David Lynch - Classic or Dud

Why are celebs such suckers for religious/spiritual/self-help practices that demand lots of $$$? I'm with Telephoneface: Follow your breath! It's free.

https://www.youtube.com/watch?v=2GXGc4EobS8

whole thing is on NPR

More on the Blue Velvet reissue:

http://www.guardian.co.uk/film/2011/nov/03/blue-velvet-flaming-nipple-deleted-scenes

Guardian is all over Lynch it seems. This is also a nice interview, about his music, inspiration, coffee and talking fish:

David Lynch: 'Sometimes the fish talks back to you'

This is where you can hear him talk about the album.
Still have to hear a single note. Also, I'm at episode 13 of my first Twin Peaks rerun since the series ran. Awesome! Totally forgot how very funny it all was. Back then I was mostly scared instead of amused, it seems :)

The album is surprisingly good.

Whoa thanks for the link Willem! Saving it for the dark night to listen to that! :)

The Blue Velvet reissue was released last month in belgium and the netherlands, I found out after this thread was revived. Just received the Blu-ray, and wow - that 51 minutes of lost footage is in high definition as well, and has a score and everything! (no subtitles though)

The Dutch Dune Blu-Ray really does say "Dino De Laurentiis presents a film by David Lunch" :

http://i39.tinypic.com/2lww47o.jpg

David has his own line of coffee: http://www.javadistribution.com/coffee/david-lynch-signature-cup-organic-coffee/

The album with Chrysta Bell is on Spotify.

He sure has a type.

66 today. As always, showed my students Cooper's dream.

Do your students enjoy your Culture Corner bits, or do they tolerate them with lols and eyerolling?

Sure does (x^2p)

Depends. Some stuff they're genuinely interested in--the Kennedy assassination, anything to do with the Beatles, Spielberg, etc. Things like the Jefferson Airplane, or Eisenhower, they're not much interested in. How interested I am has a lot to do it with sometimes; I don't think they'd normally be the least bit interested in Nixon or Scorsese, but I really make a big production out of it with them, and it carries over. For most of the Twin Peaks clip, they were giggling--with it, at it, who knows? I do know the 5 or 10 minutes I take up with this stuff is far and away the high point of the day for me. Teaching place value can be a bit of a comedown afterwards.

amazing sense of dread in this:

https://www.youtube.com/watch?v=tbf8PMuphqo

yeah, great little film. shows more than anything else that he's always been very attuned to sound and music in generating his effects.

technically his first film is "six men getting sick," but that was part of an installation so...

is it just me or does he seem to have descended back into self-parody for most of his endeavors since inland empire?

make a movie again ffs

I have a feeling Lynch won't ever make another feature length film.

He should make a feature length animation.

I have a feeling Lynch won't ever make another feature length film.

i have heard this speculation several times now. why do you think he's done w film? i expect at least one more feature from him.

he's pretty old and doesn't seem to be actively working on any film projects, he appears to be focusing his energy on different types of art

coffee iirc

no one knew he he had been working on INLAND for years until a few months before it was released.

well, not "no one", obviously. i'm sure the actors and crew knew.

that's not true. i heard reports about it many months before it came out.

not that long before it was released at any rate.

really? I remember reading about lynch making a movie w/ jeremy irons and some other folks in inland empire (before the film had that name) and then spending a while wondering when it would come out.

I recall that the copy of Lynch on Lynch that I have mentions something about him being at work on IE.

A revised edition was published by Farrar Straus & Giroux on March 16, 2005 (ISBN 0-571-22018-5)

btw, for the uninitiated, that book is def worth seeking out.

dunno if this has been posted elsewhere, but here's basically an hour of deleted/lost/etc scenes from Blue Velvet (!)

https://www.youtube.com/watch?v=xzDnWDKBhjk

so, these are different from the deleted scenes that showed up on the new bluray release I take it?

Sounds like it is basically the same batch of stuff

Altogether, 50 minutes of never-before-seen footage have been re-edited – supervised by Lynch – into an extra on a new DVD celebrating the film's 25th anniversary (available early next year in the UK).

from this article: http://www.guardian.co.uk/film/2011/nov/03/blue-velvet-flaming-nipple-deleted-scenes

On a B. K1te kick. Did this ever get linked upthread?

http://www.bfi.org.uk/news/remain-light-mulholland-dr-and-cosmogony-david-lynch

He’s singularly brave and direct in his approach to heightened emotion, which makes him a rare creature in a modern movie menagerie that generally prefers to peer into such areas through thickets of irony. His approach is stylised but not mocking, though his proclivity for searching for new tones through the contrast of disjunctive elements – say Deputy Andy’s crying fit on the discovery of Laura Palmer’s body in the Twin Peaks pilot (1990) – frequently lands somewhere hard to peg.

Well now I'm hungry

goin with the ears

friends made me a blue velvet cake for my birthday one year (with icing laura dern on top)

omg this was five years ago but it was still a VG halloween costume, i think:

http://img.photobucket.com/albums/v369/colinohara/58206629_05e51b13b9.jpg

“It’s a very depressing picture. With alternative cinema—any sort of cinema that isn’t mainstream—you’re fresh out of luck in terms of getting theatre space and having people come to see it. Even if I had a big idea, the world is different now. Unfortunately, my ideas are not what you’d call commercial, and money really drives the boat these days. So I don’t know what my future is. I don’t have a clue what I’m going to be able to do in the world of cinema.”

http://www.independent.co.uk/arts-entertainment/music/features/waxing-lyrical-david-lynch-on-his-new-passion--and-why-he-may-never-make-another-movie-8665457.html

i've been on a huge lynch kick recently. i'm certainly not a pro (haven't even seen inland empire or lost highway yet), but i'm putting together a 2013 david lynch summer series where we watch almost ALL of his work, chronologically, across 13 weeks. gathering together the tangent ephemera - the angriest dog in the world comic strip, essays, the Morricone-esque song by early 70s prog group Tractor that features about 2/3 of the way through The Grandmother - has been a treat! i'm trying to identify the most lynchian drink possible to serve up each night - PBR? certainly not heineken, that would be a faux pas.

Coffee

http://www.counterpointcafe.com/wp-content/uploads/2011/05/david-lynch-coffee-021.jpg

coffee's a great call but it's going to be 8pm on a weekday for most of these screenings. and decaf is...unacceptable.

Awesome fan vid:

https://www.youtube.com/watch?v=pRFJNpAff_A&list=PLWL_UigKlz-nU4XObLsLNGK45wZrtaqup&index=1

PBR is prolly the way to go.

lol at the coffee commercial tribute.

if anyone else has links to anything lynch, post 'em here! before, in between, and after screenings i'm planning on showing things like commercials, music videos, etc.

I just read this Film Quarterly piece on The Straight Story and it, well, blew my mind. A completely different brilliant take...

Anthony Lane of The New Yorker dismissed The Straight Story as a "comic coda to Lost Highway." Although the film is clearly not comic at its heart, it does, like its predecessor, use one story to mask another, more sinister, one. Lost Highway's protagonist Fred represses all memory of having murdered his wife in a jealous rage; he only glimpses himself howling over her dismembered corpse on grainy videotape, and, in the film's second half, re-imagines his story as a pulpy film noir with himself as the unwitting dupe of his wife (reincarnated as a femme fatale)--instead of as the villain he truly is. (As he tells two detectives in the film's first half, "I like to remember things my own way.") Similarly, Alvin Straight never brings himself to tell the straight story of his own past; he tells, instead, incomplete and disguised versions of it to the strangers he meets, hears echoes of it in the stories they tell him, and sees distorted reenactments of it in one scene after another.

The real story of The Straight Story turns out not to be very straightforward at all, but involuted and hidden--buried, as in Lost Highway, within the ostensible narrative like a repressed memory. This movie is about how a mean drunk named Alvin Straight lost his daughter's children to the state because he let one of them get burned in a fire. This is the only way the film makes sense as a unified whole, as anything other than the meandering picaresque most reviewers thought it was. Alvin Straight is riding his mower with its wagon all those hundreds of miles along highway shoulders not on an errand of forgiveness, but as an ordeal of atonement. There is darkness here beneath the bright autumn colors, and evil concealed in Alvin's heart. There is the history of a family destroyed by alcoholism and abuse. There is fire and death.

Is this all really unexpected? The Straight Story is a David Lynch film, after all.

https://www.youtube.com/watch?v=ioKyxGkBRro

His great sitcom Rabbits, as seen in Inland Empire is a good choice.