none of this taught us a thing about the actual music. it certainly didn't teach us to appreciate it in any real sense. it was basically like a bad rock star bio, only NPR-sedate and of course about "good" music.
was this a common method of "music appreciation" once upon a time? or was it just awesome laziness on the part of my teacher? did anyone else have to suffer through this?
i ask b/c i left the classical station on all day for the cat (see "pets and music" thread) and when i arrived home, there was a similar program about brahms (with long untranslated passages in french wtf?!). and i don't think i've heard such a thing since the fourth grade.
((to the station's credit, the narration alternates with longish excerpts from berlioz's works. the tapes i listen to as a student never had more than a few bars of music, or rather, the music was usually playing in the background of the lachrymose narration, thus reinforcing the dumb notion that classical music is best as background music for elevators and dentists' offices.))
― |a|m|t|r|s|t| (amateurist), Tuesday, 10 August 2004 22:54 (twenty-one years ago)
― |a|m|t|r|s|t| (amateurist), Tuesday, 10 August 2004 22:56 (twenty-one years ago)
― de, Tuesday, 10 August 2004 23:04 (twenty-one years ago)
― |a|m|t|r|s|t| (amateurist), Tuesday, 10 August 2004 23:06 (twenty-one years ago)
i've got a 3 part 'lives of the composers' in the blue penguins from the '40s, edited by a.l.bacharach, similar to the harold c.schoenberg doorstop. i guess they must have taught music this way, to some extent, up to the 70s, over here at least.it's pretty fascinating to see what views they held on things at that time eg mahler's music was pretty worthless aside from a few things, schubert was too windy in his late works.
― de, Tuesday, 10 August 2004 23:19 (twenty-one years ago)
― lupine lupin (lupinelupin), Tuesday, 10 August 2004 23:30 (twenty-one years ago)
― lupine lupin (lupinelupin), Tuesday, 10 August 2004 23:39 (twenty-one years ago)
worse than simply recounting the stories of these composers' lives, the cassettes (if i can remember correctly, it's been nearly 19 years after all) had this sort of cod-romantic outlook wherein every piece of music was inspired directly from some event in it composer's life: a trauma, or a love, or whatever. the more obscure and more interesting and semiautonomous imperatives of art were hardly thrashed out.
p.s. the berlioz piece that impressed me was the requiem, which i'm surprised i didn't recognize.
― |a|m|t|r|s|t| (amateurist), Tuesday, 10 August 2004 23:51 (twenty-one years ago)
― Monetizing Eyeballs (diamond), Tuesday, 10 August 2004 23:56 (twenty-one years ago)
― de, Wednesday, 11 August 2004 00:10 (twenty-one years ago)
― miloauckerman (miloauckerman), Wednesday, 11 August 2004 00:20 (twenty-one years ago)
the teacher had slash marks on her wrists and an empty bottle on the back seat of her car.
― gaz (gaz), Wednesday, 11 August 2004 00:32 (twenty-one years ago)
― tokyo rosemary (rosemary), Wednesday, 11 August 2004 01:48 (twenty-one years ago)