Thing is, she mentioned that she is considering working with a mutual friend of ours. Fair enough, I'm really glad to hear that she's doing music again. However...
I (and several other people) had a fair bit of experience with this guy (we'll call him Sh*tbrick, shall we?) being totally unreliable and even downright damaging.
I was working with him last year, and he totally flaked out and absconded with my demos - in the process completely compromising and eventually screwing up a major deal for me. (Some people may even remember me talking about this last autumn.)
I know of two other bands in the UK that he's also just completely flaked on. (Leaving a band by just not turning up to rehearsals, gigs, but never giving notice or anything, for example.) I also know of bands back in his native Canada that he started "production" work for, and then disappeared, leaving them high and dry without masters or demos or anything.
So... my dilemma is this...
How do I "warn" my ex-bandmate not to get involved with him, without sounding like a total jealous, bitter bitch? Or should I even warn her, should I let her take her own chances?
If it were me, I would want to know the exact reputation of someone before working with them, so I really feel like I should at least try to warn her in some way.
Should I tell her anything? And if so, how can I go about doing this politely?
― Kissing Time At The Pleasure Unit (kate), Friday, 22 October 2004 13:59 (twenty-one years ago)
How would you react to someone that you knew talking about hiring an employee or going into partnership with someone who you *knew* to be totally unreliable, feckless, and a major f*ckup?
What if someone was contemplating hiring a plumber who destroyed your bathtub and walked out leaving you without plumbing?
I don't really see it as any different?
― Kissing Time At The Pleasure Unit (kate), Friday, 22 October 2004 14:02 (twenty-one years ago)
― Madchen (Madchen), Friday, 22 October 2004 14:05 (twenty-one years ago)
(And in retrospect, there are certain ex-boyfriend that I *do* wish someone had warned me. Sure, I wouldn't have listened, but then again, the girl who he dated after me told me she wished that *I* had warned her... but anyway. It's really not the same thing.)
I mean, things like... claiming not to have the money to go to rehearsal, and then you run into him at a party in Bethnal Green that weekend with plenty of money to buy drugs. That's the kind of thing I'd want to be warned off that sort of potential bandmate.
― Kissing Time At The Pleasure Unit (kate), Friday, 22 October 2004 14:07 (twenty-one years ago)
― beanz (beanz), Friday, 22 October 2004 14:09 (twenty-one years ago)
― Dr. C (Dr. C), Friday, 22 October 2004 14:10 (twenty-one years ago)
― n/a (Nick A.), Friday, 22 October 2004 14:10 (twenty-one years ago)
Throw in a "so just be careful" or something and let her make her own mind up thereafter.
Your obvious concern for her is more likely to "keep things cordial" in the long term than letting her go blindly into a partnership with a known flake.
― Onimo (GerryNemo), Friday, 22 October 2004 14:11 (twenty-one years ago)
― Rob Bolton (Rob Bolton), Friday, 22 October 2004 14:12 (twenty-one years ago)
But actually I think that would make things even worse, so don't do that.
― Hanna (Hanna), Friday, 22 October 2004 14:12 (twenty-one years ago)
If you do feel the need to say something to her try not to go into too much lengthy detail and start spitting, just something short and a bit 'meh'.
― Ste (Fuzzy), Friday, 22 October 2004 14:15 (twenty-one years ago)
I know that he has done some "production" work for her husband before, and I guess he finished it, and it got released, but it was a very different thing - i.e. he was cleaning up existing tapes for release, not working on a long-term project.
But I don't know a single other person who has had a good experience with him. He's totally unable to work with other people, he's totally unable to relinquish control in any way, and yet he's such a perfectionist that he WILL NOT finish things himself. It's impossible to schedule sessions, he won't ever commit to mixes, and trying to get masters back from him (let alone finished mixes) is like... damn...
The bloke I was supposed to work with has in the past pried tracks away from Kevin Shields himself, and yet he couldn't get the masters out of Sh*tbrick. Gah.
I'm trying to think of a way to say this without getting emotional.
x-post multiple times...
― Kissing Time At The Pleasure Unit (kate), Friday, 22 October 2004 14:15 (twenty-one years ago)
If she wants to hear about the nature of the problems, she'll ask - otherwise, let it go.
― dave225 (Dave225), Friday, 22 October 2004 14:26 (twenty-one years ago)
― The Lex (The Lex), Friday, 22 October 2004 14:30 (twenty-one years ago)
― Kissing Time At The Pleasure Unit (kate), Friday, 22 October 2004 14:32 (twenty-one years ago)
― Ste (Fuzzy), Friday, 22 October 2004 14:38 (twenty-one years ago)
But I still need Cubase for recording the "live" bits like guitars and vocals and stuff. The day that Reason can do that (though it never will - it's a sequencer, not a recording suite) then Cubase so goes in the bin.
― Kissing Time At The Pleasure Unit (kate), Friday, 22 October 2004 14:39 (twenty-one years ago)
― Ste (Fuzzy), Friday, 22 October 2004 14:45 (twenty-one years ago)
My advice: don't say any of the "I'm so excited to see you getting into music again" stuff, above, or at least not in words like that, because then you sound like a patronizing therapist trying to validate a little girl before warning her off of something. A no-bullshit tone is surely better. All you have to do to not seem bitter is to talk about the project itself like it's obviously going to happen either way, with great success, and whether or not Sh!tbrick produces is a minor point.
― nabisco (nabisco), Friday, 22 October 2004 15:12 (twenty-one years ago)