Led Zeppelin: Classic Or Dud?

I think the closest you can get to maybe the free/loose/improvised rock thing is, I dunno, some later No Wave stuff? Or Dog Faced Hermans or the Ex? Here are the Hermans covering Ornette:

https://www.youtube.com/watch?v=_LBd9SnMn6o

Herman's Hermits were dope it's true

That Dog Faced Hermans track is cool but it's almost too self-consciously (free) jazzy, mostly because of how prominent the brass is.

Basically what I want are recommendations for MC5-alikes without braggadocio (or these other tropes).

It's not particularly political, but the Stooges "Fun House" (the song and album) is jazzier and more dangerous and less conventional than anything I've ever heard from the MC5.

Or is it just that the Stooges added some honking free jazz sax to the mix? I'm not especially an MC5 fan but I believe they may have stretched out more live.

Well, Kick Out the Jams is a live album…

Yes, but there's a lot of other live MC5 stuff out there (that I've never heard).

I always found the MC5 hugely disappointing for exactly the reasons described above. They were supposed to be The End Of The Fucking World...and they were basically a hard 'n' heavy garage rock band with the occasional "out" guitar solo. I mean, their Sun Ra cover is just a chant with some big riffing.

That said, toward the very end of their career, they achieved their true final form as an awesome biker rock force, which you can hear on the live bootleg Teen Age Lust, recorded in January 1970. It totally smokes, and if they'd sounded like that all along they would have been amazing.

what promise, kick out the jams is awesome

Ban pomenitul

lol we naysayers are legion, you have no power here!

For real tho, I actually enjoy Kick Out the Jams now that I've accepted it'll never live up to the ancestral hype.

yeah i'll add my name to the list of folks spending all this time reading the MC5 hype and being really disappointed when i finally heard "kick out the jams"

as i've gotten older i've learned to love them tho

Maybe they achieved their *final* final form when they jammed with Primal Scream in London back in 2008.

Watch it.

Seriously tempted tbh.

Zen Guerilla is the closest to MC5 as I can think of

https://youtu.be/LpsvGZ7iUHU

Haha, clearly I didn't read that much about them. What I heard sounded like garage rock and I thought that's what people liked about them.

what did you all expect, bitchez brew or something?? Was it too heavy and rockin for ya??

I am so crabby today lol sorry

https://www.youtube.com/watch?v=JtvGR8UX1L0

what did you all expect, bitchez brew or something?? Was it too heavy and rockin for ya??

Honestly, I didn't know it at the time (because it was the early '90s and they didn't exist yet), but I was kind of expecting/hoping for...Earthless, basically.

“Kick out the jams” - great title, average tune

The biggest issue is that essentially *none* of the rock bands of the era or beyond had the free chops of Coltrane or Coleman or Sanders or Miles or whomever.

I could see people saying that about Ornette but hadn't Coltrane and Miles demonstrated ample chops by then, even by traditional standards?

Yeah I'm going to see the citation on Coltrane didn't have chops

People were critical of Coltrane’s multiphonics, among other aspects (another criticism was, “oh, he’s just running scales”), and Miles was unfavorably compared to Dizzy Gillespie and, particularly, Clifford Brown in some quarters.

I’ve heard the Miles criticism quite a few times, yeah. He was no Maynard Ferguson (O Canada!) either, apparently.

Yeah Miles I could see but I don't get not being impressed by Coltrane

But jazz beef is the bitchiest beef

Seems like there were various strains of Moldy Figs such as, say, Kingsley Amis, just to shoot one fish in one barrel, who didn’t ever get it

Never forget Philip Larkin calling Coltrane "anti-jazz."

The thing is, even the most strenuous — and, in many instances, racist — detractors of the new music of the ‘60s conceded that this was the next major development in the music after Parker, Gillespie, Monk, Clarke, Roach, et al. The tone in contemporary Down Beat writing is generally, “Yeah, I know this is the ‘new thing’ — that doesn’t mean I have to like it! I’m going to go listen to my Benny Goodman Trio records!”

Right, and someone — Ira Gitler, maybe? — characterized a Coltrane/Dolphy set as “hate music.”

xp

Those aren't necessarily the same as "have no chops", though. Obv lots of people hate and hated free jazz.

While we are at it, Slonimsky was some kind of Old World Wit who wrote all kinds of well-regarded Biographical Dictionaries and Compendiums of Anecdotes and Invective, but in one of his memoirs I came across some hateful bemusement on his part about the bump in sales of his Thesaurus due to purchases by “Ignorant Jazz Musicians” - I am mentally blocking on the the exact hateful wording- that made me see Redd.

Some people get overly attached to a particular aspect or quality of a music, and that aspect or quality also forms part of their identity and sensibility, and then when that genre of music departs from that quality, it offends their identity and sensibility. It creates a kind of narcissistic wound, almost like seeing a parent enter a midlife crisis while still a young child. Jazz critics dismissed Miles's psychedelic explorations because Miles's prior cool/cerebral approach flattered the cool cerebralness they wanted to see in themselves, and the psychedelic stuff shattered their little refuge from crass hippie culture, letting in exactly what they were trying to use jazz to keep out.

Wow

Bonhams zoso symbol is a worthy design target for beer glass condensation rings

He picked his symbol because it was the Ballentine Beer logo turned upside down!

https://vignette.wikia.nocookie.net/stairwaytozeppelin/images/c/c0/SymbolBonham.jpg/revision/latest/scale-to-width-down/340?cb=20120105073536

https://i.pinimg.com/originals/06/fe/73/06fe7315f7e1613959a79d16b9d8d367.jpg

purity
booty
flavor

missed the mc5 revive. i don't know what the mc5 were "supposed" to be but whatever it was they probably weren't? heard a gig of theirs from a '70 festival with the stooges. wouldn't say the stooges "blew them off the stage" - fun house-era stooges, from what i've heard, never quite seemed to live up to the album.

best i can say for the mc5 is that they did "skunk (sonically speaking)", which, once you get past that shit minute-long drum intro, is a fierce monster of... something. heard a tape of some mc5 remnants backing up iggy in '78, again, not bad at all but not epoch-defining. idk what the mc5's heritage is. i have a tape of guitar wolf doing "kick out the jams", and even though it's a recording and therefore listening to it does not cause chronic deafness, i find it worthy.

why are the zep knockoffs nobody's heard of so much better than the better-known ones? yesterday i was listening to mass temper's "grave digger", which is dead up what zep would sound like if the singing and production was black sabbath. if these unknowns could nail the zep sound so well, why can't greta van fleet?

that mass temper track is like somewhere between blue cheer and wicked lady

He picked his symbol because it was the Ballentine Beer logo turned upside down!

🖼

🖼

Ha, "Grave Digger" is not bad.

you know for some reason i'd not heard wicked lady before even though i was familiar with dark

looks like martin weaver is active again, doing some space rock stuff with a norwegian dude, pretty cool shit imo

https://doctorsofspace.bandcamp.com/album/ghouls-n-shit

Robert, Jimmy, Bonham and Jones

The Who, Surrey, United Kingdom, 1971 pic.twitter.com/KCzaix0wJT

— Barney Hurley (@barneyhurley1) August 22, 2020

That photo was taken at the press launch party for Who’s Next, held at Keith Moon’s house (“Tara”).

Fun fact: during the recording of “Won’t Get Fooled Again,” John Bonham was sitting on the floor next to Moon’s kit.

A little later and elsewhere:

Robert Plant playing soccer in Encino 1977. pic.twitter.com/ZBXiGMN7A9

— The ICE Crusher (@EddieMarsAttack) August 21, 2020

percy otm

https://www.instagram.com/p/CAGTD5_hNCV/?igshid=xjenzejlu2rh

Robert Plant describes John’s frame of mind as they drove to their last rehearsal together: “On the very last day of his life, as we drove to the rehearsal, he was not quite as happy as he could be. He said, 'I’ve had it with playing drums. Everybody plays better than me.' We were driving in the car and he pulled off the sun visor and threw it out the window as he was talking. He said, 'I’ll tell you what, when we get to the rehearsal, you play the drums and I’ll sing.' And that was our last rehearsal.”