And who would you perhaps claim to be film's Wittgenstein (not necessarily the same answer as the director of the thread question)?
I can't really explain this easily, but for those who might understand - TLP had this way of using the tools of philosophy to logically cause it to eat its words. Is there a work or artist in film who has carefully constructed a film logic that then turns upon itself?
Or whatever. Well, take this question as you will. And for the record, as partisan an ILF'er as I am, I figured this question would be better on ILE b/c of the philosophical nature of it.
Oh, and one more question - would the endeavor described above be postmodern or would it be "beyond" postmodern (whatever postmodern means)?
― Girolamo Savonarola, Monday, 12 April 2004 06:14 (twenty-one years ago)