Ahhh, the hell with it - let's go right to the end. These may really comprise a couple of separate eras - one with Disney completely sidelined by Pixar and Dreamworks, followed by a 'baby Renaissance' or return to relevance - but they overlap a bit, and the recovery tactics aren't immediately distinguishable from the desperate moves to keep up. Yes, Frozen is the top grosser of all time (with big asterisks: early hits not included, what about inflation) but if you look at the countdown, its company in the top 20 isn't exactly a consistent string of masterpieces, so I think it's fair to bracket all that out and put all these in the same boat.
The biggest story here is the near-complete dominance of CGI; though The Princess and the Frog appeared to be an abrupt about-face, it and Winnie the Pooh seem to have actually been final sputters of what seems to be a dying art form, at least in the West.
The context for these is an absolute glut of inescapable CGI stuff, some of it classic, some of it unbearably hideous. The sheer quantity tells the story of a real shift in the cinema landscape which also parallels the ubiquity of fairly interchangeable live-action films dominated by computer-generate explosions, sets and wreckage. Sticking to children's animated features, we have, from Pixar: the Cars films (2006, 2011), Ratatouille (2007), WALL-E (2008), Up (2009), Toy Story 3 (2009), Brave (2012), and Monsters University (2013). From Dreamworks: the Madagascar films (2005, 2008, 2012), Over the Hedge (2006), Bee Movie (2007), the avalanche of Shrek (2007, 2010, 2011), Kung Fu Panda (2006, 2008), Monsters vs. Aliens (2009), How To Train Your Dragon (2010), Megamind (2010), Rise of the Guardians (2012), The Croods (2013), Turbo (2013), and the Aardman partnership films (2005's Curse of the Were-Rabbit and 2006's Flushed Away, which killed that off). Fox subjected us to three more Ice Age films (2006, 2009, 2012), Robots (2005), Horton Hears A Who! (2008), Rio (2011), and Epic (2013). Sony got into the game with Open Season (2006), Surf's Up (2007), Cloudy With A Chance of Meatballs and sequel (2009, 2013), The Smurfs and sequel (2011, 2013), Arthur Christmas (2011), The Pirates! Band of Misfits (2012), and Hotel Transylvania (2012). Warner Brothers was behind Happy Feet and sequel (2006, 2011) and Legend of the Guardians: The Owls of Ga'Hoole (2010). Newcomer Illumination Entertainment scored big with Despicable Me and its sequel (2010, 2013), Hop (2011), and The Lorax (2012). Not to mention such miscellany as Rango (2011), The Ant Bully (2006), (2010), and Arthur and the Invisibles (2006). Slightly further from pure kiddie-land, of course, there were things like A Scanner Darkly, The Simpsons Movie, TMNT, The Secret of Kells, 9, The Adventures of Tintin, Waltz With Bashir, an increasing range of anime being screened outside of Asia, etc., etc... but I've gone on long enough as it is. You get the idea.
Not included: films which got only limited or single-country releases (Bambi II, the sequels to Tinker Bell), were by non-Disney studios (Valiant, The Wild, the Ghibli films, A Christmas Carol, Mars Needs Moms, etc.) or both (Roadside Romeo).
Poll Results
| Option | Votes |
| Wreck-It Ralph November 2, 2012 | 14 |
| The Princess and the Frog December 11, 2009 | 9 |
| Frozen November 27, 2013 | 6 |
| Tangled November 24, 2010 | 6 |
| Tinker Bell September 18, 2008 | 3 |
| Bolt November 28, 2008 | 1 |
| Winnie the Pooh July 15, 2011 | 1 |
| Meet the Robinsons March 30, 2007 | 0 |
| Planes August 9, 2013 | 0 |
| Chicken Little November 4, 2005 | 0 |
― Doctor Casino, Sunday, 27 April 2014 18:43 (eleven years ago)