Cabaret

Message Bookmarked
Bookmark Removed
A movie that i am rewatchig for the umpteenth time and realizng how economical its stagig and acting is , underplyed where it needs to be and overplayed when it needs to be , symbolic , shimmering , writhing and decadent , perhaps the best american movie to come out of the fabled auter driven 70s ?

anthony, Friday, 22 February 2002 01:00 (twenty-four years ago)

What's with the Liza Minnelli obsession? I'm afraid I'm v.shallow and don't like what I have seen of it because Minnelli in a top hat does not float my boat.

N., Friday, 22 February 2002 01:00 (twenty-four years ago)

WHeras Kidman in a top hat = ROWR. Really Nick, you are a strange man.

Cabaret is fanchastic by the way. One of the last last great musicals, almost sensing the demise of its own artform (mirrored by the demise of the Cabaret).

Pete, Friday, 22 February 2002 01:00 (twenty-four years ago)

B-but Kidman is rowr and Minnelli is reeewr. Anyway, I wasn't that keen on Kidman's top hat outfit.

N., Friday, 22 February 2002 01:00 (twenty-four years ago)

great musicals?????

no such thing exists grrrrrrrrrrr

chris, Friday, 22 February 2002 01:00 (twenty-four years ago)

I quite like the film but Liza Minelli dances like a duck.

Jonnie, Friday, 22 February 2002 01:00 (twenty-four years ago)

Thinking about this two of my favorite movies of all time are musicals (namely Umbrellas and Cabaret) and i think it is the begginning of the revival of more introspective , interiot chamber operas that masqeruade as musicals (cf dancer in the dark)

anthony, Friday, 22 February 2002 01:00 (twenty-four years ago)

last great musical oh PSHAW!

I haf not seen:
i. Dancing in the Dark
ii. Moulin Rouge
iii. Buffy musical

I haf seen:
i. Grace of My Heart
All are better than Cabaret (which = OK but really quite silly. Three-in-a-Bed-Sex = Why Germany Embraced Hitler, I think NOT!)

mark s, Friday, 22 February 2002 01:00 (twenty-four years ago)

Three-in-a-Bed-Sex = Why Germany Embraced Hitler

Well that's what I was always taught in History. Is it wrong? Bloody trendy educational methods.

N., Friday, 22 February 2002 01:00 (twenty-four years ago)

I am slowly stewing my theory on the death of the musical which will show that all three musicals named above are not truely musicals in the grand tradition. And Cabaret is certainly better than Moulin Rouge. Whilst I like Dancer In The Dark I do not like its "musical device"(ie these are fantasy sequences in Bjork's head).

I don't consider Grace Of My Heart (which is a great movie) to be a musical as it is a film about songwriting and therefore there is a no fantasy aspect to the playing of the songs. Admittedly this is a theory which needs more development, but what I might call the death of the musical involves Hollywoods lack of confidence of having its characters burst into song for no reason. (Cabaret is already halfwaydown this road of course).

Pete, Friday, 22 February 2002 01:00 (twenty-four years ago)

I liked 'Everybody Says I Love You' a lot and that used the mad-bursting-into-song in quite a traditional way.

N., Friday, 22 February 2002 01:00 (twenty-four years ago)

actually poete these is a very easy way for you to be right (though i think it makes anthony more wrong): cabaret was a stage musical before it was a film musical (which i think is the reason for a lot of the film's weaknesses the usual stuff, "opening up the action" = boring long drives in nice old car through pwitty countryside), whereas all the others are film musicals before they are stage musicals (which they couldn't ever be) (hurrah IMO, but that's perhaps by the by)

i just don't think your "fantasy" angle leads to fruitful speciation: besides, what's the diff between GoYH's music-writer context and Cabaret's Cabaret-context?

mark s, Friday, 22 February 2002 01:00 (twenty-four years ago)

(my fwend ptee the poete)

mark s, Friday, 22 February 2002 01:00 (twenty-four years ago)

poete

I think I preferred ptee.

N., Friday, 22 February 2002 01:00 (twenty-four years ago)

Damn you.

N., Friday, 22 February 2002 01:00 (twenty-four years ago)

ii. rockist hurrah! sho, mark?

Jeff W, Friday, 22 February 2002 01:00 (twenty-four years ago)

he has not seen it = his unqualified approval cannot be rockist QED

mark s, Friday, 22 February 2002 01:00 (twenty-four years ago)

i. Buffy "Once More, With Feeling!" is the greatest thing EVA (it seems weird sayign that when I mean it). The "musical device" makes sense as well.

ii. Moulin Rouge - Haven't seen it, seems like it should be shite, but I heart R+J, so who knows.

iii. Dancer in the Dark = Crap as a musical.

Graham, Friday, 22 February 2002 01:00 (twenty-four years ago)

I never really liked Buffy very much, but that musical made me HATE IT.

sorry Mark

chris, Friday, 22 February 2002 01:00 (twenty-four years ago)

I once put Liza Minelli's fur coat on a hanger for her, when she came to the bar I was working. She said she was "scouting locations". She was very likeable.

fritz, Friday, 22 February 2002 01:00 (twenty-four years ago)

yes, but

http://images.della.com/images-d/catalog/live/10710/product/9/10337 445_m.jpg

N., Friday, 22 February 2002 01:00 (twenty-four years ago)

I don't get it.

Fritz Wollner, Friday, 22 February 2002 01:00 (twenty-four years ago)

See yesterday's instalment of Anthony's

Err..

See yesterday's instalment of Anthony's Minnelli madness

N., Friday, 22 February 2002 01:00 (twenty-four years ago)

I think there are roughly 1000 better American movies from "the fabled auteur driven '70s" than 'Cabaret', which is a v. tame and cosy idea of decadence, really. Is Bob Fosse even an auteur?

Andrew L, Friday, 22 February 2002 01:00 (twenty-four years ago)

I'm loathe to go down that line Mark since it would make the clear difference that cinema adaptations = the one true musical which I don't believe to be the case. Most musicals post 1980 have had at their hearts an explaination as to why their characters burst into song - either within the plot (ie performance, imagination) or as some kind of homage to "the musical" (Love's Labours Lost - where the music adds punctuation but never eally fits the Shakespeare or Everyone Says I Love You where the fact that the cast were not singers/dancers added an artificial level of knowingness).

Moulin Rouge uses the old fashioned rules of the musical, perhaps overdoing it with the update homage. Hedwig and the Angry Inch on the other hand I felt was more like it, lacking the degree of self- consciousness I got in MR. And again (damnit) Hedwig was a stage play first.

I may need to examine this angle further.

Pete, Friday, 22 February 2002 01:00 (twenty-four years ago)

Andrew L is OTM.

Sean, Friday, 22 February 2002 01:00 (twenty-four years ago)

http://www.demon.co.uk/momus/changesvisas.jpeg

Momus, Friday, 22 February 2002 01:00 (twenty-four years ago)

A tenuous justification at best, Momus. I like the 'farewell to New York' bit. It suggests that NYC's demise will be the corollary of Momus's departure. Like the ravens leaving the Tower.

N., Friday, 22 February 2002 01:00 (twenty-four years ago)

Slightly tenuous, yes. But the flyer is rich with allusions. 'Cabaret' is based on two Christopher Isherwood novels, 'Goodbye To Berlin' and 'Mr Norris Changes Trains'. There are references to both on the flyer. The type also refers to David Bowie's "Heroes" album, where he was (arguably) mixing Auden and Isherwood with Schiele and Kirchner -- 'the decadent Englishman abroad' and 'the bohemian Expressionist artist' (with Iggy Pop as the Sally Bowles to his Herr Issyvoo).

Momus, Friday, 22 February 2002 01:00 (twenty-four years ago)

Momus is to allusions as Doug Henning is to illusions.

Col. Fritz, Friday, 22 February 2002 01:00 (twenty-four years ago)

Joel Grey scares the shit out of me.

Ally, Friday, 22 February 2002 01:00 (twenty-four years ago)

*makes 'yackeddy-yack' motion with fingers while Momus talks*

In other news, Molly Fucking Ringwald is Sally in Cabaret here in town.

In other OTHER news, Tiffany is in Playboy sometime soon.

JM, Saturday, 23 February 2002 01:00 (twenty-four years ago)

Pete, I just read (and presented) an article by Richard Dyer for my film theory class about musicals, and it offered a broader take than you apparently have (not sure what exactly you have). Dyer's argument ends up saying that in order to serve their function as entertainment (which Dyer caches out as being about utopia somehow) musicals have to manage the contradictions somehow between, among other things, the narrative and the numbers. He picks out three broad types of musical that correspond to three ways of dealing with these contradictions.

One is the backstage musical, where it's supposed to make sense that they burst into song because there's no bursting, really - the musicals are about people who sing and dance so we just see them singing and dancing sometimes. The second kind keeps the division between narrative and numbers but tries to come up with junk to make the moves between them plausible. The third eliminates the problem by setting the musical in for example a place or time where it's supposed to be more plausible that people naturally burst into song (the innocent past, cozy little towns, etc.).

Now, I don't know anything about musicals, but I got the impression that there are lots of good examples of all three of these - including the second kind, before the death of the musical even. Is this not the case?

Josh, Saturday, 23 February 2002 01:00 (twenty-four years ago)

Yes but Doug Henning is dead, or so he would have us believe.

Kim, Saturday, 23 February 2002 01:00 (twenty-four years ago)

what does molly ringwald look like nowadays?

ethan, Saturday, 23 February 2002 01:00 (twenty-four years ago)

mixing Auden and Isherwood with Schiele and Kirchner -- 'the decadent Englishman abroad'

Sheesh! And there was me just thinking it was a Sting reference.

N., Saturday, 23 February 2002 01:00 (twenty-four years ago)

She looks like Molly Ringwald, only as a moms.

JM, Saturday, 23 February 2002 01:00 (twenty-four years ago)

n other news, Molly Fucking Ringwald is Sally in Cabaret here in town.
Woo hoo, my Molly Ringwald obsession can continue. Now wtF is Ducky?
Oh and what town is this? Dont say London, dont say London and no friggen wammies.

Mr Noodles, Saturday, 23 February 2002 01:00 (twenty-four years ago)

NYC...

JM, Saturday, 23 February 2002 01:00 (twenty-four years ago)

one year passes...
I watched this film last night for the second time in my life. I greatly admire its inventiveness and the way scenes are posed and shot. Am I right in thinking that some of the crowd scenes in the cabaret place are meant to look like actual paintings of the period?

DV (dirtyvicar), Sunday, 15 February 2004 13:44 (twenty-two years ago)

yes
esp. otto dix and george grosz

anthony, Sunday, 15 February 2004 14:39 (twenty-two years ago)

What's weird is that this 1970s film is as coy about homosexuality as Isherwood's late 1930s books are! Read his 'Sally Bowles' (Hogarth 1937) and you'll see what I mean.

NRQ (Enrique), Monday, 16 February 2004 09:26 (twenty-two years ago)

Coy, yes.

I 'was in' an amdram production of this in around 1992 or so. I believe the stage play has 'gay' and 'not gay' versions, of which we did the latter. The version I saw on TV with Jane Horrocks was the former. But not that different.

For the record, the film songs "Money money money" and "Maybe This Time" were not part of the stage play, and would have cost a small fortune to have included (copyright fees blah...)

mark grout (mark grout), Monday, 16 February 2004 11:50 (twenty-two years ago)

eight years pass...

Liza rocking a red headband at TCM screening/Q&A with Joel Grey, Michael York:

http://hollywood-elsewhere.com/2012/04/cabaret_liza_ga.php

World Congress of Itch (Dr Morbius), Friday, 13 April 2012 14:35 (fourteen years ago)

nine months pass...

BluRay out.

saltwater incursion (Dr Morbius), Saturday, 9 February 2013 17:00 (thirteen years ago)

eleven months pass...

Saw this for the first time in years tonight -- splendid print at MoMA -- and it's really amazing how good Minnelli is; even the gestures that hardened into her shtick later seem fresh. "Tomorrow Belongs to Me" gets a little too messagey, then Fosse cuts in Joel Grey grinning.

I forgot how little Helmut Griem is in this -- surely if it had been made 20 years later we'd see maximilian and Brian humping instead of exchanging looks of self-loathing. And Fritz Wepper and especially Marisa Berenson are quite good in the non-decadent skein.

First saw it on network TV in 1975, when "Screw Maximilian" "I do" "So do I" was snipped out.

images of war violence and historical smoking (Dr Morbius), Monday, 3 February 2014 04:32 (twelve years ago)

Christpher Isherwood objected to seeing his creations, Sally Bowles and the other Kit Kat Klub entertainers -- well, mostly Joel Grey -- being so good in a Berlin dive. It seems to me there are 3 solutions to this:

1. it's a representation of how the characters see themselves

2. it's a necessary stylistic dissonance bcz people don't watch musicals with bad performers

3. stfu and enjoy the show

(Fosse did recruit West Berlin musicians and rehearse them until they were "bad in the right way")

images of war violence and historical smoking (Dr Morbius), Monday, 3 February 2014 22:01 (twelve years ago)

I'd seen it a couple of times over the last decade, but couldn't take my eyes off it when it popped up on TCM a few months ago.

330,003 Luftballons (WilliamC), Monday, 3 February 2014 22:47 (twelve years ago)

eleven months pass...

Hey, Joel Grey just came out:
http://www.people.com/article/joel-grey-gay-cabaret

Tove Lo Tove You Baby (jaymc), Wednesday, 28 January 2015 18:39 (eleven years ago)

Modern Maturity doesn't do hot-potato interviews

next: Michael York

touch of a love-starved cobra (Dr Morbius), Wednesday, 28 January 2015 18:46 (eleven years ago)

three years pass...

it's really amazing how good Minnelli is; even the gestures that hardened into her shtick later seem fresh. "Tomorrow Belongs to Me" gets a little too messagey, then Fosse cuts in Joel Grey grinning.

I forgot how little Helmut Griem is in this -- surely if it had been made 20 years later we'd see maximilian and Brian humping instead of exchanging looks of self-loathing. And Fritz Wepper and especially Marisa Berenson are quite good in the non-decadent skein.

this is all otm, was better than I remembered it honestly. Joel Grey is incredible, just alternately creepy as hell and totally hilarious

Οὖτις, Friday, 30 November 2018 16:34 (seven years ago)

one year passes...

Having just seen this for the first time, may I say...holy shit. Floored.

Is it actually and in fact a horror film, or is that simply an artifact of viewing it in this particular political moment?

Ask yoreself: are you're standards too high? (Old Lunch), Sunday, 16 August 2020 02:08 (five years ago)

one year passes...

Hell of a thread, posting iy here for a reason:

My Grandpa Dave told me he was sure he was gay when he was moving into his dorm room freshman year of college and there was a boy “with the prettiest eyes;” after Grandpa passed, I learned from my mother who that boy was. pic.twitter.com/DTYw6sKFmZ

— Sama’an Ashrawi (@SamaanAshrawi) June 5, 2022

Ned Raggett, Monday, 6 June 2022 02:10 (three years ago)

Yeah that's a great story.

a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Monday, 6 June 2022 02:31 (three years ago)

Wow.

Double Elvis on the Dime (James Redd and the Blecchs), Monday, 6 June 2022 02:34 (three years ago)


You must be logged in to post. Please either login here, or if you are not registered, you may register here.