But since we can once again see 20:50 (at the Saatchi gallery), I think we should.http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2010/1/12/1263291537251/oily-reservoir-002.jpg
― Ned Trifle II, Wednesday, 13 January 2010 09:17 (sixteen years ago)
http://www.contemporaryartsociety.org/media/uploads/2008/11/642/20-richard-wilson-jpg.jpg
― Ned Trifle II, Wednesday, 13 January 2010 09:18 (sixteen years ago)
http://farm4.static.flickr.com/3382/3330161021_dc02112261.jpgPhoto by Loopzilla
― Ned Trifle II, Wednesday, 13 January 2010 09:23 (sixteen years ago)
2nd one is baffling
― CATBEAST 7777 (ledge), Wednesday, 13 January 2010 12:08 (sixteen years ago)
All the times I went to Liverpool while the Moorfields installation was there and I never bothered to see it.
(Good thread title!)
― Michael Jones, Wednesday, 13 January 2010 12:09 (sixteen years ago)
I love 20:50. I remember being totally mesmerised by it when I first saw it at the old Saatchi building in Swiss Cottage.
― Daniel Giraffe, Wednesday, 13 January 2010 12:19 (sixteen years ago)
How's the first one done? Is it just highly-polished floor? Awesome picture.
― exploding angel vagina (Scik Mouthy), Wednesday, 13 January 2010 16:45 (sixteen years ago)
^oil
― De que estas hablando? (Tannenbaum Schmidt), Wednesday, 13 January 2010 16:47 (sixteen years ago)
i saw that at the Saatchi gallery and it was indeed deeply extraordinary
― De que estas hablando? (Tannenbaum Schmidt), Wednesday, 13 January 2010 16:48 (sixteen years ago)
wow. good stuff. i don't beliieeeeeeve it. how good it is.
― henri grenouille (Frogman Henry), Wednesday, 13 January 2010 17:06 (sixteen years ago)