― Broheems (diamond), Tuesday, 18 May 2004 17:37 (twenty-two years ago)
South Side Of the SkyGoing For The OneRitual (!!)OOALHLong Distance RunaroundSoon
― Jay Vee (Manon_70), Tuesday, 18 May 2004 17:57 (twenty-two years ago)
― Jordan (Jordan), Tuesday, 18 May 2004 18:01 (twenty-two years ago)
― Jay Vee (Manon_70), Tuesday, 18 May 2004 18:02 (twenty-two years ago)
― Broheems (diamond), Tuesday, 18 May 2004 18:04 (twenty-two years ago)
― Jay Vee (Manon_70), Tuesday, 18 May 2004 18:08 (twenty-two years ago)
― 57 7th (calstars), Tuesday, 18 May 2004 18:14 (twenty-two years ago)
― Jay Vee (Manon_70), Tuesday, 18 May 2004 18:17 (twenty-two years ago)
Vitalski: It's an obvious answer but do you have Yes' Fragile? The second side is a goldmine. Side 2 opens with the first drum and bass track evah! Also check out the intro to "Heart of the Sunrise" and "The Fish" and the basslines to "Long Distance Runaround" and "Roundabout". Neil Peart is another obvious choice.
I find Inner Mounting Flame more or less unlistenable once I got past how virtuosic it is.
― sundar subramanian (sundar), Tuesday, 18 May 2004 18:23 (twenty-two years ago)
― Jordan (Jordan), Tuesday, 18 May 2004 18:25 (twenty-two years ago)
― sundar subramanian (sundar), Tuesday, 18 May 2004 18:31 (twenty-two years ago)
― sundar subramanian (sundar), Tuesday, 18 May 2004 18:40 (twenty-two years ago)
Return to Forever (w/diMeola), for ex., sounds more like emotionless showmanship to me. Fun in some ways, in no way deep like Mahavishnu.
― Jordan (Jordan), Tuesday, 18 May 2004 18:40 (twenty-two years ago)
I saw them in Lowell at the Paul Tsongas Arena last weekend (the last gig of this leg of their tour; I think the one right after MSG), which they were videotaping I believe for a PBS special and later a DVD release. They played The Beatles' "Every Little Thing" (an early cover of theirs, but very much revamped) as an encore instead of "Soon", plus "Starship Trooper" as the final closer. Great versions of "And You and I", "Ritual", "Turn of the Century"...
Minuses: They did a shuffle-blues acoustic version of "Roundabout" (like Clapton did for "Layla" on his Unplugged)--sounds too cheezy to me. Dean's inflatable set looked very (ahem) Stonehenge like.
That aside, I continue to be amazed at what a great show these guys still put on, since they're all like 55-60 years old. Plus, the a/c that night was non-existent, so it was like 85-90 degrees on stage the entire time for them.
― Joe (Joe), Tuesday, 18 May 2004 21:09 (twenty-two years ago)
― Joe (Joe), Tuesday, 18 May 2004 21:10 (twenty-two years ago)
― chaki_burger (chaki), Friday, 21 May 2004 00:25 (twenty-two years ago)
― Bryan (Bryan), Saturday, 22 May 2004 19:01 (twenty-two years ago)
― Bryan (Bryan), Saturday, 22 May 2004 19:05 (twenty-two years ago)
it actually exists. it's actually pretty good.
― (Jon L), Monday, 24 May 2004 17:04 (twenty-two years ago)
― earlnash, Monday, 24 May 2004 17:12 (twenty-two years ago)
― chaki_burger (chaki), Monday, 24 May 2004 21:39 (twenty-two years ago)
Area/Demetrio Stratos: C or D
― Joe (Joe), Tuesday, 25 May 2004 01:01 (twenty-two years ago)
Rustic Hinge's [recorded 1970, not released until '88, former Arthur Brown sidemen, almost certainly the first Trout Mask Replica-disciples] is excellent but you'll probably never find it. ― Myonga Von Bontee (Myonga Von Bontee), Tuesday, 25 May 2004 06:13 (twenty-two years ago)
― Myonga Von Bontee (Myonga Von Bontee), Tuesday, 25 May 2004 06:13 (twenty-two years ago)
― Myonga Von Bontee (Myonga Von Bontee), Tuesday, 25 May 2004 06:25 (twenty-two years ago)
― Marco Damiani (Marco D.), Tuesday, 25 May 2004 06:31 (twenty-two years ago)
Prog that rocks...
Alan Parsons Project "Stereotomy" (leans towards pop)Alan Parsons "Try Anything Once" (absolute rock masterpiece)
― jigue (jigue), Tuesday, 25 May 2004 11:34 (twenty-two years ago)
― Pashmina (Pashmina), Tuesday, 25 May 2004 11:41 (twenty-two years ago)
― mark e (mark e), Tuesday, 25 May 2004 12:58 (twenty-two years ago)
― doug watson (solid air), Tuesday, 25 May 2004 16:09 (twenty-two years ago)
Anyone watching the prog rock BBC archive footage, followed by documentary this evening?
― Neil S, Friday, 2 January 2009 20:54 (seventeen years ago)
answer to original poster's question -- Triode On n'a pas fini d'avoir tout vu (with proto-disco flutes!). it played between almost every outside set at terrastock in june and had people a little wiggly
― kamerad, Friday, 2 January 2009 20:56 (seventeen years ago)
Stuck this on in the background, we're gonna probably play Scrabble
― REMOVE THEIR EARS (country matters), Friday, 2 January 2009 21:01 (seventeen years ago)
Nice barnet, Moody Blues frontman.
― Neil S, Friday, 2 January 2009 21:06 (seventeen years ago)
Hardcore flute action, yes it's the Tull!
― Neil S, Friday, 2 January 2009 21:10 (seventeen years ago)
Wishbone Ash sound like Polvo!
― Neil S, Friday, 2 January 2009 21:14 (seventeen years ago)
But look like Creme Brulee.
― Neil S, Friday, 2 January 2009 21:15 (seventeen years ago)
Hang on, I didn't think any of this kicked off till 10pm? For fuck's sake.
― Special topics: Disco, The Common Market (grimly fiendish), Friday, 2 January 2009 21:19 (seventeen years ago)
An hour of archive footage with what seem to be Steve Wright penned glib captions, followed by the docu, in which Rick Wakeman will no doubt be aloowed to drone on.
Pretty entertaining so far though!
― Neil S, Friday, 2 January 2009 21:21 (seventeen years ago)
Ah, right. Bugger, missing the archive footage, then (and still up to eyes with work and reluctanct to give up just yet. Tits).
― Special topics: Disco, The Common Market (grimly fiendish), Friday, 2 January 2009 21:25 (seventeen years ago)
:-( sorry! First capes sighted too...
― Neil S, Friday, 2 January 2009 21:27 (seventeen years ago)
have any of these put in in an appearance on the archive footing of the show
John Peel / Alan Freeman / Tommy Vance
― djmartian, Friday, 2 January 2009 21:29 (seventeen years ago)
...and whispering Bob Harris
― djmartian, Friday, 2 January 2009 21:30 (seventeen years ago)
Not yet, but Jimmy Saville did one of the intros.
― Neil S, Friday, 2 January 2009 21:30 (seventeen years ago)
Hmmm Emerson Lake & Palmer suck the big one, sadly.
― Neil S, Friday, 2 January 2009 21:34 (seventeen years ago)
Soft Machine a lot better!
― Neil S, Friday, 2 January 2009 21:41 (seventeen years ago)
lol Bob Harris!
― Neil S, Friday, 2 January 2009 21:43 (seventeen years ago)
does Bob Harris look like a long haired hippy?
― djmartian, Friday, 2 January 2009 21:47 (seventeen years ago)
love Caravan.
― get that pion down you son (Frogman Henry), Friday, 2 January 2009 21:49 (seventeen years ago)
i bet Comus are too obscure for this program
any sign of the van der graaf generator yet?
― djmartian, Friday, 2 January 2009 21:51 (seventeen years ago)
Harris looking well groomed. Genesis now, I think.
― Neil S, Friday, 2 January 2009 21:53 (seventeen years ago)
I don't know who was doing the Annie Haslam role (admittedly I thought it *was* her at first but then realized Annie has got to be in her mid-70s by now) but she couldn't really hit those high notes
from the short clips i've seen on social media, i think that's Jane Weaver
― Angine de Postecogloutrine (NickB), Sunday, 26 July 2026 22:01 (two months ago)
Speaking of ELP--haven't brought myself to listen to this yet, but backstory is kind of appealing---Poland and Amsterdam maaaan:
GATES OF KIEV: Dutch Progressive Rock Trio To Release Eponymous Debut LP On The Laser’s Edge October 2nd; “Hamlet Burns” Single And Preorders PostedLeading prog rock label The Laser’s Edge welcomes Dutch trio GATES OF KIEV for the release of their eponymous debut LP, today unveiling its cover art, track listing, preorders, and lead preview with the song “Hamlet Burns.” GATES OF KIEV is a progressive rock band founded in the Netherlands by childhood friends, organist Tomas Mesman and drummer Hessel Braat. The band’s origins trace back to their teenage years, when a shared passion for classic and vintage music brought them together. What began as informal late night hard rock sessions in a small garage gradually evolved into the musical foundation that defines the band today. While performing on the Amsterdam live music circuit, the duo met Eszl De Vois, an established bass player in the underground psychedelic scene whose passion for unconventional jazz fit the band like a glove. Heavily inspired by Emerson, Lake & Palmer, the band adopted the name GATES OF KIEV, taken from the iconic piece featured on the EL&P live album Pictures At An Exhibition. Taking further inspiration from the modern local garage and punk scene as well as the early years of ‘70s prog bands, GATES OF KIEV’s live shows have evolved into loud, high energy, over-the-top, intense performances. The band’s songs are long and mostly instrumental, and the sparse lyrics they infuse into the music reflect both very personal struggles as societal topics, delivered in a whimsical and sometimes direct way. The dynamics and atmosphere within the instrumental parts are closely tied to the themes of the songs, trying to set a story without words. The band’s debut album Gates Of Kiev presents forty minutes of incredibly dynamic and immediately engaging music delivered through four sprawling songs. Recorded by GATES OF KIEV, the album was mixed and mastered by White Willow’s Jacob Holm-Lupo in Norway and completed with cover art courtesy of Italian heavy psych illustrator Mont Doom. The lead preview of the album arrives with the song “Hamlet Burns,” about which drummer Hessel Braat, “‘Hamlet Burns’ is a dramatic, ecstatic song inspired by the scenery of barren fields in Dutch Winter. The music and lyrics follow a journey of loss, deep experience and transformation. Almost as if portraying the unfolding of destiny within a human life.”
Leading prog rock label The Laser’s Edge welcomes Dutch trio GATES OF KIEV for the release of their eponymous debut LP, today unveiling its cover art, track listing, preorders, and lead preview with the song “Hamlet Burns.”
GATES OF KIEV is a progressive rock band founded in the Netherlands by childhood friends, organist Tomas Mesman and drummer Hessel Braat. The band’s origins trace back to their teenage years, when a shared passion for classic and vintage music brought them together. What began as informal late night hard rock sessions in a small garage gradually evolved into the musical foundation that defines the band today. While performing on the Amsterdam live music circuit, the duo met Eszl De Vois, an established bass player in the underground psychedelic scene whose passion for unconventional jazz fit the band like a glove.
Heavily inspired by Emerson, Lake & Palmer, the band adopted the name GATES OF KIEV, taken from the iconic piece featured on the EL&P live album Pictures At An Exhibition. Taking further inspiration from the modern local garage and punk scene as well as the early years of ‘70s prog bands, GATES OF KIEV’s live shows have evolved into loud, high energy, over-the-top, intense performances. The band’s songs are long and mostly instrumental, and the sparse lyrics they infuse into the music reflect both very personal struggles as societal topics, delivered in a whimsical and sometimes direct way. The dynamics and atmosphere within the instrumental parts are closely tied to the themes of the songs, trying to set a story without words.
The band’s debut album Gates Of Kiev presents forty minutes of incredibly dynamic and immediately engaging music delivered through four sprawling songs. Recorded by GATES OF KIEV, the album was mixed and mastered by White Willow’s Jacob Holm-Lupo in Norway and completed with cover art courtesy of Italian heavy psych illustrator Mont Doom.
The lead preview of the album arrives with the song “Hamlet Burns,” about which drummer Hessel Braat, “‘Hamlet Burns’ is a dramatic, ecstatic song inspired by the scenery of barren fields in Dutch Winter. The music and lyrics follow a journey of loss, deep experience and transformation. Almost as if portraying the unfolding of destiny within a human life.”
also cool band pic:https://mail.google.com/mail/u/0/#inbox/FMfcgzQhVXGPhbhssJpslzDmnjXxwlbg?projector=1
― dow, Monday, 27 July 2026 23:03 (two months ago)
Wait, why did I think Poland was in there too? Sorry, too much Amsterdam today.
― dow, Monday, 27 July 2026 23:05 (two months ago)
I wish I cared about ELP but, Lucky Man aside, I have never warmed to them. and I've tried
― I? not I! He! He! HIM! (akm), Monday, 27 July 2026 23:13 (two months ago)
Props for using the Eloy font
― mime is money (bastard) (Matt #2), Monday, 27 July 2026 23:27 (two months ago)
hah, I think I actually heard of these guys through another prog community, they posted a couple live videos which I thought sounded good. "Drunkenship of the Mice" was a pretty crazy tune. I'm glad these newer prog bands are actually starting to rock again.
― frogbs, Tuesday, 28 July 2026 14:10 (two months ago)
Been listening to the Supersister compilation M.A.N. Memories Are New and I'm really glad I wanted to be completist about this band. It's mostly songs that aren't on any of the albums, "Wine Melody" was worth the price of admission and the live versions never feel like a waste because they always added new tangents (often humorous) and they have a great energy.
I need to check out the bands Stips was in after Supersister and before Nits.
― Robert Adam Gilmour, Friday, January 26, 2024 9:14 PM (two years ago)
I honestly think this compilation is better than their studio albums, so much beautiful stuff on it. "Workman's Song" is about a guy fantasizing about killing people with his tools and its probably made to sound like a singer from a 70s variety show. It's brilliantly done. There's a few dutch language songs (I don't think they did this on the albums?) so I have no idea what they're laughing about on the last track, they can just barely hold it together.
― Robert Adam Gilmour, Tuesday, 25 August 2026 21:29 (one month ago)
https://www.youtube.com/watch?v=RXssLdHhxIo
― Maresn3st, Wednesday, 26 August 2026 18:04 (one month ago)
That's really good, thanks
― Robert Adam Gilmour, Wednesday, 26 August 2026 18:37 (one month ago)
this is some great new prog from brazil
https://papangu.bandcamp.com/album/celestial
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Wednesday, 26 August 2026 20:09 (one month ago)
^^ very otm, it's an awesome album. definitely restores the feeling.
― mobb derp (voodoo chili), Wednesday, 26 August 2026 20:18 (one month ago)
Cover art is great too, never seen Juliana Lapa before
― Robert Adam Gilmour, Wednesday, 26 August 2026 20:37 (one month ago)
https://www.youtube.com/watch?v=wugUR0oszgk
― Maresn3st, Monday, 31 August 2026 09:02 (one month ago)
never heard of these guys but that sounds great
― frogbs, Monday, 31 August 2026 12:55 (one month ago)
I'm thinking that Germanofon bootlegged some Iceberg albums in the 90s, which is why I thought they were a German band. TIL they're from Spain.
― sawdust lagoon, Monday, 31 August 2026 17:25 (one month ago)
I thought they were Italian based solely on how they sound
― frogbs, Monday, 31 August 2026 17:47 (one month ago)
Probably too basic for the type of prog usually discussed itt, but surprised by how much I'm enjoying the new Steve Hackett/Steve Rothery instrumental album.
― better than ezra collective soul asylum (jon /via/ chi 2.0), Thursday, 24 September 2026 17:15 (three weeks ago)
Reading off the lineup at a prog rock festival pic.twitter.com/HEWszI5uQg— 𝖓𝖎𝖓𝖊 🕯 (@atlanticesque) October 5, 2026
― The Deer-Smellers of Haunted Mountain (President Keyes), Tuesday, 6 October 2026 17:31 (two weeks ago)
lmao amazing
"The Cancer Guarantee"
― Lavator Shemmelpennick, Tuesday, 6 October 2026 18:52 (two weeks ago)
Awesome
― sawdust lagoon, Tuesday, 6 October 2026 20:02 (two weeks ago)