Abstract-expressionism looks like children's paintings.
― Gringo Hero, Sunday, 27 April 2003 02:00 (twenty-two years ago)
― Aimless, Sunday, 27 April 2003 02:04 (twenty-two years ago)
― RJG (RJG), Sunday, 27 April 2003 02:28 (twenty-two years ago)
― Lance Uppercut, Sunday, 27 April 2003 02:31 (twenty-two years ago)
― Sébastien Chikara (Sébastien Chikara), Sunday, 27 April 2003 03:02 (twenty-two years ago)
― ejad (daje), Sunday, 27 April 2003 03:21 (twenty-two years ago)
― Maria (Maria), Sunday, 27 April 2003 03:33 (twenty-two years ago)
Point enough for me.
― Tep (ktepi), Sunday, 27 April 2003 03:38 (twenty-two years ago)
I studied digital photography & manipulation of images & stuff in college, and we had a lot of talks about what Photoshop meant for photographers- that you could be careless in the field with a camera now. If you take a roll of halfway decent photographs, come home, scan the negatives, and merge them together, you can create a work which looks just as if you'd spent hours on it with an SLR, waiting for just the right moment with the light. It's hard to decide whether it's any less real because instead you made it on your laptop in 5 minutes with Photoshop & two layer masks.
I keep meaning to read more about the philosophy of art, and to decide how much I think an artist's intent and methods really matter, because it can be a pretty fascinating field to study.
And this is almost a completely different topic, but the difference between an actual object- like a 11"x14" photo on nice fiber paper, and its digital reproduction on a computer screen, or its projection as a slide- can vastly alter how you think about it. The intensity of light in a slide vs. the technical limits of brightness and color differentiation in a LCD vs. holding a piece of paper with silver emulsion on it- all kind of lead me to be unsure whether you can really say that they're all the same work, or 3 different ones, even if each was created with one negative.
― lyra (lyra), Sunday, 27 April 2003 03:45 (twenty-two years ago)
― lyra (lyra), Sunday, 27 April 2003 03:47 (twenty-two years ago)
― Martin Skidmore (Martin Skidmore), Sunday, 27 April 2003 10:08 (twenty-two years ago)
― Matt (Matt), Sunday, 27 April 2003 10:11 (twenty-two years ago)
― J0hn Darn1elle (J0hn Darn1elle), Sunday, 27 April 2003 11:59 (twenty-two years ago)
― Stuart (Stuart), Sunday, 27 April 2003 18:03 (twenty-two years ago)
― felicity (felicity), Sunday, 27 April 2003 18:06 (twenty-two years ago)
― Millar (Millar), Sunday, 27 April 2003 18:16 (twenty-two years ago)
― Stuart (Stuart), Sunday, 27 April 2003 18:26 (twenty-two years ago)
― ThErEdNeD (ThErEdNeD), Monday, 28 April 2003 19:28 (twenty-two years ago)
― j.lu (j.lu), Monday, 28 April 2003 19:48 (twenty-two years ago)
― .ada.m. (nordicskilla), Wednesday, 19 January 2005 16:49 (twenty-one years ago)
― Austin (Austin), Wednesday, 19 January 2005 16:54 (twenty-one years ago)
― Miles Finch, Wednesday, 19 January 2005 16:54 (twenty-one years ago)
― ken c (ken c), Wednesday, 19 January 2005 16:58 (twenty-one years ago)
I like that no-one mentioned the influence of Abstract Expressionism on photography.
ken, you blasphemer, you. 'Tis the work of a lesser god, if any.
― Michael White (Hereward), Wednesday, 19 January 2005 17:01 (twenty-one years ago)
― ken c (ken c), Wednesday, 19 January 2005 17:02 (twenty-one years ago)
Egzarktly.
― Austin (Austin), Wednesday, 19 January 2005 17:03 (twenty-one years ago)
― dave225 (Dave225), Wednesday, 19 January 2005 17:41 (twenty-one years ago)
never gonna post it in its finished form, but here's a work in progress:http://i248.photobucket.com/albums/gg187/nick-uptoeleven/DSC_0836-2.jpg
― niminy-piminy cricket (Upt0eleven), Saturday, 20 March 2010 01:51 (sixteen years ago)
pretty pointless imo/
― niminy-piminy cricket (Upt0eleven), Saturday, 20 March 2010 01:52 (sixteen years ago)
worst tetris spin-off yet
― 12 monkeys of sex (acoleuthic), Saturday, 20 March 2010 01:55 (sixteen years ago)
420 individually mixed shades of green beg to differ.
― niminy-piminy cricket (Upt0eleven), Saturday, 20 March 2010 02:06 (sixteen years ago)
it's gonna be a frog, right
― 12 monkeys of sex (acoleuthic), Saturday, 20 March 2010 02:36 (sixteen years ago)
420 shades of greed? duuuuude...
― everybody on ilx u have dandruff (Pillbox), Saturday, 20 March 2010 02:39 (sixteen years ago)
lol "green"
btw PAINTING IS NOT POINTLESS
http://fineartamerica.com/images-medium/polar-bear-pointillism-heather-ward.jpg
(sez pointilist bear)
― everybody on ilx u have dandruff (Pillbox), Saturday, 20 March 2010 02:40 (sixteen years ago)
I can't believe no one has pointed out that the OP's handle is an anagram of GEIR HONGRO
― hills like white people (Hurting 2), Saturday, 20 March 2010 02:45 (sixteen years ago)
I thought the same thing!
― ABBAcab (Trayce), Saturday, 20 March 2010 03:18 (sixteen years ago)
It's pretty self evident, no?
hypothesis: Gringo Hero's views on art = Geir's on music
― ●●●●●●●● (EDB), Saturday, 20 March 2010 03:29 (sixteen years ago)
I thought it was Geir. Glad it's not. Utterly wrong opinion just the same.
― WARS OF ARMAGEDDON (Karaoke Version) (Sparkle Motion), Saturday, 20 March 2010 05:17 (sixteen years ago)
Also this book is utterly brilliant
http://press.princeton.edu/images/k2590.gif
― WARS OF ARMAGEDDON (Karaoke Version) (Sparkle Motion), Saturday, 20 March 2010 05:19 (sixteen years ago)