MB may have been the first detective fiction I've read (aside from that kids book with Wexler or something about the rich guy who disguises himself and a girl is the detective (Westing Game!)), and so what might've been the genre cliches were lost on me.
That said, it engrossed me like few books have lately, probably due to the deft handling of suspense on Lethem's part. The short sections allowed a lot of suspense to be built up slowly in very small increments without my necessarily noticing and when it does reach a noticeable level, the effect was captivating.
That's one reason I think I liked it. I agree that the Tourette's was a literary trope, but it also reverberated to Lionel-as-character. Taking a cue from the title, emphasis on the "Motherless" denoting an absence of what should be there. And what I caught onto was that of the five senses, which in L's case lack a unified central self. He's listening inside the building but can only see its exterior while eating greasy burgers -- if you add these experiences up, you might get a cubist rendering. I felt that the completion and unification of senses would come not for L (he still isn't top dog at L&L, he doesn't get Kimmery (a grebt name, btw), the orphan thing remains unresolved) but for the reader. All these sensations are recorded for or into the reader, and it's up to us to sort it all out. Once we've gotten all of the story, it's our turn to do the detective work, hence the closing "Tell your story walking." It's simultaneously expelling us fromthe narrative but also suggesting that we've inherited a part of it.
I had a better idea about the "Tell your story walking" but I forgot what it was, so this is what I'm able to manage.
― Leee (Leee), Wednesday, 11 December 2002 07:58 (twenty-two years ago)
― Pete (Pete), Wednesday, 11 December 2002 11:02 (twenty-two years ago)
― ron (ron), Wednesday, 11 December 2002 15:45 (twenty-two years ago)
― Martin Skidmore (Martin Skidmore), Wednesday, 11 December 2002 19:03 (twenty-two years ago)
― ron (ron), Thursday, 12 December 2002 01:28 (twenty-two years ago)
― Maria (Maria), Thursday, 12 December 2002 01:35 (twenty-two years ago)
― ron (ron), Thursday, 12 December 2002 01:44 (twenty-two years ago)
― B.Rad (Brad), Thursday, 12 December 2002 02:23 (twenty-two years ago)
― Douglas, Thursday, 12 December 2002 02:34 (twenty-two years ago)
― ron (ron), Thursday, 12 December 2002 04:20 (twenty-two years ago)
― ron (ron), Thursday, 12 December 2002 04:23 (twenty-two years ago)
― Pete (Pete), Thursday, 12 December 2002 11:08 (twenty-two years ago)
Also, as much as I enjoyed the novel, I didn't find that the constant permuting of words and phrases did a whole lot, that there wasn't a whole lot of development, linguistically or for the plot, to it, that it was a one-note joke.
― Leee (Leee), Friday, 13 December 2002 07:59 (twenty-two years ago)
Yes, yes, yes, yes, and yes.
― g00blar (gooblar), Thursday, 1 February 2007 01:18 (eighteen years ago)
― Ned Raggett (Ned), Thursday, 1 February 2007 01:20 (eighteen years ago)
― jhoshea (scoopsnoodle), Thursday, 1 February 2007 01:22 (eighteen years ago)
Never knew there was this whole thread, or forgot it.
I need to reread this novel - so I repeatedly told myself and others as I walked around Brooklyn last week.
― the pinefox, Wednesday, 18 April 2012 17:59 (thirteen years ago)
actually Leee's account at the top is pretty good.
― the pinefox, Wednesday, 18 April 2012 18:05 (thirteen years ago)
Just read the opening of this novel for the 3rd time and can't easily imagine why anyone wouldn't be compelled by it. The trip from Manhattan to Queens to Brooklyn still gets me.
― the pinefox, Thursday, 19 April 2012 22:56 (thirteen years ago)
The only novel of his worth a damn.
― Exile in lolville (Alfred, Lord Sotosyn), Thursday, 19 April 2012 23:00 (thirteen years ago)
was gonna say this was the LAST novel of his worth a damn. Prefer all three of his prior sci-fi novels to what came after (altho he still did some great short work, the best perhaps being "The Shape We're In")
― Jilly Boel and the Eltones (Shakey Mo Collier), Thursday, 19 April 2012 23:01 (thirteen years ago)
i would go with 'another sort of okay novel of his' tbh
― thomp, Friday, 20 April 2012 03:01 (thirteen years ago)
i should reread it now i have increased cultural familiarity with things like 'new york' and 'white castle sliders'
It is my favourite of his novels and I find it exciting, vivid, compelling and enjoyable like few other novels I can think of.
― the pinefox, Friday, 20 April 2012 13:01 (thirteen years ago)
i did not enjoy this book. and it kept me from reading any of his other books.
― scott seward, Friday, 20 April 2012 13:12 (thirteen years ago)
to me it read like a treatment/pitch for a terrible indie movie. directed by wim wenders. and featuring gary oldham.
― scott seward, Friday, 20 April 2012 13:13 (thirteen years ago)
The film is allegedly out next year and set in the 1950s.
I do not quite get that last fact.
― the pinefox, Wednesday, 30 May 2012 22:38 (thirteen years ago)
as long as there are still prince records in the '50s
― 40oz of tears (Jordan), Wednesday, 30 May 2012 22:39 (thirteen years ago)
can't have a noir plot take place any other time than the 50s I guess
― Roger Barfing (Shakey Mo Collier), Wednesday, 30 May 2012 22:41 (thirteen years ago)