1. Should an artist belonging to a minority or traditionally oppressed group feel compelled to talk about their status in their art?
2. Is the expectation that an artist is always speaking, or must speak, for their community just as much of a trap as the original oppression they are supposed to be speaking against?
3. What, in your mind, is the equivalency (right word?) between people that were born into certain traditionally-opressed groups (ie black female etc.) vs. those that, through their beliefs or interests, have become members of either opressed (usually religious, although it could be argued that religion is something one is born into) or generally unliked groups (Marxists in the USA in the 50s)?
4. Is it possible to be against, or at least objectively critique, feminism and multiculturalism without being against equality for all races, genders, sexual preferences, etc.?
5. Do you think that the movements listed in the above question can force members of traditionally-opressed groups to be seen as more similar than they really are?
6. Do you believe that discussions of race, ethnicity, religion, etc. can sometimes obscure other problems relating to class and choices of individuals?
7. Do you think that certain criticims that are generally labeled racist, sexist, homophobic, etc., are really cultural critiques having nothing to do with race, gender or sexual preference? How about the other way around?
As I said, my opinions on *some* of these questions are still not coherent. But, to add some interest to this thread, I should say that the elementary school I went to was very enamored of multicultural thought (it was founded as the first integrated school in Virginia), and that, as I have grown older, I have become interested in challenging some of the beliefs I have inhrereted (ie ways in which eqaulity wil be realized) without betraying the principle interest I have in equality.
― Aaron Grossman (aajjgg), Tuesday, 10 December 2002 20:09 (twenty-two years ago)
― Aaron Grossman (aajjgg), Tuesday, 10 December 2002 20:16 (twenty-two years ago)
― Aaron Grossman (aajjgg), Tuesday, 10 December 2002 20:36 (twenty-two years ago)
2. Expectations on artists are always trapping, whether on social issues or musical stylings or whatever.
3. Being on the 'outside' is never easy, whether you were born into fringe-ness or acquired it through environmental circumstances...from feminism to left-handedness.
4. Hm. Being against a certain "-ism" does sort of imply that one is comfortable with the status quo of said institution that the particular "-ism" is working to change.
5. Everyone always seems more similar than they really are, and they also are more heterogenous than they seem. (Wow, does that sound like BS to you, too? I swear I didn't mean it to.)
6. I don't believe discussion ever obscures anything. Discussion is ALWAYS good, in my humble opinion.
7. I'm beginning to realize that no two humans have the same personal meanings for the same words. Example: to me, "feminism", in some forms, is a legit movement to balance out thousands of years of patriarchal society, whereas, to this one guy I know who shall remain nameless, it's a "marketing gimmick" for artists like Ani D., Tori Amos, etc. He feels that their music wouldn't be worth anything to anyone if they weren't "feminists fighting for a cause". Personally, I own albums by both of those artists, not because they're 'feminists', but because their songs move me.
8. When movements are lumped into terms they will become associated with each other in the non-movementarians' eyes. The many different types of 'feminism' all seem as one to the non-specific-type-of-feminist, just as 'freedom-fighters' are often lumped in with 'terrorists'.
Sorry, I didn't mean to use feminism and terrorism in the same analogy. And I DEFINITELY didn't mean to type that much.
Nick + coffee x 120 wpm = long ass rant
― nickalicious (nickalicious), Tuesday, 10 December 2002 20:42 (twenty-two years ago)
― Aaron Grossman (aajjgg), Wednesday, 11 December 2002 05:47 (twenty-two years ago)
― Tracer Hand (tracerhand), Wednesday, 11 December 2002 06:25 (twenty-two years ago)
― Tracer Hand (tracerhand), Wednesday, 11 December 2002 06:41 (twenty-two years ago)
― Aaron Grossman (aajjgg), Wednesday, 11 December 2002 16:34 (twenty-two years ago)
2. Yes it is a trap, but it's not a bad idea to bear in mind the sex/race/sexuality/whatever of the author you are discussing, since it's often of some relevance, and it doesn't strike me as a trap of remotely the same magnitude.
3. I think the major distinction here is between inherent characteristics and chosen affiliations. I am white and male, and these seem to be different kinds of associations from my being a lefty atheist.
4. I think feminism's basic meaning is believing that women are equal and that that should be reflected in law and society, so if you are against that you are against equality. This does not put anything that falls within the scope of feminist writing beyond criticism, by men as well as women.
5. I think feminism makes fewer generalisations about women than misogynists do, so not really, though it's always worth bearing this risk in mind.
6. Yes, they can, but you can't address every kind of issue and problem at once, and I think it's perfectly reasonable to address ones that affect large groups. This seems a smallish downside.
7. Not often. Obviously there have been plenty of things that someone dubs racist or whatever for poor reasons, but I think this is less frequent and less serious a problem than all the racist stuff that is more or less unchallenged.
8. I don't think this is often the case - I think the disagreements are often highlighted too much. But there is a basic shared idea at the root of each of these movements (see 4 above).
― Martin Skidmore (Martin Skidmore), Wednesday, 11 December 2002 21:24 (twenty-two years ago)