i really have no idea what to make of this album, like even whether i'm enjoying it or not
― flamenco drop (lex pretend), Wednesday, 27 March 2013 20:53 (thirteen years ago)
i feel like i'm on the brink of being completely YESSSSS THIS IS RESONATING DEEPLY WITH ME but i can't...quite...get...there and it's the kind of thing where if you're NOT on board emotionally it's kind of functionally useless
― flamenco drop (lex pretend), Wednesday, 27 March 2013 20:54 (thirteen years ago)
"you're the one" is a bit of a monster though
― flamenco drop (lex pretend), Wednesday, 27 March 2013 20:55 (thirteen years ago)
albeit i think i might like "you're the one" better if it didn't plunge shamelessly into its cheesy chorus?
the brooke candy verse on this is disappointingly terrible
― flamenco drop (lex pretend), Wednesday, 27 March 2013 20:57 (thirteen years ago)
have't heard the album but from the singles can attest that if you're on board emotionally they are the best ever
― katherine, Wednesday, 27 March 2013 21:41 (thirteen years ago)
there's a vagueness that keeps me from being emotionally on board "you're the one" but that curving bass
― emo canon in twee major (BradNelson), Wednesday, 27 March 2013 21:46 (thirteen years ago)
really love the lingering the verses do on "you (ha ha ha)" too
― emo canon in twee major (BradNelson), Wednesday, 27 March 2013 21:49 (thirteen years ago)
Does she have her own "I Love It" on this? I am still curious to hear what she would have done with it instead of Icona Pop.
― boxedjoy, Wednesday, 27 March 2013 22:48 (thirteen years ago)
I'm into this newest single "what I like". she has a knack for cadence
― monotony, Sunday, 31 March 2013 01:54 (thirteen years ago)
streaming over @ pitchfork advance
― monotony, Tuesday, 9 April 2013 15:07 (thirteen years ago)
This has very big Alisha's Attic vibes writ large all over it. It's a modern pop album that seems designed for people who grew up in the 90s, which is probably either really cute and endearing, or naff and silly, depending on your taste for talky-sung verses in the style of Siobhan Fahey when in Shakespeare's Sister.
― boxedjoy, Wednesday, 10 April 2013 22:50 (thirteen years ago)
Charli XCX herself seems very much a pop starlet for the twenty-something crowd, in the way she nonchalantly swears and sings about sexual encounters but it's all framed in this goth-pop cuteness with easy melodies and simple vivid imagery. I can see this album's relationship to 90's r&b being comparable to the way Anniemal took 80's disco and made it sound very pop but very chic, even though this is a lot more obviously dark and menacing.
― boxedjoy, Wednesday, 10 April 2013 22:58 (thirteen years ago)
aka the awful song with Brooke Candy made me nervous but I even don't mind that in the context of the album and You (Ha Ha Ha) is actually better than I remembered and the rest of it is great. The first three singles are still the best stuff here especially Nuclear Seasons but this is a pretty wonderful pop album.
― twinkin' and drinkin' and ready to fly (Alex in Montreal), Thursday, 11 April 2013 03:20 (thirteen years ago)
as extravagant as charli's overload of stylistic reference points is, i don't think it's what's preventing this clicking for me - basically just don't think her songwriting is quite there yet. it's a bit overstuffed but the problem is less that and more her lack of a really distinct songwriting voice
― flamenco drop (lex pretend), Thursday, 11 April 2013 10:38 (thirteen years ago)
or just, interesting words, or something
i think i'm the only person in the world that doesn't hate the brooke candy song. the second-to-last one "how can i" would be the dud if i had to pick one
― monotony, Thursday, 11 April 2013 13:03 (thirteen years ago)
You're not alone. Cloud Aura is one of her best. That said, True Romance is a let-down for me largely due to the production. My favorite track is What I Like, but even it has it's problems. Like why start of with a great intro that gets you all hyped up, only to never reference it anywhere else in the song? Still love it, but that's just one example of the many opportunities missed by this album. I expected it to be much more in the vein of Dance 4 U and Velvet Dreaming but the album's first half is like a 90's rehash of what Little Boots was doing with 80's pop.
― Cousin Slappy, Thursday, 11 April 2013 17:45 (thirteen years ago)
I've been cool on her other singles but "What I Like" is marvelous.
― the little prince of inane false binary hype (Alfred, Lord Sotosyn), Thursday, 11 April 2013 17:47 (thirteen years ago)
this is awesome; the two-year-old songs thread in pretty seamlessly
― emo canon in twee major (BradNelson), Tuesday, 16 April 2013 18:53 (thirteen years ago)
weird but so far i prefer the album tracks to most of the singles (except "what i like" which wow). "like roses" and "take my hand" especially
― emo canon in twee major (BradNelson), Tuesday, 16 April 2013 19:19 (thirteen years ago)
black roses*
Really, really, really good record.
― monotony, Wednesday, 17 April 2013 01:59 (thirteen years ago)
after seeing her live last week this album is finally seriously beginning to click for me
in a way i'm glad the singles never quite did it in isolation because i get to feel the rush of "YOU'RE JUST ELECTRIC BLUE" now instead
― flamenco drop (lex pretend), Monday, 22 April 2013 19:51 (thirteen years ago)
CUZ I CAN TASTE YOUR LIPS ON MY LIPSYOUR KISSES TAKE ME OUT OF CONTROLAND I CAN FEEL MY BLOOOOOOOODIT'S CRAWLING THROUGH MY VEEEEEEIIIIIIIINS
somewhere, shirley manson feels proud
― flamenco drop (lex pretend), Monday, 22 April 2013 19:59 (thirteen years ago)
brooke candy's rap on "cloud aura" is so so bad but the rest of it is so good
― flamenco drop (lex pretend), Monday, 22 April 2013 20:01 (thirteen years ago)
WHY YOU WANNA GO TO SLEEPDON'T GO TO SLEEPDON'T GO TO SLEEPLET'S GO OUUUUUT
― emo canon in twee major (BradNelson), Monday, 22 April 2013 20:02 (thirteen years ago)
hmmm i gave this album a couple spins last week but i only actually liked about half of it (mostly the front half, but some later too), the rest just became this amorphous blur of whatever
― dyl, Monday, 22 April 2013 20:03 (thirteen years ago)
it's taken me about a month and about...8 or 9 plays, i guess, to click
― flamenco drop (lex pretend), Monday, 22 April 2013 20:04 (thirteen years ago)
YOU'RE JUST ELECTRIC BLUUUUUUE is wonderful. all of this is wonderful.
except for brooke candy
― twinkin' and drinkin' and ready to fly (Alex in Montreal), Monday, 22 April 2013 21:02 (thirteen years ago)
Is "cloud aura" the same as on last year's mixtape?
― Tim F, Monday, 22 April 2013 22:33 (thirteen years ago)
yeah no changes as far as i can tell
― monotony, Monday, 22 April 2013 22:42 (thirteen years ago)
"set me free" is ENORMOUS and shoulda been the lead-off single instead of "you"
― monotony, Monday, 22 April 2013 22:43 (thirteen years ago)
I still don't get why "I Love It" didn't get the praise this is getting, I know it's noisy and brash but that's kinda the point?
This keeps getting better on repeated listens, it's not so much that it's a grower as
― boxedjoy, Monday, 22 April 2013 22:50 (thirteen years ago)
something else that I was thinking of how to explain before I hit enter, oops. It's like it's really simple but sticks way more than the disposable pop she clearly adores.
― boxedjoy, Monday, 22 April 2013 22:51 (thirteen years ago)
I love that mixtape so much but "Cloud Aura" wouldn't be the tune I'd carry over from it.
― Tim F, Monday, 22 April 2013 22:51 (thirteen years ago)
i never heard the mixtape - how does it compare to the album tim?
"i love it" is just completely rotten imo
― flamenco drop (lex pretend), Tuesday, 23 April 2013 07:52 (thirteen years ago)
I haven't heard the album so I can't compare - but the mixtape is shimmering cloud-R&B which by that description should be awful but actually is excellent - "Cloud Aura" is pretty indicative of the overall sound but there's some more discoid and/or balladic stuff on there and there's no other raps.
― Tim F, Tuesday, 23 April 2013 07:58 (thirteen years ago)
There are some songs down the end of Super Ultra that could have slotted in fine, on here but for the most part the album is much stronger, which of course it was always going to be given that it has all those pre-release singles on it.
I'm a big fan of "I Love It" (which has had plenty of praise, btw - perhaps not on ILX but certainly elsewhere), but it's not something that would gel with the rest of this record at all; too daphne & celeste / bananarama. it's pummelling, brash, throw-your-hands-up-in-the-air-sometimes sort of stuff; none of the songs on true romance even remotely approach that kind of aggression.
― monotony, Tuesday, 23 April 2013 12:11 (thirteen years ago)
and yes there is a stray comma in that first sentence, oops
― monotony, Tuesday, 23 April 2013 12:12 (thirteen years ago)
Yeah, "I Love It" would sound totally out of place on this but I think it's strange that there's so much dislike for it on its own.
― boxedjoy, Tuesday, 23 April 2013 18:27 (thirteen years ago)
"i love it" did really well on the ilm poll despite not being overwhelmingly praised here (and met with boos and hisses during the results rollout)
― dyl, Tuesday, 23 April 2013 22:58 (thirteen years ago)
yeah i'd be interested to learn what is quite so rotten about "i love it" - as was mentioned upthread, obviously it's loud and obnoxious - but that's the whole purpose of the track, to convey that feeling of just not giving a fuck
― monotony, Tuesday, 23 April 2013 23:06 (thirteen years ago)
I don't _love_ it as much anymore, but I like it in the same way I like Shampoo. And it's not like Icona Pop didn't sound more or less like this for years, so it's not like they "sold out" or whatever accusation you want to level.
― katherine, Tuesday, 23 April 2013 23:07 (thirteen years ago)
at any rate this album is amazing. and yes, "Set Me Free" is massive but it doesn't seem to be the direction Charli XCX wants to go with her singles. alas.
― katherine, Tuesday, 23 April 2013 23:20 (thirteen years ago)
(incidentally, the "Set Me Free" producer's best known for working with _Meds_-era Placebo, Sophie Ellis-Bextor, Nicola Roberts and Sohodolls, which is as good a triangulation [uh, with "tri-" replaced with "quad-" as necessary] of this album as you'll find anywhere.)
― katherine, Tuesday, 23 April 2013 23:58 (thirteen years ago)
"i love it" feels clumsy and contrived and, crucially, totally unfun to me. i like don't-give-a-fuck music but it just repels me.
(katherine - picking up something i half-saw on twitter last night if i may, which is prob relevant here - your dislike of "tumblr" as a signifier. i'd say tumblr - regardless of the pockets of tumblr where this isn't the case - signifies decontextualisation above all to me, whether that's endless images/quotes plucked from the ether or the social justice kids or whatever...)
― flamenco drop (lex pretend), Wednesday, 24 April 2013 07:48 (thirteen years ago)
oh, and GREAT review btw
http://www.mtvhive.com/2013/04/23/charli-xcx-true-romance/
― flamenco drop (lex pretend), Wednesday, 24 April 2013 07:50 (thirteen years ago)
haha, that was actually prompted by reading a bunch of metacritic reviews of this very album. the thing is... tumblr is a huge site, with a huge and varied userbase; it's like how people say designs "look like Geocities," as if a site with millions of uses could be somehow aesthetically consistent in a way that isn't "this is how entry-level HTML from cookbooks in 1999 is probably gonna look."
my beef I think is that a lot of time it gets invoked as a kind of shorthand to sneak in pejoratives. like, if someone is trying to say that "this charli xcx album sounds like a thing teenage girls would love," then they should just say it -- and then think about why this is such an important thing to mention. or "this charli xcx album sounds trendy" -- how? why is that bad? etc.
(also, thanks!)
― katherine, Wednesday, 24 April 2013 21:25 (thirteen years ago)
Ugh not feeling this at all, there's an underlying clumsiness to almost everything here and she's just not an enjoyable or engaging on-record presence. Awful voice too.
― Matt DC, Thursday, 25 April 2013 11:02 (thirteen years ago)
Agreed, and I even like some of her mixtape material. I just can't with this unfinished-sounding album.
― Cousin Slappy, Thursday, 25 April 2013 15:31 (thirteen years ago)
I wish it was longer
― Elvis Telecom, Friday, 8 May 2026 06:43 (one week ago)
xp agreed, it kind of sounds like it was based on a T4 ident or something (channel 4 youth tv)
― kinder, Friday, 8 May 2026 09:02 (one week ago)
it's giving me "unless it's kicks"
https://www.youtube.com/watch?v=PCMIVbNDFnY
(not a bad thing lol)
― sean gramophone, Friday, 8 May 2026 12:09 (one week ago)
if we get an album that sounds like "rock music" but with better songs then i'll be quite pleased
― ufo, Friday, 8 May 2026 12:22 (one week ago)
This is fine but I would prefer to get a sequel to Night Time My Time
― Tim F, Friday, 8 May 2026 20:06 (one week ago)
Also Charli switching to stupid rock so soon after the True Romance vibes and movie soundtrack tie-in of Wuthering Heights kinda feels like she’s speedrunning her original career arc.
― Tim F, Friday, 8 May 2026 20:10 (one week ago)
I think that might be the dullest CXCX track I've heard since the self-title.
― assert (matttkkkk), Saturday, 9 May 2026 02:20 (one week ago)
Sounds like lil yachty “Poland”
― ok (D-40), Saturday, 9 May 2026 02:32 (one week ago)
Yah yachty and like porter Robinson
― You better go listen to lemonade and pray about it (Spottie), Saturday, 9 May 2026 03:10 (one week ago)
https://www.instagram.com/p/DYHn1kBuauZ/mv to 'i keep thinking bout you every single day and night' b-side
― uvlove, Saturday, 9 May 2026 14:08 (one week ago)
wowi’m really banging my headi’m really hurting my neck
― flopson, Saturday, 9 May 2026 14:25 (one week ago)
i like that that lyric doubles as a sarcastic riposte to the song itself (whose commitment to the rock bit seems a bit ironic)
― flopson, Saturday, 9 May 2026 14:27 (one week ago)
the cigarettes in the music video kind of gross me out tbh. also just me or she is not a very natural smoker? charli a social smoker?
― flopson, Saturday, 9 May 2026 14:28 (one week ago)
This is like a skit (def feels like one, at that length). The video with mountains of cigarettes, her smoking about ten at a time, the limp drummer, the whole 90s gap/Calvin Klein etc look of the thing, it makes me think this might be an actual advert itself for the album or a piss take of one. Made me lol. Wonder if the whole album will be her sending up rock tropes. Maybe she's been listening to frank zappa.
― midnightmarauder, Saturday, 9 May 2026 19:19 (one week ago)
it’s rock music but specifically based off of the flintstones riffing on “rock music”
― mh, Saturday, 9 May 2026 19:21 (one week ago)
Bug music!
― The Man Who Sold the Unisphere (James Redd and the Blecchs), Saturday, 9 May 2026 20:00 (one week ago)
I said Yeah Yeah Yeah She said Yeah Yeah YeahThey said Yeah Yeah Yeah
The Way Outs and Beau Brummelstones were good at least.
― The Man Who Sold the Unisphere (James Redd and the Blecchs), Saturday, 9 May 2026 20:01 (one week ago)
And of course Ann-Margrock.
― The Man Who Sold the Unisphere (James Redd and the Blecchs), Saturday, 9 May 2026 20:02 (one week ago)
Don't sleep on "The Bedrock Twitch"
Wait, Rock Roll was voiced by Hal Smith, who played Otis the Drunk on The Andy Griffith Show? Thread derail delivers!
― The Man Who Sold the Unisphere (James Redd and the Blecchs), Saturday, 9 May 2026 20:16 (one week ago)
"i keep thinking bout you every single day and night" is even less serious than "rock music"
― ufo, Saturday, 9 May 2026 20:31 (one week ago)
it is a better tune though
if people think this seems slight in some way I would suggest to you its because the lil yachty inspo is actually the hook & ppl who have not internalized that as a creative breakthrough arent processing the comforting familiarity / thrill of the gesture
― ok (D-40), Monday, 11 May 2026 21:32 (one week ago)
Charli XCX announced as a global brand ambassador and investor at Nothing a London based Smartphone Company, that also sell audio products (headphones and earbuds) and smartwatches.
NOTHING (CHARLI XCX)Our first Global Brand Ambassador and latest Shareholder, Charli xcx brings her genre-crossing instincts to our new partnership. Together, we’re changing how things are done – with music and tech for a new generation.“When I’m creating, I’m always thinking… pic.twitter.com/KUgIpxfA6a— Nothing (@nothing) May 12, 2026
Charli xcx is joining Nothing as our latest Shareholder and our first Global Brand Ambassador.This isn't a traditional endorsement deal. Charli is investing in Nothing and helping shape what we build from here.The campaign today is just the start. Charli is the first of more… pic.twitter.com/kTMorITK4N— Carl Pei (@getpeid) May 12, 2026
― djmartian, Tuesday, 12 May 2026 12:04 (one week ago)
my earbuds just got a lot cooler lolphones are neat looking buut that's about all?
― maf you one two (maffew12), Tuesday, 12 May 2026 12:27 (one week ago)
― ok (D-40), Monday, May 11, 2026
yah I love this track
― boners for bombs (Alfred, Lord Sotosyn), Tuesday, 12 May 2026 12:35 (one week ago)
The track feels like a teaser, which I guess is why it's the promo single. I like it fine but I want to hear what it's setting up. The flat intonation on "I'm really banging my head" is pretty funny. Ceci n'est pas un headbang.
― paper plans (tipsy mothra), Tuesday, 12 May 2026 13:02 (one week ago)
go on girl give us nothing xxxp
― ivy., Tuesday, 12 May 2026 13:58 (one week ago)
Sometimes a headbang is just a headbang
― Tim F, Tuesday, 12 May 2026 14:39 (one week ago)
Really, really love to watch her
― The Man Who Sold the Unisphere (James Redd and the Blecchs), Tuesday, 12 May 2026 15:44 (one week ago)
lol ivy.
― mh, Tuesday, 12 May 2026 15:44 (one week ago)
https://global.discourse-cdn.com/boingboing/original/3X/9/1/91a790f177bfc55948f5d247e6698509f07890cb.gif
― kinder, Tuesday, 12 May 2026 16:18 (one week ago)