http://www.bowieart.com/
― A Nairn (moretap), Friday, 27 February 2004 06:31 (twenty-two years ago)
― Aaron Grossman (aajjgg), Friday, 27 February 2004 06:35 (twenty-two years ago)
― RJG (RJG), Friday, 27 February 2004 08:02 (twenty-two years ago)
― RJG (RJG), Friday, 27 February 2004 08:03 (twenty-two years ago)
― run it off (run it off), Friday, 27 February 2004 09:22 (twenty-two years ago)
― Momus (Momus), Friday, 27 February 2004 10:00 (twenty-two years ago)
― Momus (Momus), Friday, 27 February 2004 10:02 (twenty-two years ago)
― Momus (Momus), Friday, 27 February 2004 10:06 (twenty-two years ago)
― Jonathan Z. (Joanthan Z.), Friday, 27 February 2004 10:12 (twenty-two years ago)
― run it off (run it off), Friday, 27 February 2004 10:15 (twenty-two years ago)
Later, somewhat surprisingly, Modern Painters ran a four page interview with me. David Bowie (who sits on their board) came up. I said 'I'm a disciple of David Bowie only in the sense that he was very promiscuous, jumping from dance to performance art to theatre to rock music. I thought if you were spending too much time in record bins you should stick on a leotard and do mime. That would be really healthy.'
Over the years I've been disappointed at how few of his promised extra-curricular dabblings have actually come to fruition. That book of short stories he promised in about 1980 while wearing a red tie and being interviewed on some late night news show on BBC 2. That film he told Jules Holland he was directing in about 1987. The Ziggy opera he cited as the reason he was using lawyers to block my friends Iain and Jane's Ziggy reconstruction art performance in Amsterdam. At least he has made his art career public, even if his best painting remains that 1978 canvas of a little boy on a Berlin staircase, and the whole thing looks a bit... well, scrappy.
― Momus (Momus), Friday, 27 February 2004 10:34 (twenty-two years ago)
― A Nairn (moretap), Friday, 27 February 2004 18:20 (twenty-two years ago)