Seinfeld: Classic or Dud

I liked the audio over the end credits, where Jerry is doing hacky standup in jail.

Also liked the shirt button call back, to a bit that was in the first episode, and when George starts in on it in the last ep Jerry goes "Ehh, we've done this ..." or similar. I must have seen the first episode fairly recently before watching the last one, or I wouldn't have remembered.

A finale of callbacks is fine in theory, but it didn't help that NBC ran a one-hour clip show right before the finale, which had many of those same characters. After that, the also-extended finale felt real tiresome

Apparently it was only 45 minutes but got extended to an hour in syndication haha

The extended callback/non-jokeiness finale seemed heavy-handed in informing the viewer, like, hey, "the heroes of this show are actually terrible people! Do you see?!" If that was novel at the time, it hasn't aged well.

mocking, mocking, mocking! all they do is mock!

It reminds me of the M*A*S*H finale, which was overlong at 2 1/2 hours. I've always suspected that was an executive decision so they could get a full week of reruns in syndication.

Since the episode originally aired in a highly unorthodox 75-minute time slot, when packaged for syndication it was edited down to two episodes with 30-minute time slots. This version cut several scenes from the original episode and rearranged some parts

I love the “b-plot only” packages on the YouTube channel

https://www.youtube.com/watch?v=s8oItZ4wQkQ

they should make the 9/11 script

the “I love… United Airlines” joke might be the single stupidest line in the entire series.

I love that… line

Quite sure he's not the first person to draw this parallel, but I liked how Jake Tapper, talking about a short press scrum of Trump's outside the courtroom today, asked their legal expert to explain his latest "airing of the grievances."

slowly rewatching this show, I know it's been said a zillion times but all the meta stuff in Season 4 is even wilder than I remembered. kinda ballsy too. I mean obviously their standing with NBC must've been pretty good at that point but I wonder if they had any objection to how hacky they made their entire lineup look. of course it wouldn't work as well if they weren't incredibly self-deprecating as well. in retrospect Jerry telling Kramer he can't play Kramer because "he can't act" is one of the funniest bits.

last night we watched the opera episode with Crazy Joe Davola - it was genuinely unnerving, I'd forgotten how strange it was to put a character like that in a sitcom. the scene where Elaine walks into his apartment actually got my heart racing. wild that the actor who plays him isn't really in anything else, he was so good in that role.

only thing that bothers me is how effortlessly Jerry seems to pick up women, particularly the ones that don't actually laugh at his jokes

That run with Crazy Joe Davola is the best. Sic Semper Tyrannis!

Re: Jerry's dates, it's been openly discussed in at least a few articles on the show, but there was indeed a conscious decision to have Jerry constantly be with very attractive women. Granted, you see this with nearly every TV show so it's not like it was an unusual decision, but Seinfeld definitely wanted to be a "ladies' man" on his show. If anything, it's more ridiculous with George - the character is designed to be unlikeable (Jerry: "It's getting difficult for me to tell people that I even know you!") and not that attractive (see Elaine trying to sell George on a blind date) but he's constantly dating different women and most of them look like they were cast out of a modeling agency.

"I'm Victoria, hi."

https://www.youtube.com/watch?v=1Y_6fZGSOQI

Re: Jerry, it's actually pretty sensible that a confident benign sociopath, without much in the way of human emotions, would have no trouble getting lots of dates (with zero lasting relationships).

ok continuing with S4 and there are some bits that have not held up well, for example George getting caught staring at a 15 year old's cleavage and Jerry hooking up with the NYU student who thought him and George were a gay couple

Don't forget Jerry was oogling her first and wanted George to join in. Elaine calls him out on this IIRC, making the specific point that she's only 15. Elaine was pretty awesome in those early seasons - on the DVD commentary, Dreyfus even points out that early on, Elaine was actually very principled and very outspoken about her beliefs, and for whatever reason all that went away by the show's end.

the reason was the ppl she was hanging out with so much imo

I guess that explains the Republican Party's continual descent.

Re: Jerry, it's actually pretty sensible that a confident benign sociopath, without much in the way of human emotions, would have no trouble getting lots of dates (with zero lasting relationships).

this is probably true but the reason it comes off so weird to me in the show is that Jerry is such a bad actor, in fact he almost certainly has to be the worst adult lead actor in sitcom history. it still works because he's funny, obviously most of what he does in the show is just a version of his standup act, but occassionally he has to actually express a real emotion and he's so bad at it you almost can't tell what the show's going for sometimes. like even when really bad things happen to him like his car getting stolen or his NBC deal getting cancelled all he can ever express is mild annoyance. Jason Alexander on the other hand might actually be the best sitcom actor ever, I think he's basically perfect in every single scene he's in.

Re: Jerry's dates, it's been openly discussed in at least a few articles on the show, but there was indeed a conscious decision to have Jerry constantly be with very attractive women. Granted, you see this with nearly every TV show so it's not like it was an unusual decision, but Seinfeld definitely wanted to be a "ladies' man" on his show

imo one saving grace here is that a massive share of jerry's girlfriends on seinfeld were also super talented and went on to have hugely successful careers. the list is insanely stacked. mariska hargitay, catherine keener, lauren graham, daphne from fraser, courtney cox, terri hatcher and marcia cross from desperate housewives, megan mullaly and debra messing, jeniffer coolidge (as the masseuse who won't give jerry a massage), sarah silverman, kristin davis

wtf is he on about

Jerry Seinfeld says TV comedy is being hurt by "the extreme left and P.C. crap, and people worrying so much about offending other people."

“It used to be, you would go home at the end of the day, most people would go, ‘Oh, “Cheers” is on. Oh, “MASH” is on. Oh, “Mary Tyler Moore”… pic.twitter.com/IvHYO48CGp

— Variety (@Variety) April 29, 2024

weird to complain about this when the co-creator of your show just ended his *own* sitcom after like 24 years.

also none of the shows he's naming were even contemporaries of Seinfeld, they're all like 50 years old and still in reruns, also none of them were known for being edgy, just a baffling statement all around

Uh, MASH and MTM were pretty edgy for their time.

The whole interview is on the New Yorker website now and it's worth reading. (Are you surprised a tweet doesn't capture nuance?) There's a slight element of grumpy-old-man-ism to maybe three sentences, but then he talks about it as an issue of craft, not one of morality — culture changes, and as he puts it, the gates get moved like when you're skiing a slalom course, and your job is to make it through the gates, wherever they move to.

I'm not a fan of his humor — I don't find his jokes funny — but his understanding of comedy as a craft is something I always find interesting.

Uh, MASH and MTM were pretty edgy for their time.

right, but nowadays I don't think there's any element of "you couldn't get away with that now" to them

suppose I should read the full interview though

I still find a lot of his old bits very funny. He put out an album in 1998 called I'm Telling You for the Last Time that my wife and I still pull from regularly. It's kind of like Lebowski, it's been transformed into a kind of familect.

I also really admire him for throwing out all of his old material after that tour (hence the name) and starting from scratch.

Yeah, that was a good interview, even for someone who's never followed his shows or other projects. xps

Jason Alexander on the other hand might actually be the best sitcom actor ever, I think he's basically perfect in every single scene he's in.

OTMFM

Julia Louis-Dreyfus was also extremely good.

Michael Richards . . . does anyone remember him?

yeah ok the interview is good, but "the extreme left is ruining comedy" is still an incredibly dumb take, as is stuff like this:

Isn’t that what “Curb” is all about?

Yeah. Larry was grandfathered in. He’s old enough so that—“I don’t have to observe those rules, because I started before you made those rules.” We did an episode of the series in the nineties where Kramer decides to start a business of having homeless people pull rickshaws because, as he says, “They’re outside anyway.” Do you think I could get that episode on the air today?

yes, I think you could, in fact It's Always Sunny gets away with stuff a lot wilder than that on a regular basis

I don't watch it, but it seems to me that people don't talk about Always Sunny nearly enough. It's insane how long that show has been running, and the type of things they've been able to pull off.

I did stand-up last night as "1990s Jerry Seinfeld Doing Bits About His 17-Year-Old Girlfriend" pic.twitter.com/hFKr7ie6JP

— Jeremy Kaplowitz (@jeremysmiles) October 29, 2019

I mean he's saying only Larry could do the Palestinian Chicken episode because he's been "grandfathered in", well It's Always Sunny did "The Gang Goes Jihad" in Season *2* and it's probably an even better satire of the situation than the Curb episode is

I think part of it is Seinfeld (the person) came up in a monoculture. There's really nothing you "can't say," because everybody's just talking to their little cult of fans. Like I say, It's Always Sunny has been on for a million years, but nobody really talks about it and there's no universe in which it attains the cultural omnipresence that Seinfeld (or Friends, or MASH) had at the time. And the only reason people are at all concerned with what Jerry Seinfeld has to say now is that Seinfeld the show was so gigantic at the time. If he was the star of some sitcom that ran for two seasons in the 90s and then got cancelled, no one would care about him now and he could say whatever he wanted to the 5000 people watching his YouTube channel or whatever, and the rest of the population of Earth would have no idea who he was at all.

Remember that show MASH that made fun of the US military and had a cross-dressing corporal on it? Yeah, we can't have stuff like that on TV anymore because the extreme left controls television programming and they cancelled it because they thought people would find it offensive... Ok Jerry, whatever you say.

one funny/odd thing about 'monoculture' as it applies to sitcoms now is that it manifests itself mostly through memes, like there are certain screengrabs of It's Always Sunny which I think are way more famous than the show itself. ditto for the "I Want It That Way" cold open scene from Brooklyn Nine Nine or like, that photo of Kevin James shrugging his shoulders on the King of Queens set. one thing I do find irritating about a lot of modern sitcoms (at least the ones that existed 5-10 years ago) is they all tried really hard to create these sorts of viral moments, like every episode had to have at least one thing that was giphy fodder

his complaint sounds more about TV monoculture not existing anymore. like, his reasoning in the full interview for there not being funny shows anymore is that there were no new sitcoms on the fall schedule of the four major networks. I can't remember the last time I've even thought about TV in terms of "fall schedule" or "major networks". I imagine I too would find TV utterly depressing if that was the extent of my TV world

his understanding of comedy as a craft is something I always find interesting.

I do as well, but it's a kind of interest that isn't very flattering to Seinfeld or comedy as an artform! Seinfeld is pretty similar to Scott Adams in that they're openly cold-blooded and mechanical about their approach and seem not to care at all if the material has any meaning to them. Just follow these steps every day, check the x's off the calendar, and by the end of the month you'll have something mediocre but viable, then do it all over again next month, forever.

The interview he did on Colbert a few years back where he seemed baffled that Colbert couldn’t still appreciate any of Cosby’s old records - that was the moment I decided to stop paying attention to Seinfeld the person. It was the prime example of just how highly he regards “craft”, as if one’s humanity doesn’t factor in at all.

There's a profile somewhere - I think the NY Times? - where the reporter is meeting him at a restaurant and is taken aback when Seinfeld is immediately shitty to someone who recognizes him. Not only does he own it, he keeps on complaining about people who try to be nice to him, making it clear he doesn't need to make any more friends and is basically resentful that anyone would think he'd want to know them. Funny guy, but a monstrously egotistical piece of shit.

He kinda reminds me of 00's new atheists. Same temperament, using reason as an excuse to be a jerk

I watched some of his latest Netflix special when I was visiting my mom last month, and I was struck by how misanthropic his act felt. Obviously, annoyance with social norms and pieties has always been part of his comedy, but now it just seems like "I'm old and rich and I have no interest in changing who I am or learning anything new." Not very relatable.

Spectacular, brilliant in its perfect underplaying. [Hidden text. Tap to view]

I watched some of his latest Netflix special when I was visiting my mom last month, and I was struck by how misanthropic his act felt. Obviously, annoyance with social norms and pieties has always been part of his comedy, but now it just seems like "I'm old and rich and I have no interest in changing who I am or learning anything new." Not very relatable.

Seinfeld is pretty similar to Scott Adams in that they're openly cold-blooded and mechanical about their approach and seem not to care at all if the material has any meaning to them.

The interview he did on Colbert a few years back where he seemed baffled that Colbert couldn’t still appreciate any of Cosby’s old records - that was the moment I decided to stop paying attention to Seinfeld the person. It was the prime example of just how highly he regards “craft”, as if one’s humanity doesn’t factor in at all.

I feel that this is what Seinfeld (the sitcom) is all about, a stand-up comedian who can only see the world and other people in terms of comedy and is alienated from society as a result.

Like how there's something dehumanising in doing an impression of someone, everyone likes to feel that they are a unique, complex human being with a soul, and an doing an impression of them is like saying - no, I can imitate certain inflections and habits and physical characteristics and create something that everyone recognises as 'you', all you are is the sum total of all of your various mundane characteristics, there's no transcendent, ineffable essence. And there's this running joke in the show where Jerry is dating this beautiful woman but he becomes fixated on some particular habit or characteristic she has to the point he can't be attracted to her anymore, like he can't turn off this comedian's instinct to turn people into types, or to mine them for comedy fodder, even in his private life.

I think this is why Seinfeld being such a bad actor works in the context of the show, he's a comedian surrounded by actual human beings but unable to connect with them, in a different register to everyone around him. It makes it feel modern too, despite what he says about it being something you wouldn't be able to make today, like how millenials and zoomers are very self-conscious about what 'types' they belong to, inclined to neurotically categorise themselves and others to the point that every individual trait or behaviour indicates an 'identity'

a low-key strand in seinfeld is that within the show jerry-the-comedian isn't actually a “good” comedian

larry david certainly knows this lol but maybe jerry never did

He's a bit like Franzen - if he wasn't a brusque asshole with a limited superego, he's be less interesting/effective

I think that combination of ego, neediness and curiosity -- he does seem curious about other people, despite his pathological need to keep his distance -- makes him a fun interviewer on his car show

Seinfeld is just v lucky he got to be in the show Seinfeld.