Guitars... what you've got / what you want

Yeah I feel pretty confident it does too, in some indirect way if not microphonically, and I doubt guitar makers have simply been wrong for decades as proven by experiment guy on youtube or whatever.

Artisans are a terrible place to turn to - see: audiophile snake oil thread - because whatever they were taught and what they've done has been successful for them so it must be true. Thomas Keller will tell you to rest your steak on the counter for half an hour before cooking, despite the fact that this does nothing and if it did it would be negative. But Thomas Keller has 20 Michelin stars and you don't, so who's the better chef?

Sustain, pick attack, etc. are introducing a lot of outside questions to the idea of tonewood ie 'can you hear a difference in ash and alder or between a rosewood fretboard and a maple fretboard.' The way a guitar is built changes your approach to picking and strumming, some bridges will have more sustain than others.

Just thought I'd throw in a tangent here:
What's everyone's take on double neck guitars?
Are they irrevocably associated with 1970s rock star indulgence in a way that would always lend them a certain comic air?
I don't have any immediate plans to buy one, but I have sometimes thought that you could do cool stuff with them. Like, if you had an open tuning on one neck and a standard tuning on another one, the combination would probably be interesting.

The comic air is the cool part.

bass/six-string double necks are the way to go

http://www.first3songs.com/wp-content/uploads/2017/05/boris-sydney-first3songs-olga-0933.jpg

Always thought it was cool that those were built for Takeshi by the high-end custom shop at First Act

For all those times when you want the bass to drop out during the guitar solo

Juliana Hatfield has a high end First Act too. It sucks that the company collapsed, because they could've put some cool stuff in the mid-range market if they'd ever gotten their shit together.

https://bigtakeover.com/images/21943.jpg

xpost I had thought it would be cool to have a 12/6 string double neck and do a live loop pedal thing, layering 12 string stuff over the base of 6 string loops

When I think about double neck guitars my mind immediately hears four seconds of a tv show that aired 27 years ago:

https://www.youtube.com/watch?v=5n1l-_UiWbs

Followed by remembering how much my cousin and I used to make fun of this guy:

https://www.youtube.com/watch?v=OZbSDuS4Pyg

Batio! He's absurd, but I just recently watched a video of him doing a guitar clinic and he seemed like a super nice guy.

https://abernethyguitars.com/available-builds/sonic-empress-thc119

I like these that are half Fender offset, 25% prewar acoustic and 25% 1950s department store guitar.

ffs why would you choose to do a slotted headstock

It's provocative, it gets the people talking

Have:
Gretch country club 1961
Ibanez,dunno but it's black
Hondo, it's a Gibson copy I think, but a good one.

Want:
Nothing really. Maybe a bass.

― Mark G, Friday, 28 May 2021 22:44 (eight months ago) bookmarkflaglink

https://hosting.photobucket.com/images/y161/MarkGrout/IMG-20220221-WA0003.jpeg

I has a BASS!

*pops Seinfeld sting*

(which were all done on keyboard anyway I guess)

i love it when dudes use ad titles like "vintage 1993 Samick Stratocaster"

xpost - SG basses are some of the most badass looking instruments

It's an Epiphone, but yes it does look of.

Buttload of new Yamaha Revstars just dropped.

https://www.sweetwater.com/yamaha-revstar/series

some wild colors

Mark G, my 15yo son bought exactly the same bass as that on saturday - he loves it!

new revstar colours look super btw

vg++

nice, those sunset bursts are interesting looking.

I like the ones with the little racing stripe down the middle

same

one thing about them - all the single coil models have the funky tailpiece thing that i'm not such a huge fan of, but none of the ones with humbuckers have that. anyone know what's up there?

yeah that tailpiece is weird, it's not necessarily a bad idea but something about how it's shaped doesn't quite sit right

it's irritating when one design decision is tied to another like that for no clear reason--like i'm not sure i could be convinced that the tailpiece is somehow complementary to the p-90s.

an SG tremolo might work, i wonder if that's what they were going for?

The RS502 from the first gen had the P90s without the tailpiece, but I haven't seen a new RS502 for sale anywhere online in a couple years (and only a few used ones). I guess the RS502T was more popular (it's what I bought, and what most videos you see about them on youtube are featuring), so I guess they didn't bother making a P90s/no tailpiece variant for gen 2.

I've thought about redoing mine and taking off the tailpiece and putting in a stop bar, but I'd need to do pay someone to fill the holes and refinish it and I'm not sure it's worth it right now.

A couple years in the making. The 4420 lives. A complete custom double neck made for Al Cisneros of SLEEP & OM. Be sure to experience this one in person. And just when you thought you were seeing double. There’s sister 4420 black hardware as well.
Photo by: @tinnitus_photo pic.twitter.com/SBQ4HOLzmM

— Sleep (@sleep_official) April 19, 2022

Over/under - 22 pounds?

Currently squaring up to buy one of the Squier Classic Vibe 50s basses - the ones like the original Precision. Not really trying to stop myself I guess ...

Do it!

I have a Classic Vibe Thinline Tele that is totally fine. I reach for it as often as I reach for the Fender equivalent.

I’ve never tried an Indonesian Squier before but the reviews for these seem to be wall-to-wall raves, and it’s not like I am going to be buying a Sting signature model any time.

they should do a sting relic model; his main bass is beat to hell

Well the one I was looking at was used on local classifieds, and I just picked it up, and oh my goddddddddd it is wonderful. Fretwork, neck profile, feel, finish, all just perfect for me. LOVE IT. Feels as good as most of the Fenders I have.
https://i.imgur.com/fVL8GoZ.jpg

nice!!

that SG bass up there is sick. i've been begging my dad to give me his ~'67 gibson SG bass for about 20 years now

I've got a classic vibe jazzmaster and it doesn't feel different at all quality-wise from the mexican fenders tokai strat copy I have.

I just changed the wiring around to the rothstein STB SUPER MOD layout - the rhythm circuit switch is now a series parallel one, it has two volume knobs and the rhythm circuit 'dials' are now bass and treble cut pots. It feels much more useful.

just saw this reversed guitar on reddit and lol`d

Amazing

like this classic https://img-9gag-fun.9cache.com/photo/aXxmK3z_460s.jpg

https://www.instagram.com/p/CdYisL2KNlt/

$8000 for this or just set your own Telecaster on fire, choices choices

yeah . . . ash body is right.

I'd also love to get a ridiculous 80s shredder superstrat. It's absolutely got to have the pointy headstock and shark fin inlays and would preferably be neon pink crackle or something equally over-the-top

― joygoat, Monday, May 31, 2021 10:03 AM (eleven months ago)

Now that all the people who were exposed to hair metal are approaching their 50s and have nostalgic or ironic interest in them there seems to be a number of reissues of guitars that capture this vibe. Jackson has a reverse headstock, shark-fin inlay, floyd rose-equipped dinky model in garish neon pink available now. I put a used one on my reverb watchlist and the place actually made an offer at ME which I've never had happen before. I think I might go for it.

Spent half my Saturday installing a 1954-correct bridge on my Squier Classic Vibe 50s Precision. No doubt it will make zero difference to sound or function, but man I am pleased with it.
https://i.imgur.com/xaYHA53.jpg

(well 1954-correct would have fibre-resin saddles, but that wasn't an option I could source)