A much stronger case, yes.
― doug watson, Wednesday, 24 September 2014 14:42 (ten years ago) link
i didn't go to the Madison show, oops. couldn't ditch out of my own weekly potluck just to satisfy my teenage self.
― festival culture (Jordan), Wednesday, 24 September 2014 15:16 (ten years ago) link
Review from the NY Times.
http://www.nytimes.com/2014/09/20/arts/music/king-crimson-plays-at-the-best-buy-theater.html?_r=1
― nickn, Thursday, 25 September 2014 21:05 (ten years ago) link
Just sprang for the LTIA box. Couldn't stand it anymore.
― Naive Teen Idol, Friday, 26 September 2014 22:37 (ten years ago) link
also given the class lines wouldn't king crimson be an aspirational middle class man's sabbath, if they were any sabbath
― j., Friday, 26 September 2014 23:20 (ten years ago) link
Just picked up a copy of ITCOCK. Gonna listen to it/them for the first time ever tonight.
― Montgomery Burns' Jazz (Tarfumes The Escape Goat), Friday, 26 September 2014 23:22 (ten years ago) link
Seeing the show tonight. Got good seats. Got my prog shoes on.
― Josh in Chicago, Friday, 26 September 2014 23:26 (ten years ago) link
good deal! the vic? I would have thought park west.
― Dokken played here for a Ribfest and people were total assholes (Sparkle Motion), Saturday, 27 September 2014 05:11 (ten years ago) link
Well? What'd you think, Josh?
― Naive Teen Idol, Saturday, 27 September 2014 11:52 (ten years ago) link
So weird. I know I wrote something, but I don't know where I wrote it! Let me look.
― Josh in Chicago, Saturday, 27 September 2014 13:10 (ten years ago) link
Huh. Wonder where I posted that? Anyway, I thought it was a lot of fun, but ultimately didn't justify the three drummer line-up. I love Bill Rieflin in general, but when you have Pat, who plays like two drummers (including Muir) and Gavin, who plays like two drummers, it's strange to have Rieflin in the fold, considering he is comically restrained. In fact, at some points I thought he actually was there for some form of comic relief. Huge fill from Harrison! Huge fill from Pat! Rieflin ... taps a cymbal. He did play keys, I guess, and someone has to man the faux Mellotron, though I could have sworn Fripp did some of that, too.
Anyway, Levin (along with Pat) was the MVP, Fripp's solos were lunatic, Collins' return was largely welcome (though there is no place for soprano sax in "Red"). Jakko ... I would have preferred less of his stuff. He did a good job filling the gaps, I guess, handling utility player duties on guitar, vox and flute. I liked the setlist otherwise, so maybe "Scarcity of Miracles" is in there to give them a breather? He's no David Sylvian, though.
In the end I liked the 2008 edition of KC better, since they still played most of the rockin' stuff ("Red," "Larks II," "Level 5") and since Belew's enthusiasm was only matched this night by Pat, who is a nut, and Levin, who has fun playing anything. The rest of the band was so earnest, strict and ascetic. The irony of this line-up is that I think the Belew-era is still largely in line with Fripp's current/contemporary goals/philosophy, so taking him out of the picture robs the band of a more identifiable character. It was cool to hear the old stuff, but except for "Red" is was pretty much replicated like the old versions. And the new version of "Red" was kind of dud.
― Josh in Chicago, Saturday, 27 September 2014 13:25 (ten years ago) link
finally have a chance to listen to that Perfect Pair video sund4r linked. This is fucking great. Pretty good sound q too for what I assume is a vhs rip?
― OU281 (Jon Lewis), Saturday, 27 September 2014 14:40 (ten years ago) link
I hadn't seen them before admittedly. But I was a lot less blah about the show – in particular because I think this is the first time Fripp has really acknowledged the post ITCOCK/pre-LTIA band in a meaningful way. As much a fan of the 1973-4 band as I am (and am about to be more so w the LTIA box), I was genuinely excited about this as that era represents a pretty different aesthetic.
― Naive Teen Idol, Saturday, 27 September 2014 23:41 (ten years ago) link
Oh, I agree. The show was by no means bleh. Just figured that fripp had moved on. He's not the nostalgic sort, and the show wasn't always a convincing meld of the then and now, IMO. Still cool!
― Josh in Chicago, Sunday, 28 September 2014 01:10 (ten years ago) link
hey, can any of you fanatics school me on the 30th anniversary remasters vs. the new (40th?) ones? My local store just got Starless, USA, and Discipline in used, and I am tempted. I only have them on vinyl.
― sleeve, Wednesday, 1 October 2014 17:17 (ten years ago) link
(they got the 30th Anniv. remasters in, to be clear)
― sleeve, Wednesday, 1 October 2014 17:18 (ten years ago) link
my understanding is Lizard = do not buy any former edition, demand the 40th anniv. The other 40th anniv I have heard nothing but good about but I think Lizard is the most revelatory?
― a drug by the name of WORLD WITHOUT END (Jon Lewis), Wednesday, 1 October 2014 17:20 (ten years ago) link
30th pretty standard remasters. Sound cleaner, couple of bonus tracks. Newer 40th ones were (usually) remixed by Fripp and Steven Wilson, whose fresh ears/approach brings out some new stuff. Plus 5.1 mixes and a bunch of bonus stuff. Demos, rough mixes, live stuff.
― Josh in Chicago, Wednesday, 1 October 2014 17:27 (ten years ago) link
I have some of the 30ths and they sound great to me, I only have Lizard in the 40th editions
― a drug by the name of WORLD WITHOUT END (Jon Lewis), Wednesday, 1 October 2014 17:29 (ten years ago) link
Just got the LTIA box. On disc one, their first gig. Wow.
― Naive Teen Idol, Thursday, 2 October 2014 02:16 (ten years ago) link
40th of Lizard and Islands are both really good, and whatever the most recent Court is also the one to get. I actually got the vinyl edition and it's amazing (I have flacs of the rest of that box though). 30th are fine for everything else to my ears; I've "heard" the 40ths and they're ok but they don't change my opinion about the music the way they did for Lizard. If you have surround though it's an entirely different animal (I don't bother with it).
― akm, Friday, 3 October 2014 04:09 (ten years ago) link
the DGM web store breaks down what's on the 40th anniversary editions. There are a fair amount of them- the 80s albums for instance- that use the 30th anniversary remasters and add some bonus tracks.
― Dokken played here for a Ribfest and people were total assholes (Sparkle Motion), Friday, 3 October 2014 04:23 (ten years ago) link
thanks everyone, I will pick those up today
― sleeve, Friday, 3 October 2014 13:59 (ten years ago) link
Correct me if I'm wrong, but to their credit none of the more recent sets replace old mixes with new ones, right? They generally include the original mix, Wilson/Fripp remixes, Wilson surround mixes and so on. Totally comprehensive, no rewriting of history.
The live discs, awesomely, are carefully mixed fusions of soundboards, bootlegs, etc. To get the best sound.
― Josh in Chicago, Friday, 3 October 2014 14:44 (ten years ago) link
speaking of which, I clearly need that Absent Lovers thing y'all are raving about
― sleeve, Friday, 3 October 2014 14:45 (ten years ago) link
Yeah, the 40th anniversary two-disc sets (I have Larks', Starless, Red and USA) have the new mix on the CD, and all previous mixes on the DVD, plus additional bonus tracks, video, etc. So if you want to listen to the original 70s LP mix, or any of the mixes that came after, it'll be there.
― Humorist (horse) (誤訳侮辱), Friday, 3 October 2014 14:56 (ten years ago) link
I think the ITCOCK box actually has a vinyl rip if you're so inclined. They've thought of everything
― Dokken played here for a Ribfest and people were total assholes (Sparkle Motion), Friday, 3 October 2014 17:13 (ten years ago) link
Just got the /LTIA/ box. On disc one, their first gig. Wow.
As a follow up...
Tons of live material with an ENORMOUS amount of free improvisation (not sure how "free" they were once Muir left) as well as some interesting avenues the material took as they woodshedded it.
A one-track session reel Wilson did of the band in the studio playing all the different parts and aspects of the songs, which is sort of like "Variations on a Theme By Robert Fripp and Friends..."
(Because they totally jam and go in different places than they did on the final record)
Alternate mixes by Wilson like a solo of Jamie Muir's percussion on "Easy Money" (which is fascinating but also hilarious) ...
And the packaging is excellent.
― Naive Teen Idol, Friday, 3 October 2014 21:26 (ten years ago) link
Fat harmonies on Sailor's Tale
― calstars, Friday, 3 October 2014 21:35 (ten years ago) link
So is there live w/Muir stuff on this box that actually sounds half decent? Bc the 2 kccc ones I have w muir are not v listenable.
― a drug by the name of WORLD WITHOUT END (Jon Lewis), Friday, 3 October 2014 22:17 (ten years ago) link
Up until two days ago, I only knew Muir as the percussionist with the Music Improvisation Company, on their brilliant 1968-1971 CD (with Derek Bailey, Evan Parker, and Hugh Davies). That record was something I listened to daily about 20 years ago, and I always found Muir's playing enthralling.
A friend of mine insisted that I'd dig KC in general, and Larks' Tongues in particular. ITCOCK is great; I'm a sucker for anything with a Mellotron. But wow, LTIA is kind of blowing my mind.
― Montgomery Burns' Jazz (Tarfumes The Escape Goat), Friday, 3 October 2014 22:27 (ten years ago) link
Muir's finest hour imo, and I like those MIC records!
― sleeve, Friday, 3 October 2014 22:33 (ten years ago) link
I want that mic cd!
― a drug by the name of WORLD WITHOUT END (Jon Lewis), Friday, 3 October 2014 22:34 (ten years ago) link
cranking S&BB now, man that heavily-effected solo in "Lament" at around 2:50 is so fuckin heavy and badass
― sleeve, Friday, 3 October 2014 23:52 (ten years ago) link
show in SF last night was great. I have a ticket for tonight but may sell it if I can; not sure it will top last night. bought a Red t-shirt from Fripp's sister who was handling merch; wondered if I should get M or L, she said "you have less of a tummy than some of these fans!"
arrangements were good, never thought I'd see Sailors Tale and Starless performed live. Rieflin does really hold back, he's barely a drummer; in bits where they'd trade off, beatles-the-end like solo-wise, it was actually kind of funny.
― akm, Saturday, 4 October 2014 16:14 (ten years ago) link
Does Fripp revisit that freaky aggressive zone from the studio version in "Sailor's Tale"?
― it's taco science, but it works like taco magic (WilliamC), Saturday, 4 October 2014 16:31 (ten years ago) link
I hope I get those tracks tonight!
― Dokken played here for a Ribfest and people were total assholes (Sparkle Motion), Saturday, 4 October 2014 16:35 (ten years ago) link
They could have at least had Rieflin sing. What a weird career the guy has had. Ministry, Swans, KMFDM, REM, Robyn Hitchcock, King Crimson. I think Fripp just likes him personally. I mean, dag:
https://www.youtube.com/watch?v=vGj-MgNwLyE
― Josh in Chicago, Saturday, 4 October 2014 20:45 (ten years ago) link
Also, when he sings, he sings a bit like David Sylvian, so he could have really added something else to this current KC set, imo.
― Josh in Chicago, Saturday, 4 October 2014 20:46 (ten years ago) link
― it's taco science, but it works like taco magic (WilliamC), Saturday, October 4, 2014 12:31 PM Bookmark Flag Post
freaky aggressive...word
― calstars, Saturday, 4 October 2014 21:27 (ten years ago) link
If not Rieflin maybe they could've gotten Chris Connelly. A Connelly-fronted Crim would be AWESOME. (Not that there's anything wrong with Jakko, per se.)
Speaking of "Sailors Tale", has anyone heard that bootleg from '78 of Fripp doing Sister Midnight->The Sailor's Tale with Blondie? It's wicked stuff.
― rushomancy, Saturday, 4 October 2014 22:29 (ten years ago) link
Well, let me just link it, it's on Youtube:
https://www.youtube.com/watch?v=F_2-6fA57d4
― rushomancy, Saturday, 4 October 2014 22:30 (ten years ago) link
If not Rieflin maybe they could've gotten Chris Connelly. A Connelly-fronted Crim would be AWESOME. (Not that there's anything wrong with Jakko, per se.)Speaking of "Sailors Tale", has anyone heard that bootleg from '78 of Fripp doing Sister Midnight->The Sailor's Tale with Blondie? It's wicked stuff.
― Naive Teen Idol, Sunday, 5 October 2014 01:36 (ten years ago) link
https://www.youtube.com/watch?v=j-f0P7-fxUQ
― Josh in Chicago, Sunday, 5 October 2014 01:45 (ten years ago) link
the worst thing about jakko is his hair, which I guess at least seems authentically 70's crim. he also sings a bit too sincerely for me and comes across a bit too much like a fan. He's a fantastic guitar player though, as is totally evident on this tour. He handles fripp's other parts and lots of bits belew used to play without hesitation.
― akm, Sunday, 5 October 2014 04:28 (ten years ago) link
Yeah, it's a bit unfair, since Jakko seems a hair away from one of those guys who wins a contest to front his favorite band, yet he's clearly a good singer/guitarist. Still, a guy with a custom ITCOCK graphic guitar seems like the last dude Fripp would hire, even if he doesn't hurt anything.
I bet it would be fun to make a list of everyone this collective iteration of Crimson has played with. John Lennon! Peter Gabriel! XTC! Mr. Mister! Ministry! R.E.M.! Rolling Stones! Tears For Fears! Peter Gabriel! Blondie! Porcupine Tree! The Roches! Brian Eno! David Bowie!
― Josh in Chicago, Sunday, 5 October 2014 15:39 (ten years ago) link
and the Kinks! Jakko took the place of Dave Davies for about a month in the 90s (so yes, there was briefly a Kinks lineup with only one original member).
― Montgomery Burns' Jazz (Tarfumes The Escape Goat), Sunday, 5 October 2014 15:45 (ten years ago) link
Swans too
― sleeve, Sunday, 5 October 2014 15:46 (ten years ago) link
Is there a thread for this type of thing? Listing all the journeyman dudes who've played in, like, 65 different bands since the '70s?
― Humorist (horse) (誤訳侮辱), Sunday, 5 October 2014 15:47 (ten years ago) link
The Ubiquitous HIred Gun Session Veteran Shout-Out Thread ?
― EveningStar (Sund4r), Sunday, 5 October 2014 17:33 (ten years ago) link