Guitars... what you've got / what you want

it says 34 the same as my jazz but there is no way

What's the deal with B-Benders - do they go out of tune like crazy? Are they hard to maintain?

https://danelectro.com/product/sitar-resonator/

I didn't realize Danelectro brought back the Sitar reissue. Gotta start saving, I almost got a Jerry Jones version locally before the guy realized he could get way more for it via Reverb.

https://reverb.com/item/69062653-nepco-guitars-usa-made-v-style-electric-guitar-2023-galactic-sparkle

Danelectro-y Flying V!

for being such a mutant that works really well! it's so delightful how lightweight Flying Vs and Danelectros are.

cool, love it. good origin story here:

https://www.guitarworld.com/features/nepco-danelectro-v-style-guitar

what I’ve got? too many guitars
what I want? all of the other ones

prices seem to be coming down on used gear, pieces staying up a little longer than normal, etc.

it did feel bubble-like

hey all

need some advice. so it looks like i may be joining a pretty cool local band that my friend plays. going to be playing guitar (their guitarist is moving to another city)

i went to see them with the current guy, i think i can handle it playing-wise.

however, i only have a real small fender champion tube amp (just a volume knob, nothing else)

guy has like a mega pedal board full of cool (and expensive) effects pedals

so, my dilemma is i already need to buy a bigger amp but cannot affort drop all this dough on boutique pedals and shit....

i'm wondering if anyone has experience with modelling amps like the boss katana or vox etc? are they bad? sound okay? just trying to come up with a solution

(have a simple jhs reverb and and DOD 70s reissue overdrive pedal but that's it)

Amps: what you've got an what you want.

I've had this Fender Princeton '68 Custom for a while (basically a modified "reissue" that I bought of fb marketplace a few years ago). I like it but I always feel like it's a little too loud for home use, and it's not the best pairing with my tele somehow (although switching out the stock speaker for a creamback improved it).

I keep thinking about a vintage vibrochamp, or maybe a tweed champ. Those would cost a little more than I could get for the princeton. I'd also be losing an amp that I can technically gig with (although I've played exactly one electric gig in the last 12 months, on which I played three songs).

Vintage blackface princetons are v expensive and probably not worth it to me. I've tried a couple of princeton-style Tylers that I thought were cool and not a ton more than I could probably get for my 68 custom.

The 68 Custom is not a bad amp it just has some limitations to it. I like it better with humbuckers or with my strat vs with my tele.

i'd like to get a trad amp, but this band has a record coming out that's already recorded and he has a lot of sounds on the record that you need effects for

or maybe i could probably get some of those cheap ass mooer type pedals and fake it?

congrats ums! katana seems like a huge amount of bang for the buck if you're going to be using the onboard effects and you could get plenty weird with some of that stuff (synth! ring mod! slicer!!). probably wanna get the foot pedal for it though if you're using it live. guess it boils down to whether or not you can get a decent basic tone out of it that you're happy with? have seen people complain that they can be a little cold or lack soul, but you could always pick up a decent preamp pedal to run it through first. was looking at them myself for kind of the opposite reason - got lots of pedals already but just want an amp that sounds good at low volumes and you can run them at 0.5W

he has a lot of sounds on the record that you need effects for

what effects do you reckon you need?

yeah first of all this is super exciting news!

a few things come to mind, i haven't tried a newer modeling amp but i am a very analog person and even working with the interfaces/controls would probably drive me a little crazy....also a bigger regular tube amp is a better long-term investment for you and anything else you may want to do in the future. so the current guy may have a bunch of pedals but is he really using all of them in ways that are super important? like there's a chance that there are two or three things he relies on a ton and the rest are sort of nice to have. i would see if you can figure that out and then budget what you can afford that might get you most of the way there. also you're obviously going to have a big upfront expense no matter what but a pedal board you can add to and modify over time as you see what works where if you go all-in on a modeling amp you're kind of backed into a corner. so i would start with an amp you're really happy with and the figure out the pedals gradually. also not for nothing but taking that boss katana as an example, you're also going to probably be buying a $150 foot controller to use it live which is like 1.5 useful pedals in itself.

full list of effects for the katana is here btw (the reverbs and delays are a few pages down):
https://static.roland.com/assets/media/pdf/BTS_KTN-Mk2_eng04_W.pdf#page=15

I don't feel convinced that the Katana is the solution. I have spent enough time around Katanas and Line 6 Spiders and whatnot and... as I said, I am not convinced.

Personally I just use a good ol' Blues Junior when I want an amp. Straight in.

If I am using effects pedals I figure I may as well go direct, so it's a Sansamp Blonde or Para Driver. Blonde is really good for guitar. Para Driver slightly better for other instruments.

Me, I only need three sounds: clean, dirty, and weird. (The "weird" varies, between phaser, delay, ring modulator, flanger, etc.)

Also what call all destroyer said

okay cool thanks everyone, i think i was kinda hoping to get talked off the ledge about the katana

i unfortunately don't really know what was on his pedal board or how much he was actually using, so like suggested it's possible he was only using like 3 out of 7 or whatever

but the arguments for quality first is convincing...plus I do have two pedals that are good and useful - hall reverb and overdrive, so those are two fairly staple pedals i have

i suppose from there, maybe a good digital delay pedal would be good. -- also THANKS i didn't know the footpedal controllers were extra, that's a big deal...

some amps have spring reverb and tremolo so that is more sounds

so if I have:

overdrive
reverb

next most important pedal i'm assuming is a digital delay?

Reverb should be always on. If you like your amp's onboard reverb, you don't even need a pedal.*

Drive or distortion will get you from clean to dirty.

Delay is fun but fussy - it's easy to set a Rockabilly style slap-back delay. But if you want yo sound like The Edge, that takes a lot more effort, with tap tempo and possibly even multiple delays. Very difficult in a live setting.

For you, I recommend a Phase 90. Boom, done.

yeah definitely some sort of delay with a wide range of delay times and preferably delay types (boss dd8 maybe?)

would also get some modulation, like a chorus that can also do vibrato and maybe flanger or phaser if you fuck with those

you might need some distortion / fuzz too though? get a rat imo

okay yeah probably a modulator too

DEFINITELY going to need digital delay based on the show i saw

as far as a fuzz/distortion, tone wise he was leaning towards clean tones, it's not post-rocky exactly but mostly instrumental with a saxophone player but nothing like heavy heavy at all

this is what i got for overdrive, was on clearance once on harman's site

https://www.youtube.com/watch?v=13NouN_n_3s

* = I don't love the onboard reverb of my amp so, alas, I need a different reverb. Fortunately I have the best one in existence (MXR) so I am fine.

To Nick's point, there are a few "Swiss army" pedals out there that can do a bunch of different modulation types. I haven't tried them because a Phase 90 gives me all the underwater sounds I need.

One significant question is, what guitar(s) will you be playing? Amp recommendations would depend on that.

oh it's kind of a weird one - i posted about it upthread. basically this godin that i had modded. tele body but HSH configuration. i had pickups replaced with two PAFS at bridge and neck (splittable by pulling out the tone knob) and then a P90 in the middle that's housed in the body of a tele neck pickup

i also have a conventional telecaster w/b-bender i might use some (old squier w/stock picksups)

yeah sounds like a dd8 or line 6 dl4 would be a good thing to start looking at….one of those plus reverb and like a phase 90 as YMP suggested will cover a lot of territory.

on the subject of mod pedals, this video kinda blew my mind, not sure why i hadn't thought about this before:

https://www.youtube.com/watch?v=HJIPueJ8Vo4

YMP - how is the Blues Junior for clean stuff? also how loud is it? good enough for gigs with a decently but not super loud band?

Blues Junior is plenty loud at 15w. I have never needed anything bigger for a club/bar gig. AC30, JC90, Maybe.

Deluxe Reverb at 22w is too much amp. A Twin or JC120 is WAY too much for most situations you will ever realistically encounter.

Because (hear me out) past a certain size of venue, you will be mic'd anyway. From my perspective there is utterly no reason to go out there with a large or high-wattage amp.

A. You will be mic'd anyway

And B. You will pretty much never get the chance to hear the amp's full potential, because unless you are in a stadium it will be too goddamn loud.

And C. Even in an arena, you will not be able to hear your Marshall stack (or whatever) because of points A and B (it will be mic'd anyway, and the sound people will probably not let you crank it/dime it).

Seriously, go direct (Sansamp) or use a smallish tube amp like the Blues Junior or Vox AC15. Or maybe Peavey Classic 50 or Roland JC-90.

oh cool i was gonna ask about the peavey classic 50, i'm a fan of peavey's stuff and people tend to not think it's cool so you can get it for cheaper

i brought up the Blues Jr because this is posted on my local craigslist and the dude seems A BIT INSANE but maybe in a good way? certainly will have been serviced and working well

https://minneapolis.craigslist.org/wsh/msg/d/river-falls-fender-blues-junior/7640032447.html

Seriously, go direct (Sansamp) or use a smallish tube amp like the Blues Junior or Vox AC15. Or maybe Peavey Classic 50 or Roland JC-90.

― Bonobo Vox (Ye Mad Puffin), Friday, August 11, 2023 2:02 PM (one minute ago) bookmarkflaglink

the direct thing is appealing but this band seems to play a lot of DIY circuit stuff (galleries, record stores, houses, etc) in addition to clubs so can't depend on a good PA all the time

Caveat: I love me a Blues Junior but the onboard reverb on the stock models is decidedly tinny. Occasionally you see modded ones out there and it's worth looking into.

I have played through (but not owned) various Deluxe Reverbs and Twins that were delightful - but, as I have said, way too much amp for most bars.

how is the blues jr clean tones?

Personally I am very happy with the Fender clean sound, and see no reason to ever look at anything else. (With the aforementioned reverb issue.) It's like "no one ever got fired for buying IBM." The only time I don't use a Blues Junior is when I use the Sansamp Blonde (which is, in fact, an emulation of the same basic sound).

Still, that Peavey works fine for some people. Maybe also look at the Blackstar club?

cool, yeah the reverb this isn't a big hassle i have a decent pedal and if i needed a decent flavor seems like there are a ton of really affordable reverb pedals out there

i like this guy who has made it his personal mission to fix all the blues juniors in the world

tube fender clean is my favorite electric guitar sound. I also have a blues jr but do not gig. Master volume knob is important as you can decouple volume and drive, which isn't a given for little 15w tube amps it seems.

I am mostly playing the solo from "No Woman No Cry" on a PRS to squirrels, but not one has complained about tinny built-in reverb.

https://i.imgur.com/jrtswVm.jpg

I used to play my les paul through this Peavey. Very satisfying. Just a monster

Sufjan otm. The way the volume/master knobs are set up is kinda backwards in a hilarious way - in the same way that the tremolo arm is actually vibrato. The Fenderverse is its own thing, and we can either choose to embrace it or reject it. Personally i choose to embrace it.

i like this guy who has made it his personal mission to fix all the blues juniors in the world

― call all destroyer, Friday, August 11, 2023 2:25 PM (sixteen minutes ago) bookmarkflaglink

lol i know he has two other ones up on CL right now, they were a little more assuming because of cabinet condition

I have a knockoff clone of a Peavey Classic 30 and it’s everything I need (apart from slightly flaky wiring). Similar EL34/spring reverb magic of a Fender Deluxe, with an effect loop in the preamp.

xp way back to nickb, that stacking pedals video is great!

A clone of a Classic 30? You bought it that way? Someone made it for you? That's pretty interesting.

Ums have you looked into/played a fender hot rod deluxe amp? Pretty basic but still quality, good pedal platform.

Hot Rod series are great in my opinion. The clean sound is quite decent, they are CERTAINLY loud enough (at least from the Deluxe and up) they are everywhere and they are cheap. They are backline at a lot of places. They do have a few spots where the construction is not the best and if you gig them hard they will need some little things here and there, but they're workhorses. We should stop using the word workhorse and instead use hot rod deville.

Lower wattage tube amps... might not be for every situation. If you want to play loud and clean, they can't. They overdrive early. If you don't super clean 70s country / 80s anything tones, no problem. Playing with loud drummers is a big problem for anything other than a twin and up. Some of these little amps (I had an 18 watt marshall which I really really tried to love) have such a pronounced inherent overdrive tone that they get funky with dirt pedals. They'll mic it up you say.... well, alright, except now you're at the mercy of some random sound guy, some random monitoring situation, possibly none or very little soundcheck time. I'm just saying that I need, bare minimum, enough amp behind me to be heard over a drummer... and I need the sound to be clean/cleanish in most situations. I'm way too old for halfstacks anymore, so I settled for the worlds heaviest 1x12 combo.

that should say if you don't NEED super clean.... no problem.

This is where I plug Ampeg's Jet and Reverberocket amps. Some of the 90s reissues (when Mackie did their best to mess up the Ampeg brand), are really good and still undervalued. I'm annoyed that I never picked up a J-20 when Sam Ash was fire saleing them for $299 each - a steal for what essentially is handwired 20W Hot Rod 1x12

xxxxp it’s pretty much an exact Classic 30 clone made in China for the Australian company Strauss, who used to do stage amps of their own manufacture back in the 70s.
I fired it up on the weekend and it has some gnarly intermittent crackles so I will need to go over the solder joints on the PCB (after discharging the caps of course).

if only there were some kind of...Holy Grail of Tone within driving radius