self-titled debut album and its subsequent two follow-ups. In actuality, Zapp originally was a branch of the Parliament/Funkadelic collective, as group leader Roger Troutman was originally signed to Clinton's short-lived CBS subsidiary, Uncle Jam Records. After Troutman completed the album with CBS' money, Clinton's help, and Bootsy's production, Warner Bros. stepped in, offered Roger a considerable sum of money, and slyly bought the album -- leaving a distressed Clinton with no Zapp album for his shaky boutique label. Propelled by the dancefloor smash "More Bounce to the Ounce," the album quickly became a considerable hit. It was here that Troutman first defined the vocoder-laden funk aesthetic that would become his trademark for the remainder of his career. In addition to the near ten-minute "More Bounce," the album also featured "Be Alright," another epic jam that slowed down the funk to a smoked-out, almost ballad-like tempo (both songs would later fuel numerous early-'90s West Coast rap hits via sampling). Of the remaining four songs, "Funky Bounce" and "Brand New Player" also stand as perennial standouts, further affirming Troutman's dense funk aesthetic. Later Zapp albums would have their moments, but this debut is absolutely solid from beginning to end, in addition to being the foundation from which Troutman would base all later work, and with "More Bounce to the Ounce" and "Be Alright," it houses two of the best moments in '80s funk.
Imo, worth checking for "More Ounce To The Bounce" and "Brand New Player" , with the rest... well, you make your own mind up.
Roger Troutman - The Many Facets Of Roger (1981)
http://ecx.images-amazon.com/images/I/41952TES00L._SL500_AA300_.jpgSpotify
This is Roger Troutman's first solo release, and it blazes the same trail as the Zapp LPs. Singing through a synthesized vocal box, there's no mistaking Roger's sound. His version of Norman Whitfield and Barrett Strong's "I Heard It Through the Grapevine" is classic, and was a monster on the R&B charts. "So Ruff, So Tuff" continued the maddening dance grooves. But Roger does it all -- hence the title of the album -- his blues and jazz explorations are top-shelf. A very well-rounded set from a versatile, underappreciated artist. [The 2002 Rhino reissue sports three additional bonus tracks.] ~ Andrew Hamilton, All Music Guide
For me, a much more consistently enjoyable album than Zapp I
In 1999, Larry Troutman shot Roger Troutman in an alley, and then was himself found dead slumped over in a car a few blocks over, later that day. Homicide/suicide.
Can't vouch for quality, but some French fans have reworked a 2cd album's worth of Roger's work: http://rogerrevisited.free.fr
Rick James - Street Songs (1981)http://ecx.images-amazon.com/images/I/51BMND9WZQL._SL500_AA300_.jpgSpotify
Rick James had already reached the top of the R&B charts numerous times before STREET SONGS, but this 1981 release was the crossover breakthrough that earned him pop stardom. This is where his mix of P-Funk grooves and Blowfly lyrics hitched its wagon to some surefire pop hooks without losing any of the funk. Oh, and just in case anyone wants to stop dancing long enough to think about it, STREET SONGS is supposedly a concept album about the street life of ladies of the night and their, um, business managers. A triumphant return to defiant, in-your-face funk, the triple-platinum Street Songs was not only his best-selling album ever, it was also his best period, and certainly the most exciting album released in 1981. The gloves came all the way off this time, and James is as loud and proud as ever on such arresting hits as "Super Freak," "Give It to Me, Baby," and "Ghetto Life."Even the world's most casual funksters shouldn't be without this pearl of an album.
ILM voted that "Give It To Me Baby" should be my favourite song of ALL TIME. Trust them.
― De que estas hablando? (Tannenbaum Schmidt), Sunday, 16 May 2010 23:33 (fifteen years ago)
3 absolute classics, Though I always thought Zapp II was even better, so you guys are in for a TREAT if you investigate further. Great choices! I have the solo roger on OG lp, its wonderful.
And the rick james album is a masterpiece.
― pfunkboy (Herman G. Neuname), Sunday, 16 May 2010 23:37 (fifteen years ago)
great choices.
― forksclovetofu, Monday, 17 May 2010 14:50 (fifteen years ago)
forks can you update title please?
― pfunkboy (Herman G. Neuname), Monday, 17 May 2010 14:52 (fifteen years ago)
let's go generic for the future
― forksclovetofu, Monday, 17 May 2010 14:53 (fifteen years ago)
ok can you say updated every Monday with a Friday bonus pick?
― pfunkboy (Herman G. Neuname), Monday, 17 May 2010 14:54 (fifteen years ago)
― forksclovetofu, Monday, 17 May 2010 14:55 (fifteen years ago)
thanks.
― pfunkboy (Herman G. Neuname), Monday, 17 May 2010 15:02 (fifteen years ago)
Anyone listened yet?
― pfunkboy (Herman G. Neuname), Monday, 17 May 2010 23:16 (fifteen years ago)
I've heard the Zapp and Rick James albums countless times - Brand New Player and Funky Bounce are the other keepers from the Zapp album besides More Bounce. Honestly don't remember much about the non-hits/singles stuff from the RJ album tbh. Dunno the Many Facets of Roger, will have to find that one.
― huggable snuggable teddy bear (Shakey Mo Collier), Monday, 17 May 2010 23:19 (fifteen years ago)
I liked the get off your ass and jam bit of the thread title forks added before, forks please put it back!
― pfunkboy (Herman G. Neuname), Tuesday, 18 May 2010 01:58 (fifteen years ago)
shakey you wont be disappointed with the roger album
― pfunkboy (Herman G. Neuname), Tuesday, 18 May 2010 01:59 (fifteen years ago)
cheers, forks!
― pfunkboy (Herman G. Neuname), Tuesday, 18 May 2010 10:58 (fifteen years ago)
Betty Davis is my thing, many thanks to whoever put it up. It really benefits from the strong vocal and fairly limited arrangements, makes it hang together as an album much better than some of the other ones we've had. It also shows again that Funk is a broad church - I'm pretty sure this'll be where Zeppelin were trying to get to with the likes of 'Trampled Underfoot'.
― Ismael Klata, Tuesday, 18 May 2010 18:49 (fifteen years ago)
Aahhhh So Ruff, So Tuff - haven't heard this in a loooong time. sweet.
― Here is a tasty coconut. Sorry for my earlier harshness. (Shakey Mo Collier), Tuesday, 18 May 2010 23:15 (fifteen years ago)
told you that you would dig it.
― pfunkboy (Herman G. Neuname), Wednesday, 19 May 2010 13:11 (fifteen years ago)
bonus album coming tomorrow but i hope there will be more discussion today on tannenbaums choices
― pfunkboy (Herman G. Neuname), Thursday, 20 May 2010 09:06 (fifteen years ago)
Updated Spotify Playlist
― pfunkboy (Herman G. Neuname), Thursday, 20 May 2010 18:54 (fifteen years ago)
I've always thought Thriller was a ripoff of Give It To Me Baby
― Here is a tasty coconut. Sorry for my earlier harshness. (Shakey Mo Collier), Thursday, 20 May 2010 18:56 (fifteen years ago)
Friday Funk Bonus!Funkadelic - Uncle Jam Wants You (1979)http://www.dustygroove.com/images/products/f/funkadelic~_unclejamw_101b.jpgNot A Spotify Link
My favourite late period funkadelic album.
― pfunkboy (Herman G. Neuname), Friday, 21 May 2010 15:44 (fifteen years ago)
How do you define late period? You prefer this to ONUAG?
― Wenlock & Mandelson (Tom D.), Friday, 21 May 2010 15:46 (fifteen years ago)
I listen to it more, ONUAG is the start of the late period
― pfunkboy (Herman G. Neuname), Friday, 21 May 2010 15:48 (fifteen years ago)
what stops Uncle Jam from being the 10/10 album is the horrendous ballad Holly Wants To Go To California. The worst song in pfunk history. (yes worse than the excesses on america eats its young)
Shakey disagrees though.
― pfunkboy (Herman G. Neuname), Friday, 21 May 2010 15:49 (fifteen years ago)
I know it's a classic and all, but "Knee Deep" is far too long
― Wenlock & Mandelson (Tom D.), Friday, 21 May 2010 15:50 (fifteen years ago)
no it isnt
― pfunkboy (Herman G. Neuname), Friday, 21 May 2010 15:54 (fifteen years ago)
Yes it is. It's boring.
― Wenlock & Mandelson (Tom D.), Friday, 21 May 2010 15:55 (fifteen years ago)
"Never Buy Texas From a Cowboy" is even longer and isn't boring!
knee deep is too short if you ask me
― pfunkboy (Herman G. Neuname), Friday, 21 May 2010 15:59 (fifteen years ago)
the scatting on Knee Deep kinda goes on a bit more than I need it to
and yeah I like Holly
― Here is a tasty coconut. Sorry for my earlier harshness. (Shakey Mo Collier), Friday, 21 May 2010 16:07 (fifteen years ago)
crazy talk
― pfunkboy (Herman G. Neuname), Friday, 21 May 2010 23:01 (fifteen years ago)
Tuomas you prefer this era of Funkadelic?
― pfunkboy (Herman G. Neuname), Saturday, 22 May 2010 19:42 (fifteen years ago)
24/5 - Ismael Klata the funkateer from polomint city, lanarkshire31/5 - funksclovetu7/6 - Seandalai Funkify14/6 - moka Funka21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - pfunkboy12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!
ismael you ready?
― pfunkboy (Herman G. Neuname), Sunday, 23 May 2010 21:56 (fifteen years ago)
http://static.rateyourmusic.com/album_images/211aada11d45f2fdb4d89095a7b9bd6a/113371.jpg
1. Rose Royce - Rose Royce III: Strikes Again! (1978)
Rose Royce's third album contains two killer ballads: "I'm in Love (And I Love the Feeling)," and the much recorded "Love Don't Live Here Anymore" which Gwen Dickey works like Mary J. Blige wishes she could. Norman Whitfield's productions often included doses of classical elements and this album is no exception, the sampling and borrowing occur frequently. "Angel in Disguise," another sweet ballad, sounds a bit contrived. As effective on upbeat tunes "That's What's Wrong with Me," "Do It, Do It," and "First Come First Serve," are first-class movers and shakers. A carnival barker on the intro mars the opening cut "Get Up Off Your Fat."
For some reason Rose Royce don't register nowadays, except when 'Car Wash' gets wheeled out for yet another cover - barely a mention on ILM, no proper thread of their own, nothing written about this album other than the AMG quote above (which is really starting to annoy me, not least because I think a carnival barker is a fine way to begin any album). This is my way of redeeming them.
I got into it when I heard 'First Come, First Serve' on my funk guru's radio podcast. It's still my favourite of the funky cuts, but pretty much blown away by the following track 'Love Don't Live Here Anymore', which I can't believe I didn't know and love to death already.
The whole album's excellent, though - good songs, tight playing, great singing. They deserve your love.
https://www.youtube.com/watch?v=cdjedUIilT0
2. Walter 'Junie' Morrison - Junie 5 (1981)
Junie 5 is a 1981 solo album recorded by singer/multi-instrumentalist Walter "Junie" Morrison. It was the second and last album that he would record for Columbia Records. As with the previous album Bread Alone, all of the instruments used on the album would be played by Morrison himself. The album also features involvement from the Ohio Players.Junie 5 was reissued by Sony Records in Japan on 5/21/94, but has since been deleted.
Junie 5 was reissued by Sony Records in Japan on 5/21/94, but has since been deleted.
Being relatively new to the funk, I'm not really up with what's well-known and what isn't. I suspect this is one of the obscurer ones though.
I first heard 'Jarr The Ground' on the same podcast as Rose Royce (you really should check it out), thought it was the greatest thing I'd ever heard, but had a couple of horrible weeks with no way of finding out what it was - shazam was no help, googling the lyrics was useless (not helped by my thinking they were actually singing "Charlie Brown"), and I was convinced in any case that it was really a Stevie Wonder obscurity and I was going to have to get his whole back catalogue before I'd get fulfilment.
But eventually all became clear. In truth the album drags a bit early on and the intro is a textbook example of moodkilling, but the last three tracks are fantastic ('Last One To Know', 'Jarr The Ground' and 'Taste Of Love'). It's not spotifiable, and I can't find a handy link or even any youtubes other than the one above to help you out. Will see what I can do, but in the meantime use your imaginations, or pay a visit to Junie's own store.
Do listen to 'Jarr The Ground' at least, if you do nothing else - I love it!
http://4.bp.blogspot.com/_yCW4Ntg9bPY/SkDEfrBLQrI/AAAAAAAAAAM/-b6nhrUBLdI/s320/Small+Club+(Thunderball).jpg
3. Prince - Small Club (1988)
I wanted to check out some live funk. I can't remember how I heard about this, but it seems to be the best quality boot available and obviously Prince is an awesome performer, so I gave it a turn and yeah, it's good. It's strangely difficult to find out much about it - the definitive version, at least certainly the one I have, is eleven tracks and just shy of 110 mins (see cover), recorded in The Hague - but there do appear to be at least two other boots going by the same name.
It's quite a lot to take in so I don't have much to say about it myself right now, but the sound quality is excellent and the playing is fine. What I will say is that these are really long songs (loads are over ten minutes) that I mostly hadn't heard before, but none of them drag.
Obviously not on Spotify either, however there are other means and I don't think it's too naughty to give a pointer seeing as it's special circumstances. I gather that Prince stuff doesn't stay up for long, but these guys have a link that works right now.
― Ismael Klata, Sunday, 23 May 2010 22:35 (fifteen years ago)
Bread Alone or the Westbound albums are the best Junie, but iirc this is still pretty good.
― pfunkboy (Herman G. Neuname), Sunday, 23 May 2010 22:37 (fifteen years ago)
and im glad that the eventual prince pick isnt one of his well known albums (theyre all well known obviously) so kudos for avoiding them.
― pfunkboy (Herman G. Neuname), Sunday, 23 May 2010 22:39 (fifteen years ago)
looking forward to hearing it as i dont know it at all
― pfunkboy (Herman G. Neuname), Sunday, 23 May 2010 22:40 (fifteen years ago)
I forgot to say - 'Last One To Know' on the Junie album got me all excited 'cos I thought I'd discovered where Daft Punk got 'Digital Love' from. But I looked that up this evening, and it turns out they borrowed from a different record entirely. The Junie one still sounds just as much like it though!
― Ismael Klata, Sunday, 23 May 2010 22:43 (fifteen years ago)
have you heard the junie albums i mentioned?
― pfunkboy (Herman G. Neuname), Sunday, 23 May 2010 23:02 (fifteen years ago)
No, this stuff's all new to me and I'm just picking things up at random rather than trying to get all methodical about it. If I did that I'd never have got near Junie - the Parliament/Funkadelic links box on wikipedia is gargantuan, and his stuff isn't even in it.
― Ismael Klata, Monday, 24 May 2010 09:11 (fifteen years ago)
http://www.duke.edu/~tmc/pfunk.html
try the motherpage
― pfunkboy (Herman G. Neuname), Monday, 24 May 2010 10:42 (fifteen years ago)
these are all new to me, altho I'm familiar with each of the artists' other work. Didn't even know Junie had another solo album after Bread Alone tbh
― Here is a tasty coconut. Sorry for my earlier harshness. (Shakey Mo Collier), Monday, 24 May 2010 15:37 (fifteen years ago)
I think my mate has it on cd
― pfunkboy (Herman G. Neuname), Monday, 24 May 2010 23:33 (fifteen years ago)
I just cant get into the rose royce at all.
― pfunkboy (Herman G. Neuname), Tuesday, 25 May 2010 16:16 (fifteen years ago)
Junie album was pretty good, been a while since I heard it.
― pfunkboy (Herman G. Neuname), Wednesday, 26 May 2010 01:54 (fifteen years ago)
Just saw this week's listing - I was planning on doing Rose Royce III, I love that album!
― seandalai, Wednesday, 26 May 2010 11:05 (fifteen years ago)
FRIDAY P-FUNK SPIN-OFF BONUS 3
#1Sweat Band- Sweat Bandhttp://www.dustygroove.com/images/products/s/sweatband~~_sweatband_101b.jpg
Comments:TK: This was the first release on the Uncle Jam label.RC: This was a fantastic project, mostly masterminded by Bootsy, that involved a number of P.Funkers. It was like a Bootsy album with almost no vocals from Bootsy; a Parliament album with two instrumentals; a Funkadelic album that was light in theme; a Brides or Parlet album that emphasized the musicians. In other words, it was a whole lot of good things rolled up into one."Hyper Space" is an excellent instrumental that spotlights Razor and Michael Hampton. "Freak To Freak" is an outstanding dance tune that is driven by great percussion, a fine guitar riff, a heavy bottom, and let-it-all-hang-loose singing. "Love Munch" is an amazing spotlight for Maceo, with the background of a light, Latin-sounding beat. He just goes off in solo after solo, then joins in with the rest of the band. The percussion here is also extremely sharp. "We Do It All Day Long" is interesting, with the short intro that emphasizes lyrics and the beat, and then later the longer version that gives each musician a turn. Great singing from the Brides/Parlet, too. "Jamaica" has Bootsy doing some very funky thangs with the space bass, interesting grooves from Razor, great drumming, weird chants and outbursts, and finally some singing from Bootsy. "Body Shop" is a more standard funk number that features good backup vocals from Garry Shider. The highlight is an incredible guitar solo.The album is out of print, but is available as an import on CD. It'll cost you something like $25-35 to get it, but it's certainly worth it to any fan of Bootsy or Maceo. The cover shows a man's head getting water splashed on it. Lyrics are included with the CD version.
TK: This was the first release on the Uncle Jam label.
RC: This was a fantastic project, mostly masterminded by Bootsy, that involved a number of P.Funkers. It was like a Bootsy album with almost no vocals from Bootsy; a Parliament album with two instrumentals; a Funkadelic album that was light in theme; a Brides or Parlet album that emphasized the musicians. In other words, it was a whole lot of good things rolled up into one.
"Hyper Space" is an excellent instrumental that spotlights Razor and Michael Hampton. "Freak To Freak" is an outstanding dance tune that is driven by great percussion, a fine guitar riff, a heavy bottom, and let-it-all-hang-loose singing. "Love Munch" is an amazing spotlight for Maceo, with the background of a light, Latin-sounding beat. He just goes off in solo after solo, then joins in with the rest of the band. The percussion here is also extremely sharp. "We Do It All Day Long" is interesting, with the short intro that emphasizes lyrics and the beat, and then later the longer version that gives each musician a turn. Great singing from the Brides/Parlet, too. "Jamaica" has Bootsy doing some very funky thangs with the space bass, interesting grooves from Razor, great drumming, weird chants and outbursts, and finally some singing from Bootsy. "Body Shop" is a more standard funk number that features good backup vocals from Garry Shider. The highlight is an incredible guitar solo.
The album is out of print, but is available as an import on CD. It'll cost you something like $25-35 to get it, but it's certainly worth it to any fan of Bootsy or Maceo. The cover shows a man's head getting water splashed on it. Lyrics are included with the CD version.
Not A Spotify
#2Quazar - Quazarhttp://www.thefunkstore.com/CurrentCDs/StartUp/LP-QuazarQuazar.jpg
Comments:RC: This was to be Glenn Goins' first major project away from the P.Funk Mob after he quit, but he passed on before he was able to complete it. But his brother Kevin went on to finish it, and many of Glenn's original vocal and musical parts were left on. Glenn also wrote and produced many of the songs, along with Jerome Brailey, who had also quit by this point. We'll never know how good it might have been had he lived, but what we have is a brilliant, unique funk album. Glenn's abilities as a vocalist, musician, producer and arranger were only hinted at in his brief-but-potent stay with the Funk Mob; but the classics he left behind with Parliament ("Bop Gun" and "Mothership Connection" being only two examples) and his role as lead singer in live performances show how important he really was.His only real weakness was as a concept artist, which made him a perfect fit with Clinton but limit the ideas on this album. While everything is perfectly sung and played, the lyrics are very basic and the musical ideas not exactly being revolutionary. Given that, the album is excellent: there's a side of kick-ass, shake-booty funkers that would make Sir Nose dance. Then there's a side of skillfully produced ballads carefully designed for a romantic evening. It's a commercial album with perfect integrity, with a sound somewhere between Bootsy's Rubber Band and Mutiny. It's a cross between funk and rock influences that also acknowledges a heavy debt to 60's soul.The quality of the music is excellent, led by Kevin on guitar, with Greg Fitz (now of Bootsy's New Rubber Band) also coming up with some creative keyboard melodies. The drumming and bass playing are also superb across the board."Funk With A Big Foot" is super heavy and funky, with excellent use of pauses and stops, making it very danceable. Jerome Brailey is excellent here, and the keyboards provide the proper flavor. The chant, "Stop! Get down! That's what it's all about" is infectious. "Funk With A Capital G" is another hot funk tune that commands you to wiggle, with doubled up bass and guitar. "Funk N Roll" has a hot guitar riff, deep rolling bass and effective, funky handclaps. It recalls other P.Funk, making "Cholly" references and having band members doing Bootsy impersonations. This song sounds a lot like Mutiny later would. "Working On The Building" is a brilliant fast funker with torrid bass playing and scorching sax (from Daryl Dixon, who did the sax solo on "Flash Light"). More doubled up guitar/bass arrangements, with hot wah-wah guitar and slap bass stylings make me agree: 'And Quazar make you dance'. "Your Lovin' Is Easy" is a Bootsy-ish ballad, also recalling Rick James a bit. The guitar and bass recall some Ike Hayes songs. "Love Me Baby" features the excellent voice of Lady Peachena; the music is pretty commercial, as though this was calculated to be a crossover hit. "Savin' My Love..." is a discoish/ Barry White fast ballad, and as such, it's very corny. Good bass playing, though. "Starlight Circus" is a dreamy, ethereal soul tune. "Shades Of Quaze" is a mellow instrumental, dominated by horns and then wah-wah guitar.The album is out of print, and very rare. A CD version is available, though only as an import. You may expect to pay a lot of money for this one, but it's worth it. The album is a black and white design with the word 'Quazar' exploding like the Big Bang. Photos of all band members are included.
RC: This was to be Glenn Goins' first major project away from the P.Funk Mob after he quit, but he passed on before he was able to complete it. But his brother Kevin went on to finish it, and many of Glenn's original vocal and musical parts were left on. Glenn also wrote and produced many of the songs, along with Jerome Brailey, who had also quit by this point. We'll never know how good it might have been had he lived, but what we have is a brilliant, unique funk album. Glenn's abilities as a vocalist, musician, producer and arranger were only hinted at in his brief-but-potent stay with the Funk Mob; but the classics he left behind with Parliament ("Bop Gun" and "Mothership Connection" being only two examples) and his role as lead singer in live performances show how important he really was.
His only real weakness was as a concept artist, which made him a perfect fit with Clinton but limit the ideas on this album. While everything is perfectly sung and played, the lyrics are very basic and the musical ideas not exactly being revolutionary. Given that, the album is excellent: there's a side of kick-ass, shake-booty funkers that would make Sir Nose dance. Then there's a side of skillfully produced ballads carefully designed for a romantic evening. It's a commercial album with perfect integrity, with a sound somewhere between Bootsy's Rubber Band and Mutiny. It's a cross between funk and rock influences that also acknowledges a heavy debt to 60's soul.
The quality of the music is excellent, led by Kevin on guitar, with Greg Fitz (now of Bootsy's New Rubber Band) also coming up with some creative keyboard melodies. The drumming and bass playing are also superb across the board.
"Funk With A Big Foot" is super heavy and funky, with excellent use of pauses and stops, making it very danceable. Jerome Brailey is excellent here, and the keyboards provide the proper flavor. The chant, "Stop! Get down! That's what it's all about" is infectious. "Funk With A Capital G" is another hot funk tune that commands you to wiggle, with doubled up bass and guitar. "Funk N Roll" has a hot guitar riff, deep rolling bass and effective, funky handclaps. It recalls other P.Funk, making "Cholly" references and having band members doing Bootsy impersonations. This song sounds a lot like Mutiny later would. "Working On The Building" is a brilliant fast funker with torrid bass playing and scorching sax (from Daryl Dixon, who did the sax solo on "Flash Light"). More doubled up guitar/bass arrangements, with hot wah-wah guitar and slap bass stylings make me agree: 'And Quazar make you dance'. "Your Lovin' Is Easy" is a Bootsy-ish ballad, also recalling Rick James a bit. The guitar and bass recall some Ike Hayes songs. "Love Me Baby" features the excellent voice of Lady Peachena; the music is pretty commercial, as though this was calculated to be a crossover hit. "Savin' My Love..." is a discoish/ Barry White fast ballad, and as such, it's very corny. Good bass playing, though. "Starlight Circus" is a dreamy, ethereal soul tune. "Shades Of Quaze" is a mellow instrumental, dominated by horns and then wah-wah guitar.
The album is out of print, and very rare. A CD version is available, though only as an import. You may expect to pay a lot of money for this one, but it's worth it. The album is a black and white design with the word 'Quazar' exploding like the Big Bang. Photos of all band members are included.
Not A Spotify Link
#3Mutiny - Mutiny On The Mamashiphttp://3.bp.blogspot.com/_9f5c8lXo1U0/SH7Pr-jjp4I/AAAAAAAAAS8/9SGmVEEGeU4/s400/Mutiny%2B-%2B09.%2BFrontcover.jpg
Comment:RC: This was the first album from the Jerome Brailey-led group. The name of the band was a reaction how Brailey perceived the George Clinton-run P.Funk camp, and he slams him throughout the album. He had hoped to recruit more members from P.Funk for this album (especially Bernie Worrell, who had less and less input at that time), but the only former player he got was sax man Darryl Dixon. Despite that, Jerome and Co. produced three excellent funk albums. His rock influence is apparent here, with the album having a heavy sound. But he also understands the use of the 'one', with the dance songs being super funky in the mold of Bootsy. The album's only weakness is lyrical, but there are enough interesting concepts to hold up the album. But the lyrics aren't the focus here, the excellent music is. Any fan of Jerome (who was onboard the P.Funk train from 1975-77, producing many classics, including his signature "Give Up The Funk") or super heavy funk in general should seek out these albums. The most remarkable thing about this album is how good Jerome Brailey's vocals are and how funky his arrangements. Despite the barrage of insults, Clinton said in later years that he would have been happy to have this album on his own Uncle Jam label!"Go Away From Here" is a mid-tempo song that is immediately noticable for its funky bass and distorted vocals. There's a nice dramatic buildup with the addition of a clever horn arrangement and a muted but wailing guitar. The song talks about faking the funk and such. "What More Can I Say" is another mid-tempo song in much the same mold, with the same muted guitar, great singing and another excellent horn arrangement. "Lump" is a hot dance-funk song. Jerome uses his funny, higher-pitched voice to dis Clinton ('Lump, lump can you cut the funk?' and 'Thinking you did something, realizing you ain't done a lot') and the Brides in a humorous fashion. The great slap bass keeps things moving. "Funk N Bop" is another fast funker, also amusing in the same vein. This one has a lot of great lyrical hooks, like 'The longer the stroke, the deeper the fill' and 'Sworn to fun, loyal to none'. The band absolutely locks in on this one, it's just a rock-hard funker. "Burning Up" is a mid-tempo funk ballad with more good vocal arrangements. "Voyage To..." is a more guitar-oriented song with whispered lyrics and crisp drumming. "Everytime You..." is a straightforward ballad with a strong guitar presence that highlights Jerome's singing. "Romeo" is a weird mid-tempo song with a funny chant and a more subdued lead vocal. The synth is the focus here, creating a strange tension. The beat is steady and holds the whole thing together.This album is out of print and somewhat rare, but it's available as an import from P-Vine. The cover shows Jerome on a beach, dressed as a pirate, recovering a treasure chest. An inside sleeve illustration has Jerome making Clinton (whom he calls 'Lump') walk the plank. The whole thing is pretty funny. Ace Records also apparently plans to reissue this album soon as well.
RC: This was the first album from the Jerome Brailey-led group. The name of the band was a reaction how Brailey perceived the George Clinton-run P.Funk camp, and he slams him throughout the album. He had hoped to recruit more members from P.Funk for this album (especially Bernie Worrell, who had less and less input at that time), but the only former player he got was sax man Darryl Dixon. Despite that, Jerome and Co. produced three excellent funk albums. His rock influence is apparent here, with the album having a heavy sound. But he also understands the use of the 'one', with the dance songs being super funky in the mold of Bootsy. The album's only weakness is lyrical, but there are enough interesting concepts to hold up the album. But the lyrics aren't the focus here, the excellent music is. Any fan of Jerome (who was onboard the P.Funk train from 1975-77, producing many classics, including his signature "Give Up The Funk") or super heavy funk in general should seek out these albums. The most remarkable thing about this album is how good Jerome Brailey's vocals are and how funky his arrangements. Despite the barrage of insults, Clinton said in later years that he would have been happy to have this album on his own Uncle Jam label!
"Go Away From Here" is a mid-tempo song that is immediately noticable for its funky bass and distorted vocals. There's a nice dramatic buildup with the addition of a clever horn arrangement and a muted but wailing guitar. The song talks about faking the funk and such. "What More Can I Say" is another mid-tempo song in much the same mold, with the same muted guitar, great singing and another excellent horn arrangement. "Lump" is a hot dance-funk song. Jerome uses his funny, higher-pitched voice to dis Clinton ('Lump, lump can you cut the funk?' and 'Thinking you did something, realizing you ain't done a lot') and the Brides in a humorous fashion. The great slap bass keeps things moving. "Funk N Bop" is another fast funker, also amusing in the same vein. This one has a lot of great lyrical hooks, like 'The longer the stroke, the deeper the fill' and 'Sworn to fun, loyal to none'. The band absolutely locks in on this one, it's just a rock-hard funker. "Burning Up" is a mid-tempo funk ballad with more good vocal arrangements. "Voyage To..." is a more guitar-oriented song with whispered lyrics and crisp drumming. "Everytime You..." is a straightforward ballad with a strong guitar presence that highlights Jerome's singing. "Romeo" is a weird mid-tempo song with a funny chant and a more subdued lead vocal. The synth is the focus here, creating a strange tension. The beat is steady and holds the whole thing together.
This album is out of print and somewhat rare, but it's available as an import from P-Vine. The cover shows Jerome on a beach, dressed as a pirate, recovering a treasure chest. An inside sleeve illustration has Jerome making Clinton (whom he calls 'Lump') walk the plank. The whole thing is pretty funny. Ace Records also apparently plans to reissue this album soon as well.
3 of the best spin-off albums from the pfunk mob. Please all listen and enjoy, you will NOT be disappointed!
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 11:28 (fifteen years ago)
Aha, good stuff. What's this bonus stuff all about, is that just an excuse for you stick a few more of your albums in?
― Wenlock & Mandelson (Tom D.), Friday, 28 May 2010 11:31 (fifteen years ago)
aye
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 11:34 (fifteen years ago)
Can we all do bonuses then?
― Wenlock & Mandelson (Tom D.), Friday, 28 May 2010 11:34 (fifteen years ago)
Maybe, i traded a week with tannenbaum so i could get a jazz bonus. what can you trade? ;)31/5 - funksclovetu7/6 - Seandalai Funkify14/6 - moka Funka21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - pfunkboy12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 11:37 (fifteen years ago)
Some World Cup 82 Panini stickers
― Wenlock & Mandelson (Tom D.), Friday, 28 May 2010 11:38 (fifteen years ago)
You needed 3 months to give you time to select albums!
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 11:43 (fifteen years ago)
Not here I didn't
― Wenlock & Mandelson (Tom D.), Friday, 28 May 2010 11:47 (fifteen years ago)
You can have a bonus album next week if you give us your thoughts on the 3 i just posted
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 11:51 (fifteen years ago)
Haven't I done that before?
― Wenlock & Mandelson (Tom D.), Friday, 28 May 2010 11:53 (fifteen years ago)
FunKlata will join the back of the queue and take a week in August, please. Just need to decide which three Jamiroquai albums to pick first.
Any thoughts yet on Small Club?
― Ismael Klata, Friday, 28 May 2010 11:54 (fifteen years ago)
31/5 - funksclovetu7/6 - Seandalai Funkify14/6 - moka Funka21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - pfunkboy12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!16/8 - Polomint City FunKlata23/8 - pfunkboy
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 11:56 (fifteen years ago)
Tom do you have these albums?
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 12:22 (fifteen years ago)
You shared them with us before, Watercooler, don't you remember?
― Wenlock & Mandelson (Tom D.), Friday, 28 May 2010 12:24 (fifteen years ago)
oh that was years ago. How am I meant to remember that. You got any comments on them? To tempt readers here into checking them out?
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 13:13 (fifteen years ago)
I sent them to shakey at the same time iirc
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 14:46 (fifteen years ago)
I think they're all definitely worth grabbing! No doubt about that! Haven't heard them in a a while, Mutiny one my favourite I think.
― Wenlock & Mandelson (Tom D.), Friday, 28 May 2010 14:49 (fifteen years ago)
Mutiny is a high point of pfunk in general. Even george says he wished he could have released it and the whole thing is dissing him! Quazar is very good but one can only imagine how great it could have been if Glenn Goin's hadn't died before it was finished. Sweat Band is one of the best things Bootsy did and it deserves to be better known.
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 14:51 (fifteen years ago)
And I got all 3 of these on vinyl in the late 90s. Bloody hard to find.
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 14:52 (fifteen years ago)
yeah think I prefer Sweat Band out of all of these - its got one or two duds but otherwise its prime late period P-Funk, everything is very rubbery and plastic and bouncy
― emotionally abusive jowls (Shakey Mo Collier), Friday, 28 May 2010 15:43 (fifteen years ago)
and bootsy
― pfunkboy (Herman G. Neuname), Friday, 28 May 2010 15:50 (fifteen years ago)
― pfunkboy (Herman G. Neuname), Saturday, 29 May 2010 01:40 (fifteen years ago)
forks ready to post your picks?31/5 - funksclovetu7/6 - Seandalai Funkify14/6 - moka Funka21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - pfunkboy12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!16/8 - Polomint City FunKlata23/8 - pfunkboy
― pfunkboy (Herman G. Neuname), Sunday, 30 May 2010 22:31 (fifteen years ago)
forgot!Let me see here...
― forksclovetofu, Sunday, 30 May 2010 22:50 (fifteen years ago)
hehe, that's why I posted the reminder a bit early cuz a lot of people have been forgetting on some of the clubs.
― pfunkboy (Herman G. Neuname), Sunday, 30 May 2010 22:54 (fifteen years ago)
I'm posting now then. Hope this isn't too rudimentary for folks.
#1: Infectious Grooves - The Plague That Makes Your Booty Move... It's the Infectious Grooves (1991)http://upload.wikimedia.org/wikipedia/en/f/fc/Infectious_the_plague.jpgAMG review: Mike Muir's Infectious Grooves side project allowed him to relax and display his fun, non-political side, and also provided Suicidal Tendencies bassist Robert Trujillo an opportunity to turn loose his formidable funk chops. The resulting debut album, The Plague That Makes Your Booty Move...It's the Infectious Grooves, mixes hyperactive Chili Pepper funk with traditional metal (including an appearance by Ozzy Osbourne on "Therapy") and Suicidal's skatepunk thrash. The Plague That Makes Your Booty Move was an unabashed good-time party record, with songs like "You Lie...And Yo Breath Stank" and between-song sketches featuring a jive-talking, funk-singing reptile named Sarsippius. Not as schizophrenically eclectic as Faith No More, nor as arty as Jane's Addiction, the Grooves' funk-metal is good-humored and full of attitude, without seeming smug or macho; their output was fairly consistent and similar, although this album contains mild MTV hits like "Punk It Up" and is therefore the best first purchase. Recommended Tracks: You Lie and Yo Breath Stank, Stop Funk'n With My Head, Punk It Up, Monster Skank
#2: George Clinton and P-Funk All Stars: The Awesome Power of A Fully Operational Mothership (1996)http://upload.wikimedia.org/wikipedia/en/a/a0/MP_Clinton-TAPOAFOM.jpgAMG review:The Awesome Power of a Fully Operational Mothership is the first George Clinton album to show signs of a Dr. Dre G-funk influence. Where his previous album, Hey Man, Smell My Finger, was pretty much nothing but standard P-funk, Awesome Power slows the beat down just like Dre does on The Chronic. The difference is, Dre actually works those grooves into songs where Clinton just lets the funk meander. He doesn't even try to write songs -- he operates under the belief that ceaseless jamming and randomly interjected vocals constitues a good groove. And it does, when given the right source material and musicians. On Awesome Power, Clinton has neither. The musicians may have all played with various incarnations of Parliament, but they sound tired and bored on the album -- there isn't a single instant when they latch on to a good groove. And what that means is this: On Awesome Power, George Clinton sounds more out of touch with contemporary funk and R&B than he ever has. Recommended Tracks: Hard as Steel, Underground Angel, If Anybody Gets Funked Up (It's Gonna Be You), Sloppy Seconds
#3: Cameo - Cardiac Arrest (1977)http://upload.wikimedia.org/wikipedia/en/4/48/Cameo-ca.jpgAMG review: In 1977, one of funk's most promising debuts came from Cameo, whose first album, Cardiac Arrest, made it crystal clear that Larry Blackmon's outfit was a force to be reckoned with. If you were into hard, tough funk in 1977, it was impossible not to be excited by Cameo's debut. This excellent LP contains a romantic soul ballad ("Stay By My Side") as well as the original version of "Find My Way," which is the sort of smooth yet funky disco-soul that groups like the Trammps and Double Exposure were known for in the late '70s. But for the most part, this is an album of aggressive, unapologetically gritty funk. On classics like "Rigor Mortis," "Funk, Funk," and "Post Mortem," one can pinpoint Cameo's influences -- namely, Parliament/Funkadelic, the Ohio Players, and the Bar-Kays. But at the same time, these gems demonstrate that even in 1977, Cameo had a recognizable sound of its own. And ultimately, Cameo would become quite influential itself. For funk lovers, Cardiac Arrest is essential listening. Period.Recommended Tracks: Post Mortem, Funk Funk, Rigor Mortis
― forksclovetofu, Sunday, 30 May 2010 23:06 (fifteen years ago)
FWIW, I think that review of TAPOAFOM is horseshit; this album has some serious jams on it.
― forksclovetofu, Sunday, 30 May 2010 23:07 (fifteen years ago)
Cameo album is awesome.The Awesome Power of A Fully Operational Mothership was clintons last great album, dunno what that amg review is on about, lol. It's like a lost Funkadelic album (im guessing the reviewer prefers Parliament). Not heard the infectious grooves album, though I may have seen a vid or too from it back then.hah xpost
― pfunkboy (Herman G. Neuname), Sunday, 30 May 2010 23:10 (fifteen years ago)
the clinton album is very popular amongst the fans. I can rip the cd if it cant be found.
― pfunkboy (Herman G. Neuname), Sunday, 30 May 2010 23:11 (fifteen years ago)
god, i'm so far behind all these listening clubs. only managed to hear Junie this week (really great!) and now pfunk posts 3 more on friday and its monday already!
― De que estas hablando? (Tannenbaum Schmidt), Sunday, 30 May 2010 23:12 (fifteen years ago)
Some truly great one-liners on TAPOAFOM"no itsy bitsy pee wee penis type of pecker poker pusher evah penetratin' the puss-AY""unh unh funky let your nuts hang low sweet stereo society's couch wreck quit trippin cuz you ain't even dippin your head to the funk but you wanna get high?"
― forksclovetofu, Sunday, 30 May 2010 23:14 (fifteen years ago)
cardiac arrest appears to be the only Cameo album not on Spotify, but please look for it elsewhere, you wont be disappointed.
None of these albums are on Spotify it seems
― pfunkboy (Herman G. Neuname), Sunday, 30 May 2010 23:16 (fifteen years ago)
i'm a knock that down tear it up / i'm a knock that down tear it up/ i'm a gonna get with it / i know you know just what I mean I'm a knock that down tear it up/ gonna knock it down trash it up / and when i do it / Ahma stick to it like hot grits on al green
― forksclovetofu, Sunday, 30 May 2010 23:17 (fifteen years ago)
So many albums - I haven't even gotten to last Friday's bonuses yet!
― seandalai, Monday, 31 May 2010 01:24 (fifteen years ago)
just think of the fun that awaits you!
― pfunkboy (Herman G. Neuname), Monday, 31 May 2010 11:22 (fifteen years ago)
man I haven't listened to that Infectious Grooves album since it came out, honestly have some trepidation about relistening to it - what can I say, at the time it seemed like funk-metal (a la Jane's, RATM, Anthrax, etc.) seemed like it might be a good idea. but that isn't how it turned out...
also gotta express some reservations about TAPOAFOM, which was a disappointment to me after Dope Dogs. the production's thinner than I like, and the hooks just aren't there. there's maybe a smattering of worthwhile moments, but the sprawl is just too much, it's unfocused.
― in my day we had to walk 10 miles in the snow for VU bootleg (Shakey Mo Collier), Tuesday, 1 June 2010 23:45 (fifteen years ago)
That Cameo album is an absolute classic, probably my second favourite album of theirs after Word up.
If anyone really gets into it it's actually being re-released as a double with their second album on 21st June. Most of their album from 77-83 are almost impossible to get on CD.
― Kitchen Person, Wednesday, 2 June 2010 12:58 (fifteen years ago)
Oh will need to look out for that, cheers!
― pfunkboy (Herman G. Neuname), Thursday, 3 June 2010 13:29 (fifteen years ago)
no funk bonus until theres more chat on those albums! Did the infectious grooves put everyone off or is it because of a lack of spotify/links?
― pfunkboy (Herman G. Neuname), Friday, 4 June 2010 01:00 (fifteen years ago)
Lack of time in my case, matey - I'm forever playing catch-up. Yesterday was for James Brown's Hell. Wonderful stuff, even if it's pretty much The Payback with gongs. The more I listen, the less I understand those who equate JB with all evil - this stuff seems plenty tuneful to me.
― Ismael Klata, Friday, 4 June 2010 06:42 (fifteen years ago)
Spotify links definitely help me get through everything - means I can listen at work too.
― seandalai, Friday, 4 June 2010 10:51 (fifteen years ago)
@pfunkboy: I may not be online on Monday, so can I send you my picks beforehand?
― seandalai, Friday, 4 June 2010 23:59 (fifteen years ago)
you can post them now if you like, or anytime sat or sunday, no worries, whatever suits you
― pfunkboy (Herman G. Neuname), Saturday, 5 June 2010 00:02 (fifteen years ago)
Are you posting them today?
― pfunkboy (Herman G. Neuname), Sunday, 6 June 2010 11:03 (fifteen years ago)
Here we go...
1. Fatback - Hot Box
http://ecx.images-amazon.com/images/I/61UxFLcixSL._SL500_AA300_.jpg
Spotify
AMG review (which I think undersells the album, if only because the best tracks are serious jams):
In 1980, the carefully studio-crafted combination of funk and disco Fatback had been developing on their last few albums paid off with Hot Box, an album that spawned some serious R&B chart hits. The big hit from this long-player was "Gotta Get My Hands on Some (Money)," a song driven by a rock-solid synthesizer bassline and a freewheeling, Parliament-like rap about the singer's need to score some cash to keep his head above water. It further spices up its funky stew with an array of vocal-harmony hooks and squiggly, ear-catching synthesizer flourishes to create one of Fatback's finest hits. The album's other notable success was "Backstrokin'," a tune that layered plenty of saucy double entendres over a combination of elongated synthesizer lines and staccato horns. Sadly, the rest of the album never quite captures the infectious yet carefully controlled energy of these hits: the title track works hard but never builds up the head of steam that would make it come to life and "Come and Get the Love" sports a lovely group harmony hook but suffers from humdrum lyrics that lack a fresh take on its very traditional subject. The song that gets closest to the arresting quality of the singles is "Love Spell," which triumphs over its uninteresting rap-styled lead vocal thanks to a doubled group vocal/synthesizer hook that digs deep into the listener's consciousness and takes hold. Overall, Hot Box is a solid listen for Fatback fans but those interested in the album's hits would probably be better off picking up a copy of The Fattest of Fatback.
2. Bobbi Humphrey - Blacks and Blues
http://ecx.images-amazon.com/images/I/4152CRY3QKL._SL500_AA300_.jpg
AMG review:
Bobbi Humphrey scored her biggest hit with her third album Blacks and Blues, an utterly delightful jazz-funk classic that helped make her a sensation at Montreux. If it sounds a lot like Donald Byrd's post-Black Byrd output, it's no accident; brothers Larry and Fonce Mizell have their fingerprints all over the album, and as on their work with Byrd, Larry handles all the composing and most of the arranging and production duties. It certainly helps that the Mizells were hitting on all cylinders at this point in their careers, but Humphrey is the true star of the show; she actually grabs a good deal more solo space than Byrd did on his Mizell collaborations, and she claims a good deal of responsibility for the album's light, airy charm. Her playing is indebted to Herbie Mann and, especially, Hubert Laws, but she has a more exclusive affinity for R&B and pop than even those two fusion-minded players, which is why she excels in this setting. Mizell is at the peak of his arranging powers, constructing dense grooves with lots of vintage synths, wah-wah guitars, and rhythmic interplay. Whether the funk runs hot or cool, Humphrey floats over the top with a near-inexhaustible supply of melodic ideas. She also makes her vocal debut on the album's two ballads, "Just a Love Child" and "Baby's Gone"; her voice is girlish but stronger than the genre standard, even the backing vocals by the Mizells and keyboardist Fred Perren. Overall, the album's cumulative effect is like a soft summer breeze, perfect for beaches, barbecues, and cruising with the top down.
3. Orchestre Poly-Rythmo de Cotonou - Echos Hypnotiques
http://ecx.images-amazon.com/images/I/51uNtaYXDGL._SL500_AA300_.jpg
Disclaimer: Ok, this isn't a pure 100% or even 50% funk album, but I figure it shakes things up a bit more than if I posted a Bootsy album or something. And it's unarguably 100% funky.
Condensed blurb from Analog Africa:
Four years in the making, Analog Africa finally presents the second volume of Africa's funkiest band, the mythicalOrchestre Poly-Rythmo de Cotonou.What had started as a children entertainment group became one of the greatest bands of their era. Volume One was a collection of amazing LO-Fi recordings produced for various labels around Benin. Volume Two showcases superbly recorded tracks, courtesy of the EMI studios in Lagos, one of the best studios in the region. All tracks here were recorded for the mighty Albarika Store label and its enigmatic producer, Adissa Seidou.During the period presented here - 1969 to 1979 - the mighty Orchestra was without any doubt one of Africa's most innovative group. Capable of playing any style of music, the band moved from Traditional Vodoun Rhythms to Funk, Salsa or Afro-beat seamlessly and quickly became the powerhouse of Benin's music scene, backing most of Africa's stars touring the country such as Manu Dibango, Ernesto Djedje, Bella Bellow as well as supporting an array of local composers such as Honore Avolonto, Antoine Dougbé and Danialou Sagbohan.
What had started as a children entertainment group became one of the greatest bands of their era. Volume One was a collection of amazing LO-Fi recordings produced for various labels around Benin. Volume Two showcases superbly recorded tracks, courtesy of the EMI studios in Lagos, one of the best studios in the region. All tracks here were recorded for the mighty Albarika Store label and its enigmatic producer, Adissa Seidou.
During the period presented here - 1969 to 1979 - the mighty Orchestra was without any doubt one of Africa's most innovative group. Capable of playing any style of music, the band moved from Traditional Vodoun Rhythms to Funk, Salsa or Afro-beat seamlessly and quickly became the powerhouse of Benin's music scene, backing most of Africa's stars touring the country such as Manu Dibango, Ernesto Djedje, Bella Bellow as well as supporting an array of local composers such as Honore Avolonto, Antoine Dougbé and Danialou Sagbohan.
Enjoy!
― seandalai, Sunday, 6 June 2010 21:18 (fifteen years ago)
I dont know this fatback album, but i have several fatback band/fatback cds from before that album, one of which shall be my bonus pick this week!
― pfunkboy (Herman G. Neuname), Sunday, 6 June 2010 21:19 (fifteen years ago)
Oh and the bobbi humpfrey album is pretty good too. dunno this last album!
― pfunkboy (Herman G. Neuname), Sunday, 6 June 2010 21:20 (fifteen years ago)
lol at the typoBobbi Humphrey
its monday and time to listen to these new picks
― pfunkboy (Herman G. Neuname), Monday, 7 June 2010 11:06 (fifteen years ago)
Fatback album on now, not that dissimilar to man with the band era. I prefer the earlier fatback band stuff but this isnt bad at all.
― pfunkboy (Herman G. Neuname), Monday, 7 June 2010 11:11 (fifteen years ago)
until the ballad came on
― pfunkboy (Herman G. Neuname), Monday, 7 June 2010 11:17 (fifteen years ago)
I definitely prefer the earlier fatback band stuff.
― pfunkboy (Herman G. Neuname), Wednesday, 9 June 2010 12:52 (fifteen years ago)
anyone else around?
― pfunkboy (Herman G. Neuname), Wednesday, 9 June 2010 22:07 (fifteen years ago)
I'm back now! About the Fatback album, the only track I don't like is the very last one. They were definitely more of a singles band though.
― seandalai, Thursday, 10 June 2010 21:08 (fifteen years ago)
Friday Funk BonusRufus Feat Chaka Khan - Rufusizedhttp://www.funkmysoul.gr/wp-content/uploads/2008/11/rufusized-front-medium.jpg
In the early '70s, Rufus was one of the most popular and interesting bands in R&B and rock. Of course, the reason was Chaka Khan, who possessed an amazing voice that was well versed in rock and jazz every bit as much as R&B. Their debut went nowhere, Rags to Rufus offered two instant classics, and Rufusized displayed their skill as album artists. Truth be told, this version of Rufus was nearly a brand-new band, as three members exited and guitarist Tony Maiden and bassist Bobby Watson joined up. The result was a funkier and more talented band who would give Khan the needed earthy and ethereal mix that would make her soar. The sexy and danceable "Once You Started" proves that this version of the band gave off immediate sparks and results. The sneaky and funky "Somebody's Watching You" has Khan displaying even more confidence. After great album cuts like the soothing "Your Smile" and "Pack'd My Bags," Rufusized ends on a strong note. The poignant and sophisticated "Please Pardon Me (You Remind Me)" leads into the Maiden and Khan duet cover of Bobby Womack's "Stop on By," which nearly matches the steaminess and wry nature of the original. Often forgotten due to the bigger hits on Rags to Rufus, this easily outstrips that album and became of one the band's most-loved efforts.
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 12:06 (fifteen years ago)
There's no spotify link but click on the link provided to hear it.
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 12:07 (fifteen years ago)
I hope the lex gives it a listen.
And apologies to Tom D for not posting a funky Tangerine Dream album as he requested.
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 12:57 (fifteen years ago)
I haven't got time to read this whole thread until the weekend but could I do one of these with (redacted)?
― Duran (Doran), Friday, 11 June 2010 13:17 (fifteen years ago)
Shouldn't you have kept the choices to yourself and just said you wanted a week? ;)
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 13:20 (fifteen years ago)
Ah, is that how it works?! Sorry.
Well, if I am granted a week and those choices are still there when my turn comes up...
― Duran (Doran), Friday, 11 June 2010 13:25 (fifteen years ago)
7/6 - Seandalai Funkify14/6 - moka Funka21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - pfunkboy12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!16/8 - Polomint City FunKlata23/8 - Doran D'VoidOfFunk30/8 - pfunkboy
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 13:27 (fifteen years ago)
Ha ha! Saucy.
― Duran (Doran), Friday, 11 June 2010 13:32 (fifteen years ago)
You should ask a mod to remove the bands from your post so it stays a surprise for your week.
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 13:36 (fifteen years ago)
Hello Mr Moderator, can you remove my album choices please so it remains a surprise for when I do my week? Thanks old bean.
― Duran (Doran), Friday, 11 June 2010 14:43 (fifteen years ago)
haha i think you need to ask on the mod req board.
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 14:49 (fifteen years ago)
where's shakey mo these days?
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 16:08 (fifteen years ago)
Ah, I really don't know what's going on. I will look for that in a bit.
― Duran (Doran), Friday, 11 June 2010 16:14 (fifteen years ago)
You should check out the other clubs too.
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 16:14 (fifteen years ago)
Hello there,
A few hours ago I accidentally posted the name of the three albums I want to discuss on the ILM Funk Listening club. Can you remove them for me please?
Thanks. John D
― Duran (Doran), Friday, 11 June 2010 16:15 (fifteen years ago)
For fuck's sake. I have just suggested ban permalink on myself.
― Duran (Doran), Friday, 11 June 2010 16:16 (fifteen years ago)
and smithy wont like you saying you are j... d
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 16:19 (fifteen years ago)
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 16:20 (fifteen years ago)
All my base are belong to some other cunt.
― Duran (Doran), Friday, 11 June 2010 16:38 (fifteen years ago)
hurrah for mr or mrs mod
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 20:59 (fifteen years ago)
im guessing the bobbi humphrey was a bit too smooth for most of you?
― pfunkboy (Herman G. Neuname), Friday, 11 June 2010 23:05 (fifteen years ago)
cheers mod!
― Duran (Doran), Friday, 11 June 2010 23:33 (fifteen years ago)
Moka you're up soon
― pfunkboy (Herman G. Neuname), Sunday, 13 June 2010 21:09 (fifteen years ago)
post away moka
― pfunkboy (Herman G. Neuname), Monday, 14 June 2010 12:39 (fifteen years ago)
hey sam you have a lot of arsenal players to name. get to it!
― pfunkboy (Herman G. Neuname), Monday, 14 June 2010 15:39 (fifteen years ago)
I pm'd moka but he hasnt answered and i haven't seen him around so I think I will swap with him just to keep this on schedule.
14/6 - 21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - moka Funka12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!16/8 - Polomint City FunKlata23/8 - Doran D'VoidOfFunk30/8 - pfunkboy
Will post the new ones in a few mins.
― pfunkboy (Herman G. Neuname), Tuesday, 15 June 2010 12:23 (fifteen years ago)
#1 Brass Construction - Brass Constructionhttp://henpantha.files.wordpress.com/2009/01/2060588634_a85c0e4fe5.jpg
One of the funkiest albums I own, terrific mix of funk, rock and horns. I thoroughly recommend this album to all of you. Most of you will know a track or 2 from this album.
Vocalist/instrumentalist Randy Muller was at the helm of two pivotal East Coast funk and disco aggregations in the '70s and '80s. One was Brass Construction; the other was Skyy. Muller, a vocalist and instrumentalist who doubled on keyboards and flute, organized the band with drummer Larry Payton, trumpeters Wayne Parris and Morris Price, lead guitarist Joe Arthur, vocalist/conga player Sandy Billups, saxophonists Michael Grudge and Jesse Ward, and bassist Wade Williamston. Their 1975 debut, produced by Jeff Lane, went platinum and contained two dancefloor anthems in "Moving" and "Changin.Some bands enjoy their greatest success with their first release, and this Brooklyn-based funk ensemble is a good example. Their first single was the chart-topping "Movin'." Aside from the verse being chanted in unison, this aggressively paced dance number, with its catchy, melodious hook line, utilizes reeds and brass, complemented by keyboard and synthesizer solos from bandleader Randy Muller. The single moved its way to the number one spot on the R&B charts, the group's only chart-topper out of 17 singles that reached the charts, and one of two to ever crack the Top Ten. The follow-up single, "Changin'," has a similar arrangement at a slightly slower tempo. The melody is not seductive like its predecessor. Seeming to be more of a musical exhibition and less dance-oriented, it still managed to peak at number 24 on the charts. While the group's music is centered around its horns, the majority of the songs from this album feature vocals throughout the verses and choruses. Adding their social awareness to the mix on a couple tracks, all numbers are consistent with the album's dance/funk appeal.
Some bands enjoy their greatest success with their first release, and this Brooklyn-based funk ensemble is a good example. Their first single was the chart-topping "Movin'." Aside from the verse being chanted in unison, this aggressively paced dance number, with its catchy, melodious hook line, utilizes reeds and brass, complemented by keyboard and synthesizer solos from bandleader Randy Muller. The single moved its way to the number one spot on the R&B charts, the group's only chart-topper out of 17 singles that reached the charts, and one of two to ever crack the Top Ten. The follow-up single, "Changin'," has a similar arrangement at a slightly slower tempo. The melody is not seductive like its predecessor. Seeming to be more of a musical exhibition and less dance-oriented, it still managed to peak at number 24 on the charts. While the group's music is centered around its horns, the majority of the songs from this album feature vocals throughout the verses and choruses. Adding their social awareness to the mix on a couple tracks, all numbers are consistent with the album's dance/funk appeal.
Not on Spotify Link
#2 Slave - The Concepthttp://i574.photobucket.com/albums/ss190/shuaberry/theconcept.jpg
Arguably the hottest of the '70s Ohio funk bands, Slave had a great run in the late '70s and early '80s. Trumpeter Steve Washington formed the group in Dayton in 1975. Vocalist Floyd Miller teamed with Tom Lockett Jr, Charlie Bradley, Mark Adams, Mark Hicks, Danny Webster, Orion Wilhoite, and Tim Dozier. Vocalists Steve Arrington and Starleana Young came aboard in 1978, with Arrington ultimately becoming lead vocalistThe amazing aspect about bands from Dayton is originality, there's no defining thread or sound to speak of, each group is unique. A short list of Dayton bands include the Ohio Players, Zapp, Lakeside, Sun, and Heatwave. Where's the trademark Dayton sound? Slave may be the most underrated of all, their brand of electronic, funk/soul, techno sound made for great albums. "Stellar Fungk" the title track (yes they spelled funk that way) is stimulating head music, enhanced by brain probing lead guitarist Marc "Drac" Hicks, powerful basslines from Mark Adams, and some ear popping synthesizer work by Carter Bradley. The title The Concept is misleading, the only concept to this fine collection of grooves and funky sounds is getting your boogie on.
The amazing aspect about bands from Dayton is originality, there's no defining thread or sound to speak of, each group is unique. A short list of Dayton bands include the Ohio Players, Zapp, Lakeside, Sun, and Heatwave. Where's the trademark Dayton sound? Slave may be the most underrated of all, their brand of electronic, funk/soul, techno sound made for great albums. "Stellar Fungk" the title track (yes they spelled funk that way) is stimulating head music, enhanced by brain probing lead guitarist Marc "Drac" Hicks, powerful basslines from Mark Adams, and some ear popping synthesizer work by Carter Bradley. The title The Concept is misleading, the only concept to this fine collection of grooves and funky sounds is getting your boogie on.
Spotify LinkNon Spotify Link
#3Kool & The Gang - Wild And Peacefulhttp://3.bp.blogspot.com/_vjWyZWztimM/SYHmzFtbVHI/AAAAAAAAAgQ/H1NaE7fOtdQ/s400/folder.JPG
This is not the disco era Kool & The Gang. This is pure funk. This is before JT joined.
Formed as a jazz ensemble in the mid-'60s, Kool & the Gang became one of the most inspired and influential funk units during the '70s, and one of the most popular R&B groups of the '80s after their breakout hit "Celebration" in 1979. Just as funky as James Brown or Parliament (and sampled almost as frequently), Kool & the Gang relied on their jazz backgrounds and long friendship to form a tightly knit group with the interplay and improvisation of a jazz outfit, plus the energy and spark of a band with equal ties to soul, R&B, and funk.Robert "Kool" Bell and his brother Ronald (or Khalis Bayyan) grew up in Jersey City, NJ, and picked up the music bug from their father. A professional boxer, he was also a serious jazz lover and a close friend of Thelonious Monk. With Robert on bass and Ronald picking up an array of horns, the duo formed the Jazziacs in 1964 with several neighborhood friends: trombone player Clifford Adams, guitarists Charles Smith and Woody Sparrow, trumpeter Robert "Spike" Michens, alto saxophonist Dennis Thomas, keyboard player Ricky West, and drummer Funky George Brown (all of whom, except Michens and West, still remained in the group more than 30 years later).The growing earthiness of soul inspired the Jazziacs to temper their jazz sensibilities with rhythms more akin to R&B, and the newly renamed Soul Town Band began playing clubs in Greenwich Village. After a mix-up with a club owner resulted in the group being billed Kool & the Flames, they moderated the title to Kool & the Gang and found a leg up with the tiny De-Lite Records. Three singles from their self-titled debut album hit the pop charts, and although the position wasn't incredibly high, Kool & the Gang became a quick success on the R&B charts. Always a staple of their appeal, the group's live act was documented on two 1971 LPs, Live at the Sex Machine and Live at P.J.'s, including left-field covers of "Walk On By" and "Wichita Lineman" (as well as the not so unusual "I Want to Take You Higher").Studio albums followed in 1972 and 1973, but it was with Kool & the Gang's sixth LP, Wild and Peaceful, that they hit the big time. "Funky Stuff" became their first Top 40 hit at the end of 1973. Then both "Jungle Boogie" and "Hollywood Swinging" reached the pop Top Ten.Prior to James "JT" Taylor adding pop flavor vocals, which help garner a handful of top selling albums, this was Kool & the Gang's most successful album, spawning three bonafide R&B hits. Produced by Robert Bell, and featuring Donal Boyce's incredulous vocals, these songs have held up well. The fast, chugging "Jungle Boogie" was a club favorite, while "Funky Stuff," with its "whoa whoa whoa" hook, was slower and spacier than "Jungle Boogie." The band formerly known as the Jazziacs got their first R&B number one with "Hollywood Swinging," a slightly faster than mid-tempo song with whistles, festive ambiance and lead vocals by keyboardist Ricky West. All three hits were inspired by Manu Dibango's "Soul Makossa," and were recorded in one night at a studio in midtown Manhattan. The title cut flash backs to their prerecording jazz days, when they dazzled New Jerseyites with their playing skills.
Robert "Kool" Bell and his brother Ronald (or Khalis Bayyan) grew up in Jersey City, NJ, and picked up the music bug from their father. A professional boxer, he was also a serious jazz lover and a close friend of Thelonious Monk. With Robert on bass and Ronald picking up an array of horns, the duo formed the Jazziacs in 1964 with several neighborhood friends: trombone player Clifford Adams, guitarists Charles Smith and Woody Sparrow, trumpeter Robert "Spike" Michens, alto saxophonist Dennis Thomas, keyboard player Ricky West, and drummer Funky George Brown (all of whom, except Michens and West, still remained in the group more than 30 years later).
The growing earthiness of soul inspired the Jazziacs to temper their jazz sensibilities with rhythms more akin to R&B, and the newly renamed Soul Town Band began playing clubs in Greenwich Village. After a mix-up with a club owner resulted in the group being billed Kool & the Flames, they moderated the title to Kool & the Gang and found a leg up with the tiny De-Lite Records. Three singles from their self-titled debut album hit the pop charts, and although the position wasn't incredibly high, Kool & the Gang became a quick success on the R&B charts. Always a staple of their appeal, the group's live act was documented on two 1971 LPs, Live at the Sex Machine and Live at P.J.'s, including left-field covers of "Walk On By" and "Wichita Lineman" (as well as the not so unusual "I Want to Take You Higher").
Studio albums followed in 1972 and 1973, but it was with Kool & the Gang's sixth LP, Wild and Peaceful, that they hit the big time. "Funky Stuff" became their first Top 40 hit at the end of 1973. Then both "Jungle Boogie" and "Hollywood Swinging" reached the pop Top Ten.
Prior to James "JT" Taylor adding pop flavor vocals, which help garner a handful of top selling albums, this was Kool & the Gang's most successful album, spawning three bonafide R&B hits. Produced by Robert Bell, and featuring Donal Boyce's incredulous vocals, these songs have held up well. The fast, chugging "Jungle Boogie" was a club favorite, while "Funky Stuff," with its "whoa whoa whoa" hook, was slower and spacier than "Jungle Boogie." The band formerly known as the Jazziacs got their first R&B number one with "Hollywood Swinging," a slightly faster than mid-tempo song with whistles, festive ambiance and lead vocals by keyboardist Ricky West. All three hits were inspired by Manu Dibango's "Soul Makossa," and were recorded in one night at a studio in midtown Manhattan. The title cut flash backs to their prerecording jazz days, when they dazzled New Jerseyites with their playing skills.
― pfunkboy (Herman G. Neuname), Tuesday, 15 June 2010 13:02 (fifteen years ago)
Digging the William Blake steal on that Slave album cover!
― I am utterly and abjectly pissed off with this little lot (Tom D.), Tuesday, 15 June 2010 13:04 (fifteen years ago)
Do you own/have you heard all 3 of these albums Tom?
― pfunkboy (Herman G. Neuname), Tuesday, 15 June 2010 13:16 (fifteen years ago)
They have recently brought out one of those Original Album Series box sets for Slave, it has the first five albums. I just got it a few weeks ago and so far The Concept has been the stand out. Stellar Fungk is a brilliant opening track.
Brass Construction and Kool & the Gang are both great choices too.
― Kitchen Person, Tuesday, 15 June 2010 13:26 (fifteen years ago)
No, but dled the Brass Construction. I'm away for a week or so, so have to forgo the others for the moment.
― I am utterly and abjectly pissed off with this little lot (Tom D.), Tuesday, 15 June 2010 13:27 (fifteen years ago)
You off to South Africa to support the country you live in?
― pfunkboy (Herman G. Neuname), Tuesday, 15 June 2010 13:47 (fifteen years ago)
Kitchen Person, how much is that slave box set?
I thought moka was a lady?
― Ismael Klata, Tuesday, 15 June 2010 14:02 (fifteen years ago)
I have no idea. He/She doesn't seem to be around anyway.
― pfunkboy (Herman G. Neuname), Tuesday, 15 June 2010 14:14 (fifteen years ago)
and hopefully not because I called her a him! Everyone going to check out this weeks choices then?
― pfunkboy (Herman G. Neuname), Tuesday, 15 June 2010 17:37 (fifteen years ago)
― pfunkboy (Herman G. Neuname), Tuesday, June 15, 2010 1:47 PM (4 hours ago)
It's 14.99 on Amazon.co.uk, there's a few cheaper second hand around 13. It's a nice little set, all the albums are in cardboard sleeves and it's a lot cheaper than trying to find them individually.
― Kitchen Person, Tuesday, 15 June 2010 17:56 (fifteen years ago)
It's also around $18.00 on Amazon.com.
― Kitchen Person, Tuesday, 15 June 2010 18:01 (fifteen years ago)
2nd hand + shipping though. but £14.99 seems a good buy. Will look into it next month.
― pfunkboy (Herman G. Neuname), Tuesday, 15 June 2010 18:35 (fifteen years ago)
Hey everyone!
Sorry! I've been having trouble with my internet provider since Saturday and I wont be able to post my choices this week. I'm terribly sorry :(
― Moka, Wednesday, 16 June 2010 00:17 (fifteen years ago)
No worriesPencilled you in for
21/6 - Abbott The Bricklayer28/6 - The Rev Funkenstein5/7 - moka Funka12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!16/8 - Polomint City FunKlata23/8 - Doran D'VoidOfFunk30/8 - pfunkboy
If that doesn't suit you can try swapping with someone if you want.
― pfunkboy (Herman G. Neuname), Wednesday, 16 June 2010 00:18 (fifteen years ago)
so anyone heard this weeks albums yet?
― pfunkboy (Herman G. Neuname), Wednesday, 16 June 2010 12:09 (fifteen years ago)
First person to post gets the choice of a friday funk bonus
― pfunkboy (Herman G. Neuname), Thursday, 17 June 2010 22:47 (fifteen years ago)
FRIDAY FUNK BONUS
Lafayette Afro Rock Band - Soul Makossa (1973)
Non Spotify (dont know if it still works, soz)
http://ecx.images-amazon.com/images/I/51LhoyqPXWL._SL500_AA300_.jpg
The group was formed in Long Island, NY as the Bobby Boyd Congress; deciding America was already overloaded with funk acts, in 1971 they relocated to France (when frontman Bobby Boyd returned stateside the remaining members renamed themselves Ice and became the house session band at producer Pierre Jaubert's Parisound studio.)
Recorded in Paris and New York under the production guidance of Pierre Jaubert ("Berjot"), the Lafayette Afro-Rock Band were a jazz-based super session group that created a heavy, dense, no compromise ghetto funk that has since been sampled by everyone from Public Enemy to Wreckz 'N' Effect.
Soul Makossa was the debut release of the Lafayette Afro-Rock Band. At the time the band’s popularity was primarily contained within Europe, but the album is now considered a raw funk gem by collectors everywhere. Everyone was quick to recognize such an abundance of talent in one group. Such classics as "Hihache and "Voodounon" have secured the band’s place in funk history.
At this point, we could go on and on, but for those who already know the band, you will be fully aware of what we mean. For those who are listening for the first time, the Lafayette Afro-Rock Band’s bandwagon is becoming larger and is ready to take people on their heaviest musical trip.
"Hihache" (track 5) has been sampled by: * "Nobody Beats the Biz" by Biz Markie (1988) * "Jingling Baby" by LL Cool J (1989) * "No Delayin'" by Nice & Smooth (1989) * "Ghetto Bastard" by Naughty by Nature (1991) * "No Nose Job (Remix)" by Digital Underground (1991) * "Oodles of O's" by De La Soul (1991) * "Alright" by Kris Kross (1993) * "Buck Em Down" by Black Moon (1993) * "2 Cups of Blood" by Gravediggaz (1994) * "Build & Destroy" by Channel Live (1995) * "This Is How We Do It" by Montell Jordan (1995)
― De que estas hablando? (Tannenbaum Schmidt), Friday, 18 June 2010 00:35 (fifteen years ago)
Also, House fans, The Idjut Boys excellent "Roll Over and Snore (Longstayer Mix)/(Live Mix) sampled track 6 "Voodounon" to great effect.
http://open.spotify.com/album/2qBtK11GR6r2Xi3pjx4Qki
― De que estas hablando? (Tannenbaum Schmidt), Friday, 18 June 2010 00:52 (fifteen years ago)
kriss kross had more than 1 song?
― pfunkboy (Herman G. Neuname), Friday, 18 June 2010 00:54 (fifteen years ago)
will play this album shortly. not heard it before.
― pfunkboy (Herman G. Neuname), Friday, 18 June 2010 14:30 (fifteen years ago)
Abbott is up tomorrow
― pfunkboy (Herman G. Neuname), Sunday, 20 June 2010 15:18 (fifteen years ago)
Abbott emailed me her picks as she is out for a day so i'll post them in a few mins
― pfunkboy (Herman G. Neuname), Sunday, 20 June 2010 23:11 (fifteen years ago)
What did you think of Lafayette Afro Rock Band?
― De que estas hablando? (Tannenbaum Schmidt), Sunday, 20 June 2010 23:18 (fifteen years ago)
#1Brick - Best Of Brickhttp://images.uulyrics.com/cover/b/brick/album-the-best-of-brick.jpg
Brick was an Atlanta band that created a successful merger of funk and jazz in the '70s they called "dazz." Brick's roster included lead vocalist/saxophonist/flutist Jimmy Brown; guitarist/bassist/vocalist Regi Hargis Hickman; lead singer Ray Ransom, who doubled as a bassist/keyboardist/percussionist; and Eddie Irons, who did lead vocals and played drums and keyboards. They recorded "Music Matic" for Main Street in 1976, before signing to the CBS-distributed label Bang. Their first Bang single, "Dazz," topped the R&B charts and was number-three pop in 1976, and they continued on Bang until 1982. Brick scored two more huge hits in 1977, "Dusic" and "Ain't Gonna' Hurt Nobody," each with a chunky, propulsive beat and catchy, light pop-jazz refrain. Their last Top Ten R&B hit was "Sweat (Til You Get Wet)" in 1981. This 1995 Epic release is easily the best introduction to the Atlanta-based group's unique fusion of funk, disco, and improvisational soul. With only one pronounced omission -- their later 1981 hit "Sweat (Until You Get Wet)" -- The Best of Brick covers all the major points of the group's short but influential seven-year recording career -- with a decided focus on their first two records. This is a fresh look at a group whose influence has remained steady over the past two decades.
This 1995 Epic release is easily the best introduction to the Atlanta-based group's unique fusion of funk, disco, and improvisational soul. With only one pronounced omission -- their later 1981 hit "Sweat (Until You Get Wet)" -- The Best of Brick covers all the major points of the group's short but influential seven-year recording career -- with a decided focus on their first two records. This is a fresh look at a group whose influence has remained steady over the past two decades.
#2Betty Davis - They Say I'm Differenthttp://55secretstreet.typepad.com/.a/6a00d834525f2869e20120a6a4928f970b-500wi
Betty Davis' second full-length featured a similar set of songs as her debut, though with Davis herself in the production chair and a radically different lineup. The openers, "Shoo-B-Doop and Cop Him" and "He Was a Big Freak," are big, blowsy tunes with stop-start funk rhythms and Davis in her usual persona as the aggressive sexual predator. On the title track, she reminisces about her childhood and compares herself to kindred spirits of the past, a succession of blues legends she holds fond -- including special time for Bessie Smith, Chuck Berry, and Robert Johnson. A pair of unknowns, guitarist Cordell Dudley and bassist Larry Johnson, do a fair job of replacing the stars from her first record. As a result, They Say I'm Different is more keyboard-dominated than her debut, with prominent electric piano, clavinet, and organ from Merl Saunders, Hershall Kennedy, and Tony Vaughn. The material was even more extreme than on her debut; "He Was a Big Freak" featured a prominent bondage theme, while "Your Mama Wants Ya Back" and "Don't Call Her No Tramp" dealt with prostitution, or at least inferred it. With the exception of the two openers, though, They Say I'm Different lacked the excellent songs and strong playing of her debut; an explosive and outré record, but more a variation on the same theme she'd explored before.
#3The Isley Brothers - Between The Sheetshttp://www.dustygroove.com/images/products/i/isleybrothe_betweenth_101b.jpg
Compared to their past material, Between the Sheets lacks a consistent mix of sultry ballads and funky dance numbers. There are really only two Isley Brothers' classics on this project: "Choosey Lover" and the title song "Between the Sheets." The former has a romantic flow and the latter is just shy of mid-tempo but not a bona fide ballad. (When one thinks of a quiet thundering storm, this song's bassline comes to mind; as soothing as it is, it also has that trembling effect.) It fell short of number one, peaking at three on the Billboard R&B charts. It was becoming obvious that the group's continuity was fading -- not so much from dissension within the group, but more so from dwindling interest in the music industry among group members (it was the group's last album as 3 + 3). Marvin and Ernie Isley and their brother in-law Chris Jasper would release an album the following year as Isley Jasper Isley.
― pfunkboy (Herman G. Neuname), Sunday, 20 June 2010 23:24 (fifteen years ago)
^Abbott's picks
What did you think of Lafayette Afro Rock Band?― De que estas hablando? (Tannenbaum Schmidt),
― De que estas hablando? (Tannenbaum Schmidt),
Not got round to it yet! I keep meaning to.
― pfunkboy (Herman G. Neuname), Monday, 21 June 2010 00:30 (fifteen years ago)
I will today
― pfunkboy (Herman G. Neuname), Monday, 21 June 2010 12:12 (fifteen years ago)
Putting it on now tannenbaum!
― pfunkboy (Herman G. Neuname), Monday, 21 June 2010 14:45 (fifteen years ago)
Promising start!
― pfunkboy (Herman G. Neuname), Monday, 21 June 2010 14:47 (fifteen years ago)
Oh yeah, Lafayette Afro Rock Band's cover of "Soul Makossa" is great and pretty close to the original
"Soul Makossa" is a 1972 single by Cameroonian makossa saxophonist Manu Dibango. It is often cited as one of the first disco records. In 1972 David Mancuso found a copy in a Brooklyn West Indian record store and often played it at his Loft parties. The response was so positive that the few copies of "Soul Makossa" in New York City were quickly bought up. The song was subsequently played heavily by Frankie Crocker, who DJed at WBLS, then New York's most popular black radio station. Since the original was now unfindable, at least 23 groups quickly released cover versions to capitalize on the demand for the record. Atlantic eventually licensed the song from the French record label Fiesta.[3] Their release of it peaked at #35 on the Billboard chart in 1973; in 1999 Dave Marsh wrote that it was "the only African record by an African" to crack the top 40. At one point there were nine different versions of the song in the Billboard chart. It became "a massive hit" internationally as well.
― De que estas hablando? (Tannenbaum Schmidt), Monday, 21 June 2010 15:06 (fifteen years ago)
This really is terrific stuff, Oglenon is wonderful.
― pfunkboy (Herman G. Neuname), Monday, 21 June 2010 15:09 (fifteen years ago)
oh and funk fans pop over to ROLLING ILX R&B LISTENING CLUB: Join in! All ILXors and Lurkers Welcome! NEW PICKS EVERY MONDAY! it was my turn today and I picked 3 70s albums that will interest you all.
― pfunkboy (Herman G. Neuname), Monday, 21 June 2010 15:14 (fifteen years ago)
please
― pfunkboy (Herman G. Neuname), Monday, 21 June 2010 23:31 (fifteen years ago)
I know the hits from the Isley and Brick albums but not the albums themselves. Betty Davis I defend rather strenuously on the Betty Davis thread (linked here somewhere I think)
― in my day we had to walk 10 miles in the snow for VU bootleg (Shakey Mo Collier), Monday, 21 June 2010 23:38 (fifteen years ago)
I still hate that betty davis thread, i do not want to read it again. So post about her here!
― pfunkboy (Herman G. Neuname), Tuesday, 22 June 2010 15:55 (fifteen years ago)
Guys, Brick makes my heart soar with joy, so give it a listen if you're at all curious.
― breaking that little dog's heart chakra (Abbott), Tuesday, 22 June 2010 21:30 (fifteen years ago)
and you will make her heart fall if you dont play it
― pfunkboy (Herman G. Neuname), Tuesday, 22 June 2010 23:26 (fifteen years ago)
Lafayette Afro Rock Band is pretty good! I'd strongly recommend their follow-up 'Malik' as well.
― Moka, Tuesday, 22 June 2010 23:48 (fifteen years ago)
Contains their only hit I think 'Darkest Light'.
― Moka, Tuesday, 22 June 2010 23:49 (fifteen years ago)
Must check that out then.
― pfunkboy (Herman G. Neuname), Wednesday, 23 June 2010 12:23 (fifteen years ago)
ok time for a friday funk bonus
― pfunkboy (Herman G. Neuname), Friday, 25 June 2010 15:40 (fifteen years ago)
tom d you wanna do it?
― pfunkboy (Herman G. Neuname), Friday, 25 June 2010 15:42 (fifteen years ago)
What, just like that? Need more time than that.
― I am utterly and abjectly pissed off with this little lot (Tom D.), Friday, 25 June 2010 15:46 (fifteen years ago)
fair enough, i'll do it then unless anyone else fancies it?
― pfunkboy (Herman G. Neuname), Friday, 25 June 2010 15:47 (fifteen years ago)
Friday Funk BonusThe Headhunters - Survival Of The Fittesthttp://www.dustygroove.com/images/products/h/headhunters_survivalo_101b.jpg
A landmark bit of jazz funk -- from one of the greatest backup groups of the 70s! Herbie Hancock first brought The Headhunters to light -- working with the San Francisco-based combo that included Bennie Maupin, Mike Clark, Paul Jackson, and Bill Summers -- using their sound to give his work the right dose of funk it needed to reach new audiences during the decade. This album's the first to feature the group on their own, without Herbie -- and if we don't mind saying so, they sound even better without him! The whole thing's a wonderful mix of jazz funk grooves and very unusual rhythms -- and the record contains the monster full length version of "God Make Me Funky", which is 9 minutes and 35 seconds of non stop funk, plus the cuts "If You've Got It, You'll Get It", "Magic", and "Here & Now". (Original pressing. Cover has some ring & edge wear and a small name in pen on front.) © 1996-2010, Dusty Groove America, Inc.
― pfunkboy (Herman G. Neuname), Friday, 25 June 2010 15:54 (fifteen years ago)
where is shakey mo these days?
― pfunkboy (Herman G. Neuname), Friday, 25 June 2010 16:22 (fifteen years ago)
28/6 - The Rev Funkenstein5/7 - moka Funka12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!16/8 - Polomint City FunKlata23/8 - Doran D'VoidOfFunk30/8 - pfunkboy
― pfunkboy (Herman G. Neuname), Friday, 25 June 2010 16:23 (fifteen years ago)
rev you're up
― pfunkboy (Herman G. Neuname), Monday, 28 June 2010 14:08 (fifteen years ago)
sorry, been out sick and dealing with all kinds of bullshit, have let my dedication to this thread lapse... um what can I say, I'm behind never got around to the Isley and Brick full lengths. um, I am familiar with the Headhunters album posted altho I haven't listened to it in a long time and am not sure I even still have a copy. solid stuff, iirc, recorded at Different Fur here in SF...?
― insert your favorite discriminatory practice here (Shakey Mo Collier), Monday, 28 June 2010 21:31 (fifteen years ago)
Not seen the rev posting, has anyone else?
― pfunkboy (Herman G. Neuname), Tuesday, 29 June 2010 00:57 (fifteen years ago)
Anyone want to swap with the rev?
― pfunkboy (Herman G. Neuname), Tuesday, 29 June 2010 14:08 (fifteen years ago)
― pfunkboy (Herman G. Neuname), Tuesday, 29 June 2010 19:43 (fifteen years ago)
shakey?
I'm here, could easily do this week's picks but uh... well I'm not sure there's much point if it's just you and me on this thread! Which is weird cuz in that poll of "what genres do you wish you knew more about" funk was near the top. People be lying!
― insert your favorite discriminatory practice here (Shakey Mo Collier), Tuesday, 29 June 2010 19:45 (fifteen years ago)
Winston has let us down. tbf tom d is on this thread too still. Abbott is as well. It's the people who wanted to pick albums that aren't showing up! (not even when it's their turn!)
Rev are you ready to post today or do you want to swap with shakey?
Or as shakey asks, are people still interested in the funk club?
― pfunkboy (Herman G. Neuname), Tuesday, 29 June 2010 22:14 (fifteen years ago)
Does anyone want the club to continue?
― pfunkboy (Herman G. Neuname), Wednesday, 30 June 2010 00:12 (fifteen years ago)
yes i do!
(even though i have not participated at all...)
― heartbreaking audiophile tacos (Drugs A. Money), Wednesday, 30 June 2010 00:46 (fifteen years ago)
OK the rev doesn't appear to be around this week so m bison is going to swap with him
28/6 - mbison the texan funkateer5/7 - moka Funka12/7 - Turangalila Funkapus19/7 - The Rev Funkenstein 26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!16/8 - Polomint City FunKlata23/8 - Doran D'VoidOfFunk30/8 - pfunkboy
― pfunkboy (Herman G. Neuname), Wednesday, 30 June 2010 02:32 (fifteen years ago)
Weird, he hasn't posted them. He had them ready to go on AIM last night.
― pfunkboy (Herman G. Neuname), Wednesday, 30 June 2010 12:41 (fifteen years ago)
Patience
― I am utterly and abjectly pissed off with this little lot (Tom D.), Wednesday, 30 June 2010 12:42 (fifteen years ago)
http://castlescorner.net/wordpress/wp-content/uploads/2008/10/app_solitaire_01.png
― pfunkboy (Herman G. Neuname), Wednesday, 30 June 2010 15:43 (fifteen years ago)
(called Patience here in Scotland for some reason)
― pfunkboy (Herman G. Neuname), Wednesday, 30 June 2010 15:44 (fifteen years ago)
sam get in here with your arsenal players and catch up
― pfunkboy (Herman G. Neuname), Wednesday, 30 June 2010 20:35 (fifteen years ago)
filling in, ok here it goes
http://munchiegonetoheaven1.files.wordpress.com/2008/10/jorge-ben-1976-africa-brasil-front2.jpg
#1 Jorge Ben - Africa Brasil
some of the most diabolical sambafied funk breaks known to humankind all up in this. 'ponta de lanca africano (umbabarauma)' prolly the greatest song about soccer tbh. the bass on 'xica da silva' is str8 booty, no way around it. saves the best for last on 'zumbi (africa brasil)' which is less a rerecording than a complete revision of the track of the same name from tabua de esmeralda. lyrics are basically the same, but the tone is more sinister and foreboding, full of fire-bellied rage and all kinds of deep feelings of wanting to merk fools (loose translation imo).
rly if u listen to nothing else for the month of july/2010/the decade/UR LIFE it should be this record.
download: http://bit.ly/a4JUJg
http://3.bp.blogspot.com/_pv2wWq0AZ3Y/SFm9NvvVqvI/AAAAAAAAADY/W1SLg25H7Bg/s400/Sly+And+The+Family+Stone+-+Dance+To+The+Music+(1968).jpg
#2 Sly and the Family Stone - Dance to the Music
don't know which side of your sly bread u like it buttered, but i like happy hippy sly, if that is such a thing. 'dance to the medley' is a 4 real jam tbh, by minute 4 or 5 of this 12 minutes, if u are not feeling joyful funk vibes, u may very well be in the zone of zero funkativity!
http://www.jamati.com/online/wp-content/uploads/2008/06/fela_expensive_shit.jpg
#3 Fela Kuti - Expensive Shit/He Miss Road
WARNING ADULT THEMES Ok so if u didn't know the title track is about how mr. kuti had to buy someone's poop so he wouldn't test positive for weed!!! also there are naked ladies on the front!!!
also there are some banging joints on this, 'water no get enemy' is total gangster leaning times, basically a dub song at its <3 now that i think of it. one of fela's strongest double album re-releases which is saying a lot.
― paul wallowitz and chaimillionaire - get ya mind kashrut (m bison), Wednesday, 30 June 2010 22:23 (fifteen years ago)
mr. kuti had to buy someone's poop so he wouldn't test positive for weed!!! ..also there are some banging joints on this
..also there are some banging joints on this
haha
― pfunkboy (Herman G. Neuname), Wednesday, 30 June 2010 22:33 (fifteen years ago)
Jorge Ben = amazing start to finish. landmark record, full of joy, bursting with amazing chops skillfully deployedSly = probably my least favorite Sly record actually. Apparently derided by the band too, at least according to the "In Their Own Words" book (iirc Jerry Martini ridiculed it as "glorified Motown"/"dance to the medley/shmedley bullshit"). I think this record was taken as a step back from the much more adventurous hybrid weirdness of "A Whole New Thing", with Sly consciously rushing out an album that apes the simpler, more straightfoward commercial trends of the time. Oddly enough, nothing on this record was a hit apart from the title track, making this a record with even fewer distinctive cuts then pretty much any other pre-Fresh Sly LP. That being said, it's not a bad record by any means, but I find its funk too restrained, and there's not much that hints at the awesomeness to come. "Color Me True" is probably my favorite track on here.Fela = this was the record that opened me up to Fela. killer non-stop.
― has arlen specter never heard clarence thomas's laugh? (Shakey Mo Collier), Wednesday, 30 June 2010 22:37 (fifteen years ago)
i agree about the sly, but mbison wouldnt listen!
― pfunkboy (Herman G. Neuname), Wednesday, 30 June 2010 22:40 (fifteen years ago)
i like the bubble-gummy aspect of it tbh
― paul wallowitz and chaimillionaire - get ya mind kashrut (m bison), Wednesday, 30 June 2010 22:45 (fifteen years ago)
bubblegum has more hooks!
― has arlen specter never heard clarence thomas's laugh? (Shakey Mo Collier), Wednesday, 30 June 2010 22:51 (fifteen years ago)
*shrugs*
― paul wallowitz and chaimillionaire - get ya mind kashrut (m bison), Wednesday, 30 June 2010 22:53 (fifteen years ago)
*cries*
― has arlen specter never heard clarence thomas's laugh? (Shakey Mo Collier), Wednesday, 30 June 2010 22:58 (fifteen years ago)
https://www.youtube.com/watch?v=DkP5roFukKY&feature=related
― has arlen specter never heard clarence thomas's laugh? (Shakey Mo Collier), Wednesday, 30 June 2010 23:01 (fifteen years ago)
its funny how pfunks been avoided mostly so far
― pfunkboy (Herman G. Neuname), Thursday, 1 July 2010 00:19 (fifteen years ago)
And both bubblegum and the "Dance to the Music" album have more hooks than "A Whole New Thing", which doesn't really work for me
― I am utterly and abjectly pissed off with this little lot (Tom D.), Thursday, 1 July 2010 09:23 (fifteen years ago)
I prefer A Whole New Thing myself.
― pfunkboy (Herman G. Neuname), Thursday, 1 July 2010 15:59 (fifteen years ago)
there are hooks on A Whole New Thing, they're just all chopped up and jammed together in really odd ways. I think the appeal of that album is more in it's left-field inventiveness - there are a LOT of strange sounds and left turns in it - and that's more what holds my attention (as opposed to bubblegum hooks or harder funk rhythms)
― has arlen specter never heard clarence thomas's laugh? (Shakey Mo Collier), Thursday, 1 July 2010 16:06 (fifteen years ago)
I just prefer A Whole New Thing as an album.
― pfunkboy (Herman G. Neuname), Friday, 2 July 2010 14:38 (fifteen years ago)
5/7 - moka Funka12/7 - Turangalila Funkapus19/7 - The Rev Funkenstein26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!16/8 - Polomint City FunKlata23/8 - Doran D'VoidOfFunk30/8 - pfunkboy
Moka are you ready for your rejigged week?
― pfunkboy (Herman G. Neuname), Sunday, 4 July 2010 17:27 (fifteen years ago)
you're ready to go now
― pfunkboy (Herman G. Neuname), Monday, 5 July 2010 00:12 (fifteen years ago)
Anyone want to talk about last weeks albums while we wait for moka's picks?
― pfunkboy (Herman G. Neuname), Monday, 5 July 2010 13:05 (fifteen years ago)
damn webmail still isnt working so i cant even message moka.
Has anyone seen her posting today?
― pfunkboy (Herman G. Neuname), Monday, 5 July 2010 21:39 (fifteen years ago)
..
― pfunkboy (Herman G. Neuname), Tuesday, 6 July 2010 14:20 (fifteen years ago)
alright, no sign of moka, turangalila is too busy @ work. Who can post tonight? Shakey mo?
― pfunkboy (Herman G. Neuname), Tuesday, 6 July 2010 22:08 (fifteen years ago)
buncha punks shirking their duties!
yeah I can do this
― has arlen specter never heard clarence thomas's laugh? (Shakey Mo Collier), Tuesday, 6 July 2010 22:38 (fifteen years ago)
cool, post away then. Email me your choices first and i will find spotify links. I was going to email me but I forgot the new addy you gave me so i only have the old one that you never check.
― pfunkboy (Herman G. Neuname), Tuesday, 6 July 2010 22:42 (fifteen years ago)
email you, not me, obviously.
WattStax: The Living Word http://lh5.ggpht.com/_KmPfJhokokU/ScZTQ3Tf8tI/AAAAAAAAIso/p6rW3fEjyz0/s400/VA-WattstaxTheLivingWord.jpg
Soundtrack to the amazing documentary, featuring many of Stax's best at the height of their powers/popularity just prior to the label's implosion. Includes Rufus Thomas starting/stopping a riot, Bar Kays delivering some of the fastest wah-wah pedalling ever, and my personal favorite version of Ain't No Sunshine by Isaac Hayes clocking in at an astonishingly absorbing 17 minutes. The between-song chatter was mined endlessly for samples, especially by Public Enemy and Ice Cube
Muddy Waters: Electric Mudhttp://t2.gstatic.com/images?q=tbn:lL_GEJxkZMmrAM:http://homepage.mac.com/jatticusryan/.Public/muddy_waters.jpg
A classic "sell-out" move album, routinely voted "the Worst Blues Album of All Time" by purists and reportedly loathed by Muddy himself. But the actual record is a marvel - Pete Cosey at his pre-Miles Davis best, everything fuzzed out to the nth degree and tons of amazing, rollicking drum work. Cypress Hill looped "Tomcat" as the basis for "Ultraviolet Dreams".
Parliament: Mothership Connectionhttp://t0.gstatic.com/images?q=tbn:9_8EQ-ehTDlZJM:http://i3.photobucket.com/albums/y51/chaos61/parliament_mothership_connection-1.jpg
the nee-plus-ultra of funk albums, reputedly the first R&B album to feature zero ballads. There's kind of nothing more to be said of this, as it's probably the best and most well-known Parliament album, and deservedly so. A breakthrough in concept in consistency, this would mark the beginning of P-Funk's peak commercial period. Super heavy but also bouncy and plasticized, Bernie, Bootsy, and George are all at their best, ably assisted by Maceo and Fred Wesley (and the rest of the JBs horn section). Mindblowing.
― has arlen specter never heard clarence thomas's laugh? (Shakey Mo Collier), Tuesday, 6 July 2010 23:13 (fifteen years ago)
aw man harvey fuqua died
― obvious and old and bannable (forksclovetofu), Tuesday, 6 July 2010 23:19 (fifteen years ago)
new rota12/7 - Turangalila Funkapus19/7 - The Rev Funkenstein26/7 - Tom "Funkybutt" D2/8 - Von Bootee!9/8 - Polomint City FunKlata16/8 - Doran D'VoidOfFunk23/8 - pfunkboy30/8 - Funky Mo Collier
Spotify links
Wattstax - The Living Word http://open.spotify.com/album/0a9H8Tz9M694g6KuJvRDyoMuddy Waters - Electric Mud http://open.spotify.com/album/2u8GYGxTQGPAdEkyI8Bv9EParliament - Mothership Connection http://open.spotify.com/album/734MC4wQsfNWsg9HLTrUoN
― pfunkboy (Herman G. Neuname), Wednesday, 7 July 2010 00:15 (fifteen years ago)
no discussion? Everyone has surely heard Mothership Connection!
― pfunkboy (Herman G. Neuname), Sunday, 11 July 2010 01:51 (fifteen years ago)
12/7 - Turangalila Funkapus19/7 - mbison the texan funkateer26/7 - Shakey Mo Funkier2/8 - Tom "Funkybutt" D9/8 - Von Bootee!16/8 - Polomint City FunKlata23/8 - Doran D'VoidOfFunk30/8 - pfunkboy
― pfunkboy (Herman G. Neuname), Sunday, 11 July 2010 22:36 (fifteen years ago)
Turangalila cant take his shot, he's busy. Anyone want to take his shot?
― pfunkboy (Herman G. Neuname), Sunday, 11 July 2010 23:23 (fifteen years ago)
Tuomas do you want another shot sometime?
― pfunkboy (Herman G. Neuname), Sunday, 11 July 2010 23:28 (fifteen years ago)
hermanz aksed me to go this week, so i got:
http://upload.wikimedia.org/wikipedia/en/e/e6/Parliament-Funkentelechy_Vs._the_Placebo_Syndrome_%28album_cover%29.jpg
parliament - funkentelchy v the placebo syndrome
spotify: http://open.spotify.com/album/1FuGcOBda4iJma3adpRcgW
i resisted putting this in my first go-around because i feared the funk listening club would just be all p-funk all the time, which i’m personally okay with but it’s certainly not all that the funk world has to offer.
anyway, this is my favorite lp of all-time of any genre. it’s bookended by “bop gun (endangered species)”, an immediate assault on that which is unfunky, and “flashlight” which is basically the electro-funk blueprint. but on the whole, it’s a sprawling jazz-psych-dance-funk masterpiece. "Sir Nose d'Voidoffunk (Pay Attention - B3M)" is a maddening lurch that evolves into some twinkle-toed funk fairy that summons the spirits of looney tunes theme and the 3 blind mice. “funkentelchy” is its bouncing cousin that talks in commercial taglines and swings so hard. “wizard of finance” is a love song for ppl who love strained fiduciary metaphors (i.e. me). “placebo syndrome” is a dream, kind of beatles-style descending chord progression (w/ more horns obv).
if mothership connection is p-funk star wars, this is empire strikes black.
http://upload.wikimedia.org/wikipedia/en/c/ca/Isleysheat.jpg
the isley brothers - the heat is on
Spotify: http://open.spotify.com/album/113hKdgPCgDXwegavxniAZ
i defy any woman of child-bearing age to listen to side b of 'the heat is on' and not be pregnant when “make me say it again” is over. I DEFY YOU. not to mention side a which has “fight the power” and the title track which i would be remiss to exclude mention because they PWN.
http://www.hardtofindrecordsrecordstore.com/htfrimages/BMR140817.jpg
con funk shun - candy
Download http://bit.ly/dakgGp
a solid dollar-bin find. group reminds me of the isleys a bit (“(let me put) love on your mind” is p much a dick-you-down anthem in that vein). title track’s just all kinds of bumpin, fast paced syncopation and what not.
― ••• ▄█▀ █▄ █▄█ ▀█▀ ▄█▀ ••• (m bison), Monday, 12 July 2010 00:20 (fifteen years ago)
Sam & co dont seem to be around anymore
― pfunkboy (Herman G. Neuname), Sunday, 18 July 2010 19:20 (fifteen years ago)
I hope people decide to catch up on these 3 albums.
The Parliament and Isleys are classics, you wont regret it.
con funk shun never quite hit the heights for me but it was ok. worth a listen
― pfunkboy (Herman G. Neuname), Sunday, 18 July 2010 19:21 (fifteen years ago)
19/7 - Shakey Mo Funkier26/7 - Tom "Funkybutt" D2/8 - Von Bootee!09/8 - Polomint City FunKlata16/8 - Doran D'VoidOfFunk23/8 - pfunkboy
That's another great selection of albums. Funkentelchy is probably my third favourite album of theirs after Mothership Connection and Motor Booty Affair. Most people seem to rate Flashlight as one of their very best songs but for me that album is all about Wizard of Finance which is maybe their best ballad.
The Heat is on is yet another perfect album. I probably would put it just ahead of 3 + 3 which is also classic. The ballads are just killer and Hope You Feel better Love might be my favourite song of theirs (that or Behind a Painted Smile) Live it up is another really good album of theirs, they really were on fire around that time.
I just picked up a cheap copy of Candy last week. After a couple of plays I'd say it's not in the league of The Isley Brothers or Parliament but it's pretty good. The ballads really remind me of Earth, Wind & fire and the upbeat songs sound a lot like early Gap Band or Cameo. Most of the 70's funk I get I always want to hear a bunch of their other albums but I'm not sure I'll be rushing out to get much more by Con Funk Shun, the few things I've read about them suggest Candy is their best album would anyone here strongly recommend any others?
Ok this is an xxpost, I recently got round to buying Mandrill is and I've really fallen in love with it. It reminds me a lot of War who are one of my favourite bands from that era. Can anyone recommend which albums to get next? AMG says the first one is hardly essential and Composite of Truth gets a higher grade. I'm aware AMG can be very hit and miss, I'd really appreciate any guidance.
― Kitchen Person, Monday, 19 July 2010 16:51 (fifteen years ago)
that album is all about Wizard of Finance which is maybe their best ballad
I wouldn't go THAT far - but it is their best ballad. not sure why that is, maybe because it's goofier than their other ballads
― Major Lolzer (Shakey Mo Collier), Monday, 19 July 2010 16:54 (fifteen years ago)
kitchen person, the 1st Mandrill is great, but it is very different. Its quite experimental and dare i say prog? But it is very good. I have the 1st 5 albums and We Are One, and while Is is the best one, you wont be disappointed with those.
― pfunkboy (Herman G. Neuname), Monday, 19 July 2010 17:10 (fifteen years ago)
Great, I'll get some of the early albums ordered soon then. I might not get the first album straight away, prog isn't exactly my favourite genre. Thanks for the advice though, I'm really excited about hearing some more of their albums.
― Kitchen Person, Monday, 19 July 2010 17:22 (fifteen years ago)
Its not prog rock, i just mean it has longer songs and suites. Its still mandrill. Its prob my 3rd fave of theirs. Its good.
― pfunkboy (Herman G. Neuname), Monday, 19 July 2010 17:23 (fifteen years ago)
Mandrill definitely reminds me of War. I think War was a better singles band tho
― Major Lolzer (Shakey Mo Collier), Monday, 19 July 2010 17:43 (fifteen years ago)
Okay cool, I'll check it out. I'm glad to see most of their stuff seems to be fairly easy to get on vinyl and CD.
Think I'm going to be looking for some more of this kind of sound for a while now, I've had the first Cymande album on my wishlist for ages I'm imagining they have a similar kind of sound.
― Kitchen Person, Monday, 19 July 2010 17:44 (fifteen years ago)
shakey you taking your turn?
― pfunkboy (Herman G. Neuname), Monday, 19 July 2010 18:48 (fifteen years ago)
toms turn then
― pfunkboy (Herman G. Neuname), Monday, 26 July 2010 02:33 (fifteen years ago)
Forgot, if I don't post something later today it'll have to wait till Thursday
― tom d: he did what he had to do now he is dead (Tom D.), Monday, 26 July 2010 09:40 (fifteen years ago)
ok
― pfunkboy (Herman G. Neuname), Monday, 26 July 2010 13:56 (fifteen years ago)
― pfunkboy (Herman G. Neuname), Thursday, 29 July 2010 01:14 (fifteen years ago)
Plenty of time for you to post "ok" again
― tom d: he did what he had to do now he is dead (Tom D.), Thursday, 29 July 2010 08:57 (fifteen years ago)
BOHANNON - Stop and Go (1973)
http://2.bp.blogspot.com/_osaKxjJ33dE/S4q2cmz_yJI/AAAAAAAAASQ/FtW7WManJuI/s400/bohannon-1.jpg
Believe me I agonised over what Bohannon album to choose. You see, Bohannon was one of a handful of artist/producers in the 70s (Klaus Dinger, Mike Leander...) to invent a drum sound/style so awesome it almost didn't matter what he put on top of it. Straight 4/4, snare, kick, hi-hat, no cymbals, no fills, no rolls. The Bohannon Beat. BUT, this (his first) album only has it on one track ("The Pimp Walk") whereas his next five or so albums have it on most of their tracks. Dilemma. But I decided on "Stop and Go" eventually, simply because, though it's not his most characteristic album, it's his best (of the early albums at least). For a start, the slow tracks on most of his albums really drag them down whereas here they're as good (sometimes I think even better) than the uptempo numbers. His later albums are a whole other thing.
Not Spotty
MANDRÉ - M3000 (1979)
http://3.bp.blogspot.com/_cLxnR3lIheA/SjR5SpsOCZI/AAAAAAAACO0/RUCFTJu4aTE/s400/Picture+2.png
Again, could have chosen any of the three albums synthesizer wizard André Lewis recorded as Mandré for Motown in the late 70s. This is the final one. Opens and closes with some mind-boggling electronic jiggery-pokery, in between are a succession of blatantly P-Funk inspired jams. Some bright spark at Motown had the idea of promoting Mandré as being "funkier than Parliament". Cheeky! (Can't believe how the shit the sleeve of this album is, almost picked the first album instead for the sleeve alone!)
GRAHAM CENTRAL STATION - Ain't No 'Bout-A-Doubt It (1975)
http://ecx.images-amazon.com/images/I/61UkedNZq4L.jpg
3rd album from Larry Graham's band. Post-Family Stone, Larry's trip was smiles and positivity in place of angst and paranoia - but don't go wrinklin' your nose and furrowin' your brow just yet because that still means grooves as relentless as a Panzer Division! Sleevenotes inform me that this album was produced by God, making this his first major production job since the Creation (not the London-based 60s mod band). Surely the only funk album to namecheck Montrose: that's the band, not the Scottish town (unless the Average White Band did so, Dundee's just up the road from Montrose after all). Includes the brilliant pop song, "Your Love"... and check Larry's ludicrously bombastic vocal on the closing track! Good times!
Spotty
Non Spotty Link
― tom d: he did what he had to do now he is dead (Tom D.), Thursday, 29 July 2010 12:51 (fifteen years ago)
the GCS is my fave GCS. its a fucking jam! Awesome pick.
― pfunkboy (Herman G. Neuname), Thursday, 29 July 2010 15:16 (fifteen years ago)
Sleevenotes inform me that this album was produced by God, making this his first major production job since the Creation
always lol'd at this, those liner notes are a riot. great album, altho I think it was diminishing returns for GCS from here on out. Your Love is fucking killer.
dunno the Mandre (never even heard of it) or the Bohannon (who I have def. heard of - BOHANNON BOHANNON BOHANNON BOHANNON). will check 'em out!
― Master of the Manly Ballad (Shakey Mo Collier), Thursday, 29 July 2010 15:35 (fifteen years ago)
I love Bohannon, glad (but surprised) no-one had picked him so far, allowing me to be the first!
― tom d: he did what he had to do now he is dead (Tom D.), Thursday, 29 July 2010 15:43 (fifteen years ago)
Shakey i love love love Graham Central Station - Now Do U Wanna Dance and My Radio Sure Sounds Good To Me
― pfunkboy (Herman G. Neuname), Thursday, 29 July 2010 16:57 (fifteen years ago)
Mirror is the last one I really like - My Radio always seemed to thin and silly to me. Never heard Do U Wanna Dance. Were these also produced by God? should've got him back in the studio imho
― Master of the Manly Ballad (Shakey Mo Collier), Thursday, 29 July 2010 17:13 (fifteen years ago)
2/8 - Von Bootee!09/8 - Polomint City FunKlata16/8 - Doran D'VoidOfFunk
― pfunkboy (Herman G. Neuname), Monday, 2 August 2010 12:25 (fifteen years ago)
That's a great surprise seeing Mandre as one of this weeks picks. That's easily my favourite of his first three albums. I definitely agree about the artwork, especially compared to how great the first two albums look. His lost fourth album has recently been reissued on CD I keep meaning to order it.
I just bought a bunch of Bohannon records recently (Keep On Dancin', Bohannon and Dance Your Ass Off) Stop & Go was my next one on the list to get but it's the one I never seem to be able to find for a decent price. He's just brilliant, I've loved everything I've heard by him so far.
Haven't heard that Graham Central Station album but will be checking it out for sure.
― Kitchen Person, Tuesday, 3 August 2010 03:26 (fifteen years ago)
Yow! Sorry, funksters - thought I wasn't due until later in the month. (It's been a busy summer and I haven't been following the thread's progress.) Let me think up a few albums and accompanying remarks right this minute...
― Myonga Vön Bontee, Wednesday, 4 August 2010 04:30 (fifteen years ago)
(Oh wait...looks like I was bumped ahead a week, so it's not actually my memory that's at fault, after all. Anyways...)
Parliament - Osmium (1970)http://1.bp.blogspot.com/_b0p31jZ2ttw/RupsWCYMIbI/AAAAAAAAAdQ/rJix_dok9lU/s320/Parliament+osmium+1970.jpg
Not only is this more of a Funkadelic than Parliament album, it's also more like a 1975 Funkadelic than a 1970 one. In the words of Xgau: "What happens when a black harmony group names an album after the heaviest metal, depluralizes its name, and pluralizes its music? It may be pretentious bullshit, but it sure is interesting pretentious bullshit--bagpipes and steel guitars, Bach and rock, Satchmo as Kingfish, work chants as dozens, all in the service of a world view in which love/sex becomes frightening, even brutal, and no less credible for that." Larry Young - Lawrence of Newark (1973)http://image.allmusic.com/00/amg/cov200/drf500/f518/f51877ma6lq.jpg
This is kinda halfway between In a Silent Way and On The Corner, with LOTS of percussion (two full kit drummers plus congas and bells). Plus guest appearances by Pharoah Sanders and James Blood Ulmer! (Actually, upon reflection, maybe this is more appropriate to the jazz listeners thread (bass is acoustic) but I'm too lazy to change it now.
The Commodores - Machine Gunhttp://img516.imageshack.us/i/commodoresmachinegun1lh.jpg/
I hate Lionel Richie as much as the next guy, so it's easy enough to assign most of the credit to his bandmates. No ballads!
― Myonga Vön Bontee, Wednesday, 4 August 2010 06:35 (fifteen years ago)
"Lawrence of Newark" is fantastic, not sure what it's doing on a funk thread tho!
― tom d: he did what he had to do now he is dead (Tom D.), Wednesday, 4 August 2010 11:37 (fifteen years ago)
machine gun rules, all 3 albums are brilliant great picks!
― pfunkboy (Herman G. Neuname), Wednesday, 4 August 2010 11:57 (fifteen years ago)
xpost - Yeah, I should've second-guessed myself. So howbout we just pretend it's not there and substitute THIS:http://ecx.images-amazon.com/images/I/41E4Z2QCQRL._SL500_AA300_.jpg
― Myonga Vön Bontee, Thursday, 5 August 2010 08:53 (fifteen years ago)
Let's be greedy and have both, both are awesome
― tom d: he did what he had to do now he is dead (Tom D.), Thursday, 5 August 2010 09:12 (fifteen years ago)
has that Larry Young album been ref'd on some other thread...? I've never heard it but it looks familiar. I think Osmium's kinda a mess personally, but not without its merits. It's like a test-run for America Eats Its Young. Commodores album is ace, proof that they never should have let Lionel take over the songwriting
― Party Car! (Shakey Mo Collier), Thursday, 5 August 2010 15:37 (fifteen years ago)
http://4.bp.blogspot.com/_WYSTqa5QopU/R_4N6ZQ-c1I/AAAAAAAAC4o/oFjM4muYt6Q/s320/Across%2B110th%2BStreet.jpg
Across 110th StreetBobby Womack
This is mostly about the godlike title track, which appears here in three different and wonderful versions, but there's some interesting other stuff too. There are a few instrumental themes, which are pleasant if not particularly memorable. The other four songs are more soulful, 'Do It Right' being the standout - it's a fairly dirty soul/rock affair with an ecstatic bridge, I love it.
The album is the soundtrack to the blaxploitation film of the same name, which I've never seen but would like to. Wikipedia says it's a violent affair: "By-the-book black police Lieutenant Pope (Kotto) has to work with crude, racist and streetwise Italian-American Captain Mattelli (Quinn). They are looking for three blacks who slaughtered five men—three blacks and two Italians—in the robbery of $300,000 from a Mafia-owned Harlem policy bank".
-
http://ecoloinfo.com/wp-content/uploads/2008/10/band1.jpg
High TimesJamiroquai
My campaign to rehabilitate this lot continues. Fantastic singles band, so I've just gone for the greatest hits. Beautifully-structured pop songs, good voice and great playing. I like the arrangements too, the sort of crusty/eco tip they started out on annoyed me at the time but in this context it breaks things up nicely. Mostly funk-lite with a bit of disco, and a couple of dirty squelchers as a nice bonus. The run all the way to 'Feels Just Like It Should' is up there with anyone imo.
https://www.youtube.com/watch?v=vK5GZKtSdy8
Live At Ronnie Scott'sCurtis Mayfield
No spotify link, nor have I been able to find a helpful download link for ye
This is a 1988 live album recorded at Ronnie Scott's in London. It'd hardly be worth posting it, except that it was also filmed and I acquired the DVD recently. Marvellous watching. It's just great to see him, unshowy but with absolute assurance, carry the crowd with him in such an intimate setting.
There's one obvious flaw in the film, which would be horrible if it weren't overwhelmed by the performance and the wisdom of the man, but if you don't know it I'll let you discover it for yourselves!
The performance above is my favourite, but it's all great. I've found almost the whole thing on youtube, links below (replacing xxxx with http obviously).
xxxx://www.youtube.com/watch?v=oL0oz8vmBw4 - “Little Child Runnin' Wild”xxxx://www.youtube.com/watch?v=4HCRSkXa8U8 - “It's All Right”xxxx://www.youtube.com/watch?v=IBrnzqbGMaU - “People Get Ready”xxxx://www.youtube.com/watch?v=iUlzJu4BiSU - “Pusherman”/“Freddie's Dead”xxxx://www.youtube.com/watch?v=UwYM2Fj9nrc - “I'm So Proud”/“Billy Jack”/“We Got to Have Peace”xxxx://www.youtube.com/watch?v=vK5GZKtSdy8 - “Move on Up”xxxx://www.youtube.com/watch?v=YE65KuhH7Co - “To Be Invisible”
(the last one isn't from Ronnie Scott's, but I can't find a version from the dvd - it may actually be just over the credits, I can't remember right now)
― Ismael Klata, Sunday, 8 August 2010 21:18 (fifteen years ago)
boooo fake crap funk alert!! no stupid essex boys in crap hats!
― pfunkboy (Herman G. Neuname), Sunday, 8 August 2010 21:21 (fifteen years ago)
seriously, a truly awful band.
― pfunkboy (Herman G. Neuname), Sunday, 8 August 2010 21:22 (fifteen years ago)
hush now, funk is a broad church
― Ismael Klata, Sunday, 8 August 2010 21:23 (fifteen years ago)
Er, the dog's eaten my homework... I don't suppose I can have an extension can I? [/blushes]
How about some time next month? Then I promise I will be as funky as my fat St Helens ass will let me.
― Duran (Doran), Monday, 16 August 2010 11:50 (fifteen years ago)
I'm wondering whether it's:(i) Bobby Womack;(ii) Curtis Mayfield; or(iii) Jay Kaywho's enough to kill a funk thread stone dead.
― Ismael Klata, Monday, 16 August 2010 13:09 (fifteen years ago)
No worries doran, next person to volunteer can do it!
Anyone want to volunteer for this week or for future weeks?
― pfunkboy (Herman G. Neuname), Monday, 16 August 2010 14:49 (fifteen years ago)
Does anyone want funk club to continue? Will a hoy hoy, shakey & tuomas come back?
― pfunkboy (Herman G. Neuname), Monday, 16 August 2010 14:52 (fifteen years ago)
My campaign to rehabilitate this lot continues
you have a long, thankless task ahead of you
― glitter hands! glitter hands! razzle! dazzle! (Shakey Mo Collier), Monday, 16 August 2010 15:42 (fifteen years ago)
great 110th St loop:https://www.youtube.com/watch?v=d5vd67vTysE
― glitter hands! glitter hands! razzle! dazzle! (Shakey Mo Collier), Monday, 16 August 2010 15:44 (fifteen years ago)
shakey you want to do this week?
― pfunkboy (Herman G. Neuname), Monday, 16 August 2010 15:50 (fifteen years ago)
sure I guess so
― glitter hands! glitter hands! razzle! dazzle! (Shakey Mo Collier), Monday, 16 August 2010 15:54 (fifteen years ago)
I'm still around
― tom d: he did what he had to do now he is dead (Tom D.), Tuesday, 17 August 2010 10:44 (fifteen years ago)
If peeps are reluctant to keep this going, howbout just doing one LP a week? I was considering offering up Wild Cherry's debut, just for the polarizing factor involved.
― Myonga Vön Bontee, Saturday, 21 August 2010 23:57 (fifteen years ago)
shakey was meant to post
― pfunkboy (Herman G. Neuname), Sunday, 22 August 2010 00:09 (fifteen years ago)
Sorry for killing your club - that particular polarising effect seems not to go down too well.
One LP a week is what this should always have been imo. I tried hard to keep up but got totally swamped. I'm still checking out Hell. It also makes nominating hard, in a worse way, than narrowing down to just one beloved album.
― Ismael Klata, Sunday, 22 August 2010 07:44 (fifteen years ago)
um one a week is good with me, in which case I won't have to come up with two other albums besides this underrated (shit it's practically unknown, afaict) gem, which I return to often: Les McCann - Live at Montreaux 1973http://t2.gstatic.com/images?q=tbn:ANd9GcS6N48Sz_S3qlkko5qsublOFGgQRFDE69Kj2AdH9MsYWTXRfHM&t=1&usg=__75RdA_O1qrPAbWnAy7GAICD1kM8=Not nearly as famous as its predecessor with Eddie Harris, but I think this one's actually better. And a double LP to boot. McCann's voice and playing are in top shape, real greasy. Rahsaan Roland Kirk stops by for a song and plays a continuous, single note solo that lasts for like two minutes. Great versions of Get Yourself Together, Compared to What, The Price You Got to Pay to Be Free. On the jazz funk end of things, obviously but stuff like this really blurred the line between R&B and jazz.
― glitter hands! glitter hands! razzle! dazzle! (Shakey Mo Collier), Monday, 23 August 2010 15:40 (fifteen years ago)
Anyone up for reviving this? 1 album a week every Monday if so.I'd go first so if anyone wishes a week after that please say so
26 August 2013 - Pfunkboy2 September -
― pfunkboy (Algerian Goalkeeper), Thursday, 22 August 2013 19:23 (twelve years ago)
Will work better now the usa has spotify
― pfunkboy (Algerian Goalkeeper), Thursday, 22 August 2013 19:44 (twelve years ago)
and of course sneaky stuff for the obscure albums as before ;)
― pfunkboy (Algerian Goalkeeper), Thursday, 22 August 2013 19:45 (twelve years ago)
previous albums allowed yes or no?
― pfunkboy (Algerian Goalkeeper), Thursday, 22 August 2013 19:47 (twelve years ago)
I'd be keen on getting into this, and I would say yes to previous albums, if only as a refresher. I could stand to broaden my funk horizons.
― Tom Violence, Thursday, 22 August 2013 19:51 (twelve years ago)
Cool. Will i put you down for a week?
I was actually thinking of expanding it to Classic Funk/Soul/Black Acid Rock Listening club. A wee bit more choice for everyone. So if there's enough interest I'll start (new thread) on monday with the first album.
― pfunkboy (Algerian Goalkeeper), Thursday, 22 August 2013 19:58 (twelve years ago)
Yeah, put me down for a week. I've got a couple albums in mind already.
― Tom Violence, Thursday, 22 August 2013 20:52 (twelve years ago)
I'll be listening but I have no business doing a week.
― Kissin' Cloacas (Viceroy), Friday, 23 August 2013 00:18 (twelve years ago)
ok. Any other related genre(s) we could expand it to? (There was a separate R&B listening club so might not be best to include it with this incase they want to start it up again)
― pfunkboy (Algerian Goalkeeper), Friday, 23 August 2013 01:40 (twelve years ago)
funky jazz stuff? stuff that proper jazzheads laugh at?
― Kissin' Cloacas (Viceroy), Friday, 23 August 2013 01:42 (twelve years ago)
yes
― pfunkboy (Algerian Goalkeeper), Friday, 23 August 2013 01:43 (twelve years ago)
jazz-funk is fine (think we did Donald Byrd - Blackbyrd one time)
― pfunkboy (Algerian Goalkeeper), Friday, 23 August 2013 01:44 (twelve years ago)
― Kissin' Cloacas (Viceroy), Friday, 23 August 2013 01:46 (twelve years ago)
want a week then?
― pfunkboy (Algerian Goalkeeper), Friday, 23 August 2013 01:46 (twelve years ago)
I guess I'll take a week then! but it probably won't be what I was just talking about I was just interested in the boundaries.
― Kissin' Cloacas (Viceroy), Friday, 23 August 2013 01:47 (twelve years ago)
unless you're all down with the Jimmy Page soundtrack to Death Wish II lol
― Kissin' Cloacas (Viceroy), Friday, 23 August 2013 01:48 (twelve years ago)
hah, I guess there's enough volunteers/interest to start a Funk/Soul/Black Acid Rock/Jazz-Funk Listening Club
Anyone else wanting to volunteer?
26 August 2013 - Pfunkboy2 September - Tom Violence9 September - Viceroy
― pfunkboy (Algerian Goalkeeper), Friday, 23 August 2013 16:37 (twelve years ago)