TS: casual listening/reading/viewing vs all critical analysis, all the time

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When do you experience a piece of art in a critical manner (making notes to yourself on strenghts and flaws that you notice, trying to relate stuff to it, basically trying to make sense of the entire book/movie/record/whateva as a whole, defining its aesthetic and I guess value to you too), and when do you just relax and let your gut reactions guide you?

It's become increasingly difficult for me to decide when which approach is best used; of course if I'm gonna review something the first approach is totally essential (tho I think that the second is, also, just to get a complete picture of how you feel about a specific album/movie/etc.), but apart from that it can get very difficult to make out...like, I've been listening to Raekwon's "Only Built 4 Cuban Linx" the past few days, only for fun, no review planned or forthcoming, but I actually had to use critical analysis *to be able to enjoy it*, because all of the album's strong points are so alien to my world that listening to it casually it just bored the fuck out of me, but after I made the effort to actually dissect it if you will I ended up enjoying it immensley.

The flip side of this: I recently read "Brave New World", and spent most of the time analysing (and getting very annoyed with) Huxley's ideology and theories; while I still managed to half-sneeringly give the book some credit, I have a feeling that I would have enjoyed it A LOT MORE if I hadn't thought of it as An Important Work and just lapped it up like any other crappy cheapo sci-fi pocket novel (and I do enjoy crappy sci-fi immensley, and I do think that "Brave New World" works well in that context.)

Of course I know that things are never this clear in reality: even when you're just experiencing something casually you're making *some* critical judgements (if only subconciously), and more often than not all of one's critical analysis is based on pure gut reactions. But there's still the concious decision to at least start off on one of the two modes. So when do you use which?

(Pre-emptive defense: Yes, I do realise that many cheapo sci-fi books are in fact a lot more well built and insightful than some supposed Great Works; this isn't about a highbrow/lowbrow divide here, if I had one of those handy I wouldn't have to be asking this question.)

Daniel_Rf (Daniel_Rf), Thursday, 4 December 2003 13:17 (twenty-one years ago)

I really annoy Sarah when we're watching "Dead Like Me" because I notice all the things a decent script editor should be noticing. I don't have to actually say it out loud, though - at least one of us has our enjoyment curtailed because of this habit :(

Markelby (Mark C), Thursday, 4 December 2003 13:25 (twenty-one years ago)

perhaps if you need to MAKE something appeal to your mind, you're having to try to hard. if a piece of art isn't engaging on its own merits, whether from an intellectual or intuitive perspective (which i'd argue actually had the deeper impact), it hasn't worked, has it?

if you're reading it to educate yourself that's a different matter - but education isn't quite the same thing as art, in my book. art should educate, but not purely be about education. otherwise, it isn't art, its just information.

personally, i try and enjoy it, and then if i like it, i come up with lots of reasons WHY its good - whether it actually is or not.

hobart paving (hobart paving), Thursday, 4 December 2003 14:42 (twenty-one years ago)

perhaps if you need to MAKE something appeal to your mind, you're having to try to hard.

I don't think that's necesairly true...after all, there's tons of things that you can end up enjoying w/o loving them, or even liking them, the first them you experience 'em. Like I said with the Raekwon record - I just had to sit down and think "ok, what exactly is going on here, what is the artist trying to communicate?" and after I found that out on an intelectual level I was suddenly able to dig it intuitively too, if you will - like if I were to listen to it casually now, I'm sure I'd enjoy it w/o having to force myself at all. Refusing to work at liking stuff which doesn't grab you the first time you see it means closing a lot of doors to yourself, I think - after all, it could just be too new or alien to what you've previously experienced for it to work right away, that doesn't mean that you'll *never* get to *really* like it.

Daniel_Rf (Daniel_Rf), Thursday, 4 December 2003 15:02 (twenty-one years ago)

daniel - i agree that you shouldn't dismiss something because you don't like it the first time you hear/see/observe/whatever it. a fair amount of my musical collection didn't really appeal on first listen. however, i would argue that most of our decisions aren't really made on the intellectual level we'd like to think they were made on. we make them based on feelings, deeper desires (sometimes we're not even conscious of those) and then we make them seem right to our brains. there's a theory of management (i wish i could remember what it was called) which argues that most boardroom decisions are made in this manner, but i think it applies to the world in general.

i'm perfectly willing to give something a second chance. often, i can come to understand something i didn't get to begin with. and i'll concede that you're right that an intellectual understanding of something can add a great deal to the enjoyment of a piece of art.

perhaps, on reflection, 'intuitive' was a bad word to use. it implies a first impression. the word i'd LIKE to use would be one similar, that can also imply a longer, more closely observed evaluation of something from a perspective of 'feeling' rather than 'thinking'. sadly, i don't know what that word is...

hobart paving (hobart paving), Thursday, 4 December 2003 15:13 (twenty-one years ago)

i like to think my "critical" observations of things proceed from my genuine visceral involvement with them...

more later.

amateur!st (amateurist), Thursday, 4 December 2003 15:20 (twenty-one years ago)

i just try to approach something on its own terms first; i guess you could say, i nearly always start off with the possibility that i believe in it, and then go from there. But then, I suppose that i'm looking towards thw quality of a thing not being in its perfection, but in what it evokes and what it carries with it.

......, Thursday, 4 December 2003 15:21 (twenty-one years ago)

but to appreciate something on its "own terms" often involves brushing up on the literature, or engaging beyond simple listening.... every piece of art "occurs" (is made, is received) against a background. any artwork is a combination of tradition and novelty (with the terms of novelty being set, in most cases, traditionally) and sometimes you need help understanding that background. not always of course...but a movement toward this understanding seems to me an important, ultimately if not furtively, essential part of the experience of appreciating and enjoying art.

amateur!st (amateurist), Thursday, 4 December 2003 15:25 (twenty-one years ago)

i mean what are the "own terms" of any given piece of art. every aesthetic experience is mediated by knowledge and circumstance....

amateur!st (amateurist), Thursday, 4 December 2003 15:25 (twenty-one years ago)

its true that to appreciate art you often need information.

that information does not, of course, have to be understood anywhere other than the intellectual level. this understanding at the intellectual level often precedes some sort of shift in understanding at the emotional level. often when you 'feel' an issue to being with you have a different response to that produced by approaching it intellectually. intellectual involvement with an issue, a new mental understanding of it, can help later to shift the way we 'feel'. so, information can help to shift the way you relate to art, but it has to do so by shifting the emotional response too. (hmmm...maybe i'm coming round to your way of thinking a little...)

BUT to me, that's the difference between art and information. art should do something more powerful, and deeper, than merely engage the intellect. it should grab you somewhere more much personal - perhaps a little lower down, and should connect there. because those connections are the sort that are hardest to forget.

have i talked myself round in a circle? probably.

hobart paving (hobart paving), Thursday, 4 December 2003 15:43 (twenty-one years ago)

typo...

'when you feel an issue to begin with'...not 'to being with'...

hobart paving (hobart paving), Thursday, 4 December 2003 15:44 (twenty-one years ago)

i dont think of those two operations as easily or even necessarily seperable though...

amateur!st (amateurist), Thursday, 4 December 2003 15:49 (twenty-one years ago)

oh no, they aren't easily separable. they're inextricably interlinked. which is why so many decisions that seem purely 'intellectual' are nothing of the sort. and why anything attempting to appeal purely at that level is going to find it more difficult to do so.

i suppose a perfect individual has these two functions in constant interaction, perfect balance and utter harmony. but then, i don't know all that many perfect individuals, so maybe i'm not equipped to comment.

hobart paving (hobart paving), Thursday, 4 December 2003 15:52 (twenty-one years ago)

i nominate myself


j/k

amateur!st (amateurist), Thursday, 4 December 2003 15:59 (twenty-one years ago)

in that case, i can't argue with a perfect individual....

guess you win the argument..

of course, to my mind, the perfect individual would either be carrying/smothered in (depending on the individual) chocolate. but then, perhaps that just shows my own imperfections..

hobart paving (hobart paving), Thursday, 4 December 2003 16:05 (twenty-one years ago)

'covered in', rather than 'smothered in', perhaps.

and i suppose that had better be guilt-free fair trade chocolate, even though it doesn't taste as nice.

hobart paving (hobart paving), Thursday, 4 December 2003 16:06 (twenty-one years ago)

I hope this thread makes Jerry and Mandee tune into the next episode of "Scrubs".

Markelby (Mark C), Thursday, 4 December 2003 17:21 (twenty-one years ago)

i suppose a perfect individual has these two functions in constant interaction, perfect balance and utter harmony. but then, i don't know all that many perfect individuals, so maybe i'm not equipped to comment.

I very much agree with this in theory, but I don't think too many of us actually strive for this balance *every time* that we listen to music/read a book/watch a movie; I don't think you can really experience *anything* w/o being influenced at least a bit by both of these functions, but at the same time there *is* many times a concious effort to let one take precedence over the other in a certain situation, even tho I concede that how successfull this effort usually turns out is debatable. Surely this most play at least some part in the way one ends up liking or disliking a piece of art? Like, even tho there is no such thing as "pure" casual listening or "pure" critical listening, we still prioritise, right?

Daniel_Rf (Daniel_Rf), Thursday, 4 December 2003 19:27 (twenty-one years ago)

i.e. if I listen to an album "critically" I will still have emotional responses to it which will shape my judgement; if I listen to an album "casually" I will still be analysing it critically on some subconcious level; but these two experiences are still different, aren't they?

Daniel_Rf (Daniel_Rf), Thursday, 4 December 2003 19:29 (twenty-one years ago)


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