― anthony, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― Mitch Lastnamewithheld, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― duane, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― mark s, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― dave q, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― Billy Dods, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― jel, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― Pete, Sunday, 29 July 2001 00:00 (twenty-four years ago)
The Black Prince - Iris Murdoch
Billy Liar - Keith Waterhouse
The end section of Whit Stillman's Metropolitan is just horribly depressing in a way that few films have managed.
― Nick, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― Geoff, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― nathalie (nathalie), Sunday, 29 July 2001 00:00 (twenty-four years ago)
I agree about the ending to Billy Liar. The ending to Billy Liar On The Moon is good as well, but in a heartbreakingly tragic way.
― jamesmichaelward, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― Tadeusz Suchodolski, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― Joe, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― Tracer Hand, Sunday, 29 July 2001 00:00 (twenty-four years ago)
The ending to the original Planet of the Apes. The ending to the Tim Burton version was just meh.
― Nicole, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― , Sunday, 29 July 2001 00:00 (twenty-four years ago)
― Robin Carmody, Sunday, 29 July 2001 00:00 (twenty-four years ago)
― N. (nickdastoor), Monday, 10 March 2003 02:41 (twenty-three years ago)
― dave k, Monday, 10 March 2003 02:46 (twenty-three years ago)
― Joe (Joe), Monday, 10 March 2003 02:51 (twenty-three years ago)
― Millar (Millar), Monday, 10 March 2003 03:07 (twenty-three years ago)
― ryan, Monday, 10 March 2003 03:08 (twenty-three years ago)
have unstoppable powerhouse endings. In fact, they're so powerful and aggressive they make all the other endings on the playground fear and quake and run away screaming and crying.
Most Terry Gilliam movies have great endings, with exceptions:_Holy Grail_ was kinda limp and I felt cheated by _Brazil_(though I usually have a perverse like of dark, negative endings).
I agree about _The Third Man_, classic, especially how it clarifiedthe movie's title. Welles had to fight hard for that ending.
― Squirrel_Police (Squirrel_Police), Monday, 10 March 2003 05:17 (twenty-three years ago)
Best film endings: "The Treasure of the Sierra Madre" (Walter Huston doing his mentalist laugh), "My Fair Lady" and "Some Like It Hot" (the perfect anti-climactic endings, with one line deflating everything that's come before), "The Apartment" (for some reason this always makes me cry, even though it's hardly a mushy ending), "GoodFellas" (need I say more?), "The Graduate" (so long, idealistic youth! hello, boring married life!), "Apocalypse Now" (I've never understood why everyone mocks Brando's performance in this film - okay, I do understand why, but I still think it works), "Heathers" (maybe it's not as great as the original apocalyptic ending would have been, but I think it works fine), and maybe above all, "City Lights" (I KNEW what was going to happen, and it still somehow surprised me).
― Justyn Dillingham (Justyn Dillingham), Monday, 10 March 2003 08:00 (twenty-three years ago)
― Wintermute (Wintermute), Monday, 10 March 2003 15:36 (twenty-three years ago)
― mark s (mark s), Monday, 10 March 2003 15:38 (twenty-three years ago)
― Martin Skidmore (Martin Skidmore), Monday, 10 March 2003 18:57 (twenty-three years ago)
― Julio Desouza (jdesouza), Monday, 10 March 2003 18:58 (twenty-three years ago)
― oops (Oops), Monday, 10 March 2003 19:02 (twenty-three years ago)
― Justyn Dillingham (Justyn Dillingham), Monday, 10 March 2003 19:03 (twenty-three years ago)