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Need help from Film Lovers (rather urgently)

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I need to write a quick filler page on why Hitchcock was an iconic filmmaker. But my computer is on the blink and the notes I had have disappeared. I need the info for an issue we are closing today.

Film-making is not really my area of expertise so does anyone out there have any views? Obviously in the original I mentioned his use of suspense and his bigger movies. What else should I include?

Thanks in advance movie goers.

― Kellid, Friday, 17 October 2008 08:58 (eighteen years ago)

Black humour. Editing. Iconography. Psychopathology of everyday life. No wasted shots.

― Poll Wall (Noodle Vague), Friday, 17 October 2008 09:03 (eighteen years ago)

People love fat guys

― Carrie Bradshaw Layfield (The stickman from the hilarious 'xkcd' comics), Friday, 17 October 2008 09:08 (eighteen years ago)

Ha, his girth has already been noted and i have included his famous bladder quote.

― Kellid, Friday, 17 October 2008 09:11 (eighteen years ago)

Easily caricatured/drawn including the famous Alfred Hitchcock Presents silhouette and outline. Also his cameos, esp. the one in his last film Family Plot where he appears in silhouette.

― Kevin John Bozelka, Friday, 17 October 2008 09:27 (eighteen years ago)

Attention to on screen detail on a macro level coupled with non-auteur, for the people attitude to entertainment/end product.

― MaresNest, Friday, 17 October 2008 11:13 (eighteen years ago)

Cheers

― Kellid, Friday, 17 October 2008 11:40 (eighteen years ago)

He not only incorporated complex psychoanalytic theory into his filmmaking, but also did so in a way that explored the issues he was employing in his work.

Also (kind of similarly to the first point) he created viewing relations of the film audience on a whole other level (i.e. he made you identify with the voyeuristic psychos, made you aware of it, and made you like it!)

He loved to punish helpless blonde women (supposedly there were lots of reports from several of his leading actresses having felt very uncomfortable around him on set, him who I guess was hitting on them).

No editing, every shot begins and ends as it's filmed (i.e. never wasted shots, e.g. Rope, which was all continuous).

― Their time's limited, hard rocks, too (mehlt), Saturday, 18 October 2008 01:57 (eighteen years ago)

He didn't do the 10 minute take in that many movies. The Psycho shower scene is a slightly famous example of him working the edit. I like the concert scene in the remake of Man Who Knew Too Much, meself.

― Poll Wall (Noodle Vague), Saturday, 18 October 2008 02:02 (eighteen years ago)

Another iconic feature in his films: lack of privacy/safety in the most intimate of settings, and lack of safety/refuge in the most busy, public sphere.

And cameos, I guess.

― Their time's limited, hard rocks, too (mehlt), Saturday, 18 October 2008 02:04 (eighteen years ago)

A distancing idealization of (blond) women, often but not always followed by their symbolic or actual sacrifice at the hands of tormented men.
("Blondes make the best victims. They’re like virgin snow that shows up the bloody footprints.-CBS TV, 20 Feb. 1977, found on Wikiquote)

― Vision, Saturday, 18 October 2008 02:27 (eighteen years ago)

DEFFFFINITELY editing and the rhythm of his cuts.

also shot composition.

― Steve (Not Stevie) (Stevie D), Saturday, 18 October 2008 02:47 (eighteen years ago)

and got his bellybutton surgically removed, too.

― Steve (Not Stevie) (Stevie D), Saturday, 18 October 2008 02:48 (eighteen years ago)

xpost to noodle vague: I don't mean all continuous stuff. But he, to avoid intervention of the studio's editors, shot all his scenes so that nothing was cut, they begin and end where they do.

― Their time's limited, hard rocks, too (mehlt), Saturday, 18 October 2008 03:54 (eighteen years ago)


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