― Pashmina (Pashmina), Saturday, 20 November 2004 18:38 (twenty years ago)
― Pashmina (Pashmina), Saturday, 20 November 2004 18:40 (twenty years ago)
― Ken L (Ken L), Saturday, 20 November 2004 18:50 (twenty years ago)
― Girolamo Savonarola, Saturday, 20 November 2004 18:58 (twenty years ago)
― emil.y (emil.y), Saturday, 20 November 2004 19:04 (twenty years ago)
― Pashmina (Pashmina), Saturday, 20 November 2004 19:05 (twenty years ago)
― Girolamo Savonarola, Saturday, 20 November 2004 19:06 (twenty years ago)
― Girolamo Savonarola, Saturday, 20 November 2004 19:07 (twenty years ago)
― Pashmina (Pashmina), Saturday, 20 November 2004 19:08 (twenty years ago)
― miccio (miccio), Saturday, 20 November 2004 19:09 (twenty years ago)
― Girolamo Savonarola, Saturday, 20 November 2004 19:11 (twenty years ago)
― stevie nixed (stevie nixed), Saturday, 20 November 2004 19:14 (twenty years ago)
Christ, yes. Actually, T&L may be a front-runner for worst film I have ever seen (all the way through, anyway - I managed about a quarter of Titanic, I think).
― emil.y (emil.y), Saturday, 20 November 2004 19:15 (twenty years ago)
haha x-post!
― miccio (miccio), Saturday, 20 November 2004 19:17 (twenty years ago)
how does thelma & louise have a happy ending?!?
― amateur!!st, Saturday, 20 November 2004 19:33 (twenty years ago)
― s1ocki (slutsky), Saturday, 20 November 2004 19:35 (twenty years ago)
(check your email)
― amateur!!st, Saturday, 20 November 2004 19:39 (twenty years ago)
i actually skipped the rape scene. the guy hit the woman on the bonnet of the car and i didn't feel like watching anymore of that.
― Pashmina (Pashmina), Saturday, 20 November 2004 19:39 (twenty years ago)
oh come on. the plot twist was ill-adviesd but apart from that its a decent horror movie.
― :| (....), Saturday, 20 November 2004 19:41 (twenty years ago)
http://www.cwartillery.org/bonnet.jpg
― amateur!!st, Saturday, 20 November 2004 19:43 (twenty years ago)
― Pashmina (Pashmina), Saturday, 20 November 2004 19:44 (twenty years ago)
― Girolamo Savonarola, Saturday, 20 November 2004 19:50 (twenty years ago)
― David Steans, Saturday, 20 November 2004 20:03 (twenty years ago)
― miccio (miccio), Saturday, 20 November 2004 20:04 (twenty years ago)
― Eric H. (Eric H.), Saturday, 20 November 2004 20:22 (twenty years ago)
― Pashmina (Pashmina), Saturday, 20 November 2004 20:25 (twenty years ago)
― Girolamo Savonarola, Saturday, 20 November 2004 20:37 (twenty years ago)
― Jarlr'mai (jarlrmai), Saturday, 20 November 2004 20:39 (twenty years ago)
Has anyone seen Micheal Winner's Dirty Weekend? How does that compare?
― Raw Patrick (Raw Patrick), Saturday, 20 November 2004 22:49 (twenty years ago)
― trigonalmayhem (trigonalmayhem), Saturday, 20 November 2004 23:21 (twenty years ago)
― trigonalmayhem (trigonalmayhem), Saturday, 20 November 2004 23:24 (twenty years ago)
― Every country has their stupid (AaronHz), Sunday, 21 November 2004 00:39 (twenty years ago)
― Eric H. (Eric H.), Sunday, 21 November 2004 00:56 (twenty years ago)
― Every country has their stupid (AaronHz), Sunday, 21 November 2004 00:58 (twenty years ago)
― trigonalmayhem (trigonalmayhem), Sunday, 21 November 2004 00:58 (twenty years ago)
― toby (tsg20), Sunday, 21 November 2004 11:50 (twenty years ago)
Sorry, this answer is a bit late, and s1ocki provided a much better response than I ever could, but:
One of the main problems with Thelma and Louise is that it is a mainstream film that desperately wants to be a radical one. In most mainstream films, the weirdo, the 'bad guy' and the outsider are punished (particularly if they are women) by assimilation, death or imprisonment. Oppositional films, however radical they may be, seem to only be able to exist in opposition (a minor point made by Mulvey in Visual Pleasure and Narrative Cinema, but one that to my eyes hasn't dated), a problem that inevitably leads to the outsider figure also succumbing to the same fates. However, where oppositional cinema can stand against these rules is that their tragedies are beautiful, and their deaths are victories. Curiously, Thelma and Louise plays to this - they stand together in death, and have escaped the downward spiral of misery - whereas the nominally radical Baise Moi does not. I can't remember the ending clearly, but they are not faithful to each other, and are ultimately punished, thus rendering any point made within the film null.
I have no problem with the graphic nature of many of the scenes in Baise Moi, they could work in a better film, but within the context of what it is, they are pointless.
― emil.y (emil.y), Sunday, 21 November 2004 12:11 (twenty years ago)
Heh, last few days I've been in a John Waters mood and was rewatching many of the films. This statement is very much OTM.
― Ned Raggett (Ned), Sunday, 21 November 2004 15:05 (twenty years ago)
Heh, very true.
Girolamo, I found it. It isn't even too smelly. Yr mailing address to the gmail address on my profile?
― Pashmina (Pashmina), Sunday, 21 November 2004 16:18 (twenty years ago)
I agree with most of your post, but I don't agree with this. They're not punished for being unfaithful, their punished for killing a whole bunch of people. And I don't even know if I'd call it punished. One gets shot (pretty logical in the context of a film where they're responding to every male offense with a bullet to the head), and the other doesn't have the nerve to kill herself (also plausible for somebody whose response to brutality was extreme hedonism). I think this actually makes more of a point than anything in T&L (though T&L sure tries harder to make a point, or more aptly, ego-stroke every liberal in the audience).
― miccio (miccio), Sunday, 21 November 2004 16:37 (twenty years ago)
I need to watch some old John Waters films again - haven't watched anything earlier than Serial Mom for ages.
― emil.y (emil.y), Sunday, 21 November 2004 16:55 (twenty years ago)
― miccio (miccio), Sunday, 21 November 2004 17:00 (twenty years ago)
― emil.y (emil.y), Sunday, 21 November 2004 17:10 (twenty years ago)
― Eric H. (Eric H.), Sunday, 21 November 2004 19:40 (twenty years ago)
Try Female Trouble -- Arthur and I were by chance talking about that the other night. Apparently Di hasn't seen it! We shall correct this.
― Ned Raggett (Ned), Sunday, 21 November 2004 19:42 (twenty years ago)
--acclaim in the Village Voice poll--disturbing physical/sexual violence--some technical innovation--utter fraudulence as fiction
Human beings don't surprise you in these movies, and the worst always happens. The idea that this everyone's-a-shithead-ism is somehow radical probably goes back to A Clockwork Orange, which at least was fun to watch...
― Pete Scholtes, Sunday, 21 November 2004 20:21 (twenty years ago)
― dog latin (dog latin), Sunday, 21 November 2004 20:58 (twenty years ago)
― Pete Scholtes, Sunday, 21 November 2004 21:15 (twenty years ago)
No, it wasn't.
(POSSIBLE SPOLIERS)And Fat Girl is not about rape. There's a lot of sexual commerce going around, but I don't think Breillat would say that any character was raped. Call Anaïs sick if you will, but the final scene of the film is nothing but the culmination of her morbid fantasy ideal of sex as nonchalance.
― Eric H. (Eric H.), Sunday, 21 November 2004 23:10 (twenty years ago)
― Every country has their stupid (AaronHz), Sunday, 21 November 2004 23:19 (twenty years ago)
― Eric H. (Eric H.), Sunday, 21 November 2004 23:28 (twenty years ago)
― Raw Patrick (Raw Patrick), Sunday, 21 November 2004 23:49 (twenty years ago)
― Eric H. (Eric H.), Monday, 22 November 2004 00:00 (twenty years ago)
― Raw Patrick (Raw Patrick), Monday, 22 November 2004 00:04 (twenty years ago)
― Eric H. (Eric H.), Monday, 22 November 2004 00:11 (twenty years ago)
― anthony, Monday, 22 November 2004 07:21 (twenty years ago)
is that your Fraggle name?
― CharlieNo4 (Charlie), Monday, 22 November 2004 07:57 (twenty years ago)
― Sick Mouthy (Nick Southall), Monday, 22 November 2004 09:43 (twenty years ago)
Ben Dover did direct a 'proper' film, an 80s Uk horror flick, but I don't know what it was called. I don't hink that he did it under the same name.
― Raw Patrick (Raw Patrick), Monday, 22 November 2004 13:11 (twenty years ago)
― s1ocki (slutsky), Monday, 22 November 2004 17:25 (twenty years ago)
John Waters' opinions on others' films are generally not to be trusted ... he loved Irreversible.
Jerry Lewis' "Which Way to the Front?" is high on my all-time Pain List (and I like a lot of his '55-65 stuff). Nothing's worse than a bad comedy. "Skidoo" also -- an Otto Preminger hippies-meet-gangsters "Now" all-star turd with Gleason, Groucho, Nilsson music.
― Dr Morbius (Dr Morbius), Monday, 22 November 2004 19:59 (twenty years ago)
so did i!
― :| (....), Monday, 22 November 2004 20:02 (twenty years ago)
― Pashmina (Pashmina), Tuesday, 30 November 2004 11:36 (twenty years ago)
― We Buy a Hammer For Dadaismus (Dada), Tuesday, 30 November 2004 11:41 (twenty years ago)
― mark grout (mark grout), Tuesday, 30 November 2004 11:54 (twenty years ago)
― Pashmina (Pashmina), Tuesday, 30 November 2004 12:56 (twenty years ago)
― Eric H. (Eric H.), Tuesday, 30 November 2004 13:32 (twenty years ago)
― Eric H. (Eric H.), Tuesday, 30 November 2004 13:33 (twenty years ago)
― Momus (Momus), Tuesday, 30 November 2004 15:17 (twenty years ago)
― trigonalmayhem (trigonalmayhem), Tuesday, 30 November 2004 15:45 (twenty years ago)
yuck...
― Creeztophair, Friday, 20 June 2008 00:22 (seventeen years ago)