IT'S BETTER THAN DRINKIN' ALONE: The Official ILM Track-by-Track BILLY JOEL Listening Thread

"Summer, Highland Falls" - really enjoyed that, the piano is beautiful

To be fair to old man Billy, this is a "You're So Dumb" song - it's the addressee who's hung up on that old time rock 'n' roll!

Still doesn't make for a great premise, since these kind of second-person harangues, removed from any relationship drama where you can imagine the speaker as wounded and lashing out ("Positively 4th Street," "You Got Lucky"), start to seem extremely petty, like Chandler from Friends dumping someone because they pronounce it "supposably." And yeah, wow, that tomato lyric.

wow, that tomato lyric.

My only takeaway from this song.

All You Wanna - Sounds like he's trying to do a C Moon, but at least there aren't any kettle dr– oh for god's sakes, what the hell is he forcing that Moog to do for him?

Highland Falls - It's pleasant enough.

Say Goodbye - Favorite part of this is when it hits the gas on the "Movin' on, taking my time" line. Thanks LD.

Cool trivia about the cover: That's his step-son right behind him.

https://upload.wikimedia.org/wikipedia/en/1/10/Say_Goodbye_to_Hollywood.jpg

Can't tell if he looks like Lou Reed or Steve Guttenberg here.

What's the first song to make lyrical reference to the Beatles, paired with Beatlesesque backing vocals to drive the point home? Generation X's "Ready Steady Go" (which goes with "Wooooo!" rather than the Rubber Soul la-las heard here) is 1978...

Summer Highland Falls imo is a serious grower - feel like it washed by me the first few times I heard it and then at some point once my brain had absorbed the major pieces, it would just cling to me. Had it going in my head the whole afternoon at the beach yesterday, combing for shells after the eclipse, and it was not unpleasant.

Cheap Trick's "Taxman" is '77 but there's gotta be stuff even earlier than that

xp

o/t but not http://people.com/music/billy-joel-wears-yellow-star-of-david-at-new-york-show-amid-rising-neo-nazi-activity/

summer, highland falls - beautiful performance. making good use of his predilection for piano arpeggios. maybe overdoing it a bit with his predilection for multisyllabic words, but it works. he should've tried to work the word "arpeggio" into the lyric. it's either sadness or arpeggios.

dance - this was an automatic skip back when i listened to this album pretty much daily. it's not as terrible as i remembered it. it's also not good.

'back to a time when tomatoes were cheaper' is a long stupid walk to get a rhyme with speaker, billy

eventually he'll learn that he can get more mileage from a cheap pair of sneakers.

shuddering to think how narrowly we missed out on "you got more mileage when tomatoes were cheaper"

really like "Summer, Highland Falls", filter great Plains Copelandisms through the Beatles into a piano part that feel like proto-Hornsby

Def hear some Jackson Browne in this too in the way he phrases certain lines

As for the other song...

What the heck was it where EVERY FUCKING ROCK ACT felt like they had to try their hand at cod-reggae?? it's such a disease in the 70s, I wonder why? I guess maybe it was a like a 50s exotica fad deal and emphasizing the 2 and 4 with a guitar chop is such an easy and superficial way to sort ape reggae...but god almighty what terrible music resulted.

anyway this song sucks...though the Moog "steel drums" are goofy enough they almost remind me of something Zappa would do in a funny way

I imagine we have whole threads about cod reggae but imho most charitable reading, and I have to reach for this, is that it was (to them) a 'new' sound and yet within their instrumental grasp and probably very enjoyable to play. Not a great argument in favor of cultural appropriation but I can see how it happened. After Clapton hit #1 in the US with "I Shot the Sheriff" and Typically Tropical did the same with "Barbados" in the UK, further attempts were probably inevitable.

If I'm going to give BJ any credit on this one it's that the choice is either wildly incongruous to the song, or pays it off lyrically in a surprising way: the contemporary music that the fuddy-duddy subject things she can't dance to is reggae, which is actually very danceable! Hey lady, get over your nostalgia for the glory days of Elvis, the kids are listening to Bob Marley! I dunno... another reach maybe. But I think he comes off well versus Anglos trying to mimic Jamaican accents and Patois, or in the case of "Barbados," singing in the first person as a Barbadian immigrant (aka minstrelsy).

i was bracing myself for nope-inducing patois, thank god that didnt happen

I'm trying to keep my mouth shut out of respect for all of you but really

Nope-inducing patois inna Hicksville stylee, mon. We didn't start the irie.

lol!

yeah um that kinda thing

STOP IT

but yes thankfully billy's most egregious affected accents are caricatures of new york white ethnics. there's another anecdote i keep wanting to paste in here but it concerns a mind-warping demo version of a big, big billy song on the next album and i want to save it til then.

man i can't wait til we're done with this song

why did u make us listen to that, doctor casino

i thought u liked us ;_;

say goodbye to joel bein' good
say hello, cod reggae

noooooo

don't worry, the album gets better. "irie state of mind" is of course his classic, practically the jamaican national anthem at this point. "dub prelude/irie young man" is an underrated lee scratch perry collaboration. "irie loved these days" is some sweet lovers rock. and, obviously, "montego bay 2017 (seen the lights go out on irie)." very prescient.

If you don't think I'm slightly curious about what a "dub prelude" would sound like, then you don't know me at all.

i'm pretty sure it involves sly, robbie and a super-fast melodica solo. i imagine there's moog in there, too.

i will maintain to my grave that this rinky-dink tune in all its lameness is a far, far better thing than "jamaica jerk-off" or "dreadlock holiday." robert palmer's rendition of "pressure drop" is another story though, and i am incapable of being rational about "c moon."

and of course there's ron wood's "i can feel the fire." he had his own reggae to do.

let's not drag the unfuckwithable robert palmer into this.

oh that was badly worded, I was trying to exclude him from the list of things "all you wanna do is dance" is better than.

idk any of those songs and am kind of glad I don't tbh

although sounds like it might make for an interesting hate-listening thread

xp

this is def a million times worse than D'yer Mak'er, that's for sure

oh that was badly worded, I was trying to exclude him from the list of things "all you wanna do is dance" is better than.

i got that! i was just trying to save him from having his name appear anywhere in this discussion.

this song is a good forty seconds shorter than "d'yer mak'er" which should count for something imo

I wish it was 3:48 seconds shorter

f.c. cuz, you're going to hell for "irie young man."

That said: "took on diesel back in MONtauk yesterday..."

For all dyer makr's shortcomings, at least bob plant didn't appropriate an accent. Can't say the same for mick and oh cherry tho

Or "luxury" but that's a different thread

"Still Trenchtown Rock to Me"

Uptown Girl Ranking

LOL

Jamaican Jerk Off is so bad...the title alone

Ugh

Now Billy's style are strictly roots

For all dyer makr's shortcomings, at least bob plant didn't appropriate an accent.

Bring It On Home, however....

I think you mean hats off to harper

maybe that one too, but

All right! Now let's never speak of that again.

https://www.youtube.com/watch?v=F5LkGKJDc3Q

New York State of Mind, though not issued as a single until a 2001 duet with Tony Bennett, is surely on the shortlist of Billy Joel's signature songs, and among his most-covered. I'll let Wiki do the talking as I don't have the energy right now to look up even a handful of these promising renditions, which start to sound like a lost "We Didn't Start the Fire" verse: Barbra Streisand, Lea Michele and Melissa Benoist, Joanna Wang, Elton John, Ramin Karimloo, Shirley Bassey, Oleta Adams, Carmen McRae, Mark-Almond, Diane Schuur, Ben Sidran, Mel Tormé, Frank Sinatra Jr., Adam Pascal, and Tony Bennett. Perhaps uniquely, it has been interpreted by two different Muppet acts, with a 1977 performance by Dr. Teeth and the Electric Mayhem at their least mayhemic, and a 1984 solo piano treatment by Rowlf the Dog (later to appear on 1993's Ol' Brown Ears Is Back. (Those are Jerry Nelson and Jim Henson on vocals, respectively.)

It also became a children's book with illustrations by Izak Zenou; "Billy Joel's evocative lyrics invite readers to tag along as two spirited little dogs experience the energy and excitement of New York City."

For Greatest Hits I & II, the sax solos by Richie Cannata (by that point no longer in the band) were stripped out and replaced with one by Phil Woods, a jazz veteran with some 1,843 credits on AllMusic. He'd previously worked with Joel, on "Just The Way You Are"; Wiki also highlights his contributions to Steely Dan's "Doctor Wu" and Paul Simon's "Have A Good Time" though for jazz heads the resume runs much longer. The version of the song in the YouTube above is the original Turnstiles album recording, I think, unless it's the third version created for the quadrophonic CD release. Doing A/B with my vinyl copy was getting awkward so if there's a splice late in the song or something I might have screwed this up.

This one was affecting when Joel played it at the 9/11 memorial concert.

and not at any other moment