― Ken L (Ken L), Friday, 25 March 2005 18:41 (twenty-one years ago)
Lee Garmes--I know he did "Scarface," "Caught" by Ophuls. "The Lusty Men."
Toland is such a heavyweight--developing the technology to photograph "Kane." He's the other auteur of that film if anyone is, and as I mentioned in the Teresa Wright thread, even something as relatively slight as "Ball of Fire" looks great because of him. I think he did "The Little Foxes" as well? Yes, he did--three pretty fine films released in 1941. I believe the scene where Herbert Marshall expires on the staircase while Bette Davis does nothing was a prime example of Bazin's theory of deep-focus/single-shot/background-foreground vs. montage? Anyway, I go for Toland, seems the greatest innovator of the three, and of course, "Kane" is something else...what other film up until then, or even after then, was so innovative in both sound and image, let alone so effective in fusing those innovations into an atmosphere of dread and remorse...?
― edd s hurt (ddduncan), Friday, 25 March 2005 19:01 (twenty-one years ago)
― Eric H. (Eric H.), Friday, 25 March 2005 20:07 (twenty-one years ago)
― edd s hurt (ddduncan), Friday, 25 March 2005 22:17 (twenty-one years ago)
― Frank Kogan (Frank Kogan), Saturday, 26 March 2005 07:17 (twenty-one years ago)
― edd s hurt (ddduncan), Saturday, 26 March 2005 15:56 (twenty-one years ago)
― Amateur(ist) (Amateur(ist)), Saturday, 26 March 2005 16:50 (twenty-one years ago)
― Girolamo Savonarola, Sunday, 27 March 2005 02:36 (twenty-one years ago)
― edd s hurt (ddduncan), Sunday, 27 March 2005 17:34 (twenty-one years ago)
restoring broken link from top of thread Teresa Wright and wondering if The Bishop’s Wife, shot by Toland, is any good.
― Tales of Jazz Ulysses (James Redd and the Blecchs), Monday, 9 December 2019 03:06 (six years ago)