The usual exaggeratedly rose-tintedly europhile, neurotically self-hating, writing-the-blindly-obvious-as-though-it-was-a-great-revelation, absurdly excessively Brit-bashing piffle that fills her every column, of course, but this bit of the article struck me as particularly insane:
"Meanwhile in France ... the tactic is to modernise the old" (falls over hysterically, rolls sides) ... "following the booing of the national anthem at a football match, the Jospin government last week sent all schools a techno-dance of the bloodthirsty old battle hymm. Samba and jazz versions of the Marseillaise are already available on CD" (true, but has this occured to you that this might be a deliberate attempt to counter their deserved reputation for fear of cultural / linguistic hybridisation, Mary? Have you *any idea* of the national outcry that greeted Gainsbourg's "Aux Armes Et Cetera"?) ... "Here the converse mood is to mistrust new cultural trends, good or bad, unless they have the reek of the arcane" (BOLLOCKS!!!!! Just look at our music, our arts, our literature, the best of our architecture, the way all kinds of American *and* mainland European influences have found a footing here when most of the world was still indifferent, our absence of a mainstream far-right movement ... people as diverse as the Beatles and Fairport Convention were modernising the old and giving us a worldwide reputation as such when France was still ruled by Gaullism, not known for its tolerance of such influences. Has she ever been outside?)
Hacks like this need to stop navel-gazing and sense the self-confidence within most British people. Even Decca Aitkenhead or Shane Watson might, just, be preferable.
Anyway, who's the most irritating writer on the UK "liberal" press? Is there someone worse than the ones I've mentioned?
― Robin Carmody, Monday, 11 February 2002 01:00 (twenty-three years ago)
― Ramosi, Monday, 11 February 2002 01:00 (twenty-three years ago)
― dave q, Tuesday, 12 February 2002 01:00 (twenty-three years ago)
― helenfordsdale, Tuesday, 12 February 2002 01:00 (twenty-three years ago)
― Marcello Carlin, Tuesday, 12 February 2002 01:00 (twenty-three years ago)
― Alan Trewartha, Tuesday, 12 February 2002 01:00 (twenty-three years ago)
(sorry Alan this is unhelpful to your desire to read it!)
― Tom, Tuesday, 12 February 2002 01:00 (twenty-three years ago)
All wrong-headedness aside, is SSC speed garage? I get confused enough with all these genres, esp when i don't go out of my way when it comes to clubbing ("I know what about an indie night??"), but about a year or so back I went to Home and got stuck on a floor og what I think was called speed-garage (it was sort of somewhere between Ska and Jungle) and I really enjoyed it, but it didn't sound anything like ver crew.
I'd love to know what it was i was dancing to, and if it wasn't speed garage, i've been labouring under a false impression all this time. grrr.
Speed garage has far less slick production, more sung vocals. It often has a 4/4 beat rather than a 2/4 beat common to much of So Solid's stuff. Many of the pirate stations are going back to speed garage as a reaction to the same-yness of the whole So Solid/ Heartless/ Pay As You Go shebang.
'RIP Groove' by Double 99 is an example of speed garage that I quite like, but I'm not that keen on garage as a whole so
― Anna, Tuesday, 12 February 2002 01:00 (twenty-three years ago)
Post should have ended:
so find someone who knows a bit more.
I have met Decca Aitkinhead. She can't classify garage, but I thought she was a really nice woman. (Haven't read Guardian piece due to me having day of computer bimbo syndrome)
― suzy, Tuesday, 12 February 2002 01:00 (twenty-three years ago)
― Sterling Clover, Tuesday, 12 February 2002 01:00 (twenty-three years ago)
― Norman Phay, Tuesday, 12 February 2002 01:00 (twenty-three years ago)
There's stuff I've been told about India Knight which would confirm all Norman's worst fears.
― Robin Carmody, Tuesday, 12 February 2002 01:00 (twenty-three years ago)