If The Little Mermaid renewed the animated musical, by Lion King the rules of the form had been almost empirically determined, and its tendency towards the epic had been productively mined. Where, then, to go next? This is an unfamiliar batch of films for me - I had suddenly, dramatically become Too Old - but my sense is that they alternately stretch and exhaust the formula. Myth, legend and novel take over for fairy tales - even as historical time seems to displace epic time. Operations in style and technique coexist with interchangeable or formulaic content. In 2011, ILX named two of these the #1 and #2 worst Disney films of all time (WORST film of the the official Disney Animated Classics canon) but I know for some people a few of these are all-time favorites. It took a while for historical Mannerism to be recognized as its Own Thing with its own concerns - could something similar be said here?
Our chunks of time are getting shorter, because they just keep putting out more movies - at this point, it's minimum one per year, with the big musical consistently landing in Summer. Pixar films would pop up in November, presumably to gather steam for the Christmas family feel-good times. And of course Pixar is the pink elephant in the room, though not as much as in the upcoming chapters - Toy Story ('95) and its sequel ('99) were monsters, and A Bug's Life ('98) was successful, but they don't push Disney proper from the center of the popular imagination in the way that Finding Nemo, Up and Wall-E would. (The DreamWorks competition, by the way: Antz and Prince of Egypt (both '98); Fox and Bluth give us Anastasia ('97).)
As before, I'm including DisneyToon movies (Goofy, Doug), though they're not in the "canon," and Doug is barely a Disney property at all. Not counted: James and the Giant Peach (Skellington Productions), the Brave Little Toaster sequels (plural!), the Pixar films (Toy Story, Bug's Life, Toy Story 2), and the distribution of Ghibli movies. The last two are significant for our story though: Pixar obviously, and the Ghibli deal was a huge deal for English-language anime fandom, an important indicator of where anime was going in terms of Western pop appeal in the following decade. Princess Mononoke was pretty limited-run (and I don't remember Kiki showing up at all), but these days you can meet people who rank Spirited Away as an all-time favorite but haven't seen any Disney post-2000. As well, we start to see Disney films returning to the dream of a convincingly non-kiddie adventure picture, showing a probable anime influence - or just filling their cups from the Black Cauldron, if you will. More on that next time...
Previously:
Disney animated features: the golden age (1937-42)
Disney animated features: the Mouseketeer years (1950-1959)
Disney animated features: magic on a budget (1961-1973)
Disney animated features: the Gothic period (1977-1988)
Disney animated features: The rappel à l'ordre (1989-1994)
Poll Results
| Option | Votes |
| A Goofy Movie April 7, 1995 | 11 |
| Mulan June 19, 1998 | 11 |
| The Hunchback of Notre Dame June 21, 1996 | 8 |
| Hercules June 27, 1997 | 3 |
| Doug's 1st Movie March 26, 1999 | 2 |
| Tarzan June 18, 1999 | 2 |
| Pocahontas June 23, 1995 | 0 |
― Doctor Casino, Wednesday, 26 March 2014 14:02 (eleven years ago)