RFI: Yellow Magic Orchestra

Lovely YMO Tumbler, loads of great magazine pics and ephemera - http://technodelic1981.tumblr.com/

Folks, some friends an I have a little internet radio show called Japan Alternative Sessions where we play lots of our favourite Japanese music going back through the decades.

Next Friday and Sunday at 8pm [UK Time] for two hours we are broadcasting our modest little tribute to YMO, choosing our favourite tracks and talking a little bit about the band but we also snagged 20 mins with the broadcaster Peter Barakan who worked with the band [and individual members] as a translator and then a lyric co-writer, it's a really interesting interview and worth hearing if, like me, you get frustrated at the lack of detailed info about the band available in English.

www.animeradio.uk

www.facebook.com/JapanAlternativeSessions/

www.mixcloud.com/JapanAlternativeSessions/

8pm UK Time BST (that's 3pm EST, or 4am the next day JST)

Don't know if I'll be able to listen in real time but I'm definitely gonna be on this when it goes up on mixcloud

dunno what took me so long, but i finally listened to Naughty Boys last week, and it is really amazing, been playing it non-stop.

this has probably been answered earlier in this thread, but any recommendations on best live albums? Are any in print?

I tend to favour the earlier live recordings, they're a little more dynamic and less poised, there's a bunch on Youtube.

The World Tour Live 1980 double set is great as is Faker Holic, both can be tracked down fairly easily.

In general I like the earlier sets, more jamming and more interesting tracklisting, with stuff like "Radio Junk" and Akiko Yano's "Rocket Factory" making appearances. Public Pressure is great, containing the definitive performance of "Tong Poo", with an awesome bass solo by Hosono. I believe Faker Holic is the same material, but without the overdubs (I believe a contract dispute led to Wantanabe's guitar parts being removed, and I think some of the vocals were redone as well), so maybe grab that one instead.

I remember liking Winter Live 1981 a lot but don't remember much about it. After Service is nice but it's more a traditional pop-superstar type live album. I actually liked their 2008 sets a lot, though it's a lot different than what you might expect.

I love After Service.. they transform/slickify "La Femme Chinois" and "Tong Poo" into cool 80s shades-wearing highway cruising jams

2ManyDJs did a YMO mix:

https://soundcloud.com/deewee-2/yellow-magic-orchestra-mix

I'm 6:15 in and "Tokimeki" by Akiko Yano came on, this totally rules

yeah, I listened to it while cleaning the house and it was pretty great. wish it had a tracklist!

Some kind soul on reddit made one:

•YMO - Rydeen (2manydjs Edit)
•YMO - Technopolis
•YMO - Hirake Kokoro -Jisieki-
•YMO - Key
•YMO - Tong Poo
•Akiko Yano - Tokimeki
•YMO - Tighten Up
•Ryuichi Sakamoto - Riot In Lagos
•Haruomi Hosono - Shambala Signal
•YMO - Be A Superman
•Taeko Onuki - Carnival
•Melon - Trance Dance International
•Sandii & The Sunsetz - An Antenna
•Tamao Koike - Sangokushi Theme
•YMO - ????
•YMO - Behind The Mask (Seiko Quartz CM version)
•YMO - Neue Tanz
•Haruomi Hosono - Platonic
•Haruomi Hosono - Hepatitis
•Ryuichi Sakamoto - Thousand Knifes
•Ryuichi Sakamoto - E-3A
•Clock On 5 - Theme From Furyo
•Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence
•Snakeman Show - 正義と真実
•David Sylvian & Ryuichi Sakamoto - Forbidden Colours
•Japan - Taking Islands In Africa (Steve Nye Remix)
•Sadistic Mika Band - Silver Child
•Sadistic Mika Band - Recording Data
•You An' Me Orgasmus Orchestra - 咲坂と桃内のごきげんいかが ワン・ツゥ・スリー
•Harry Hosono And The Yellow Magic Band - Tokio Rush
•???
•???
•Bill Nelson - Metaphysical Jerks ?
•???
•Miharu Koshi - Scandal Night
•Yukihiro Takahashi - Drip Dry Eyes
•Greg Phillangnes - Behind The Mask
•YMO - Behind The Mask (?? Remix)
•YMO - Taiso
•Ryuichi Sakamoto - Venezia
•???
•YMO - Computer Game (Theme From The Circus)
•YMO - Firecracker
•YMO - Nice Age
•YMO - Cue
•Haruomi Hosono, Shigeru Suzuki & Tatsuro Yamashita - Cosmic Surfin'

I filled out the (few) blanks I could - more often there were a lot of "I know I've heard this but I can't place it". I'm kinda impressed by the presence of those Snakeman Show tracks. Those albums are reaaaally hard to find.

I do wonder why the mix cuts off at 1986 or so (outside of the one Technodon track) - there's a lot of killer stuff in the last 30 years that would've fit really well on here

I were involved this would be 3 hours, minimum

Incase anybody is interested here's a link to the little Peter Barakan interview we did for our Radio Show's YMO special a few months ago...

https://www.mixcloud.com/JapanAlternativeSessions/japan-alternative-sessions-edition-22-ymo-special-peter-barakan-interview/

here we go...........again

this reminded me to say thanks for the Faker Holic recommendations upthread, really great.

maybe the wrong thread for this but anyone into Miharu Koshi's Hosono-produced stuff should check out the album Binasu by an artist called NV - she is from Moscow and maybe has no clue who that is but she really does nail the same sound

https://www.youtube.com/watch?v=fXm62Ev4MYs

(no vocals on this track but it is notable for recreating the Hosono vibe which I rarely hear ANYONE able to do)

no that album totally has a miharu koshi vibe, can't be coincidence

also dip in the pool, this track could've been on it wholesale

https://www.youtube.com/watch?v=llQcI34PMow

Wow this NV stuff is wonderful.

it really is, thanks for the recommendation. makin' my sunday morning over here, even on a thursday

speaking of Honsono produced stuff I don't think Chiemi Manabe has been mentioned on this thread?
she made one album 'Mysterious Girl' in 1982 & had various YMO alumni working on it & writing the songs
love this song in particular, written by Akiko Yano - feels a bit like Tom Tom Club?

https://www.youtube.com/watch?v=4BcacNcpQ3c

mypandashallflyyy2 months ago

Haruomi Hosono DOING THE DAMN THING ONCE AGAIN OMFG THIS GUY WTF

^^ this guy gets it

great track by the way

got "Naughty Boys" for xmas. been playing that record over and over, it's a good one!

no that album totally has a miharu koshi vibe, can't be coincidence

yea iirc there's even a track that totally bites the 'la la laaaa' melody on the haniwa all stars live album track w/mishio ogawa, she's gotta be p into this scene

title track & this one

https://www.youtube.com/watch?v=cv2tS46rl1k

that just kept getting better and better - kinda Zolo-ish isn't it? love how you can pick out Watanabe's guitar style from anywhere.

anyway a quick Google search turned this up:

Hope is found elsewhere. Behind the two letters NV stands Katia Shilonosova, a young woman who also plays in the respected Moscow garage outfit Glintshake. She has a solo album to announce, called "Binasu"––published in the US by Orange Milk Records and with a title that was taken, allegedly, from the way a Japanese speaker would pronounce "Venus." The recording has been directly inspired by 1980s electronica, namely by the catalog of Lori Anderson thirty years ago. Shilonosova begins to explain enthusiastically: "She helped me to discover new layers within my own work; I opened new realms in which I'm learning to move, swim, and generally exist."

Equal enthusiasm is expressed for her KORG Poly-800 III, because of the decade it recalls. "It produced the kind of noises Haruomi Hosono was making in the early 1980s [with the Yellow Magic Orchestra]... The Japanese were experimenting with both sounds and their arrangement in the '80s. They were never afraid to sound or look silly. It was all so cool! Although Japan is a nation very faithful to its traditions, the creative people over there are really free. It blows my mind... On some Hosono tracks it sounds like they're banging pots and pans... When I first heard Haruomi Hosono, I imagined he was inviting us all into a little world somewhere. We were heading on a miniature journey with him..."

Speaking to the Moscow press, Shilonosova again name-checked Hosono's positive influence from an earlier generation. "His 'Philharmony' album [of 1982] is one of my favorites. I lost my mind when I first heard it! It's a crazy mix of dopey pop-songs about sandwiches and some kind of unreal experimental music. Until then I was really afraid of combining pop songs and strange, abstract tracks on the same recording. Thanks to Hosono, I was able to calm down! During the 1980s, none of those Japanese acts were ever afraid to look silly. They'd write goofy children's music and then pull off some unbelievably cool arrangements. Today, those same tracks sound really fashionable! That's where the future lies! Tradition can be something really severe, but Haruomi Hosono's output always expresses a real feeling of liberty––and of people doing what they want. Because... why not? That's my motto at the moment."

as far as I know this is the first time I've heard someone outside of Japan namecheck Hosono as an influence.

that's cool!

also, lol, I posted the wrong haniwa track >__< it's the one with the big 'la la laaaaa' crescendo, will post once I wrap some stuff up at work

hah I was wondering what the connection was, but that was pretty awesome nontheless

Love the Chiemi Manabe album. And it's perfect that she made just that one and basically disappeared.

https://www.youtube.com/watch?v=xus1RBA8uCw

on hosono mega fans, there's terre thaemlitz/dj sprinkles:
http://www.comatonse.com/writings/organisedsound_8_1.html

moved to japan a long time ago, so not really 'outside of japan' but still cool imo

Oh here is a link to the Peter Barakan radio interview we did for our show where he talks about working with the band - it's about 20 mins and I had a ton more questions but I was aware he was a busy dude, but still very gracious and happy to talk.

https://www.mixcloud.com/JapanAlternativeSessions/japan-alternative-sessions-edition-22-ymo-special-peter-barakan-interview/

http://www.listentothis.info/2016/09/ice-choir-mix-for-designs-in-rhythm.html?m=1

Jessy Lanza talked about her love for YMO and all their side projects every chance she got this year, and the influence was noticeable
http://thevinylfactory.com/features/jessy-lanzas-6-essential-japanese-electro-records/

^^ will have to check out that album then. so great to see this stuff getting props now.

did enjoy that Barakan interview quite a bit. funny that Xoo Multiplies was the one that made him a convert. I do find the lyrics on the two YT albums he worked on to be fascinating - they're so weirdly literal at times, they're great but I find it hard to believe that any one person would write them that way (ditto for stuff like "Gradated Gray"). pretty amusing that BGM was slammed at its time of release - looking back now there really wasn't anything like it back then was there? is there now?

https://scontent.xx.fbcdn.net/v/t1.0-9/16003157_1219981008109885_5119126157919301350_n.jpg?oh=6f35bf05ebe64b1b57fb545eea73241f&oe=5923D1D8

I really like their name.
― Alex in Doncaster (Alex in Doncaster), Tuesday, February 10, 2004 7:17 PM (twelve years ago) Bookmark Flag Post Permalink

Yeah, but their music is better.
'Naughty Boys' might be the greatest synth-pop album ever.

i agree! it also might have the best name for a synth-pop album ever.

http://2.bp.blogspot.com/-pfU9S-JxrB8/TgFldDZSqNI/AAAAAAAAFeQ/XaRV1Pn1Fos/s1600/Yellow%2BMagic%2BOrchestra%2B-%2BNaughty%2BBoys%2B-.jpg

i got this for Christmas. i love it deeply. i have known about YMO since getting into Cornelius around 1999 but i never heard this full album until this year. the sounds they use are very harmonious. it is like the perfect balance, every drum hit, every synth, it's all there and none of it is distracting or sticking out in any way. and the music is so wonderful. i have not read the translated lyrics yet but there are so many emotions and moods on this record that are very evocative. before NB i mostly knew them from "Firecracker" and other earlier stuff with the slap bass, which was wonderful but a little more on the kitschy side. NB sounds like a record that could come out tomorrow, it is timeless. i look forward to loving this album for the rest of my life.

i always keep my eye out for naughty boys. i have never seen it on the shelves!

http://i63.tinypic.com/wiqxy1.jpg

It's a great record, definitely prefer Solid State Survivor, though.

http://www.musiconvinyl.com/catalog/yellow-magic-orchestra/naughty-boys-instrumental#.WIUPcU0rJhF

this is the pressing i got. comes with the follow-up instrumental remix LP that is also awesome.

YMO mean so much to me, there's acres of depth in their respective solo careers and the endless productions, collaborations and associations, they're basically the three pillars of modern Japanese mainstream music.

I like "kimi ni mune kyun" and "kai Koh"

Was Naughty Boys meant to be a parody, or at least somewhat tongue-in-cheek? I mean the "Kimi Ni Mune Kyun" video gives it away a bit, but without understanding the lyrics it's a bit hard to tell. There's just something a bit off about it.

Do wish they'd included "Chaos Panic" because that song absolutely rules - strange they never thought to release it as a single

"Kimi ni mune kyun" roughly translated means "my heart is yours". Just another silly love song ...

Best Answer: The easiest way to say it would be, "I'm crazy about you." "Kyun " is onomatopoeia, or a word that means what it sounds like, as in "click" or "bomb." You know how your heart makes the funny sound when you think of someone you love. To put it more literally, it means "My heart is pounding hard for you."
https://answers.yahoo.com/question/index?qid=20070315014444AASUtzi

Is there a vocal version of "chaos panic"? I just know the version on the naughty boys instrumental album. It reminds me of "girls just wanna have fun"

Yeah - it's on the Greatest Hits album I have (Kyoretsu na Rhythm). Definitely one of the hookiest songs they ever did.

"Chaos Panic" is cool but it doesn't sound like Naughty Boys to me at all – it sounds much more in keeping w Hosono's stuff ca. S.F.X and Philharmony.

Honesty, I've always been a bit torn on Naughty Boys – the Japanese verses make things a bit inscrutable and musically it sounds like a completely different band from the first several records, with Sakamoto's heavy synth pads and Takahashi's gated drum sounds replacing the Kraftwerk-ian production from before. I stupidly sold this back in college but "Lotus Love" was the only song that really had stuck with me. Listening back now, the rest ("Expected Way," "Focus," etc.) still sounds largely like kind of generic J-pop, albeit with sometimes slightly more melodic choruses.

For my money, I'm a much bigger fan of BGM's development of their sound but I'll give this another shot.

it most definitely is a different band - though to be fair most of their records sound completely different, to me

I agree with most of what you're saying, but with one caveat - it may sound like generic J-pop, but to me it's kind of the perfect J-pop album - I love every song on it.