Charli XCX

Decided all the dates were in venues too large for me, will wait for the next time she plays “smaller” venues.

New clip sounds fire though!

https://www.youtube.com/watch?v=WJW-VvmRKsE

pretty good but it's so short, wish it had a bridge

probably her best music video...ever? I like the song a lot too, I think this album is shaping up really nicely.

the video itself is good but i don't think the intro needed to be that long

video - (in)decent, track - yep yep yep yep yep yep yep yep yep yep YEP

the intro needed to be that long so that every one of those influencers friends would feel justified in spamming their followers with a link to the song obv

Forgot to post this last week, but I was a bit obsessed for a couple of days with this clip of a forthcoming 00s throwback electro-house sleaze collab with The Dare:

what song is this oh my god i need it NOW @charli_xcx pic.twitter.com/PImPocHbET

— kels*•.*୨୧ (@L0VEST0RYZ) May 3, 2024

Was recently surprised and a bit undone by “Official”, underrated track I think

that whole downtempo stretch on "Charli" is gorgeous!

360 is fantastic as well. Despite having seen Uncut Gems and the recent boiler room set with Julia Fox guesting, i had no clue "I'm so Julia" is a reference to her? (per Genius)

Anyway massively hyped for the album

Loving all the tracks released so far - but B2b is something else - would fit perfectly in an early 90's industrial set.

https://www.youtube.com/watch?v=EdvhcjPjn2U

had completely missed this weird pixies/weezer-esque thing she did for a soundtrack, the guitar sounds here are wild

album is out there in low quality and it's pretty good. probably her third best behind how i'm feeling now & pop 2? it's a less stylistically focused, the songs are generally a little too short and it's not as consistent, but it's still generally very good.

yeah i love this album! the vibe is quite relaxed and unconstrained but it all fits together really well despite the stylistic variation.

"girl, so confusing" is so good, perfect mid-point of 00s electrohouse and hyperpop

good to hear. third best is actually a high bar!

such disrespect to sucker, her best. sad!

"Von Dutch" pressing all the buttons HARD, weirdly it's more exciting without the video distraction

First impressions are strong with this one, looking forward to more listens.

i think this is my aoty so far which is probably just a reflection of how little i've really loved anything this year

but it rules!

I've never understood her, a few hits and coulda-beens aside. We want to turn her into a pop star, she clearly wants to be a star, but she lacks the songs and the vocal presence?

Anyway, listening now to see if my mind changes.

idk she seems pretty happy with her hyperpop weirdo niche these days

alright Club Classics is awesome

okay yeah this is a huuuuge return, she is back

The three advance tracks were imho above anything she'd done before so yeah i'm primed for this to be aoty material

it's fabulous. it probably doesn't need 'mean girls' and 'i think about it all the time' but these are minor infractions

no way, "i think about it all the time" is essential and "mean girls" at least has that crazy piano part

they'll probably both grow on me

cosign 'girl, so confusing' as a high-point mind

goddamn '365'

"i think about it all the time" is one of my favourites here, just a great vibe

We want to turn her into a pop star, she clearly wants to be a star, but she lacks the songs and the vocal presence?

Plenty of other people around if you want that, doesn’t feel like this is what she wants to be at all and likes to do her own thing.

she's found a good lane and i'm so glad she's still doing this

"Von Dutch" pressing all the buttons HARD, weirdly it's more exciting without the video distraction

otm. even though the video is cool too. just a nuts track. Remix also great

Plenty of other people around if you want that, doesn’t feel like this is what she wants to be at all and likes to do her own thing.

― Chewshabadoo,

I don't want that for her but for a while it seemed like she did. Part of what makes this album a delight after my second listen is how she doesn't give a fuck anymore. She and her producers have manipulated a bunch of cool-sounding electronic burps and screeches and big synth bass for the sake of songs about how to face the life you've ignored after you've been out partying. (I still don't like "Von Dutch").

it was only really crash that was a deliberate attempt at commercial success, which didn't even really work as that and was all the worse for her trying

That makes me think more of "Charli" ("Crash" did go to #1). But yes this album is supposed to be (and on first listen,yeah,sounds like) a harder turn into weirdpop/what she's purporting to really want to do. Maybe she got better terms on her renewed record deal idk

didn’t like “von dutch” much as a standalone, but luckily it’s probably my least favorite on here. “club classics” is indeed a mega classic(“i just wanna hear me when i’m on the dance floor”), also love “everything is romantic” (“falling in love agayne and agayne”), “rewind,” and “girl, so confusing”

honestly most songs are highlights, this is great

charli felt more like a weird compromise-with-the-label than anything else, like it was just a bit of a mess and seemed to be a few different projects cobbled together

don't know if this is showing up anywhere else, but on spotify she changed the art on all of her previous albums to match the style of the BRAT cover

pop 2 & how i'm feeling now were definitely not her aiming for or caring about commercial success and were brilliant (although given "unlock it" later having a bit of tiktok success she might have been able to get more out of it if her label had done any promotion at all when it was released)

yes true. "pop 2" was a "mixtape" though. and "how i'm feeling now" i'm thinking sort of a deep-in-lockdown easier sell to the label?

crash being an attempt at selling out was very much on her own terms from everything she's said, it's never sounded like it was due to label pressure or anything. i just wish she'd stuck more to the original new jack swing concept she had, the tracks that lean into that were great. she got too cynical with her sell out moves and didn't play to her strengths much

“mean girls” is hyper-Kesha (complimentary). the piano part’s left hand is basically “outstanding” by the gap band

she had a bunch of trouble with her label with sucker and charli but it seems like after charli they just gave up on trying to force anything and let her do what she wanted

As I just muttered elsewhere, Brat is a good pump-up-in-the-morning listen as it is a good later evening one, I'm finding.

"So I" so beautiful!

it’s Charli baby

maybe this is even better than pop 2

no mildly grating features for one