Last (x) movies you saw (II)

honestly happy death day was surprisingly enjoyable for what it was

the gospel of the bear film has reached the troposphere

lol

The Raid: Redemption (Evans, 2011) 6
Mission: Impossible Fallout (McQuarrie, 2018) 7
Disney Christopher Robin (Marc Forster, 2018) 4
Marwencol (Jeff Malmberg, 2010) 8
Icarus (Bryan Fogel, 2017) 8

read that marwencol has been adapted & now will have steve carell in it

https://www.meta-sphere.com/wp-content/uploads/welcome-to-marwen_tete-600x220.jpg

yeah I watched it because i saw the trailer for the zemeckis movie. The trailer makes it out to be an "inspirational" true story but it's not really, not exactly.

baby driver (2017 edgar wright) 6.5/10
mollys game (2017 sorkin) 2/10
suburbicon (2017 clooney) 2/10
the killing of a sacred deer (2017 lanthimos) 6/10
angelo my love (1983 duvall) 3/10
eighth grade (2018 burnham) 8/10
thoroughbreds (2018 cory finley) 4/10

thoroughbreds (2018 cory finley) 4/10

I don't do the out of 10 thing but I'd give this at least a 6. It made me laugh a lot.

lil too try hard idk

*The Naked Spur : 7/10
Vampire's Kiss : 6/10
Dying Of the Light (Paul Schrader Edit): 7/10 -- only 7/10 because Nic Cage is in full on weirdo mode and Schrader's noodling around on Final Cut. The doctor accent is...wow...almost as great as the accent in "Vampire's Kiss"
*The Young One: 7/10 - minor Buñuel for me but still great

Crazy Rich Asians – kind of a riff on Philadelphia Story, but with better-looking people. Lots of film history embedded in it.

What Price Jazz (Baerwitz, 1934)
Felix Gets Broadcasted (Messmer, 1923)
High Flyers (Cline, 1937)
Inflation (Myers, 1933)
Felix in Fairyland (Messmer, 1923)
*Roast-Beef and Movies (Baerwitz, 1934)
*Big City Fantasy (Henabery, 1934)
The Magician (Bergman, 1958)
BlacKkKlansman (Lee, 2018)
Smiles of a Summer Night (Bergman, 1955)

Re-watching Whit Stillman's Barcelona tonight.

I was hoping for good things from Crazy Rich Asians, but found it fairly bland. I may have had the wrong expectations for a mainstream PG rom-com, but I felt like it needed sharper jokes.

kind of a riff on Philadelphia Story, but with better-looking people

!!! I'm sure this cast looks fine, but you are aware that Cary Grant and Kate Hepburn were considered pretty attractive, right?

in theaters July 26 - August 22

Killer’s Kiss (Stanley Kubrick, 1955) - 6/10
Summer Interlude (Ingmar Bergman, 1951) - 9/10
Eighth Grade (Bo Burnham, 2018) - 8/10
Three Identical Strangers (Tim Wardle, 2018) - 6/10
Blindspotting (Carlos López Estrada, 2018) - 7/10
Teen Titans Go! To the Movies (Peter Rida Michail, Aaron Horvath, 2018) - 3/10
BlacKkKlansman (Spike Lee, 2018) - 9/10

! at low rating for Three Identical Strangers

I knew nothing about the backstory before seeing it at SIFF but on a str8 narrative level it’s my favourite doco of the year

it is an incredible story. a documentary that makes itself, really. what bothered me was how much they reused the same footage from the same Donahue, NBC, + other TV appearances. the same lines. it kinda falls apart at the end, and felt padded even at ~95 minutes. that has nothing to do with the actual story being unresolved, i just thought with so much material to go through (and so many years passed over) the reuse of footage was bizarre.

and fwiw I knew not only the backstory but most of the twists before I saw it. I would've rated it higher if I had gone in completely cold, I wish I could've.

yeah fair enough! the repeated lines are very few & read in SUPER different context the second times around, but if you’re not seeing it / that footage cold, those won’t have the same kick

a documentary that makes itself, really.

this undermines the work they do in visuals and research and in editing the story though — I felt v impressed by how manipulative it was without cheats in the first half-hour, and how well the makers shift to mostly-archival telling thereafter.

i've seen much worse evaluations of 3IS

Apostasy (Dan Kokotajlo, 2017) - fairly ho hum drama around Jehovah's witnesses.
The Heiresses (Marcelo Martinessi, 2017) - this is going to be top 2/3 for the year. Loved the use of (de-)focus to mirror the main character's state of mind (which could've been too on the nose), the script really nails the intricacies of class mobility across a more Latin American milieu, and then the final encounter between Chela and the much younger Angy -- all that hidden passion and desire across age and class -- really was a terrific driver for the last 1/3 of the film.

Missed a trick by not taglining this thread "Oh yes... There will be blood"

https://resizing.flixster.com/2vtSOfiWCmXUQ8Brs-b4y5qFYIY=/206x305/v1.bTsxMTE3NzU3OTtqOzE3ODU5OzEyMDA7ODAwOzEyMDA

Electric Bloodaloo

Kagemusha (1980)
RoboCop (2014)
The Endless (2017)
Deadpool 2 (2018)
*The Social Network (2010)
Super Troopers 2 (2018)
A Ciambra (2017)
Frenzy (1972)
Call Me By Your Name (2017)
*The Cabin In The Woods (2012)
A Futile and Stupid Gesture (2018)
*Nightcrawler (2014)
First Reformed (2017)
*Drugstore Cowboy (1989)
Super 8 (2011)
30 Days of Night (2007)
One Sings, The Other Doesnt (1977)

Re-watched Miami Vice tonight (the director’s cut). It’s kind of maddening how 90% of the shots are fantastically beautiful, and then the other 10% look like they were shot on somebody’s flip phone.

I've gotta get on that, watched Heat a few weeks ago for the first time and loved it. Haven't seen Collateral since it opened in 2004 but remember loving it, too.

Forgetting Sarah Marshall, good movie

The Heiresses (Marcelo Martinessi, 2017) - this is going to be top 2/3 for the year. Loved the use of (de-)focus to mirror the main character's state of mind (which could've been too on the nose), the script really nails the intricacies of class mobility across a more Latin American milieu, and then the final encounter between Chela and the much younger Angy -- all that hidden passion and desire across age and class -- really was a terrific driver for the last 1/3 of the film.

― xyzzzz__, 23. august 2018 15:15 (two days ago) Bookmark Flag Post Permalink

Yeah, for one reason or another Latin American cinema works a lot with de-focus these days, I find. Sergio Armstrong, most famous for shooting most films of Pablo Larrain, is masterful at it. Apart from Larrains films he does it greatly in From Afar and The Desert Bride. It's one of the most innovative little things happening in World Cinema at the moment, but I'll admit I have no idea what to make of it.

August 1st to 16th:

* The Brothers Bloom (Johnson 2008) 📺
Teen Titans GO! To The Movies (Michail, Horvath, Jelenic 2018)
True Confession (Ruggles, Binyon 1937) 📽️
* Sneakers (Robinson 1992) 📺
The Spy Who Dumped Me (Fogel, Iverson 2018)
Nothing Sacred [Kino restoration] (Wellman, Hecht, Schulberg, Lardner Jr., Parker, Howard, Hart, Kaufman, Carson 1937)
BlacKkKLansman (Lee, Wachtel, Rabinowitz, Willmott 2018)
Madonna: Truth Or Dare (Keshishian 1991)
To Be Or Not To Be (Lubitsch, Mayer 1942) 📽️

Re-watched Miami Vice tonight (the director’s cut). It’s kind of maddening how 90% of the shots are fantastically beautiful, and then the other 10% look like they were shot on somebody’s flip phone.

― grawlix (unperson), Friday, August 24, 2018 8:01 PM (two days ago) Bookmark Flag Post Permalink

I've gotta get on that, watched Heat a few weeks ago for the first time and loved it. Haven't seen Collateral since it opened in 2004 but remember loving it, too.

― flappy bird, Friday, August 24, 2018 8:26 PM (two days ago) Bookmark Flag Post Permalink

MV is the purest distillation of the Mann aesthetic. I actually recommend the theatrical cut over the director’s cut, though I’m not sure if one is easier to track down over the other. If you’re onboard with his “thing” it’s one of the greatest action films in recent years.

You can rent the theatrical cut on Amazon but the director's cut is the only one available on DVD/Blu-Ray.

Has the director's cut of Blackhat ever been released anywhere? I never saw the first version but the re-edit is supposed to be a substantially better movie, so I'm intrigued.

Apparently MV (theatrical cut, probably) will be free via Amazon Prime starting September 1.

*Out West (Arbuckle, 1918)
Charley on the Farm (Sullivan, 1919)
The Dippy Dentist (Goulding, 1920)
Standing Pat (Montgomery, 1928)
Campus Romeos (Pratt, 1927)
A Broadway Romeo (Blumenstock, 1931)
All the King's Horses (Tuttle, 1935)
*The Black Cat (Ulmer, 1934)
Re-Animator (Gordon, 1985)
Good References (Neill, 1920)

Primary (6.5)
A Bronx Tale (7.0)
Promised Land (7.5)
Shock and Awe (5.5)
Nico, 1988 (6.0)
Nico Icon (7.0)
Singer Presents...Elvis (6.5)
Twister (6.5)
Class Action (7.5)
Sorry to Bother You (6.0)

I was going to leave Sorry to Bother You unrated because a) I drifted a bit early on, and b) as it got weirder and weirder, I just didn't know what to make of it. So take the rating as more of a question mark than any kind of comment on how good it is.

lots of Hong Sang-soo, just hook it to my veins

The Passion of Joan of Arc (Dreyer, 1928) 9/10
Minnie and Moskowitz (Cassavetes, 1971) 7/10
Happy Hour (Hamaguchi, 2015) 9/10
La Collectionneuse (Rohmer, 1967) 6/10
Right Now, Wrong Then (Hong, 2015) 8/10
Three Colours: Blue (Kieślowski, 1993) 7/10
Three Colours: White (Kieślowski, 1994) 7/10
Three Colours: Red (Kieślowski, 1994) 7/10
In Another Country (Hong, 2012) 8/10
On The Beach at Night Alone (Hong, 2017) 8/10
Blackkklansman (Lee, 2018) 7/10
The Aviators Wife (Rohmer, 1981) 9/10
Woman on the Beach (Hong, 2006) 9/10
The Day After (Hong, 2017) 7/10

Crazy Rich Asians: 7.5

*Sweet Sweetback’s Baadasssss Song (1971, Van Peebles) 8/10
The Seashell and the Clergyman (1928, Dulac) (41m) 8/10
La folie des vaillants (1926, Dulac) (46m) 6/10
La Belle dame sans merci (1920, Dulac) 7/10
Princesse Mandane (1928, Dulac) 6/10
Freaky Friday (1976, Nelson) 7/10
Surrender (1950, Dwan) 5/10
Dutchman (1967, Harvey) (55m) 7/10
Rendezvous in July (1949, Becker) 6/10
Nico, 1988 (2017, Nicchiarelli) 5/10
*The Day the Earth Caught Fire (1961, Guest) 8/10

On the Waterfront (Elia Kazan, 1954) - 10/10
A Colt is My Passport (Takashi Nomura, 1967) - 5/10
Do the Right Thing (Spike Lee, 1989) - 10/10
Starship Troopers (Paul Verhoeven, 1997) - 10/10
Auto Focus (Paul Schrader, 2002) - 7/10
Bamboozled (Spike Lee, 2000) - 10/10
Le Amiche (Michelangelo Antonioni, 1955) - 6/10
Monte Carlo (Ernst Lubitsch, 1930) - 7/10

A Ciambra, a story about a Romani family of low-level criminals in Italy, and a young boy's coming-of-age/becoming-a-scumbag.

Alex Strangelove (Johnson, 2018) 6/10
The Strange Love of Martha Ivers (Milestone, 1946) 8/10
Vision Quest (Becker, 1985) 5/10
*Mean Girls (Waters, 2004) 6/10
*Heathers (Lehmann, 1989) 9/10
A Man There Was (Sjöström, 1917) 7/10
Heartaches (Shebib, 1981) 6/10
The Story of Temple Drake (Roberts, 1933) 7/10

Nearest and Dearest (Robins, 1972) 4/10
Smiles of a Summer Night (Bergman, 1955) 8/10
The Boys From Fengkuei (Hou, 1983) 8/10
Cabaret (Fosse, 1972) 7/10
The Big Combo (Lewis, 1955) 7/10
The Final Programme (Fuest, 1973) 6/10
The Devil's Rain (Fuest, 1975) 7/10
Rawhide (Hathaway, 1951) 8/10
Further up the Creek (Guest, 1958) 6/10
The Women (Cukor, 1939) 8/10
Ant-Man and the Wasp (Reed, 2018) 6/10

The Finsl Programme is one of the rare movies that I watched, thoroughly entertained the whole way through, with absolutely no clue as to what was happening.

I'd read the book many years ago, so that maybe helped - I'm not sure it was intended to be entirely coherent, in the manner of New Wave SF. Moorcock-loving fans of my acquaintance (and Moorcock himself) detest it, but as you say it's pretty pleasurable to watch. The director, Robert Fuest, had come from TV and things like the (Steed-Peel) Avengers, and he was a great set dresser and stylist - this set is the standout in FP:

https://thegameofnerds.com/wp-content/uploads/2018/04/the-final-programme-02.jpg

The Good Marriage (Rohmer, 1982) - early to mid-80s Rohmer is really his best period. Also have an impression he is an interesting dabbler in these electronic music soundtracks - might be an idea to see them collected.

Heavy Love (Pembroke, 1926)
The Operation (Roth, 1930)
*That's the Spirit (Mack, 1933)
*Bubbles (Mack, 1930)
The Grab-Bag Bride (Hartman, 1917)
Guests Wanted (Ceder, 1932)
The Balloonatic (Keaton & Cline, 1923)
Take Next Car (Howe, 1922)
Pie-Eyed (Pembroke & Rock, 1925)
The Dummy Owner (Yarbrough, 1938)
The Door Knocker (Cline, 1931)
The Notorious Sophie Lang (Murphy & Menzies, 1934)
The Girl Ranchers (Christie, 1913)
Horseshoes (Davis & Semon, 1923)
This Can't Happen Here (Bergman, 1950)

in theaters August 25 - September 3

Support the Girls (Andrew Bujalski, 2018) - 3/10
Never Goin’ Back (Augustine Frizzell, 2018) - 3/10
Crazy Rich Asians (Jon M. Chu, 2018) - 5/10
Summer with Monika (Ingmar Bergman, 1953) - 9/10
Juliet, Naked (Jesse Peretz, 2018) - 6/10
2001: A Space Odyssey (Stanley Kubrick, 1968) - 10/10
The Bookshop (Isabel Coixet, 2018) - 6/10
The Last Movie (Dennis Hopper, 1971) - 2/10

Mom only, but 20th Century Women? The Kids Are All Right? (Saw that just once many years ago.)

Watched Sentimental Value last night which was fine, I guess. Some nice interiors.

Wrong.

Excellent interiors.

Recently watched Ashes and Diamonds (Wajda, 1958) and We Are The Best! (Moodysson, 2013) - completely different, but both excellent.

Watched Sentimental Value last night which was fine, I guess. Some nice interiors. BUT it has raised a question for me - what are the best movies about aging Boomer parents who are simultaneously career-focused and have a certain joie de vivre and think their kids just need to relax? and who have evolved a sophisticated set of emotional release valves that make it difficult for them to actually connect to others?

I haven't watched Toni Erdmann yet but from what others have written, maybe that?

February

Magnificent Obsession (Sirk, 1954) 6/10
Code Unknown (Haneke, 2000) 7/10
Saboteur (Hitchcock, 1942) 6/10
If I Had Legs I'd Kick You (Bronstein, 2025) 7/10
Pictures of Ghosts (Filho, 2023) 7/10
Neighbouring Sounds (Filho, 2012) 7/10
Taxi (Panahi, 2015) 7/10

Nirvanna The Band the Show the Movie (2025) 4.5/5
* The Thief of Baghdad (1940) 3/5
Little Caesar (1931) 3/5
Sun Ra: Do the Impossible (2025) 3/5
Black Coal, Thin Ice (2014) 3.5/5
La Tête d'un homme (1933) 4/5
Five Star Final (1931) 3.5/5
Hotel by the River (2018) 3.5/5
Blue Moon (2025) 3.5/5
* Best in Show (2000) 4/5
The Daytrippers (1996) 3/5
* Waiting for Guffman (1996) 4/5
The Snow Woman (1968) 3.5/5
Shanghai Blues (1984) 4/5
Deadline at Dawn (1946) 4/5

Sun Ra: Do the Impossible (2025) 3/5

Was this a disappointment? A Joyful Noise (1980 Ra film) is my all-time favourite music doc.

Orgy of the Dead (1965)

couple get tied up in a graveyard by Criswell and forced to watch about 20 horror-themed topless dances. that's pretty much the entire plot, if it counts as a plot.

Afire
The Producers
Woman At War
Nights Of Cabiria
The Fabelmans
Abashiri Prison I, II, III
The Case of Marchel Duchamp

woman at war was icelandic film about an eco warrior attacking pylons.

nights of cabiria was fellini.

fabelmans is the lightly fictionalised life of s spielberg, including michelle williams as his mum, which tied in nicely with he role in dawson's creek given that dawson was spielberg obsessed.

abashiri prison didn't have a lot of prison after the first. hard to see the appeal (and nothing like teruo ishii's later career)

Marcel Duchamp thing was interesting in that it was a documentary about him, but presented by sherlock holmes and his clunky home computer...

Cinema:
Resurrection (Bi Gan, 2025) 3.5/5 - less than meets the eye
No Other Choice (Park Chan-wook, 2025) 3.5/5 - didn't land the satirical targets as it might have
The Secret Agent (Mendonça Filho, 2025) 3.5/5 - flash-forward scenes should have been excised
Magellan (Diaz, 2025) 4/5 - Lav Diaz selling out to the mainstream at only 2.5 hours
Sinners (Coogler, 2025) 1.5/5 - ineptly plotted CGI hellscape with the absolute worst 'bravura' scene I've ever witnessed onscreen
In the Mood for Love (Wong Kar-wai, 2000) 4.5/5 - more like it
Cure (Kurosawa, 1997) 4.5/5 - ditto
Strongroom (Sewell, 1962) 4/5 - taut and tight Brit b-flick, maybe there are more like this?
Ganja & Hess (Gunn, 1973) 3.5/5 - top marks for originality if not coherence

Other:
The Ox-Bow Incident (Wellman, 1943) 4/5 - crowd psychology-themed western, Dana Andrews great as always
Heavy Metal in Baghdad (Moretti/Alvi, 2007) 4/5 - Vice documentary that goes to show metal dudes are exactly the same the world over
The Terminal Man (Hodges, 1974) 4/5 - paranoid '70s SF from Get Carter/Flash Gordon director
Flesh and the Fiends (Gilling, 1960) 4/5 - Burke & Hare story with Donald Pleasence consuming the scenery as a graverobber/murderer, look out for Melvyn "Gloria" Hayes too
Brute Force (Dassin, 1947) 4/5 - broke new ground for the depiction of onscreen violence apparently, I can believe it, the first we see of "hero" Burt Lancaster he's ordering a prison fink to be forced into a steam press with blowtorches
Kansas City Confidential (Karlson, 1952) 4/5 - Neville Brand AND Lee Van Cleef as double bad guys, I felt personally menaced watching this
20 Million Miles to Earth (Juran, 1957) 3.5/5 - generic Quatermass ripoff enlivened by Harryhausen effects work
Green for Danger (Gilliat, 1946) 3.5/5 - turns into run-of-the-mill whodunnit after a promising start, Alastair Sim truly was a comedy genius though
You Can't Take it with You (Capra, 1938) 3.5/5 - wherein the Capra folksiness descends into mawkish contrivance, some would say it was always that
Singin' in the Rain (Donen/Kelly, 1952) 4/5 - not the 11th greatest film of all time, sorry
The Jazz Singer (Crosland, 1927) 3.5/5 - can we ignore the blackface? I think we can't
The Naked Gun (Schaffer, 2025) 4/5 - I'm calling it: better than the original
Unearthly Stranger (Krish, 1963) 4/5 - decent enough SF from the director of legendary railway-themed warning film The Finishing Line
Weapons (Cregger, 2025) 3/5 - I'd heard this was great, it wasn't
Thelonious Monk: Straight No Chaser (Zwerin, 1988) 4/5 - filmed in 1967
Osama (Barmak, 2003) 4/5 - depressing-as-hell depiction of life under the Taliban
Santo Versus the Vampire Women (Blake, 1962) 4/5 - lunatic horror/wrestling mash-up, better than Suburban Commando among wrestler flicks
Step Across the Border (Humbert/Penzel, 1990) 4/5 - 'improv documentary' about Fred Frith, very good
Macbeth (Welles, 1948) 4/5 - filmed on leftover Western sets apparently, castle interiors appear to be set in a cave
The Brain That Wouldn't Die (Green, 1963) 4/5 - only a dullard would fail to be entertained by this
P'tang, Yang, Kipperbang (Apted, 1982) 4/5 - for fans of Gregory's Girl
The L-Shaped Room (Forbes, 1963) 4/5 - social message film that thankfully doesn't linger on the message
Seance on a Wet Afternoon (Forbes, 1964) 4.5/5 - kidnap drama focusing on the psychology of the kidnappers
Planet of the Vampires (Bava, 1965) 3.5/5 - 4.5/5 for the costumes/design, 2/5 for the story = the final score
The Cry Baby Killer (Addis, 1958) 3/5 - incoherent early Jack Nicholson JD vehicle, the print available on YT is so murky the action appears to be taking place during a solar eclipse
Ace in the Hole 5/5 (Wilder, 1951) 5/5 - Kirk Douglas as washed-up newspaperman Chuck Tatum, this might be the biggest asshole in cinema history
Blind Shaft (Li Yang, 2003) 4/5 - psychopathic goings-on in the illegal Chinese mining industry

Strongroom is a fun watch. Darren Nesbitt's eyebrows make him look like a Thunderbirds puppet come to life.

yeah Strongroom is a great B picture

Singin' in the Rain (Donen/Kelly, 1952) 4/5 - not the 11th greatest film of all time, sorry

was this your first time? it really does rip on a big screen

Cregger’s debut Barbarian was much better than Weapons imo (but is totally an audience flick)

Yeah somehow I'd never seen Singin' in the Rain before, I watched it on an in-flight entertainment system though which is about as far as you can get from a big screen. As far as musicals go it was a lot better than the last one I watched which was Grease.

https://i.ibb.co/Wpg2nqKK/IMG-6513.gif

Sentimental Value (Trier 2025)
After the Hunt (Guadagnino 2025)
*The Dead (Huston 1987)
*One Battle After Another (PT Anderson 2025)
*John Wick (Stahelski 2014)
Trap (Shyamalan 2024)
King of the Hill (Soderbergh 1993)
Ritual in Transfigured Time (Deren 1946)
Girl with Hyacinths (Ekman 1950)
*John Wick Ch. 2 (Stahelski 2017)
Sorry Baby (Victor 2025)
The Illumination of Jim Woodring (Brandt 2020)
The Secret Agent (Mendonca Filho 2025)
To Live and Die in L.A. (Friedkin 1985)
Predator: Badlands (Trachtenberg 2025)
Ben-Hur (Wyler 1959)
Blue Moon (Linklater 2025)
Twilight of the Warriors: Walled In (Cheang 2024)
A Tale of Two Cities (Conway 1935)
The Amateur (Hawes 2025)
Hamnet (Zhao 2025)
Dead of Winter (Kirk 2025)
Zabriskie Point (Antonioni 1970)
*John Wick Ch. 3, Parabola, Barbellum, whatever (Stahelski 2019)

Tar (7.0)
Bonnie and Clyde (7.0)
Bird on a Wire (3.0)
The Internecine Project (5.0)
Norma Rae (7.5)
Strangers on a Train (7.0)
Love Story: John F. Kennedy Jr. & Carolyn Bessette (7.0)
Black Mirror (S1-S4 - 7.0)
Education (Small Axe) (8.0)
No Other Choice (6.0)

It Was Just an Accident (2025) 4.5/5. The best ending I've seen in a long time.
The Secret Agent (2025) 4.5/5
A Snake of June (2002) 2.5/5
* Citizen Kane. Why should I give a rating? It's Citizen Kane, come on.
Angel's Egg (1985) 4/5
Nothing Sacred (1937) 3.5/5
The Black and the Green (1983) 3.5/5
Videoheaven (2025) 2.5/5. God I hate Troma Films.
Man on the Run (2025) 3/5
The Dirties (2013) 4/5

March:

Crimson Gold (Panahi, 2003) 7/10
Father Mother Sister Brother (Jarmusch, 2025) 4/10
La Ciénaga (Martel, 2001) 8/10
One Last Deal (Muldowney, 2026) 6/10
The Bride! (Gyllenhaal, 2026) 6/10
What Happened Was... (Noonan, 1994) 8/10
*Parasite (Bong Joon Ho, 2019) 10/10
Project Hail Mary (Lord/Miller, 2026) 6/10
In Jackson Heights (Wiseman, 2015) 7/10
A Hard Day's Night (Lester, 1964) 8/10
Lurker (Russell, 2025) 6/10