Nicolas Jaar: I was a Teenage Villalobos

mostly agree with matt xp. time for us is the best thing he's done by a mile i think. i would really really like to hear him work with a good vocalist. think i read an interview where he said as much also. maybe he does on some of the forthcoming stuff? not that the slo-mo treated thing can't work too... like marks/angles isn't amazing overall, but it seems like he's starting to get the vocals to mesh with the production in interesting ways.

and will he further explore marksist politics in dance music?

I think he sounds like Matias Aguayo, even thought it was him at first. He has some better ideas than him from time to time but I'll agree with karl: he should abstain from vocal duties.

Just listened to his Live At The Bunker podcast (WLP087) in the gym - more propulsive than the RA one; doing lots of the same layering and building tricks but not quite as show-offily (or maybe just in a less developed way, since it's so much older)

Album dropping in February:

http://www.residentadvisor.net/news.aspx?id=12795

I am listening to it now (NB I have basically learned everything about him from this thread!), so far it's great and completely unconcerned by ~the dancefloor~ - there are a lot of moody pianos and a track that was like idk Barry Adamson crossed with microhouse or somesuch - I'm not really one for overstating the weather-appropriateness of music but 8am in a REALLY cold December is kind of where this is at I think

his beats in space is now up

completely unconcerned by ~the dancefloor~

I dunno, some people might consider this not necessarily a plus in house music.

oh clearly! NB a good chunk of it I would probly not describe as 'house music', also this is based on one listen on computer speakers lol

might have the chance to interview this fella soon. anyone got any questions for him?

you can stream his album here : http://maouris.co.uk/music-detail.php?c=cccd009-space-is-only-noise

can any jazz heads tell me what his edit "mini calcutta" is an edit of?

https://www.youtube.com/watch?v=rZ_X9uTLHxo

Think it's dave Brubeck - Calcutta blues

Pro tip: the Ines compilation on his label is like a much superior version of his album, on the same micro-downbeat tip. Really beautiful stuff.

just sayin' thanks! x

O really? Love that comp but disappointed to hear the album's not as good xpost
No prob jed_!

another sample req (and this one has been driving me crazy) there's a kind of vocal whoop + crowd noise/talking in the background of "Time for Us" which i recognise. initially i thought it was from Marvin Gaye's "got to give it up" but no. anyone know the source of the "whoop!"?

http://soundcloud.com/nicolas-jaar/nicolas-jaar-time-for-us

O really? Love that comp but disappointed to hear the album's not as good xpost

The album's even more supine and feels flabbier, less consistently interesting sample choices too.

Anybody listen to the mix he did for Time Out New York? Quite possibly one of the sexiest mixes ever.

http://soundcloud.com/timeoutnewyork/nicolas-jaar-mix

(You guys know how to download "undownloadable" Soundcloud files, right?)

no

offliberty.com

view source, a do a find for

streamUrl":"http://media.soundcloud.com/stream/

then copy and paste everything inside the double quotes starting with http://media.soundcloud.com/stream/

in this case that's http://media.soundcloud.com/stream/iMHd65pdtNPy?stream_token=ktNzd

thanks. that mix is great!

think i'll go hear and *look at* him in glasgow at the end of this month.

ta Tracer!

absolutely <3 this. stunner.

https://www.youtube.com/watch?v=Th33wxpla5s

Yes! That's my favourite Jaar moment i think. When the horns come in!

Jaar at his most ethnodelic reminds me a lot of Lhasa's 'The Living Road' album (I think he also included a Lhasa track on his resident advisor podcast).

i really liked his resident advisor podcast

v. elegant

...almost too elegant though? (in the case of his album at least). I appreciate what he's doing, but the LP... There's a fair bit going on, but not a lot to get your teeth into. It's almost an ambient record, with few beats going much higher than 110bpm. Think I need to give it a few more listens.

im into that

like recently i almost started a thread asking for more things like this w/o having this as an eg.

i feel like its one of those records where the beats jack as hard as you want them to

Ines comp is a better version of it though.

what is that?

Compilation of tracks released on Jaar's Clown & Sunset label.

Has some other artists on there as well as Jaar but it's all in that slightly glitchy percussive ethnodelic style.

xposts Yes I'm all for it too - certainly not a bad thing. It's almost becoming the norm for hotly-tipped dance acts releasing very restrained and non-dancey debut LPs at the moment. James Blake, Darkstar and now this. Aeroplane's album kind of tried (and failed) at doing an album that deviated from expectations. That said, I guess it was a bit more predictable with Jaar, but I'd have liked an album of El Bandido-style stuff.

A lot of the acts on Clown & Sunset are younger than Jaar himself.

The Ines album is great and despite it being a comp it feels very much of a piece. Jaar's tracks are great but they don't even stand out as being the best things on the record.

A lot of the acts on Clown & Sunset are younger than Jaar himself.

there are only three artists on the label iirc? but yes, both are younger than Jaar.

okay im into this

lol wtf is phillip sherburnes deal in this RA interview my god

what's a good representative track from this dude?

idk if its representative but Wouh is the one slaying me atm

the one that first blew me away was "marks"

https://www.youtube.com/watch?v=64pJZyC-r_k

I guess Time For Us is a good representative track, if not his most popular? It also manages to capture both his up and downtempo sounds in the same song. That's and it's just really great.

it is! feeling the love you gotta lose ep the most in gen. tho

I remain resolutely un-blown away by most of this. It all feels a bit bloodless, museum-y.

I think my favourite thing he's done (other than El Bandido) is Shakedown, which isn't really anything like his more recent output, but great fun disco-edity stuff.

yah i mean i wouldnt say im "blown away" by any of it (also i had listened to his disco edits a few months ago and found them really unfun for disco edits) but i do really like his sound a lot while getting that it might be a little "subtle" for some ppl.

Matt's had his nerves shredded by years of bangin bass; it's understandable

https://nicolasjaar.bandcamp.com/album/archivos-de-radio-piedras

2 hours of new music + 1.5 hour radio play. Sounded good on a first listen...

oh hell yeah

I just yelled out YES when I read that and freaked out my partner

That is an irresponsible amount of music

This is pretty damn awesome, at least the musical bits. There's a really good 60 minute album of sick experimental cumbia Nico style here, but the whole thing flows pretty well for such a long play

Loved the Radio Piedras release.

Darkside just released a single track: https://darkside.bandcamp.com/track/graucha-max

Which prompted me to check out Live at Spiral House (mentioned upthread) and holy shit that's awesome

I'm finding the Piedras material more digestible when broken up like this (I'd already made a playlist of just these tracks, but I guess the ordering is better here, too, or maybe I'm just more receptive to it right now): https://pitchfork.com/reviews/albums/nicolas-jaar-piedras-1-2/

Ok just catching up but this Piedras release is fantastic.

I feel like... these are basically the album he should have made from the get-go?