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so fucking great. scorsese's most underappreciated? & wtf ever happened to joseph minion? & the protag, whatever his name was, its been too long

'surrender dorothy' + the scene in rosanna arquette's bedroom with the candle are alone enough to make this movie a classic

deeznuts, Thursday, 26 April 2007 05:20 (eighteen years ago)

i mentioned this on the noise board & it got no love but i cant be the only one here

deeznuts, Thursday, 26 April 2007 05:23 (eighteen years ago)

i like it. it's a weird move for scorsese because the city seems so foreign, not like new york in any of his other films. it's hard to tell if he identifies more with the hipster weirdos or the yuppie interloper. or with none of them. maybe that's really what the movie's about, him not being sure. but it's a lot of fun.

tipsy mothra, Thursday, 26 April 2007 05:39 (eighteen years ago)

it supposed to seem foreign, though. and as i recall there were actually multiple shots that paralleled taxi driver, which is appropraite

it is a lot of fun, but its also (crafted) torture in parts, the paranoia is so pervasive that it really is one of the most uncomfortable comedies ive ever seen

i also dont think theres any question as to where scorseses sympathies lie, paul is set up as a sort of everyman & most of the kicks come from the audience identifying with him

deeznuts, Thursday, 26 April 2007 05:56 (eighteen years ago)

Here's an older thread - http://www.ilxor.com/ILX/ThreadSelectedControllerServlet?boardid=41&threadid=21369

The Yellow Kid, Thursday, 26 April 2007 06:59 (eighteen years ago)

ten years pass...

Just rewatched this last night. My wife had never seen it, and I loved it as a teenager. It's not top-tier Scorsese, but it's really well made and a lot of fun. I think he once called it "an exercise in pure style." It's kind of the ultimate '80s yuppie angst movie -- Griffin Dunne's character is afraid he's missing out on life, but everything he does to try to be wild and free just ends up making things worse for him. I'd forgotten how actually dark it is, with a suicide at the center of it, but it keeps kind of a discordantly zany tone the whole way through.

Roger Ebert actually had a pretty good read on it, that it reflected Scorsese's frustration at the time with not being able to get "The Last Temptation of Christ" made -- every time in the movie that Paul thinks he's about to be able to go home, something goes wrong at the last moment.

Great cast, too, everyone's good in it -- Rosanna Arquette, Linda Fiorentino, Teri Garr, Joe Heard. And I'd forgotten how nonchalant it is about the gay characters, which was pretty amazing in 1985. (Good take on that here: http://splitsider.com/2012/08/after-hours-and-the-rarity-of-a-comedy-thats-not-afraid-someone-might-think-its-gay/.)

a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Thursday, 7 December 2017 14:54 (eight years ago)

four months pass...

Such a strange movie. And yes, scary. Like a nightmare. Inability to complete/proceed. the yuppie Exterminating Angel. What's with the motif of the marauding gangs of sinister homosexuals?

flappy bird, Monday, 16 April 2018 04:10 (seven years ago)

love this movie and this scene does a pretty good job of capturing the ~feel~ of a hipster downtown dive back in the 80s

https://www.youtube.com/watch?v=4jzQngGKTP8

velko, Monday, 16 April 2018 04:37 (seven years ago)


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