http://thecia.com.au/reviews/c/images/close-encounters-of-the-third-kind-13.jpg
Also, C/D: getting a central figure of the french new wave to play the creepy foreign guy?
― kingfish du lac (kingfish 2.0), Tuesday, 20 June 2006 03:54 (nineteen years ago)
http://www.synthfool.com/images/ceot3k1.jpg
a double-decker analog synth(in this case: an Arp 2500)
― kingfish du lac (kingfish 2.0), Tuesday, 20 June 2006 03:56 (nineteen years ago)
― kingfish du lac (kingfish 2.0), Tuesday, 20 June 2006 03:59 (nineteen years ago)
― Jumpman (account), Tuesday, 20 June 2006 04:01 (nineteen years ago)
― Ned Raggett (Ned), Tuesday, 20 June 2006 04:01 (nineteen years ago)
i'm sorry. i've been mixing my political blog reading with my late 70s sci-fi again.
― kingfish du lac (kingfish 2.0), Tuesday, 20 June 2006 04:04 (nineteen years ago)
― Tracey Hand (tracerhand), Tuesday, 20 June 2006 04:10 (nineteen years ago)
― Marmot 4-Tay (marmotwolof), Tuesday, 20 June 2006 04:11 (nineteen years ago)
― gear (gear), Tuesday, 20 June 2006 04:46 (nineteen years ago)
― gear (gear), Tuesday, 20 June 2006 04:47 (nineteen years ago)
The synth player in the movie is actually Philip Dodds of ARP...
Philip, Your appearance in "Close Encounters of the Third Kind" made synthesizers more visible to a wide audience. Tell us more about your work on the film. Did you compose the famous alien tune?Philip DoddsNo I didn't compose the tune, but it's an interesting story nonetheless (at least to me!). I was called down as a "subject expert" to install the 2500 system on the set--ARP was to get some screen credits for this--and I was there in Mobile AL to make sure all was well. (This wasn't unusual; I helped with other films such as Logan's Run and some of the early Star Trek films--to support the sound effects and score folks).
To make a long story a bit longer, John Williams prescored Close Encounters--which is a bit unusual I'm told--the score is often done after the fact. Spielberg wanted the music to drive the concept and went to Williams early-on to work out the haunting theme that was used throughout. (I still have the original score Williams gave me to "play" during the filming--it's all for traditional instruments...)
On the final day of installation of the 2500 down there, I hooked it up to a huge four channel system (on the set) and cut loose with all of the sequencers and sound effects I could muster from the console. It was fabulous. This was in a huge dirigible hanger (since there was no set in Hollywood big enough) and the sounds echoed for miles, I was told.
The next day, Spielberg and Williams came to the set and asked for a demonstration of the synthesizer's capabilities. (Spielberg introduced me to George Lucas, who had just completed post production of Star Wars, and visited the set that day as well, but I was clueless about it all at the time.)
Williams asked for "an oboe" sound, then "a trumpet" sound. Etc. Etc. Piece of cake, I thought. This is fun. (Except that I had to fly out a 4PM to get home, so I hoped they would hurry up.)
Then Spielberg came to the console and asked--"have you had any acting experience?" I said, well, no. "Would you like to try?" I said, yeah, I guess (I was 25). Cool. In a matter of hours I had a contract in my hand and I was signed on. For the next 9 weeks, Columbia Pictures owned me. I learned a lot and it was a great experience.
― LOL Thomas (Chris Barrus), Tuesday, 20 June 2006 04:59 (nineteen years ago)
This was Spielberg's thing with sci-fi in the 80s. It's not sci-fi. It's a fable dressed up in sci-fi duds. Once you start looking at these films through an adult's eyes, lots of things are likely to frustrate you.
― Deric W. Haircare (Deric W. Haircare), Tuesday, 20 June 2006 05:36 (nineteen years ago)
― gabbneb (gabbneb), Tuesday, 20 June 2006 12:59 (nineteen years ago)
― 100% CHAMPS with a Yes! Attitude. (Austin, Still), Tuesday, 20 June 2006 13:06 (nineteen years ago)
― Tuomas (Tuomas), Tuesday, 20 June 2006 13:29 (nineteen years ago)
― 100% CHAMPS with a Yes! Attitude. (Austin, Still), Tuesday, 20 June 2006 13:30 (nineteen years ago)
― o. nate (onate), Tuesday, 20 June 2006 13:31 (nineteen years ago)
― 100% CHAMPS with a Yes! Attitude. (Austin, Still), Tuesday, 20 June 2006 13:34 (nineteen years ago)
― pisces (piscesx), Tuesday, 20 June 2006 13:35 (nineteen years ago)
― Jaq (Jaq), Tuesday, 20 June 2006 13:41 (nineteen years ago)
xpost
― Roughage Crew (Enrique), Tuesday, 20 June 2006 13:45 (nineteen years ago)
― Ste (Fuzzy), Tuesday, 20 June 2006 13:45 (nineteen years ago)
― Offisa Pump (Rock Hardy), Tuesday, 20 June 2006 13:48 (nineteen years ago)
same difference.
― Roughage Crew (Enrique), Tuesday, 20 June 2006 13:51 (nineteen years ago)
― Tracey Hand (tracerhand), Tuesday, 20 June 2006 13:54 (nineteen years ago)
― Pete (Pete), Tuesday, 20 June 2006 13:54 (nineteen years ago)
― gear (gear), Tuesday, 20 June 2006 18:38 (nineteen years ago)
― mummy wrapped in bacon (nickalicious), Tuesday, 20 June 2006 18:44 (nineteen years ago)
― elmo argonaut (allocryptic), Tuesday, 20 June 2006 18:57 (nineteen years ago)
― Fluffy Bear (Fluffy Bear Hearts Rainbows), Tuesday, 20 June 2006 19:17 (nineteen years ago)
― Earl Nash (earlnash), Tuesday, 20 June 2006 21:33 (nineteen years ago)
― Jesus Dan (Dan Perry), Tuesday, 20 June 2006 21:34 (nineteen years ago)
― Deric W. Haircare (Deric W. Haircare), Tuesday, 20 June 2006 21:42 (nineteen years ago)
― Earl Nash (earlnash), Tuesday, 20 June 2006 21:57 (nineteen years ago)
― literalisp (literalisp), Tuesday, 20 June 2006 22:39 (nineteen years ago)
― Ruthie Tooth (Ruthie Tooth), Thursday, 29 June 2006 19:02 (nineteen years ago)
― Total Fucking Dorkness (sexyDancer), Thursday, 29 June 2006 19:06 (nineteen years ago)
http://en.wikipedia.org/wiki/Close_Encounters_Of_The_Third_Kindhttp://en.wikipedia.org/wiki/Gesture#Kod.C3.A1ly_Hand_Signs
― Ruthie Tooth (Ruthie Tooth), Thursday, 29 June 2006 19:06 (nineteen years ago)