Kylie Minogue: Classic or Dud?

Thank god she got rid of the bad perm and reinvented herself....

agree on that last point too.

http://www.cstrecords.com/img/godspeed/mapofevilinvert.jpg

To tell you the truth I put on Fever a ot more than say, Rooty or Under Construction.

Fever is inconsistent. Light Years is all bliss, except that horrid ballad thing in the middle. You skip that obv.

I mean, is her explosive commercial success of 2 years ago now eclipsed?

I finally downloaded it yesterday and I'm obsessed with it now.
It's even better than I remembered - that synth part, that bassline, the whispered backing vocals in the chorus...holy shit, it's the best song ever.

Any thoughts on 'Ultimate Kylie'? Mine are that the first disc is best used as a frisbee, but that the second is really pretty great. I'm surprised by how many of these I like. I can even cope with the Robbie duet and 'Spinning Around' in retrospect.

Otherwise, quite good.

The only Kylie thing I bought was "Some kind of bliss" the nice 7" single. It's not on this.

I am thinking 'I believe in you' might be my favourite single of the year. This is odd, really.

Her vocals sound great on it, and it's got that icy siren quality that made Fever so brilliant.

alter ego and riton .. i am somewhat excited. especially as the normal version is just soooooo .. good.

http://www.ireallylovemusic.co.uk/extras.html

The recent return-to-pop stuff has been weak, on a level with Geri and Emma Bunton, not even as good as Louise's comeback singles.

Or has Kylie listened to Tom's criticisms and returned with Can't Get You Out Of My Head, Come Into My World, Slow, I Believe In You, Lovin' You, Made Of Glass, etc?

Well done, Tom. GYBE never listened though, did they?

this album is *almost* all bangers, the Sia track is kinda generic and the Orville Peck collab is more just fun than it is really good. everything else is the good shit.

the sia track does sound written in 5 minutes but it fits the vibe and I think it works better as a Kylie featuring sia song than the other way around. has grown on me.

I kind of want to hear the Orville song with just Kylie doing all the parts

i don't think the Sia track is bad or anything, in fact it's better than i thought it would be considering the takes i read here and there.

i actually really like Hello a lot -- once it kicks in properly around the 30 second mark it starts killing it.

this is a really cohesive album, up thru EOSN. It does sound like a very skilled attempt at capturing the "Padam Padam" lightning in a bottle with almost every track being under 3 min and several of them having a *really* similar style, and it feels more like a bonus album than a real major statement, but in that capacity it's really impressive. There are plenty of people out there who seem to prefer this to Tension itself, and while I'm definitely not one of them, I can understand the perspective.

It’s definitely has a “mini-album” or “bonus album” vibes, and I can see how the previously released collab tracks at the end feels like further “bonus tracks”. But you are right the fact that it doesn’t take itself too seriously or try to do much is one of its strengths.

I'm underwhelmed by this, but I never got much enjoyment from Padam Padam so no surprise that what is essentially a Padam Padam-knockoff extended EP/mini LP is not rising to the top.

just heard the extended version of tension ii (was only available for a few days on her website, you can find it on YouTube at least for now) and a lot of the songs breathe better at 3-4 minutes with longer intros and breakdowns. Not sure they all need the extended touch, but it does make them slightly trackier/closer to classic extended disco tracks. There are random times where the instrumental breakdown happens in the middle of the second verse / before the second chorus, but otherwise worth checking out.