Alfred Hitchcock cameo appearances

http://en.wikipedia.org/wiki/List_of_Hitchcock_cameo_appearances

The Birds - Leaving the pet shop with two of his own Sealyham terriers, Geoffrey and Stanley, as Tippi Hedren enters.[3]
Blackmail - Being bothered by a small boy as he reads a book on the London Underground. This cameo is 19 seconds long.
Dial M for Murder - On the left side in the class-reunion photo.
Easy Virtue - Walking past a tennis court carrying a walking stick.
Family Plot - In silhouette through the door of the Registrar of Births and Deaths.
Foreign Correspondent - After Joel McCrea leaves his hotel, wearing a coat and hat and reading a newspaper.
Frenzy - In the center of a crowd, wearing a bowler hat; he is the only one not applauding the speaker; and a minute later, right after the victim washes ashore, standing next to a gray-haired man with a gray beard.
I Confess - Crossing the top of a staircase.
The Lady Vanishes - In Victoria Station, wearing a black coat and smoking a cigarette.
Lifeboat - In the "before" and "after" pictures in the newspaper ad for "Reduco Obesity Slayer".
The Lodger - At a desk in the newsroom.
The Man Who Knew Too Much - Possible cameo walking across the road in a dark trench coat as a bus passes by (unconfirmed).
The Man Who Knew Too Much - Watching acrobats in the Moroccan marketplace (back to the camera).
Marnie - Entering from the left of the hotel corridor after Tippi Hedren passes by.
Mr. & Mrs. Smith - Passing Robert Montgomery in front of his building.
Murder! - Walking past the house where the murder was committed.
North by Northwest - Missing a bus, just after his credit passes off screen during the title sequence.
Notorious - At the big party in Claude Rains's mansion, drinking champagne and then quickly departing.
The Paradine Case - Leaving the train at Cumberland Station, carrying a cello case.
Psycho - Through Janet Leigh's window as she returns to her office, wearing a cowboy hat.
Rear Window - Winding the clock in the songwriter's apartment (Some argue that Hitchcock breaks the fourth wall in this cameo, possibly turning to look at the audience in a "What are you looking at?" sort of manner, but is actually turning to speak (lips move) to Ross Bagdasarian, who clearly turns his head in response).
Rebecca - Walking near the phone booth just after George Sanders makes a call.
Rope - His trademark silhouette can be seen on a red neon sign advertising "Reduco" in the view from the apartment window.
Sabotage - Hitchcock walks on the sidewalk from the center to the (viewer's) left, looking up right after the lights go back on and before the lady shuts the kiosk window.
Saboteur - Standing in front of "Cut Rate Drugs" as the saboteur's car stops.
Shadow of a Doubt - On the train to Santa Rosa, playing cards, back to the camera.
Spellbound - Coming out of an elevator at the Empire Hotel, carrying a violin case and smoking a cigarette.
Stage Fright - Turning to look back at Jane Wyman in her disguise as Marlene Dietrich's maid.
Strangers on a Train - Boarding a train with a double bass as Farley Granger gets off in his hometown.
Suspicion - Mailing a letter at the village postbox (long shot). / Walking a horse across the screen at the hunt meet.
The 39 Steps - The man tossing a white cigarette box while the bus pulls up for Robert Donat and Lucie Mannheim to leave the theatre.
To Catch a Thief - Sitting to the left of Cary Grant on the bus.
Topaz - Being pushed in a wheelchair in the airport. Hitchcock gets up from the chair, shakes hands with a man, and walks off to the right.
Torn Curtain - Sitting in the Hotel d'Angleterre lobby with a baby on his knee. He shifts the child from one knee to the other.
The Trouble with Harry - Seen outside of the window - the man walking past the parked limousine of an old man who is looking at paintings.
Under Capricorn - In the town square during a parade, wearing a blue coat and brown hat. / One of three men on the steps of Government House.
Vertigo - In a grey suit walking in the street with a trumpet case.
The Wrong Man - Seen in silhouette narrating the film's prologue. Donald Spoto's biography says that Hitchcock chose to make an explicit appearance in this film (rather than a cameo) to emphasize that, unlike his other movies, The Wrong Man was a true story about an actual person.
Young and Innocent - Outside the courthouse, holding a camera.

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