Robert Wyatt: Classic or Dud?

It's a great setting for him and he sounds perfect on it even if I am not as high on as I was the first Code Girl record, but agreed I need some more time with it

I dunno what it is about "Worship" but that song can never receive enough praise. It is my calm zen.

Shleep is so damn good, can't believe I shlept on it for so long

oh god yeah, the title track is basically an Eno tune

Pretty much every song they’ve worked on together is a career highlight for both men.

Cuckooland is probably the one I go back to most often these days, it's probably not his best album but there are a few songs on there I dearly love.

I can’t quite explain it but there’s something about the digital keyboard sound I love on that record. Karen Mantler is a beast.

listening to this now
https://www.youtube.com/watch?v=osxAOZEGyV8

Soft Machine - "Out-Bloody-Rageous" from 'Facelift France and Holland' (Cuneiform Records)

...It is the earliest footage of the band to be commercially released and also the only video footage known to exist of the quintet line-up that was active from January to March 1970. The broadcast contains the only professionally-recorded performance of “Out-Bloody- Rageous” with Lyn Dobson on second sax and it also is the only professionally-recorded alternative performance by the quintet of “Facelift” (the original appearing as the opening track on Third).

Facelift France and Holland marks the first official release of the entire show in both audio and video format. Footage of the concert was previously released in 2008 on DVD, but we have gone through the original footage once again to improve video quality as well as remove or lessen soundtrack issues including fake applause and hard edits.

In addition to the March, 1970 material presented here on CD and DVD in splendid stereo sound and looking better than it ever has before, Disc 3 presents a previously unreleased soundboard performance at Amsterdam’s Concertgebouw from January 17, 1970.

"...With the Softs flying high sans safety net and previewing material from their upcoming album Third, the audience in raptures, Robert Wyatt looking like the younger brother of Brian Jones and the sight of Orangina bottles decorating the top of the amps, this is a hugely evocative period piece made all the more vivid by the warm hues of the colour film stock. They sure don't make 'em like this any more." – Grahame Bent, Record Collector

Elton Dean – Alto sax, saxello
Lyn Dobson – Soprano and tenor sax, flute, harmonica, vocals
Hugh Hopper – Bass
Mike Ratledge – Hohner Pianet, Lowrey Holiday Deluxe organ
Robert Wyatt – Drums, vocals

CD One: Recorded at Théâtre de la Musique, Paris, France, March 2, 1970. Licensed from I.N.A.
CD Two Recorded at Concertgebouw, Amsterdam, The Netherlands, January 17, 1970.

I'm only into them because of him, but that was pretty refreshing overall.
here's the 7 minute trailer, also sounding good:

https://www.youtube.com/watch?v=UobaL1aCdUM

Robert/s upfront right away!

Spotify has an expanded Virtually. 6-17-71 performances now up from 11 to 16, followed by 10-19-71: 25 total. At bottom:
February 11, 2022

© 2022 Soft Machine

℗ 2022 Lo-Light Records Haven't seen any other info yet---yall know it?

I will always have time for more '68-'70 Soft Machine in my life, even if it gets released in Greatful Dead proportions.

I've been wavering on that Facelift France and Holland release, worth getting?

A guy I know saw Robert Wyatt in Louth last week, took a picture of him. I think he was sitting outside a Greggs.

I was reading the comments on one of the yt links above (2nd, I think) and a guy said he walked past Robert's place once and saw the door was open, peeked in and Robert invited him in and they chatted for a good while. Someone else said they mailed him a letter and Robert replied with a hand-written letter.

what is going on with Rock Bottom, where every chord feels like it's a quarter tone off or something? its like the mellotron effect. is there a term for that?
this album is such a trip. haven't listened to it in years and certain parts are etched in my brain

The sound it's building on is summed up nicely in Bob Stanley's "English Weather" compilation (which of course features Robert as part of Matching Mole) but Rock Bottom is also its own thing of course.

(xp) I don't know if you mean there's mellotron on the album because there isn't afaict.

oddly enough wyatt himself has supplied* the word (or a word) for this effect = desafinado**

*in an 80s interview, i ?think? in ref to the excellence of the raincoats (tho it's possible i subsequently supplied this in my head as a good example)

**meaning the deliberate pitch bending or detuning of notes and melodies, as made popular in 1959 by the brazilian jobim/gilberto hit (which was an ironic embrace of the term bcz ppl were saying that bossa nova was music for ppl who couldn't sing). tuning that veers away from classical piano tuning is of course present all across all kinds of folk and popular musics, so the term has plenty places it can be used beyond bossa nova

i am prepared to argue strongly that wyatt's (and soft machine's) taste for this effect derives from their experiments with tape loops (which often introduce tuning glitches as a likeable effect you'd want to repeat) as well as mike ratledge's sometimes wayward organ (same argument)*** -- and of course tuning effects are also a feature of the wing of minimalism that isn't reich and glass

***and mellotrons are organs made of tape loops! so it all fits

"as made popular in 1959" -- i mean this made the word popular, i don't think the song itself does any pitch-bending (tho the argument critics were making was that bossa nova's whispery vocal style wasn't proper singing i guess)

You could "bend" the notes on a Hammond organ by switching it off and on again - I'm sure the same was true for the Lowrey organ Mike Ratledge used in Soft Machine. Didn't Wyatt use some cheap (probably) Italian organ on this and subsequent albums?

google says yes: a riviera that alfreda benge bought for him in veinice to doodle around on when they were staying in julie christie's villa as don't look now was being shot (benge was asst editor to roeg, something i did not know until three minutes ago)

asst to roeg's editor is probably more precise but even so

There are some v. interesting experiments with tape loops etc. on the Canterburied Sounds compilations, though Daevid Allen is of course the lead experimenter (Ratledge is an odd figure, always central to the project right up to 1976 and responsible for a good deal of the sound, but never seeming to express his own personality / ideas)

some time this year (i hope) i have a big long essay coming out in a collection abt terry riley which does a little digging into exactly this topic (riley and tape loops, plus who was listening and where they took it all) (it could have done with more on daevid allen tbh but it was already much too long and i was finding useful interviews with him abt that topic hard to source)

(xp) I don't know if you mean there's mellotron on the album because there isn't afaict.

― Maggot Bairn (Tom D.), Thursday, February 2, 2023 5:38 AM (two hours ago) bookmarkflaglink

I brought up the mellotron because to me the signature element is that the tapes get worn out quickly which gives them that distended, detuned sound. which wound up becoming a sought after thing in its own right - I find it very amusing that there's a site (Planet Mellotron) which is dedicated to determining which albums use the real thing and which are sampled. not just that someone would catalogue it but that apparently hundreds of bands are sampling this giant, unwieldy machine that doesn't even really work. I am pretty sure the thing wasn't designed to ruin the tapes but it sure makes an interesting sound. Anyway Rock Bottom has that same detuned sound which you don't often hear out of those kinds of organs. I feel like the album itself is supposed to exist half in this world and half in the spiritual realm and playing these chords which seem kind of unearthly...they're like slightly off, sticking a thumb in your brain...is what really drives that home for me

tbh I think the notes Robert Wyatt plays have something to do with it! He does tend to play unusual scales or else flirts with dissonance, he's always done that.

i mean, he sings that way too

I find it very amusing that there's a site (Planet Mellotron) which is dedicated to determining which albums use the real thing and which are sampled

Run by my brother!

i mean, he sings that way too

― the sex lives of quoll-ish girls (Noodle Vague), Thursday, 2 February 2023 15:06 (fourteen minutes ago) bookmarkflaglink

desafinado!

(xp) Wow!

really? I love that site. I've discovered so much through there. right now it feels like the last bastion of the great personal review sites. next time you see him can you play "The Call" by Backstreet Boys and ask if there's a mellotron on that track? I always suspected there was.

by the way he seems to think there actually IS a mellotron on Rock Bottom - the choirs on Sea Song and some strings during Alife/Alifib.

Matt #2's brother doesn't seem too sure though! I assume the photograph was from the recording sessions for "Rock Bottom" because he did play one on the first Matching Mole album.

Will ask and report back (Backstreet Boys only though)

It's that "I should've said no, someone's waiting for me" bit. very much sounds like a mellotron to me.

half in the spiritual realm

like the *decay* behind wine is what I meant to write!!

Not to derail the thread too much from Bob Wyatt, but to answer next time you see him can you play "The Call" by Backstreet Boys and ask if there's a mellotron on that track? I always suspected there was. - apparently it's a generic string sample. Amusing that we made him play it though, that's even funnier than when I insist on inflicting Perfume on the poor guy.

In all honesty the only records Wyatt plays on that I like are the first 3 Soft Machine LPs. I do feel hugely guilty about my indifference towards his solo career though if that makes up for it.

i wish i remembered more abt wyatt's discussion of desafinado! who did the interview and when, for example (80s from memory but that might be wrong) -- at the time none of the wider context stuck with me, just only that word -- bcz it seemed useful (he's always been good on the politics of the clash between official music stylings, and unofficial, so i can see why this appleaed to him as a move. in the 80s i knew nothing at all about bossa nova, so if he mentioned it it didn't register.

obviously there's a nice cover of insensatez on cucklooland, and you can easily hear how his own vocal style gels with jobim's (more than gilberto's: gilberto is a pretty exact note-placer, jobim is a lot more, well, let's say conversational haha) ... not sure if it "influenced" him even w/o getting into my usual rage against that word, just as likely he sang like this anyway in the come-as-you-are style of 60s pop-making and afterwards discovered there was brazilzian sanction for it with good politics attached

(on the other hand it was around and he was a jazz head -- stan getz etc -- so maybe he was always deeply versed and used it as permission from the outset) (he must have talked abt all this somewhere but i'm evidently googling the wrong words)

Yeah, there was a conversational/direct address realness to his singing, even when getting louder and more quavery, on the earliest Wildeflowers tapes I've heard, and he could have already heard bossa nova then, of course,whether or not any difference (otm re Jobim's vocalizing seeming even more relevant than Gilberto's). Obv. he's gotten into that kind of instrumental groove from time to time, like with the Enotron and Ladytron, also somewhat Miles-Gil-type versions of "My Funny Valentine" etc.

He sang in Spanish on Soft Machine Vol 2!

that's bcz of this tho (brazilians sing in portuguese):
https://www.youtube.com/watch?v=wswhUGb1k6c

He sang in Spanish on Phil Manzanera's first solo LP too (a bit later, to be sure).

he lived in majorca for a while in the early 60s

I think it was me who first posted that clip itt! Anwyay I think the Soft Machine track shows influences from outside US/UK early in his career.

they were always skipping back and forth to paris iirc

however i continue to maintain none of this constitutes proof that he heard joão gilberto pre-wilde flowers and thought "i'm also going to sing like that"

tho he might have done

That's how Daevid Allen ended up getting stuck in Paris and forming Gong. There's an interview with Wyatt in French on Youtube where he speaks French with a distinct Robert Wyatt accent but seems pretty fluent.

(xp)