1997 - Magic Eye Pictures
― jel, Monday, 13 August 2001 00:00 (twenty-four years ago)
― Nick, Monday, 13 August 2001 00:00 (twenty-four years ago)
I think the war on drugs would have gone a lot better if they'd done posters saying "Kids - Drugs Are As Shit As THIS" and shown a magic eye picture of a dolphin with a grey alien head leaping over a marijuana leaf.
― Tom Maconie, Monday, 13 August 2001 00:00 (twenty-four years ago)
― mark s, Monday, 13 August 2001 00:00 (twenty-four years ago)
― DG, Monday, 13 August 2001 00:00 (twenty-four years ago)
Or they're all talking about who should cop off with who and whether the Strokes are any good.
My guess is that ILE possibly has the fastest growth rate of any Lusenet board, currently.
― Tom, Monday, 13 August 2001 00:00 (twenty-four years ago)
― Richard Tunnicliffe, Monday, 13 August 2001 00:00 (twenty-four years ago)
― Madchen, Monday, 13 August 2001 00:00 (twenty-four years ago)
― the pinefox, Monday, 13 August 2001 00:00 (twenty-four years ago)
― Graham, Monday, 13 August 2001 00:00 (twenty-four years ago)
This all means we'll have to go through the whole Blur Vs Oasis thing again. And I bet they show that clip of Boyzone on the Late, Late Show. One. More. Time.
And Portillo losing his seat in '97. So it won't be all bad.
Have Pogs been mentioned yet?
― David Merryweather, Monday, 13 August 2001 00:00 (twenty-four years ago)
― Bill, Monday, 13 August 2001 00:00 (twenty-four years ago)
Anyone see that programme about penalty shootouts? Fuck me, that was shit. That load of posh twats watching it and then talking about it now - "Yuh, it was the only thing in our lives apart from the royal wedding and Diana's death that brought us all together. It was absolutely vital stuff." - and then the pictures of them all going "Ah, Alan Shearer, you are a God. Come on Southgate-o, et fucking cetera." Obviously serious serious football fans that knew their stuff.
― Greg, Monday, 13 August 2001 00:00 (twenty-four years ago)
― Ned Raggett, Monday, 13 August 2001 00:00 (twenty-four years ago)
Host: So one of you plays an instrument?"BZ: NoHost: But you cansing?No.Alright, can you dance?Not reallyHost: You can't sing, can't dance and no one plays an instrument. Good luck to you. (Or some other "if only he had known then..." type dismissal)
They then proceed to dance very badly to a rubbish backing track.
First time amusing, but gets very dull very quickly.
― nathalie (nathalie), Tuesday, 14 August 2001 00:00 (twenty-four years ago)
― gareth, Tuesday, 14 August 2001 00:00 (twenty-four years ago)
― Greg, Tuesday, 14 August 2001 00:00 (twenty-four years ago)
― Sam, Tuesday, 14 August 2001 00:00 (twenty-four years ago)
― Madchen, Tuesday, 14 August 2001 00:00 (twenty-four years ago)
I reckon they should do another series of the Rock'N'Roll years - similar year themed, bugger we have run out of years concept.
― Pete, Tuesday, 14 August 2001 00:00 (twenty-four years ago)
― DG, Tuesday, 14 August 2001 00:00 (twenty-four years ago)
"'Timelord' was a great record, wasn't it? All those songs about time travel and redemption and space exploration and struggling for impossible love. Wonderful music."
What this might be translated into were he to risk destroying his entire "new career" with one sentence:
"'Timelord', eh? Foony little songs about space travel and stoof but noothing to do wi' Doctor 'Oo. I mean, what was all *that* about? 1993, eh? Eh?"
What he will in fact say, unless it is even less inspired:
"That Oorban 'Ipe record, that were great, it's foony 'ow we were all taking Es and just wanted to act like we were 5. 1992, eh? What *were* we thinking?"
What he will think to himself, 20 more years gone by:
"What was *I* thinking? I knew about and loved music and culture, was aware of its diversity, knew that you couldn't reduce an entire era to a fascistically and oppressively narrow veritable smorgasbord - sorry, I can't unlearn that phrase - of mainstream pop-cultural references as though there was nothing else around. What was *I* thinking? Eh? Eh? Damn myself and everything I bought into!"
He will take the cash, and that Kingston-upon-Thames villa will grow ever greater and more luxurious. The vinyl of "The Poison Boyfriend" will mould, and will end up on a rubbish tip. As an old man, he will wish he still had it around. But he knew why he could no longer reach for it. He had thrown it away in his late 30s because he couldn't say that it was "pure 1987" in the "mainstream" sense of the time, and there was nothing in it that could seem "funny in a dated sort of way". It was, strangely, its creator's least ironic work. Later, the creator would become the true modern master of irony. But this was an informed and intelligent and knowledgeable irony, one not afraid of globalism and long words and interesting ideas and one not inaccessible to those who had never lived in a terraced house in Wigan (or Upminster, or Kingswood, or Sunderland, or Dudley). It was not a narrow, backward irony afraid of thoughts, or ever taking anything seriously, or taking a distanced, objective view, or embracing any really exciting new music. Once equally non-ironic, the creator and the critic had defined for themselves totally different forms of irony: the creator expounded and passionately believed in an irony living in and unafraid of and celebrating the modern world itself, while the critic had retreated into a self- destroying, inward-looking irony, endlessly regurgitating its own private, false, untrue cultural mythology, afraid of all that surrounded it, eventually to chase its tail round once too often and destroy itself.
The old man woke with a start. He thought he'd got back what he wished for after the years of betrayal, but it was not to be. His vinyl copy of "The Poison Boyfriend" had still not returned, and the massive cardboard cutout of Rick Astley got ever greater, ever more overwhelming.
The old man died in a house fire after the Astley cut out went up in flames. Virtually nothing survived apart from a note he had left saying that he hated Alvin Stardust without reservation and desperately wished he could hear "Three Wars" once more before he died. The chance would never come. Nostalgia, in the end, had claimed another casualty.
("In the end it's not the future but the past that'll get us" - Disco Inferno, 1993)
― Robin Carmody, Tuesday, 14 August 2001 00:00 (twenty-four years ago)
― gareth, Wednesday, 15 August 2001 00:00 (twenty-four years ago)
― Robin Carmody, Wednesday, 15 August 2001 00:00 (twenty-four years ago)