IT'S BETTER THAN DRINKIN' ALONE: The Official ILM Track-by-Track BILLY JOEL Listening Thread

the infamous "soda and scotch" demo.

apparently it goes like this:


Lyrically

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Billy Joel:Piano Man (Demo Version)







Piano Man (Demo Version)

This song is by Billy Joel and appears on the box set My Lives (2005).



Song of the Day
January 31, 2007

Well, it's nine o'clock on a Saturday
The drinks are going fast
There's an old man sitting next to me
Regretting the time that has passed

He says, "Son, can you play me a memory?
I'm not really sure how it goes
But it's sad and it's sweet and I knew it complete
When I wore a younger man's clothes"

La la la la la la
La la la la la la la

Sing us a song, little piano man
Sing us a song tonight
Well, we're all in the mood for a melody
And you've got us feelin' alright

ew sorry abt all that accidental pasting

omg little piano man

I am totally calling Billy that if I ever run into him

"The drinks are going fast"? Come on, Bill, you can do better.

The regular crowd shuffles in; the manager looks at his watch...
There's an old man sittin' next to me, makin' love to his soda and scotch.

Hm. No.

The regular crowd has just seen a film by Fellini...
There's an old man sittin' next to me, makin' love to his dry martini.

Still no, but better.

The regular crowd brachiates in like a rufous gibbon...
There's an old man sittin' next to me, makin' love to his Pabst Blue Ribbon.

Maybe. Crap this is hard.

lol

My Lives]
Oh he's SO important

look at this fucking cover:
https://upload.wikimedia.org/wikipedia/en/2/29/My_Lives_BJ.jpg

https://media.npr.org/assets/img/2012/09/20/513259474_13195159_wide-360d295b5726058b589b84b5d341f077b1cde4a7.jpg?s=1400

Just remembered another misheard lyric from my youth: "Well we're all in the mood for a melody / And you got us spinnin', all right."

See? The whole "Man, whaddya doin' here?" part isn't some sort of revelation that the PM is a god amongst men. It's the final reveal that narrator describing this sad sack of shit place is none other than a sad sack of shit himself!

The whole time, we're being told about these guys who are roped into the military, selling condos instead of the great American novel, listless drunks – and who do they love? The Piano Man! They're no better than the men who drink coffee at Citgo, see the high school quarterback walk by, and go, "Now that Nathan Canterberry, now there's a guy who's going to be a big deal some day!" The fuck do they know?

Also, I never realized until just now that PM can stand for either Piano Man or ... Paul McCartney.

I've never really thought about Piano Man this much but for an iconic song it's really got a ton of weird/odd/awkwardly phrased lyrics:


Makin' love to his tonic and gin
When I wore a younger man's clothes
Now Paul is a real estate novelist
As the businessmen slowly get stoned
And the microphone smells like a beer

That's why it sucks

Plus its such a dirge

yr a dirge

Probably smells like a beer too.

I feel bad my daughter thought the last sip of my beer was a water glass and took a sip of it and spit it out, she said IPA tastes like "fizzy underwear"

shakey is the piano man of ilx posters lolololol

(runs)

but that also means i have to like you too even though everyone thinks yr lame

Heh

<3

Makin' love to his tonic and gin

weird

When I wore a younger man's clothes

not weird

Now Paul is a real estate novelist

weird but it works

As the businessmen slowly get stoned

not weird based on super-knowledgeable discussion upthread

And the microphone smells like a beer

not weird

Yeah anyone whose been to a small club knows what the mic smells like sorry

The regular crowd comes alive
There's an old man sittin' next to me
Makin' love to his French 75

"Worse Comes to Worst" reminds me of Can't Buy a Thrill-era Steely Dan, which is surprising, because I don't like the song much

By the way. Hey Bill, I also know a woman in New Mexico. Her name is Susan. So there.

Creamer (née Polkinghorne)

fact checking cuz I also said awkward which I personally think all those are if you read my post

Missed posting yesterday due to illness, sorry y'all! Back in action with the first of three deep-cut, never-anthologized Side Two tracks: Stop In Nevada. It's kind of a jam, y'all.

https://www.youtube.com/watch?v=ri786Rt2KwM

wow yeah - kinda Captain Jack-adjacent with the quiet verses & big chorus

but:

she left a little lettuce?

wtf does that even mean

I think it's "left a little letter"?

my home state makes an appearance on a billy joel record! who knew. surprised nevadans don't uniformly hold a grudge against billy for pronouncing it "incorrectly"

this is not objectively terrible, p much standard issue 70s AM Gold radio fodder. Stylistically it pushes some childhood nostalgia buttons for me but that's about the highest praise I can offer it

hmm

well it sure sounded like lettuce

my home state makes an appearance on a billy joel record! who knew. surprised nevadans don't uniformly hold a grudge against billy for pronouncing it "incorrectly"

billy's the reason i pronounced nevada wrong my entire life until last november, when my clinton campaign canvassing package instructed me on the proper way.

We can forgive The Three Degrees for mispronouncing it too.

https://www.youtube.com/watch?v=Anv4aishbmU

my annoying minnesota accent is actually helpful for once in correctly pronouncing nevada

That completely changes my perception of your username, UMS.

i didn't remember a thing about this song except the mispronunciation. it's a really good countrypolitan song! billy sherrill or al de lory could've done something nice with this. melodically, the "goodbye, goodbye" tag at the end of the chorus doesn't sound like billy at all to me for some reason. i keep wanting to sing "so long norman" from warren zevon's "the french inhaler" over that part. the fadeout is about 20 seconds too long.

That completely changes my perception of your username, UMS.

― okapi paste (Ye Mad Puffin), Thursday, August 3, 2017 1:29 PM (two hours ago) Bookmark Flag Post Permalink

haha mine's not super bad, i'm from way southern MN, down by Iowa, so it's not as pronounced as the northern MN/fargo type accent but it's there sometimes if i hear myself record

I just mean that I thought your name had southern flavor; it didn't occur to me that "upper Mississippi" refers to the upper reaches of the river, not to the upper portions of the eponymous state.

Which is especially silly because I'm from St. Louis, within smelling distance of the river, and I have no connection whatsoever to the state of MS.

Regional radio hit (I only know having grown up in Minnesota as well)

https://www.youtube.com/watch?v=Dy0vPnFKR5A

haha yeah old KQRS staple, like the Gear Daddies virtually nobodies outside of MN beloved within

Like "The Ballad of Lucy Jordan," only Billy begins with escape rather than concluding with a possibly imagined one. Joel's song isn't nearly as poignant as Marianne Faithful and Shel Silverstein's, but I don't think anyone outside of country music bothers to write the lives of adults anymore, never mind adult women.

*ABOUT the lives

upper mississippi shakedown vs north mississippi all stars

The "lettuce" problem is just because he rolls right from "letter" to "said she's," right? I like it though - left town in such a hurry, all the perishables are still in the fridge. Mama Leone will have the sense to just leave a note on the door and avoid the aural confusion.

I'm digging this song - exactly the kind of "could have been part of the Joel canon, but wasn't" song that I was hoping to discover in the course of this project. It's a little overblown, but the vibe is cool and here he seems to have found the right way to shift between different arrangements to give the song structure and impact, rather than the weird lurches we've seen before (e.g. "Tomorrow Is Today"). The chorus is definitely memorable, and along with "Piano Man" and "Captain Jack" this marks an important shift from the debut I think, where for the most part the hooks were single lines. Here he's writing full refrains and it's making the songs feel much more substantial. If you don't like him, I guess it'd make the songs feel doughier and bloated. He's still hit-or-miss on the rest of the lyrics though - the melody on this is fine, and he tries hard to sell it at the end of each verse, but the tale told is kind of flat and generic.

Lettuce IS old timey slang for money (cf. Guys and Dolls: "Where did you acquire this fine bundle of lettuce?"). Like bread or dough. But p sure the BJ lyric is "letter" followed by sibilance from the next word.

xpost yeah it definitely feels like lyrically he's still growing . like, he's trying things out but maybe still doubting his own ability perhaps

it's still so cool to see him slowly shaking off all the habits that might have kept him in a stale & much more generic realm

I have a pet theory, backed up by nothing since I've read no biographies or lore really, that actually his bandmates in the "classic" lineup, assembled between Streetlife Serenade and Turnstiles, contributed a lot more to songwriting than the credits would suggest. There's a big leap in lyrical specificity and the use of memorable details right around that time. Apparently, Liberty DeVitto sued Joel for back royalties on uncredited songwriting in 2009 (it was resolved out of court) which does make me wonder... though that might not mean lyrics so much as the more typical songwriting contributions made by non-singing bandmates. And, of course, Joel could just have developed a lot as a songwriter in his mid-to-late twenties.

interesting!