A year on, now that "pop tourism" has become thoroughly de
rigeur across the board (Truth Hurts ==> Holly Valance ==> No
Doubt) have the resonances/implications/meanings/effects of
the practice changed? (meanwhile I'm still waiting for that miami
bass explosion I was talking about)
Something I was thinking about the other day: assuming
hypothetically you're against the practice of stealing from other
genres, which is worse: "Addictive", or Oasis's "Hindu Times"?
Is stealing direct from the subcontinent more or less justified
than worshipping at the alter of those who stole from the sub-
continent?
― Tim, Friday, 21 June 2002 00:00 (twenty-one years ago) link