thread to dis hyped releases that you don't get/don't like/wanna complain about

& maybe I do view music as a competition myself too much. it is so easy to do and such a trap

This tweet was kind of a positive (because Powers is almost always positive, something I like sometimes and hate others) gloss on my initial skepticism:

To all loving the brilliant new Fiona Apple album #FetchTheBoltCutters: I'm excited for you if you don't know out jazz or new classical music, there's a whole world for you to discover that's redolent of what you're loving, not to mention Afro-Cuban and Afro-Haitian rhythms

— Feeling Distant (@annkpowers) April 17, 2020

When I actually listened to the record, though, I was won over by it on its own merits and stopped giving a shit whether the people raving about it had heard all the music I'd heard that caused it to resonate for me.

Is that whole world redolent of the lyrics and the singing and the melodies too, or just the rhythms/percussion? Because that’s just one piece of Bolt Cutters’ appeal imho

is powers subtweeting that p4k 'no music has ever sounded like this' review?

kind of a passive-aggressive tweet, lol

tweeting is a relay sport

i have twitter blocked on my computer and therefore in my head the "powers" y'all are talking about is the renegade doctor with some interesting and novel ideas about hormone replacement therapy

please don't spoil the illusion by correcting me

It’s Kenny powers actually. And you’re fucking out.

i don't even know what that means!

It’s Kenny powers actually. And you’re fucking out.

actually, fiona came through and reminded everyone what an actual good album sounds like.

― Totally different head. Totally. (Austin), Wednesday, 6 May 2020 17:37 (three minutes ago) bookmarkflaglink

this

is why i dis(s)

Not super hyped on the release of Grimes' new baby tbh

truth hurts innit

It doesn’t hurt, you’re just being a 🤡

okay, insult time!

uhm. . .takes one to know one.

imagine if someone were to adore not the music of his great friend, fiona

lol ikr

Wait -- you were being sarcastic?

i don't even know anymore, dude.

hold on, i mean: well the jerk store called and they're runnin outta you.

(also: me sarcastic when talking about grimes? well i never!)

I thought you were being serious about piping up in the Grimes thread and saying "Fiona reminded everyone" etc. But maybe you were actually clowning on the Fiona hype? Idk anymore either, lol

i thought my shamelessly opportunistic grimes dissing was well known in that topic.

guess i'll have to try harder!

going slightly off topic but ppl write some real hyperbolic nonsense abt kraftwerk eh? makes you never want to read a word about influence again

its true tho

im p sure I've posted in this thread before so I'm being hypocritical here but i haven't heard the Fiona Apple or Grimes album, and will never have to, and if you don't like Grimes or Fiona Apple you can do likewise

kraftwerk are gr8 but ppl make absurd claims abt influence which cld not possibly be true of anyone, it's the maverick isolated auteur thing

kraftwerk are really that band tho

ha! yes, was going to say, if anyone is. a radio documentary on kraftwerk's influence on early hip hop was very illuminating on this.

the zeitgeist finds a way

*awakens from rip van winkle sleep* yeah, fuck parquet courts

hahaha otm

kraftwerk are really that band tho

otm

every post about what the music sounds like is so intriguing and yet every post about the lyrics is so cringe :o

sorry, I mean the lyrics themselves are cringe imo not the posts about them!

Is this about the MCMLXXV?

that's ok, calling things "cringe" is way worse than any lyric on the record

given how they've alternated between album i've disliked -> liked -> disliked then we're due a like, here's hoping

I really like “love it if we made it”, was bummed I didn’t hear anything else of theirs that sounded like that.. kinda dirgy 21st century screwed tears for fears

there's a decent chance you'll like this one lj but ofc i've been wrong about this before many times

Their music makes me feel ancient but it doesn't sound like it's from the future.

im p sure I've posted in this thread before so I'm being hypocritical here but i haven't heard the Fiona Apple or Grimes album, and will never have to, and if you don't like Grimes or Fiona Apple you can do likewise

I feel for my beloved sister, who, back in IL, has been hanging out a lot with one of my good friends (her "quarantine buddy) who is an enormous Fiona fan (and Grimes to lesser degree). I warned her that Fiona just released an album. Poor girl.

and then the Blake Mills album hits her when she's down!

I don't often get to / feel like dissing new records of note, but: I used to really love Braids but their new album is repellent to me; the definition of worthy-as-pejorative. it all either sounds like relationship counselling tunelessly set to music (was going to say "couples counselling" but that's probably not Montreal enough) or sub-ILX white liberal struggle session stuff. I'm sure they're lovely people but it's the album equivalent of that bonus season of Steven Universe where they replaced battles with literal scenes of therapy. there's gotta be a better way.

Not sure I get the Montreal reference.

I have no idea who Braids are btw, but that sounds unspeakably awful.

I was going for a polyamory/throuple joke there but it was a little tortured.

Hah, so Montreal has a reputation for polyamory? FWIW the only people I know who are active members of that scene are anglophone and from Toronto. But if that cliché increases our sexiness quotient I’m all for it.

Braids lost me after Native Speaker for precisely those reasons, I remember listening to "Miniskirt" and thinking yeah I would most likely enjoy a song with lyrics attacking this kind of bullshit, if the vocal delivery and melody weren't so fey and musically irritating. I just checked out.

I checked out that Jessie Ware album that folks here are raving about, and... well, I don't "wanna complain" about it (it's not bad), but I def. "don't get" the raves. ILM tends to go for this polite, bloodless dance-pop that doesn't do anything for me - despite my love for, well, other forms of dance-pop.

it might be polite but it's unusually/exceedingly well-arranged and produced imo

I didn't think I'd enjoy it as much as I did but its first three tracks were enough for me. I'd love a whole album of the stuff if it were interspersed with instrumental workouts.