Indie acts doing covers of pop/rap/RnB songs: Classic or Dud?

Re:Covered has to take the blame for this, though, instead of providing us with something we actually want to hear, it's a case of "Hey, look at this!". I mean, it rarely works the other way round, Mis-Teeq don't do Wedding Present covers, do they?

Fountains of Wayne's "Baby One More Time" is better than the original, though. FACT.

But if they did, they'd do them brilliantly... I can hear them covering My Favourite Dress - Alesha chatting about Armani, Gucci and Prada - in my head now

Anyway, who cares about the intent or the "sincerity" of these? The pleasures in this sub-genre are few, and probably all of the good ones are good despite themselves.

Also, uh, mashups.

The question of sincerity comes in in that it ends the performances an air of smarminess, which really isn't appealing in these cases. Dom posted while I was posted--quite honestly, I don't think most of the covers in question were done well. Admittedly I didn't hear Beck's one that I singled out, but Beck makes me want to break things.

Dude, this is a whole new thread, what pop/rap acts should cover what indie songs. That could turn particularly ridiculous.

But Alex (and maybe because it's "80s" you forgive it), on some other thread once you said you liked Lords of the New Church's Madonna cover! (Which to me just oozes smarm and grossness and sounded completely OBVIOUS even back then.)

The thing is, it's really difficult to make fun of something that is so much better than you, and that's what I think these acts are doing. The songs in question are so superior to the recent singles by these artists that it just isn't even funny.

Yeah, but my point is that such stunts are NOW DATED! I loved the Lords' cover, but y'know.....that was eons ago. I also liked the Wedding Present's cover of Tom Jones' "It's Not Unusual," but also....ancient!

pop, but i just googled her and her website is called 'sophie b hawkins underground' so i dunno! but yeah, 'damn i wish i was yr lover' was a hit, and a great song

Also, I'm not so sure that a lot of the great early Stones' covers of r&b and blues tracks are completely smarm-free. Some of them seem exaggerated almost to the point of parody--"Down Home Girl," especially. But for whatever reasons, most of them still work.

Straight to the point - I'm with you Ally!

Just as a side issue, great indie covers that I love are Dinosaur Jr's Cover of The Cure's Just Like Heaven and Snuff's version of I Think We're Alone Now. Put them against Travis, Coldplay, Beck... there's no comparison - and before anyone says it, I know both were ironic and that Snuff were pretty dreadful, but they were an amazing covers band...

Mind you, Johnny Cash covering "Hurt" or Depeche Mode or whatever pop that Rick Rubin can convince him to play is some interesting, but if someone covers Nelly, then they must be pandering.

Never mind that The Big Boys played Kool in the Gang, Urge Overkill did a Hot Chocolate cover, fIREHOSE covered Public Enemy, and Sonic Youth even did an entire record as an oddball tribute to Madonna, those must just be pandering.

It is not like the pop artists need credibility to sell records when they can just take off more clothes or do a soda ad or shoot someone.

It is only a song.

No, I definitely agree, it's just that the examples in question are not examples of such a phenomenon. The Jolene cover is good, I reckon.

that was pandering smarm which sonic youth are very good at, even tho I like 'em...

Covering a pop song 'ironically' (if/when that's whats happening) is a cop-out, a safe way of admitting to yourself and your fans that the song has had an impact on you but then neutering that impact instead of exploring it. Travis doing BOMT is saying "Hey beneath the pop veneer is a proper song" but their version done Travis-style then HAS to be leaden because otherwise it'd risk sounding better than Travis own songs, and part of the point is (maybe?) to prove that Travis' craftsmanship is better than Max Martin's.

It ties in with the question on that huge long thread Simon Reynolds' site linked to, about 'indie' not wanting to draw on 'black' music anymore. Cos the real question behind both of these is - how do you operate in a 50-year tradition where the music you make is very unlikely to be as good (in YOUR opinion, the audience likes it just fine) as the music you like? (Sampling is one answer) Converting pop songs into second-rate B sides is a way of positioning yourself on the heirarchy - if these pop songs were REALLY any good they'd shine through our versioning, right?

How much does our getting annoyed with covers of pop depend on our experiencing the originals as pop? If Coldplay covered the Crystals I wouldn't give half as much a fuck as if they covered B*Witched.

At the risk of jumping to the other side, I have to say I really agree with this. It reminds me a little of working in a record store in the late '80s and being disgusted when some "punks" (I think that's what they were called back then) came in the store and started mockingly dancing around to the Michael Jackson we were playing in the store. But (later on) I considered the possibility that they were actually tapping into something that maybe they subconsciously really ENJOYED but would never admit to. Well, it was a theory, sort of.

Haha, that's not risking jumping, that is jumping! Anyway yr theory is OTM. There's no such thing as liking things ironically, I reckon. It's just a safe way to like things without getting made fun of by your friends.

At best it's pandering. Though I'm sure there are some worthy exceptions.

There is an ironic way to say you like things though. Another subject, but you only need to look at the way dancehall has become "fashionable" in trendy, ironic London circles - this really ticks me off as I genuinely love it and always have done... these tossers essentially denegrating it is little short of infuriating

What???

A disappointing first port of call. Perhaps it doesn't exist. But maybe, just maybe, if we believe hard enough, it will exist...

One of the worst worst cover is Speedway's Genie In a bottle. Speedway are the most unnecessary band ever?

There are certain such covers that can work. Personally, I think it comes down to whether there's real affection for the song. And yes, I think you can hear the difference.

Agreed, it is ace. Also see The Blankket's cover of 'Hey Ya!' which I still haven't hyped enough.

-- stevem"

Yes, yes it was.

B-but "Baby One More Time" is all about the arrangement....and the melody....and the beat....and the production....and the performance. Oh fuck it, it was perfect and Travis shouldn't have gone near it with their shit stick.

My point: when a country voice sings gangsta-rap lyrics, you realize that the two worlds and attitudes aren't too far apart. That's just truth, without irony. By the way, mega-pop artists should start cherrypicking through the crates of great punk compositions. Just imagine:

Britney Spears covering Bad Brain's "i against i".
Usher singing "Swallow My Pride" by the Ramones.
Gwen Stefani doing "Straight to Hell" by The Clash.

Alright. I'm dreaming again.

The Gourds.

Britney Spears covering Bad Brain's "i against i".

Even after her yawnsome take on "Satisfaction"?

What a twist!

bonnie prince billy's live vers. of "ignition" by r. kelly was pretty great.

had NPR on while taking a shower the other week and this came on. as he started to introduce it i was like "is he really going to?" which turned into "dude, no, i know this is coming from a genuine place but you can still turn back..."

https://www.youtube.com/watch?v=99ATOTj2xVM

it's definitely worse with video.

this is prob about as bad as pop culture gets

holy shit

omg

The video you posted is private, so I can't see it... What is it?

yeah i can't see it either..

Make that three of us.

it's Chris Thile covering Kendrick Lamar's "Alright" on mandolin, substituting "brother" for the n-word. it is the most cringeworthy thing imaginable.

oh god I actually like Thile / Punch Brothers in general but there's no way in hell I'm listening to that

dang, it was public yesterday. maybe they read ilx. here's audio.

not any more, this cover-up goes deeper than we thought

Not listening to this, let alone watching it.

haha. how about this? http://prairiehome.publicradio.org/listen/?date=2016/02/06&identifier=apm_audio:/phc/segments/2016/02/06/phc_segment_12_20160206_128.mp3

Had press tix and saw Chris Thile host and play his Live from Here radio show yesterday. He named off folks having birthdays this week and covered their songs with a big band . Sarah Jarosz sang & he played mandolin on Labelle “ Lady Marmalade,” and Dylan “Twist of Fate.” They also did Miles Davis “So What.” Non-birthday cover of Vampire Weekend

https://www.youtube.com/watch?v=xwHNeDwp77g

Dud

https://www.youtube.com/watch?v=6I0zbAQbl2o

Dethroned Halloween, Alaska's "I Can't Live Without My Radio" for favorite track in this theme.

The "Jesus, take the wheel" line is such a mournful hook that's an aside in the original Thundercat track: https://www.youtube.com/watch?v=e8TdgBWEOP8