More to say soon but: I'm not sure exactly what you mean by "extramusical ethics" but I think that part of the backlash against evaluating music in terms of 'authenticity' and/or authorial intent in the early poptimism days (as seen in the ca. 2000 Ewing essays that Tim linked) might have involved a conscious move away from or reaction to evaluating music in terms of certain types of extramusical ethics, whether in terms of looking for explicit statements in the music, concern with the identities or backgrounds of stars, or valuing smaller-scale or non-corporate modes of production or dissemination. If anything, it was probably the 'rockists' who had venerated Tracy Chapman and Arrested Development 10 years earlier. ('Rockism' is almost definitely even more of a strawman than any take on 'poptimism' imo, esp considering that afaik literally no one positively identified as a 'rockist' before the term was coined as a put-down.)
― Locked in silent monologue, in silent scream (Sund4r), Thursday, 13 December 2018 17:26 (five years ago) link
I’ve tried several times but this Tirzah album seems insanely boring
― Vapor waif (uptown churl), Wednesday, 19 December 2018 20:51 (five years ago) link
i applaud your candour, sir, and your courage
― imago, Wednesday, 19 December 2018 20:53 (five years ago) link
ariana grande being the new popstar everyone is into in the last year or so. idgi. i didn't totally get it with taylor swift or carly rae jepsen either but i really don't get it with ariana
― ( ͡☉ ͜ʖ ͡☉) (jim in vancouver), Wednesday, 19 December 2018 20:58 (five years ago) link
Can’t tell if I’m being hit with sarcasm ... totally open to loving it, just can’t
― Vapor waif (uptown churl), Wednesday, 19 December 2018 21:03 (five years ago) link
I liked it well enough once, though I did get a little bored halfway through. I can't imagine willingly listening to it again given everything else there is to hear.
― pomenitul, Wednesday, 19 December 2018 21:04 (five years ago) link
not sarcastic at all! a bit arch but yknow
― imago, Wednesday, 19 December 2018 21:13 (five years ago) link
ha well I’ll take it then. mostly just baffled by all the praise. I do feel like there’s a crop of experimental songwriting these days that I should be more excited about, but it’s not clicking. See also Kayla Guthrie
― Vapor waif (uptown churl), Wednesday, 19 December 2018 22:59 (five years ago) link
The overwhelming majority of people I know are vehemently opposed to the idea that there is such a thing as 'real' music and primarily listen to pop.
do you work at the mall?
― Paul Ponzi, Thursday, 20 December 2018 00:04 (five years ago) link
Is it really that unusual? I've met very few proper rockists in my life and almost no music snobs.
― pomenitul, Thursday, 20 December 2018 00:09 (five years ago) link
I don’t get Ariana Grande and think “No Tears..” is a pretty lame track, but am moved by “TY, N”
It occurred to me today on my twentieth listen of Low that they’ve really become the domestic Radiohead that USA has been waiting for for decades
― flamboyant goon tie included, Thursday, 20 December 2018 00:12 (five years ago) link
they’ve really become the domestic Radiohead that USA has been waiting for for decades
If only.
― pomenitul, Thursday, 20 December 2018 00:13 (five years ago) link
xp I don't really hang out with rock critics or teenagers, so yeah, it's unusual to me. And a lot of so-called poptimists seem to frame a lot of the stuff they claim to enjoy in rockist terms anyway; I never really think of rockism = a preference for rock music but an antiquated way of discussing music that seems to very closely resemble the celebrity-watch of the kind of modern music criticism you see on Pitchfork et al
― Paul Ponzi, Thursday, 20 December 2018 00:15 (five years ago) link
what the fuck are you talking about
― jolene club remix (BradNelson), Thursday, 20 December 2018 00:25 (five years ago) link
Tbf, the "what is rockism?" thread was started in 2000 because people couldn't make sense of it then either.
― Locked in silent monologue, in silent scream (Sund4r), Thursday, 20 December 2018 01:02 (five years ago) link
(although, amazingly, Tom 3wing did think it had to do with privileging rock music and "the ways rock music gets talked about", and was probably not a catch-all for every possible type of snobbery, prescriptivism, or prejudice, while recognizing that it was a "silly term".)
― Locked in silent monologue, in silent scream (Sund4r), Thursday, 20 December 2018 01:08 (five years ago) link
imo the discourse is missing the point, but largely because it's tough to describe the nuances of music-consumption..
There are people who are whole and feel comfortable with themselves, and do not know oppression firsthand, and these people feel OK with music that is nothing more than the fruits of the training and rehearsing of individuals who, like them, exist entirely within their own selfhood (that is, they don’t feel any conflict in their life), and are completely content to simply enter a studio or walk on a stage and demonstrate the fruits of their labour without any concern as to, say, “who they’re borrowing from”, “what they’re saying”, “who they are”, or “the potentially detrimental effects that their complacent ‘craftsmanship’ might have on individual listeners who do not have the same access to the methods with which this music was created.”
Those people are “rockists”, broadly, but also essentially include any Steely Dan or Fleetwood Mac fan who would never consider themselves a “rockist”— in fact, they may simply have, sometimes, “rockist” tastes, sometimes, and wouldn’t think it beneath them to rate their favourite Beatles when it came down to it. (What I mean is: everyone is a rockist, sometimes.)
And there are other people, who think that whole process is full of shit, and doesn’t take into account intersectional politics, or current or past politics, and have other approaches to music listening.
There are those who think that everybody is entitled to a career in music and actively stan music made by neophytes (because of the originality and interest created in every individual’s approach to music-making)— but also because it reflects a far more societally ecumenical approach to culture-creation— that we are all music-makers. It reflects our own amateurism with regards to music-making, and makes us feel good about ourselves that our content creators are also prone to accident and amateurism and moments of greatness.
There are those who think that music (or culture in general) is an effective venue for corrective measures for socio-economic oppression, and prioritize the genius of black people, poor people, trans people, and see the previously-described “canon” as being, as stated earlier, the product of privilege, and thus, one that should be subverted, if not destroyed.
And there are those who wish for a completely consumerist attitude toward pop music, because we are in a culture war, after all, and because a consumerist attitude un-ironically reflects the true intentions of a culture-industry, and so their unabashed adoration for (say) Ariana Grande not only unites the listener with the “working class” but also commodifies the intention and the body of the artist/performer/creative group as being, essentially, what they are, as the culture industry would dictate: expendable. It makes people feel OK with themselves to turn humans into cultural objects to be used and destroyed.
In short, to try and reduce things to a dichotomy of rockism-popism is frustrating (for me) to see people do. People listen to different musics at different times for different reasons. I am “rockist” because I adore extremely talented and privileged classical musicians making wonderful music in expensive concert halls. (I don’t actually care for “rock music” made by men except for Jon Spencer and Black Sabbath, don’t ask me why, maybe because it’s a caricature of white maleness.) I am “neophyte-ilic” because I enjoy the music of young people picking up their guitars for the first time. I have “intersectional tastes” because the music industry has generally left women and black people with lower salaries, despite their greater achievements. And I enjoy the experience of “consumerism”, because I’m a human, and I experience schadenfreude when a pop star fails, and enjoy a redemption narrative when same pop star (or a different one) makes a comeback— I, too, enjoy turning human musicians into objects of cultural consumption.
Oh there’s also that weird strain of “obscurantism” or something? maybe the wrong word, but it’s that human psychological tendency to prefer music that is less popular, or undiscovered. I don’t really go for that, personally, because it smacks of Bad Thoughts (i.e. colonialism), but I recognize that sometimes as a curator you have to surprise people to be of value, rather than playing them shit they’ve already heard.
But anyway, all these different approaches to music listening are inherently contradictory, and result in various contradictory statements that I’m myself inclined to accept and embrace, and have repeatedly stated, such as:
Beyonce’s “Lemonade” is the greatest album of all timeElectrelane is the greatest rock band of all timeBig Thief is the only good band in the world right now“Thank You, Next” is the greatest song of all time“Escapade” is the greatest song of all time“Uptown Top Ranking” is the greatest song of all timeXiu Xiu is my favourite bandWhen I’m cooking at home I only listen to Low on repeat off of TidalWhen I’m at my boyfriend’s house (by myself) I only listen to Stockhausen on vinyl while cleaning up his shitWhen I’m at my boyfriend’s house (with him) I might sneak in some early Stereolab or Young Marble Giants in between his insistence that we only listen to New Order and Lionel Richie on repeatFoxy Brown’s “Ill Na Na” is the greatest album of all time
Music listening is a present-tense act and so things shift and are malleable and I will totally cop to being an enormous stan for the execrable “Love Yourself” (Bieber/Sheeran) because it always plays at 7am when I have woken up to early and am shopping for raspberries at the supermarket to make morning smoothies and am consumed with thoughts of my abusive ex from my anxious dreams the night previous, and sing the song to myself while thinking of his abusive ass.
I hate Madonna, because 90% of her music is ass, but I also love Madonna, because I like seeing a 60-year old white woman continue to be a pop star, it is beautiful.
Functional listening, present-tense listening, you see? It shifts and changes.
― flamboyant goon tie included, Thursday, 20 December 2018 03:06 (five years ago) link
Which Stockhausen records?
― Locked in silent monologue, in silent scream (Sund4r), Thursday, 20 December 2018 03:30 (five years ago) link
haha
Fantastic post, fgti
― change display name (Jordan), Thursday, 20 December 2018 04:00 (five years ago) link
'neutron dance' is horribly awkward and flat. why this garbage and not lauer?
compro is bland derivative shit.
― macropuente (map), Thursday, 20 December 2018 04:14 (five years ago) link
not derivative, just boring. even more boring than this post
― macropuente (map), Thursday, 20 December 2018 05:01 (five years ago) link
Many xposts but I just want to say Tirzah is boring in a good way.
― No Smockin' (upper mississippi sh@kedown), Thursday, 20 December 2018 05:07 (five years ago) link
xpost i'd describe compro as corny
that's maybe the best thing you could have said to get me to listen to tirzah again. would u say the good part of the boringness comes from an 'authentic' 'amateurishness' lol
― Vapor waif (uptown churl), Thursday, 20 December 2018 05:34 (five years ago) link
fgti that post changed my life
― budo jeru, Thursday, 20 December 2018 07:04 (five years ago) link
xps I really, really don't get "Neutron Dance" - the melody is so obvious and not in a fun good way, the first time I heard it I could feel myself cringe
― boxedjoy, Thursday, 20 December 2018 09:11 (five years ago) link
Otm that piano hook is dire
― or something, Thursday, 20 December 2018 09:15 (five years ago) link
I can't sleep so I moved the whole poptimism/rockism discussion here: What Is Rockism ?
― Locked in silent monologue, in silent scream (Sund4r), Thursday, 20 December 2018 11:30 (five years ago) link
― maura, Thursday, 20 December 2018 22:32 (five years ago) link
Autechre is getting kind of same-y sounding, with the big, reverb-y sheen, and hard, strobe-like limiting effects. The 'big reverb sheen' sort of first emerged with Oversteps--everything sounded bigger (more "glacial" (?) nah), somehow, and the polish (on the background elements) of ilanders marked this new, lush (polished) era of Ae. NTS Sessions (along w/the new single) is great and all, it just seems like we're getting more quantity than quality nowadays. FWIW, I believe they sort of peaked with AE_LIVE and Elseq. sinistrail sentinel is cool and all, it just doesn't really touch the quality of irlite (gtf0)
― braunld (Lowell N. Behold'n), Friday, 21 December 2018 02:19 (five years ago) link
irlite (gtf0)
I love this one!
― Locked in silent monologue, in silent scream (Sund4r), Friday, 21 December 2018 02:31 (five years ago) link
yes and yes!i'm off the bus
― massaman gai (front tea for two), Friday, 21 December 2018 06:35 (five years ago) link
I was looking forward to antagonizing the ILX hivermind over the Daughters LP based on the enticing reviews. And then I listened to it.
― pomenitul, Sunday, 23 December 2018 21:19 (five years ago) link
pretty much
― imago, Sunday, 23 December 2018 21:26 (five years ago) link
Last year was one of the best evah for music for me and for some reason this year it seems like lots of rated stuff I couldn't give a toss about. Maybe I just need to curmudge some to balance out last year's enthuse.
― The First (Noel Emits), Monday, 24 December 2018 10:50 (five years ago) link
proceed!!
― imago, Monday, 24 December 2018 10:58 (five years ago) link
This Beach House album is boring
― mfktz (Camaraderie at Arms Length), Thursday, 3 January 2019 22:36 (five years ago) link
shocker!
― Number None, Thursday, 3 January 2019 22:40 (five years ago) link
have to say that while I do really like the NTS Sessions, I have the same nagging feeling as Lowell
― frame casual (dog latin), Friday, 4 January 2019 10:50 (five years ago) link
maybe you don't really like them!!!!!
― brimstead, Friday, 4 January 2019 19:52 (five years ago) link
still absolute dreck, and dreck that's a decade out of date
― imago, Wednesday, 30 January 2019 19:42 (five years ago) link
(nothing to do with 2018 poll)
― imago, Wednesday, 30 January 2019 19:43 (five years ago) link
board description?
― jmm, Wednesday, 30 January 2019 19:43 (five years ago) link
apologies to Mordy in advance but
― imago, Saturday, 9 February 2019 22:00 (five years ago) link
watching ILM come around en masse to the idea of the thoroughly mediocre and uninteresting Harmony Hall being a great song has filled me with enough bile to last us right up until its inevitable and dismal appearance in the top 20 or so of the 2019 traxpoll. see you there
woo it has those george michael/primal scream pianos woo what a fucking novel and au courant production trick
you're all really old
― imago, Saturday, 9 February 2019 22:01 (five years ago) link
wow imago you've almost convinced me to willingly listen to a vampire weekend song, congrats
― the scientology of mountains (rushomancy), Sunday, 10 February 2019 00:59 (five years ago) link
ya imago dislike is almost an imprimatur of quality
― ||||||||, Sunday, 10 February 2019 01:07 (five years ago) link
I wish I had the musicological lexicon to explain why I can't stand this kind of pop R&B-esque singing, which also irks me when I hear The 1975. I love what Copeland are doing beneath the vocals, but these hopeful intimations of positive sensuality or whatever evoke nothing for me other than climactic scenes in American romcoms.
― pomenitul, Tuesday, 12 February 2019 12:37 (five years ago) link
actually there's something about holly herndon's sound design that leaves me almost as unsatisfied as her approach to melody, but it'd take me a lot longer to pinpoint exactly what
― PPL+AI=NS (imago), Tuesday, 12 March 2019 11:06 (five years ago) link