Last (x) movies you saw (II)

The new Michael Bay thing, 6 Underground, is bad even by Michael Bay standards (and I'm a guy who owns Pain & Gain on DVD and understands why The Rock and Armageddon are in the Criterion Collection). Ryan Reynolds is the biggest name he could rope in; the rest of the cast are no-names. In the opening car chase, the protagonists' car gets scraped by a passing truck in ultra slow motion, and its side-view mirror is torn off, flying through the air in a shower of sparks. In the very next shot, two seconds later, the mirror is back on the car and remains there for the rest of the scene. That's some weapons-grade contempt for the viewer.

MUBI:

Stavisky (Resnais, 1974)
You Ain't Seen Nothing Yet (Resnais, 2011)
Antichrist (Von Trier, 2009)
The Wind Will Carry Us (Kiarostami, 1999)
Prison (Bergman, 1949)
The Palm Beach Story (Sturges, 1942)

Christmas Eve (Frenguelli, 1915)
I Am a Thief (Florey, 1934)
L'X Noir (Perret, 1915)
The Race for the Sausage (Guy, 1915)
Onesime Loves Animals (Durand, 1913)
Petit Chantecler (Cohl, 1910)
Something Different (Chytilová, 1963)
You Don’t Know What You’re Doin’! (Ising, 1931)
Blast of Silence (Baron, 1961)

* Holy Motors (2012) 3.5/5
Come Back to the 5 and Dime, Jimmy Dean, Jimmy Dean (1982) 3.5/5
Portrait of a Lady on Fire (2019) 4.5/5
* The Emperor's Naked Army Marches On (1987) 4.5/5
Invasion of the Body Snatchers (1956) 3.5/5
The Blob (1958) 3/5
The Inland Sea (1991) 4/5
The Fanatic (2019) 1/5
Apocalypse: a Bill Callahan Tour Film (2012) 3/5
Farewell, My Lovely (1975) 3/5
The Arbor (2010) 3.5/5
* Blow Out (1981) 4.5/5
Near Dark (1987) 3/5

Guess Who’s Coming to Dinner (Kramer, 1967) - 8/10
Just Before Nightfall (Chabrol, 1971) - 9/10
A Prairie Home Companion (Altman, 2006) - 7/10
Daguerréotypes (Varda, 1976) - 8/10
The Dirty Dozen (Aldrich, 1967) - 10/10
Death in Venice (Visconti, 1971) - 10/10
Abigail’s Party (Leigh, 1977) - 10/10
Who’s That Knocking at My Door (Scorsese, 1967) - 8/10
Seven Beauties (Wertmüller, 1975) - 7/10
The Leopard (Visconti, 1963) - 9/10
Á double tour [Chabrol, 1959) - 6/10

The Story of Temple Drake (Roberts, 1933) - 7/10
Holy Motors (Carax, 2012) - 9/10
Lili Marleen (Fassbinder, 1981) - 6/10
Pleasure Party (Chabrol, 1975) - 10/10
There’s Always Vanilla (Romero, 1971) - 6/10
*The Godfather (Coppola, 1972) - 10/10
The Color of Lies (Chabrol, 1999) - 8/10
Rolling Thunder (Flynn, 1977) - 9/10
*The Godfather: Part II (Coppola, 1974) - 10/10
Now, Voyager (Rapper, 1942) - 9/10
*Alphaville (Godard, 1965) - 10/10

Aquarela and Monos are both late additions to my favorite films of the year.

Run Silent, Run Deep 6/10
Alan Partridge 8/10
Wild Tales 7/10
Army of Shadows 9/10
Planes, Trains and Automobiles 8/10
The Two Jakes 5/10
The Irishman 7/10
The Dirty Dozen 7/10
Design for Living 9/10
Variety Lights 7/10
Krampus 7/10
Black Christmas 5/10
Home Alone 2 3/10
Mon Oncle Antoine 10/10
Christmas in Connecticut 8/10
Rare Exports 5/10
Bad Santa (extended cut) 8/10

recently watched Patricio Guzman’s Nostalgia for the Light (2010) and The Pearl Button (2015), and really liked them both. Looking forward to seeing the third part of the trilogy The Cordillera of Dreams which was released this year (but won’t be out in US until Feb 2020)

*Mad Max: Fury Road (Miller 2015)
*Marathon Man (Schlesinger 1976)
Greenaway shorts: Intervals (1973), Windows (1974), H is for House (1976), Water Wrackets (1978)
*Once Upon a Time in the West (Leone 1968)
The Irishman (Scorsese 2019)
The Inland Sea (Corra 1991)
Meet Me in St. Louis (Minnelli 1944)
Border (Abbas 2018)
Knives Out (Johnson 2019)
*Cemetery of Splendour (Weerasethakul 2015)
The Lives of Others (von Donnersmarck 2006)
Parasite (Bong 2019)
The Lighthouse (Eggers 2019)
Scarlet Street (Lang 1945)
Marriage Story (Baumbach 2019)
30/30 Vision: Three Decades of Strand Releasing (various, 2019)
The Petrified Forest (Mayo 1936)
The Miracle of Morgan's Creek (Sturges 1944)
Mauvais sang (Carax 1986)
Tokyo Godfathers (Kon 2003)
Aves (short - Keene 1998)

Anybody's Woman (Arzner, 1930)
A Christmas Story (Clark, 1983)
*Hogfather (Jean, 2006)
National Lampoon's Christmas Vacation (Chechik, 1989)

Atlantis (2019) 5/10
The Chills:The Triumph and Tragedy of Martin Phillips (2019) 6/10
Tabu (2012) 7/10
Frost/Nixon (2008) 6/10
The Irishman (2019) 8/10
Let The Sunshine In (2017) 7/10
The Program (2015) 4/10
High Flying Bird (2019) 7/10
The Nightingale (2019) 6/10
Colossal (2016) 6/10
Marriage Story (2019) 8/10
*Memento (2000) 8/10
Hustlers (2019) 7/10
The Last Black Man in San Francisco (2019) 7/10
Ken Park (2002) 5/10
Uncut Gems (2019) 8/10

Handmade Mountain (Clarke, 2019) 5/10
The Hook Up (Smith, 2019) 5/10
Woman Dress (Cuthand, 2019) 7/0
Reviving the Roost (Shraya, 2019) 7/10
The Bassinet (Hsiang, 2019) 6/10
Isn't It Romantic (Strauss-Schulson, 2019) 6/10
Never Sock a Baby (Fleischer, 1939) 7/10
*A Christmas Story (Clark, 1983) 8/10
Ash Is Purest White (Jia, 2018) 7/10
Us (Peele, 2019) 6/10
Beyond Tomorrow (Sutherland, 1940) 5/10

Moses und Aron (Straub-Huillet)
Class Relations (Straub-Huillet)
Chocolate (Denis)*
A Film for Friends (Jude)
The Marshal’s Two Executions (Jude)
Ecce Bombo (Moretti)
Bianca (Moretti)
The Son’s Room (Moretti)
Mia Madre (Moretti)*
The House on Trubnaya (Barnet)
Outskirts (Barnet)
A Good Lad (Barnet)
Pages of Life (Barnet)
Poet (Barnet)
The Wrestler and the Clown (Barnet & Yudin)
Annushka (Barnet)
Alyonka (Barnet)
Whistle Stop (Barnet)
Jesus Christ Superstar (Jewison)
Godspell (Greene)
The Night Falls (Gavaldon)
Straight Outta Compton (Gray)
The President’s Last Bang (Im)
Parasite (Bong)
Like Someone In Love (Kiarostami)*
Honey Boy (Har’el)
Trainwreck (Apatow)
Mad Max: Fury Road (Miller)*
Fight Club (Fincher)*
Black Book (Verhoeven)
Elle (Verhoeven)
Spotlight (McCarthy)
It’s a Wonderful Life (Capra)
Free Solo (Char Vasarhelyi & Chin)
American Sniper (Eastwood)
Infernal Affairs (Lau & Mak)
I am Not Your Negro (Peck)*
Tokyo Godfathers (Kon)

Boris Barnet. What a joy. I knew By the Blues of Seas, but his other early films are amazing as well. House on Trubnaya really a forgotten silent gem, as inventive as Vertov, and as crowd pleasing as Chaplin (ok, not quite, but closer than you'd think!). Outskirts the best early sound film I've seen since M, although the many sound jokes does take a bit of the grandeur out of the portrayal of glorious revolution. All the cannons sound like pratfalls, it's a bit confusing. The late ones aren't as good, Alyonka is even a bit overrated, but there's something about well made propaganda which is calming and fun to watch. 'All over glorious Soviet workers flock to the cities to be part of Stalins five year plan!'. That kind of thing. Boy, a lot of them end with big speeches...

Other than that. Like Someone In Love is really underrated, I think. I might prefer it to Certified Copy, even if the other one is more daring. But the mood in LSIL is just remarkable.

The Holly and the Ivy (1952, O'Ferrall) 8/10
Sweet Movie (1974, Makavejev) 4/10
Can You Ever Forgive Me? (2018, Heller) 7/10
Little Odessa (1994, Gray) 5/10
Nell Gwyn (1926, Wilcox) 6/10
Deadwood: The Movie (2019, Minahan) (TV) 8/10
Cold War (2018, Pawlikowski) 7/10
*Two for the Road (1967, Donen) 6/10
Rare Exports (2010, Helander) 4/10
*Touchez Pas au Grisbi (1954, Becker) 9/10

Little Women (Gerwig, 2019) 8/10
Star Wars: The Rise of Skywalker (Abrams, 2019) 3/10
Queen & Slim (Matsoukas, 2019) 6/10
Uncut Gems (Safdie, 2019) 7/10
Bombshell (Roach, 2019) 4/10
The Two Popes (Meirelles, 2019) 4/10
A Beautiful Day in the Neighborhood (Heller, 2019) 4/10
The Stranger (Visconti, 1966) 7/10
* The Shop Around the Corner (Lubitsch, 1940) 10/10

Dolemite Is My Name (Craig Brewer, 2019)
Election (Alexander Payne, 1999)
Chronicle of a Summer (Edgar Morin, Jean Rouch, 1961)
Ad Astra (James Gray, 2019)
Detour (Edgar G. Ulmer, 1945)
Hell's Highway: The True Story of Highway Safety Films (Bret Wood, 2003)
Monks - The Transatlantic Feedback (Lucía Palacios, Dietmar Post, 2006)
Advise & Consent (Otto Preminger, 1962)
The Devil's Rain (Robert Fuest, 1975)
Your Vice Is a Locked Room and Only I Have the Key (Sergio Martino, 1972)
Jojo Rabbit (Taika Waititi, 2019)

* Dark Star (Carpenter, O'Bannon 1974)
Knives Out (Johnson 2019) [DCP]
One Of My Wives Is Missing (Jordan, Marton, Thomas 1976)
Ghostbusters (extended version) (Paul Feig, Katie Dippold 2016)
* Knives Out (Johnson 2019) [DCP]
Parasite (Bong, Han 2019) [DCP]
A Friend In Deed (Gazzara, Fischer 1974)
The Last Of Sheila (Ross, Sondheim, Perkins 1973)
Marriage Story (Baumbach 2019)
* Mission: Impossible - Ghost; Protocol‽ (Bird, McQuarrie, Appelbaum, Nemec 2011)
The Man Who Haunted Himself (Dearden after Armstrong 1970)
Earth Girls Are Easy (Julien Temple, Julie Brown, Charlie Coffey, Terrence E. McNally 1988)

throwing a potato thru the windows of all the uk critics who panned peterloo

Peterloo (Leigh, 2018) 9/10
Private Fears in Public Places (Resnais, 2006) 4/10
To Catch a Thief (Hitchcock, 1955) 6/10
Le Petit Soldat (Godard, 1963) 8/10
The Death of Louis XIV (Serra, 2016) 8/10
*Goodbye, Dragon Inn (Tsai, 2003) 10/10
Picnic on the Grass (Renoir, 1959) 5/10
*Vive L’Amour (Tsai, 1994) 10/10
*No No Sleep (Tsai, 2015) 8/10
*The Apartment (Wilder, 1960) 10/10
*Yi Yi (Yang, 2000) 10/10
Clue (Lynn, 1985) 4/10
Marriage Story (Baumbach, 2019) 4/10
*Metropolitan (Stillman, 1990) 9/10
Riddles of the Sphinx (Mulvey, Wollen, 1977) 9/10
India Song (Duras, 1975) 8/10
Love Man Love Woman (Nguyen, 2007) 6/10
The Taking of Power by Louis XIV (Rossellini, 1966) 9/10
The Palm Beach Story (Sturges, 1942) 6/10
The Umbrellas of Cherbourg (Demy, 1964) 6/10

Ang Lee's version of Hulk which I was slightly surprised to find on TV
Thought it was now non canon so wouldn't be shown.

Limehouse Golem which wasn't great. Had me wondering if it was some kind of intended cash in on From Hell though not sure how well that did.

Oh yeah My Fair Lady.
Which had me thinking wasn't GBS some kind of socialist which this doesn't seem to show too well.
Also has anybody done a Feminist or class war version of this. Just seems to be too much angled to the upper class and women knowing their place. Unless it corrects itself in the last hour.
Funny seeing Jeremy Brett playing the wet sop who'd rather stand out in the street drinking in the street where she lives than accept an invitation in. 20 years later he played one of the more memorable Sherlock Holmes as I assume you are aware.

*Big Business (Horne & McCarey, 1929)
Waltzing Around (Sweet, 1929)
*The Thin Man (Van Dyke, 1934)
*There It Is (Muller & Bowers, 1928)
Knives Out (Johnson, 2019)
*Night After Night (Mayo, 1932)
The Beast From 20,000 Fathoms (Lourié, 1953)
Uncut Gems (Safdie & Safdie, 2019)
John's Gone (Safdie & Safdie, 2010)

National Gallery (2014) 3.5/5
The Raid 2 (2014) 3.5/5
Climax (2018) 2/5
* Night and the City (1950) 4/5
Muppet Christmas Carol (1992) 3/5
Uncut Gems 4.5/5
* Batman Returns 3.5/5
Murder on the Orient Express (1974) 3/5
Star Wars: Rise of Skywalker 2/5

GBS was a Fabian socialist, yes.

Pygmalion unadorned is moreso, but not really w/ the ending added for *that* film.

- Wiseman's The Market (less enthralling than most, still a fun look at Southern hypercapitalism in the 80s)
- Little Joe (abandoned right around the time i realized it just wasn't going to get smarter; i think when the kid brings his girl into the flowers. what the fuck was the dog doing in the clean room anyway?)
- Songwriter (1984, batshit hero fantasy about marauding country stars with Willie and Kris Kristoffersen in the lead roles and Rip Torn as the heavy; loads of fun for a half hour but eventually too stupid and sexist to maintain. Worth a Youtube glance tho')
- Ad Astra (James Gray's "inward-looking" sci-fi film AD ASTRA starring Brad Pitt)
- Seahorse (Rolling trans arts thread)
- Memories: Origin of Alien (enjoyable watch, stupified i never made the Bacon/Alien connection, not really necessary unless you're a series fan of the franchise but a fun bauble otherwise)
- The Proposal (2018, really more of a supporting element of a larger artwork and - as such - occasionally beautiful to look at but mostly self indulgent and better represented by a new yorker piece like this one: https://www.newyorker.com/magazine/2016/08/01/how-luis-barragan-became-a-diamond)
- Murder in the Zoo (1933, I recommend this for its OTT sequences of pre-slasher film sadism in thriller horror fashion... the film starts with our villain sewing a man's mouth shut and sending him into the jungle to die! Trigger warning that there are a lot of sequences where animals were clearly mistreated in the making, but i guess that's the 1930's)
- Little Women (2019, Let's have a fangirl freakout over Greta Gerwig's LITTLE WOMEN (Saoirse Ronan, Emma Watson, Florence Pugh, Laura Dern, Meryl Streep, Timothée Chalamet))

and since i have work to do, let's just put these here and if anyone's curious I'm happy to discuss:

Rabbi’s Cat (2011)
Beware Mr. Baker (2012)
Be Natural: Alice Guy (2019)
Framing John DeLorean (2019)
Where’d You Go Bernadette (2019)
Okko’s Inn (2019)
A Brother’s Love (2019)
Cutting my Mother (2019)- https://www.topic.com/cutting-my-mother
Father’s Kingdom (2017)
Testament of Dr. Mabuse (Rewatch, 1933)

After autumn's flurry of film watching, I've had very little time in November and December unfortunately.

The Report (Scott Z. Burns, 2019)
Strawberry and Chocolate (Tomás Gutiérrez Alea and Juan Carlos Tabío, 1993)
Marriage Story (Noah Baumbach, 2019)
Aquarela (Viktor Kosakovskiy, 2018)

Murder in the Zoo (1933, I recommend this for its OTT sequences of pre-slasher film sadism in thriller horror fashion... the film starts with our villain sewing a man's mouth shut and sending him into the jungle to die! Trigger warning that there are a lot of sequences where animals were clearly mistreated in the making, but i guess that's the 1930's)

Peak Lionel Atwill. Glorious, in the sickest way (not least how he seems to desire his wife all the more after...dispatching...her admirers). Gives Kongo (1932) a run for its money as the most over-the-top pre-Code film.

It's wacky! Also, it's short! The comic relief is an alcoholic publicist.

i guess i'll see Kongo now. What else falls under this category that you'd recommend?

Hmmmm....Footlight Parade is my all-time favorite movie period. The Scarlet Empress is a fever dream of sex, violence, and grotesqueness; anyone who has not seen it should do so IMMEDIATELY. Try to watch Kongo as a double-feature with West of Zanzibar (1928), a silent version (starring Lon Chaney) of the play on which Kongo was based. And if you haven't seen any of Erich von Stroheim's films, do so (if only as serious exercises in wish fulfillment).

okay! gonna do the von sternberg and Kongo shortly.

December:

The Irishman (Scorsese, 2019) 8/10
The Scalphunters (Pollack, 1968) 6/10
Face to Face (Sollima, 1967) 7/10
The Vikings (Fleischer, 1958) 8/10 - a surprisingly beautiful-looking film - Jack Cardiff!
The Gunfighter (King, 1950) 8/10
Minnie and Moskowitz (Cassavetes, 1971) 8/10
Shane (Stevens, 1953) 8/10
The Beyond (Fulci, 1981) 8/10
The Perfume of the Lady in Black (Barilli, 1974) 8/10
Two Rode Together (Ford, 1961) 7/10
What Have You Done to Solange? (Dallamano, 1972) 7/10
Star Wars: The Rise of Skywalker (Abrams, 2019) 5/10
Support Your Local Sheriff (Kennedy, 1969) 7/10
Marriage Story (Baumbach, 2019) 7/10
Stranger on Horseback (Tourneur, 1955) 7/10

November + December in theaters

Motherless Brooklyn (Norton, 2019) - 5/10
Greener Grass (DeBoer, Luebbe; 2019) - 3/10
The Baker’s Wife (Pagnol, 1938) - 7/10
Jojo Rabbit (2019, Waititi) - 3/10
The Report (Burns, 2019) - 6/10
Frankie (Sachs, 2019) - 2/10
The Irishman (Scorsese, 2019) - 8/10
Knives Out (Johnson, 2019) - 8/10
Honey Boy (Har’el, 2019) - 7/10
Dreams (Bergman, 1955) - 9/10
Dark Waters (Haynes, 2019) - 5/10
Marriage Story (Baumbach, 2019) - 4/10
The Devil’s Eye (Bergman, 1960) - 8/10
Richard Jewell (Eastwood, 2019) - 5/10
Bombshell (Roach, 2019) - 6/10
Cats (Hooper, 2019) - 2/10
Little Women (Gerwig, 2019) - 7/10
Uncut Gems (Safdie Brothers, 2019) - 9/10
American Dharma (Morris, 2018) - 6/10
After the Thin Man (Van Dyke, 1936) - 8/10

that last one was the only movie I saw on celluloid in 2019, unfortunately - there were hardly any to see

saw five on film: Once Upon...Hollywood and Knife + Heart in new release (the latter either the only print in America or the only print in the world); Witchfinder General as rep; and The (first) Thin Man and Hitchcock's The Wrong Man in museum screenings.

i think you liked greener grass more than i did flappy.

Double feature for Jan 1 was a rewatch of 'Spirited Away' in theaters on 35mm (totally holds up, one of the great modern fairy tales with outrageously iconic character/set design) and the documentary 'Jay Myself' at home (enjoyable portrait of a fast dying variety of NY eccentric genius artist and his ridiculous home, great visuals and mouthwatering realty)

Macho Dancer (1988, Brocka) 5/10
*"10" (1979, Edwards) 8/10
*Husbands (1970, Cassavetes) 7/10
Phffft! (1954, Robson) 8/10
*Frankenstein (1931, Whale) 8/10
*The Irishman (2019, Scorsese) 8/10
*Going My Way (1944, McCarey) 7/10
Dolemite Is My Name (2019, Brewer) 8/10
Dolemite (1975, Martin) 5/10
A Hidden Life (2019, Malick) 7/10
The Farewell (2019, Wang) 6/10
*Bonnie and Clyde (1967, Penn) 9/10

Back to back Ghibli in theaters: Porco Rosso (the dub unfortunately, which badly hamstrings this... Michael Keaton has the perfect voice for it but is mailing in his performance and the Disney English script is unnecessarily ham-fisted and sexist throughout) and The Wind Is Rising (first time in theaters; definite top five, maybe top three for the studio)

They Might Be Giants (Harvey, Goldman 1971)
Black Christmas (Sophia Takal, April Wolfe 2019) 🎅 [DCP]
* The Usual Suspects (S. Criminal, C. McQuarrie 1995)
Death On The Nile (Guillermin, Shaffer, after Christie 1978)
* Knives Out (w/ in-theater audio commentary) (Johnson 2019) [DCP]
* The Long Kiss Goodnight (Harlin, Black 1996) 🎅
Anna And The Apocalypse (McPhail, McDonald, McHenry 2018) 🎅
Halloween (Green, Fradley, McBride 2018)
Long Shot (Jonathan Levine, Dan Sterling, Liz Hannah 2019)
The Man Who Killed Don Quixote (Gilliam, Grisoni 2019)
Comfort and Joy (Forsyth 1984) 🎅
* Mission: Impossible - Rogue Nation (McQuarrie 2015)
* Meet John Doe (Capra, Riskin, Presnell, Connell 1941) 🎅
An Exercise In Fatality (Kowalski, Cohen, Fischer 1974)
* The Ref (Ted Demme, Richard LaGravenese, Marie Weiss 1994) 🎅
Cats (Hooper & Hall vs Webber vs Possum 2019) [DCP]
An Affair To Remember (Leo McCarey, Mildred Cram, Donald Ogden Stewart, Delmer Daves 1957) 🎆
After The Thin Man (W. S. Van Dyke, Albert Hackett, Frances Goodrich, after Dashiell Hammett 1936) 🎆
Happy New Year, Colin Burstead (Wheatley & al. 2018) 🎆

Amador (Fernando Léon de Aranoa, 2010)

Nothing Ever Happens (Mack, 1933)
The Seventh Seal (Bergman, 1957)
Done in Oil (Meins, 1934)
Sailors, Beware! (Guiol & Yates, 1927)
The Bread and Alley (Kiarostomi, 1970)
Recess (Kiarostomi, 1972)
So Can I (Kiarostomi, 1975)
Two Solutions for One Problem (Kiarostomi, 1975)
The Colors (Kiarostomi, 1976)
How to Make Use of Leisure Time: Painting (Kiarostomi, 1977)
A Wedding Suit (Kiarostomi, 1976)
It Came From Outer Space (Arnold, 1953)
The Traveler (Kiarostomi, 1974)

Oscar Doc hopeful 'Midnight Family' is a delicately delivered look at a deeply damaged and corrupt Mexican medical system from the perspective off a single family running a for-profit ambulance service staffed by a sixteen year old paramedic. everyone involved in the film is simultaneously heroic, cowardly, foolish, clever and desperate. it's a really good film; hope it gets distribution.
https://midnightfamilyfilm.com/
https://www.youtube.com/watch?v=AM5I9N1OzTc

director's first film! lovely and sweet talkback where he discussed the ending which i won't spoil here but it was pretty harrowing how he got it.

one more for anyone interested (And you should be):
https://www.youtube.com/watch?v=XR4aCknomCc

I liked Midnight Family. Definitely worth seeing if you can.

Greener Grass is fitfully funny yet so intentionally weird and annoying and off-putting (a la Tim & Eric) that I can barely take it.

It's just so stale, I can't believe we're still living through awful Tom Goes to the Mayor ripoffs and the UCB mindset.

I eventually paused it, saw that I was only at the 25 minute mark, and then said "no way." I possibly said it out loud, to the cat.

imagine the joy of being in a theater at that moment, a few rows away from the director

lmao

*The Discreet Charm of the Bourgeoisie (Buñuel, 1972) - 8/10
She’s the Man (Fickman, 2006) - 7/10
Matewan (Sayles, 1987) - 9/10
*Vanilla Sky (Crowe, 2001) - 8/10
*Personal Shopper (Assayas, 2016) - 10/10
The Twist (Chabrol, 1976) - 5/10
Songwriter (Rudolph, 1984) - 7/10
Love Before Breakfast (Lang, 1936) - 6/10
The Phantom of Liberty (Buñuel, 1974) - 8/10
Edge of Tomorrow (Liman, 2014) - 7/10
La Haine (Kassovitz, 1995) - 7/10
The Bridesmaid (Chabrol, 2004) - 8/10
*Le Havre (Kaurismäki, 2011)
Death Wish (Winner, 1974) - 8/10
Cobra (Cosmatos, 1986) - 7/10
Idle Hands (Flender, 1999) - 7/10
La Vie de Jésus (Dumont, 1997) - 9/10
*My Darling Clementine (Ford, 1946) - 10/10
*The Apartment (Wilder, 1960) - 10/10

Le Havre = 9/10