Not all messages are displayed:
show all messages (52 of them)
with the technological shift to the 33rpm album and the concurrent
birth of 'rock criticism' I think what happens IS a shift to
the 'album' as determinant of value
I have also noticed this tendency in rock criticism to consider
the 'album' as the basic unit of creative endeavor. There are
probably many reasons for this. One reason, as you mentioned, is
that the rise of the 33 RPM coincided with the rise of rock
criticism. However, rock music itself predated both rock criticism
and the 33 RPM album. Like most other popular forms, rock was first
marketed in a singles format - however, this was due to the
techonological constraints of the time and not a deliberate choice as
such. Another factor in the primacy of the album in rock criticism
is probably the Beatles. In the second half of their career, they
retreated into the studio, stopped playing live gigs, and began
crafting album-length statements that were more than just collections
of songs (the whole being greater than the sum of its parts?). For
many years, the "concept album" Sgt. Pepper's was hailed as
the best album ever, perhaps due in large part to the sense it gave
of being a single cohesive statement. Notwithstanding these points,
however, I still feel that rock as a musical form is indifferent to
single vs. album considerations. Rock is defined by certain elements
(among them amplification, repetition, beat) that can operate just as
comfortably at single-length as at album-length or even in a live
setting. It should also be remembered that other musical genres
adopted the idea of the album-length statement at the same time, or
even earlier, than rock did. As soon as the technology of long-
playing albums became widely available, jazz artists such as Miles
Davis began crafting album-length statements that were built around a
cohesive theme or concept, for example: "Sketches of Spain", "Kind of
Blue", and "Porgy and Bess" - all of which came out in the late
1950's - long before the Beatles ever made their first LP. You might
argue that a composition or improvisation is the basic unit of
creativity here, but the albums were crafted as cohesive statements
that stood on their own.
― o. nate, Tuesday, 6 August 2002 00:00 (twenty-one years ago) link